Torment (1944 film)

Directed by Alf Sjoberg and written by Ingmar Bergman, Hets (Torment) is the story of a boarding school student who falls for a local girl while he is being tormented by his sadistic Latin teacher. The film is an exploration of the world of torment in the world of boarding school as the film would also mark the very first film to be written by Bergman in a collaboration with one of the then-premier filmmakers in Sweden. Starring Stig Jarrel, Alf Kjellin, Mai Zetterling, Olof Winnerstand, Gosta Cederlund, Stig Olin, and Gunnar Bjornstrand. Hets is an eerie yet mesmerizing film from Alf Sjoberg.

The film revolves around a boarding school senior who is about to graduate yet still has to pass certain exams including Latin but he is tormented by the mental abuse of this teacher where he would later befriend a local checkout girl at a tobacco store who also dealing with a form of torment of her own. It’s a film that doesn’t just explore the concepts of verbal and mental torment but also two people who are both affected by it in such a way as they’re struggling to live their lives. Ingmar Bergman’s screenplay doesn’t just go into great detail into what Jan-Erik (Alf Kjellin) and Bertha (Mai Zetterling) are dealing with but also in the former as his Latin teacher that is called by students as Caligula (Stig Jarrel) is a man that is really vicious in his methods. Even as students have a hard time trying to learn Latin meet his expectations as even a few of the teachers are becoming aware of Caligula’s actions.

Jan-Erik’s escape in his time with Bertha would bring comfort but Bertha remains troubled as Jan-Erik wonders who is Bertha’s tormentor. Yet, the reveal of the tormentor isn’t a total surprise yet it adds a lot more to the subject matter as well as the tormentor himself who is a sadistic son-of-a-bitch that is a keen manipulator with some very serious issues. Especially in the third act as it relates to his own actions and what he would do to Jan-Erik that would eventually make things much worse for all involved.

Alf Sjoberg’s direction is very straightforward yet it does have some very entrancing compositions from the way he opens the film as well as maintain this tense and discomforting atmosphere in the classroom. While there are some wide shots, much of the film is presented in a more intimate manner with its close-ups and medium shots to play into the tension that looms throughout the film as it relates to Jan-Erik and Bertha. Even in the classrooms as Sjoberg would have his camera place into Caligula trying to get Jan-Erik to say things the right way with students sitting in silence as some are just scared while others want to fight back. The dramatic elements would be intense including a key scene in the third act where Jan-Erik and Caligula are met with the school’s headmaster (Olof Winnerstrand) as it plays into the idea of truth and gain. Yet, it is followed by an ending which is directed by Bergman, who was the film’s assistant director, as it relates to everything that had happened but also in what Jan-Erik would have to do with his life. Overall, Sjoberg and Bergman would create a fascinating yet dark film about the concept of torment.

Cinematographer Martin Bodin does excellent work with the film‘s black-and-white photography for the way some of the nighttime interior/exterior scenes are lit with its shadows along with more naturalistic shots for the daytime exterior scenes. Editor Oscar Rosander does nice work with the editing as it is largely straightforward with a few stylish moments that play into the intensity of the drama. Production designer Arne Akermark does fantastic work with not just the look of the classrooms but also the homes of Jan-Erik and Bertha to play into their different backgrounds.

Costume designer Mimmi Tornqvist-Zedell does terrific work with the costumes from the clothes that Jan-Erik wears to go to school to the dresses and robes of Bertha. The sound work of Gaston Cornelius is superb for the atmosphere of the classrooms where it could raucous or at times uncomfortably quiet along with some moments heard outside of the classroom. The film’s music by Hilding Rosenberg is wonderful for its orchestral-based score that played into the drama with its string arrangements.

The film’s cast feature some notable small roles from Gunnar Bjornstrand as a teacher, Hugo Bjorne as a doctor who would treat Jan-Erik in the film’s second half, Olav Riego and Marta Arbin as Jan-Erik’s parents who become concerned over his behavior, Jan Molander as a nerdy yet tortured student in Petterson, Gosta Cederlund as an elderly yet kind teacher in Pippi who is concerned about Caligula’s behavior towards the students, and Stig Olin as Jan-Erik’s friend Sandman who is very suspicious about Caligula as he really despises the man. Olof Winnerstrand is superb as the school’s headmaster as this unlikely sympathetic figure who tries to understand what is happening where he only appears late in the film but manages to exude so much into his brief appearance.

Mai Zetterling is fantastic as Bertha as a young woman who works as tobacco store clerk who is tormented constantly by a man on her way home where she befriends Jan-Erik as she becomes his lover in the hopes that she can escape from her tormentor. Alf Kjellin is excellent as Jan-Erik as a young student who deals with the constant mental abuse he receives from his Latin teacher as he struggles to pass his exams and graduate where he finds solace in this equally-tormented young woman. Finally, there’s Stig Jarrel in an amazing performance as the Latin teacher called Caligula as this man who is very mean towards Jan-Erik as well as be someone who might really be ill in some ways as it’s a very terrifying performance to watch.

Hets is a remarkable film from Alf Sjoberg that features a great cast as well as an incredible script by Ingmar Bergman. The film isn’t just a fascinating look into the concept of torment but also in what it can do to people who are extremely vulnerable. In the end, Hets is a marvelous film from Alf Sjoberg.

Alf Sjoberg Films: (Den starkaste) - (They Staked Their Lives) - (Den blomstertid) - (Hem fran Babylon) - (The Heavenly Play) - (Kungajakt) - (Resan bort) - (Iris and the Lieutenant) - (Only a Mother) - (Barabbas (1953 film)) - (Only a Mother) - Miss Julie - (Karin Mansdotter) - (Wild Birds) - (Last Pair Out) - (The Judge (1960 film)) - (On (1966 film)) - (The Father (1969 film))

© thevoid99 2016

2015 Cannes Marathon: Miss Julie (1951 film)

(Co-Winner of the Palme d’Or w/ Miracle in Milan at the 1951 Cannes Film Festival)

Based on the play by August Strindberg, Miss Julie is the story of a count’s daughter who falls in love with one of her servants in 19th Century Sweden. Written for the screen and directed by Alf Sjoberg, the film is an exploration into class, sex, and power at a time where everyone had a role to play as a woman struggles with this role. Starring Anita Bjork and Ulf Palme. Miss Julie is an evocative yet intense drama from Alf Sjoberg.

Set in 19th Century Sweden, the film revolves a woman who just broke off her engagement with another man as she copes with her unhappiness with one of her servants whom she falls in love with. It’s a film that plays into a world where two people are in love but are forced to deal with their class and social differences as well as what is expected for them. Even as the titular character (Anita Bjork) is coping with memories of her own childhood and her late mother (Lissa Alandh) where Julie also talks to the servant Jean (Ulf Palme) who keeps her company while expressing his own feelings for her. Still, Jean knows that being with her would cause trouble as he’s already betrothed to someone else. Just as the two reflect on their own childhood, the script allows the two to bond as well as ponder the possibilities of being together. At the same time, the two cope with their own internal struggles of who they are and where they come from as it plays to the reasons into why they couldn’t be together.

Alf Sjoberg’s direction is very mesmerizing for the way he captures not just life in the middle of 19th Century countryside where many of the servants at this estate are having a celebration in the middle of this intense story. Sjoberg’s direction not only has some wide and medium shots to play into this celebration and events that goes on outside of the story but also play into a world where Julie is and how oppressed her life was as a child and as an adult. Sjoberg’s usage of tracking shots and other stylistic shots that blur the idea of past and present not only help create moments that play into Julie and Jean’s own tumultuous past but also their own sense of repression. Sjoberg’s close-ups with these backdrops that play into not just Julie and Jean’s own desires but also the world that they come from. Most notably in the former as it relates to her relationship with her late mother and the ideals that her mother tried to instill upon her which would add to Julie’s own anguish about herself and what she wants. Overall, Sjoberg creates a truly captivating and mesmerizing film about a woman’s anguish towards what she wants and what she is expected to do.

Cinematographer Goran Strindberg does amazing work with the film‘s black-and-white photography that manages to bring in something natural to some of the film‘s exterior settings with its ponds and creeks along with some unique lighting for some scenes set at night. Editor Lennart Wallen does excellent work with the editing with its stylish usage of transition wipes as well as inspired usage of dissolves to play into the idea of past and present. Art director Bibi Lindstrom does fantastic work with the look of the estate and its interiors to play into the world that Julie lives in. The sound work of Lars Lalin is terrific to play into the atmosphere of the celebration gathering as well as sparse moments inside the rooms of the estate. The film’s music by Dag Wiren is superb for its orchestral-based score that plays into the drama with some eerie pieces as well as some somber moments that play into Julie’s sense of torment.

The film’s brilliant cast include some notable small roles from Inger Norberg and Jan Hagerman in their respective roles as the young Julie and Jean, Kurt-Olof Sundstrom as Julie’s fiancee, Inga Gill as a servant named Viola who has feelings for Jean, Ake Claesson as a doctor in a flashback scene, Margaretha Krook as the house governess from the flashback scenes, and Max von Sydow as a farmhand who spies on Julie and Jean. Anders Henrikson is terrific as Julie’s father who adores his daughter while Lissi Alandh is fantastic as Julie’s mother in the flashback scenes who is a woman of immense darkness as she would do things that would trouble Julie as an adult.

Marta Dorff is amazing as the cook Kristin who is betrothed to Jean as she also talks to Julie as she brings a complexity to her character as someone that wants to help Julie but is very devoted to Jean whom she loves very much. Ulf Palme is excellent as Jean as a servant who has feelings for Julie as he tries to serve her while willing to talk to her about her own feelings and offering her the chance to escape from her life. Finally, there’s Anita Bjork in a radiant performance as the titular character as this woman who is in love with Jean but her social and class standing as well as her disdain towards men bring a sense of anguish into the character as it’s a very intense performance from Bjork.

Miss Julie is a remarkable film from Alf Sjoberg that features great performances from Anita Bjork and Ulf Palme. It’s a film that plays into the idea of desires in a world where two people are repressed by their own social and class backgrounds as well as what is expected from them in these roles. In the end, Miss Julie is a tremendously rich and powerful film from Alf Sjoberg.

Alf Sjoberg Films: (Den starkaste) - (They Staked Their Lives) - (Den blomstertid) - (Hem fran Babylon) - (The Heavenly Play) - (Kungajakt) - Torment (1944 film) - (Resan bort) - (Iris and the Lieutenant) - (Only a Mother) - (Barabbas (1953 film)) - (Only a Mother) - (Karin Mansdotter) - (Wild Birds) - (Last Pair Out) - (The Judge (1960 film)) - (On (1966 film)) - (The Father (1969 film))

© thevoid99 2015