Showing posts with label andrew dice clay. Show all posts
Showing posts with label andrew dice clay. Show all posts
Saturday, February 01, 2020
A Star is Born (2018 film)
Directed and starring Bradley Cooper and screenplay by Cooper, Will Fetters, and Eric Roth that is based on the 1937 film by William A. Wellman and co-writers Robert Carson, Dorothy Parker, and Alan Campbell that was produced by David O. Selznick, A Star is Born is the story of a troubled country-rock singer who meets an unknown singer as he takes her on tour and help guide her own music career just as his starts to decline. It’s a film that was first told in 1937 and had been remade two more times in 1954 and 1976 as it is now told in another new interpretation for a new generation with Cooper playing the role of the singer Jackson Maine and pop singer Lady Gaga as Ally. Also starring Sam Elliott, Dave Chappelle, Anthony Ramos, Rafi Gavron, Greg Grunberg, and Andrew Dice Clay. A Star is Born is a rapturous and heart-wrenching film from Bradley Cooper.
The film is the simple story about the diverging paths of a troubled country-rock singer and the woman he would fall for and make her into a pop star. It’s a story that had been told three different times in its different incarnations as the script by Bradley Cooper, Will Fetters, and Eric Roth use those three different stories to set in the 21st Century where country-rock artist Jackson Maine is touring and making music although his popularity is starting to decline as he would meet this young woman named Ally at a drag club where she sings La Vie En Rose. Ally is also a songwriter but hasn’t made any waves to attract people in the music industry as she’s stuck in a waitressing job and not do much other than live with her father Lorenzo (Andrew Dice Clay) who runs a chauffeur business with friends. When Maine meets Ally at the drag club and strikes a conversation with her about music, sparks happen as he later invites her to one of his shows as they sing a song that she created.
Immediately, Maine accompanies Ally on their tour yet his older half-brother Bobby (Sam Elliott) is concerned about Maine’s alcoholism as well as his tinnitus which is getting worse while Ally’s songs finally attract the attention of a producer in Rez (Rafi Gavron). Through Rez, Ally would go pop and become immensely successful yet Maine struggles with his own issues as he finds himself playing a show in Memphis for money as he questions his own integrity as well as Ally’s decision to do pop music. The script showcases not just some of the decisions Maine has made in his life and career but also the struggle to realize that Ally has so much to offer as he fears he would ruin her. Yet, Ally is aware of Maine’s troubles as she is eager to help him any way she can as well as willing to risk her own career.
Cooper’s direction does have some elements of style yet much of his direction is straightforward in his presentation of life on the road and on stage as well as the backstage parties, recording sessions, and rehearsals. Shot on various locations with much of it in Arizona and California, Cooper does play into this world that Maine is often surrounded in that include open landscapes, amphitheaters, and music festivals where appearances in such noted festivals as Glastonbury in Britain and Coachella in California are shown. Cooper’s usage of the wide shots showcase the vast world of the venues and festival areas that Maine and later Ally would play to but Cooper also maintains an intimacy as he often captures the performance on the stage with some perspective from the audiences and from the backstage area. The usage of close-ups and medium shots of the performances and some of the action backstage as well as the usage of cell phone footage add to the excitement of the performances in the film.
The non-musical scenes do have an intimacy in the way Ally and Maine would create songs as well as go into discussions about the idea of integrity in music as Cooper knows how to create simple compositions but also in the way characters would react to another. Cooper also maintains that air of simplicity while knowing what not to show during a key dramatic moment late in the film. Notably in the third act as it play into Maine’s own downfall due to his substance abuse as well as growing tinnitus where he is trying to recover but there is also this danger that he could screw things up again. Yet, there is the music as it is what brings him and Ally together as it is a crucial moment for not just its climax but also the ending into the journey that these two endure. Overall, Cooper crafts a touching and ravishing film about the diverging journeys between a country-rock singer and his pop star wife.
Cinematographer Matthew Libatique does brilliant work with the film’s cinematography with its usage of stylish lights for some of the clubs, venues, and bars the characters go to as well as the lighting in some of the concert scenes and some of the natural elements in the film’s exterior scenes. Editor Jay Cassidy does excellent work with the editing where it is straightforward for much of the film while knowing when to keep shots going as well as create a few montages in some parts of the film. Production designer Karen Murphy, with set decorator Ryan Watson plus art directors Matthew Horan and Bradley Rubin, does fantastic work with the look of Maine’s home that he would later share with Ally as well as the home that Ally lived in with her father. Costume designer Erin Benach does nice work with the costumes from the casual and cowboy-like clothing that Maine wears to the more stylish look that Ally would sport in the clothes that she would wear as a pop star.
Hair stylist Joy Zapata and makeup artist Debbie Zoller do terrific work with the look that Ally would venture into from being somewhat plain into being a bit more glamorous into her transformation as a pop star. Visual effects supervisor Bruce Jones does wonderful work with some of the film’s minimal visual effects as it mainly serves as set dressing for some scenes in the film. Sound editor Alan Robert Murray does superb work with the sound in the way live music sounds on locations as well as the way music sounds when it’s being recorded as it is a highlight of the film. Music supervisors Julianne Jordan and Julia Michels do incredible work in cultivating the film’s soundtrack as it feature a lot of original songs sung and performed by Cooper and Lady Gaga with the latter co-writing some of the material with Lukas Nelson, Jason Isbell, Diane Warren, DJ White Shadow, Mark Ronson, and Andrew Wyatt as its mixture of country, country-rock, pop, and dance pop add to the story as it’s one of the film’s major highlights.
The casting by Lindsay Graham and Mary Vernieu is marvelous as it feature notable small roles and cameo appearances from Alec Baldwin as himself hosting Saturday Night Live, Halsey as herself presenting an award, Marlon Williams and Brandi Carlisle as themselves performing at the awards show, Luenell as a grocery cashier, Eddie Griffin as a local preacher, Drena de Niro as the wife of Maine’s friend Noodles, Greg Grunberg as Maine’s driver Phil, the trio of Barry Shabaka Henley, Michael D. Roberts, and Michael Harney as Lorenzo’s friends, Shangela Laquifa Wadley as the drag club emcee, William Belli as the drag queen Emerald, and Ron Rifkin as Maine’s rehab therapist Carl. Dave Chappelle is superb as Maine’s longtime friend and former musician Noodles as a man who has chosen the simple life as well as offer Maine a glimpse into that life that would inspire him to commit full time to Ally.
Rafi Gavron is terrific as Ally’s manager/producer Rez as a man who would drive a wedge between Ally and Maine but is also aware of Maine’s troubles with drugs and alcohol and uses it against Maine. Anthony Ramos is fantastic as Ally’s friend Ramon who would introduce Maine to Ally as well as be someone who would be on Ally’s side and be one of the few people in her life who keeps her grounded. Andrew Dice Clay is excellent as Ally’s father Lorenzo as a man who is supportive of his daughter while is also worried about her not making it knowing about those who had the talent but never made it as it is a charismatic and grounded performance from Clay that also has an air of tenderness that is unexpected from the comedian. Sam Elliott is amazing as Maine’s older half-brother Bobby who also manages Maine as he is aware of his brother’s troubles with substance abuse and his tinnitus as well as being the one who is trying to take care of everything as it is one of Elliott’s finest performances.
Finally, there’s Bradley Cooper and Lady Gaga in phenomenal performances in their respective roles as Jackson Maine and Ally. Cooper’s performance as Maine displays a man who is talented but also extremely troubled as years on the road, recording, and partying is starting to take its toll while his tinnitus is starting to get worse as he is in denial about his issues while is forced to face the reality of his troubles. Gaga’s performance as Ally is a marvel to watch as she displays the sense of reluctance to go into a singing career while eventually finding the confidence but is also someone who doesn’t take shit from anyone. Cooper and Gaga together are incredible to watch in the way they bond with one another as well as the scenes where they argue as they added that edge into two people who both have a love for music and each other but at times can’t stand one another as they are a major highlight of the film.
A Star is Born is a spectacular film from Bradley Cooper that features great performances from Cooper, Lady Gaga, Sam Elliott, and Andrew Dice Clay. Along with its evocative soundtrack, gorgeous visuals, a fresh and daring reinterpretation of an old story, and top-notch musical performances. It’s a film that isn’t afraid of being a remake but also find ways to do something new with it while being this whirlwind romantic drama of two singers both going into different paths only to go up when they work together. In the end, A Star is Born is a sensational film from Bradley Cooper.
Related: A Star is Born (1937 film) - A Star is Born (1954 film) – (A Star is Born (1976 film))
© thevoid99 2020
Sunday, August 25, 2013
Blue Jasmine
Written and directed by Woody Allen, Blue Jasmine is the story about a woman whose husband had been arrested over his criminal activities forcing her to live with her estranged sister in San Francisco as she tries to get her life back on track. The film is an exploration into a woman trying to start over as she had been nearly thwarted by scandal as she turns to her younger sister for help despite her middle-class lifestyle. Starring Cate Blanchett, Sally Hawkins, Peter Sarsgaard, Andrew Dice Clay, Bobby Cannavale, Louis C.K., Michael Stuhlbarg, and Alec Baldwin. Blue Jasmine is a brilliant yet captivating film from Woody Allen.
What happens to a woman whose wealthy life comes crashes down when her husband is revealed to be a crook as she is forced to move in with her working-class sister? That is essentially the premise of the film where Jasmine Francis (Cate Blanchett) has lost everything as she spent the last of whatever little money she had left to fly from New York City to San Francisco to live with her estranged adopted sister Ginger (Sally Hawkins) and her two kids. Yet, Jasmine is appalled by her sister’s lower-middle class lifestyle and her choice of men as she is desperate to get herself back to the upper-class life but her mental state as well as reflections of her old life with her former husband Hal (Alec Baldwin) would make her uneasy around many people including Ginger.
Woody Allen creates a very interesting narrative where it moves back-and-forth from the new life that Jasmine has to live in San Francisco and the old life she had in New York City where she had money, lived in expensive houses, wore expensive clothes, and have the finest social gatherings out there. Though Ginger and her ex-husband Augie (Andrew Dice Clay) were impressed by what Jasmine and Hal had during their trip to NYC, they preferred the simpler life though Ginger would be the one to discover something about Hal that she had kept a secret until everything went wrong. Due to Hal’s financial schemes, Augie’s chance to have his own business is finished that led to him and Ginger getting a divorced as Ginger is trying to have a new relationship with a mechanic named Chili (Bobby Cannavale).
One aspect of the script that is very interesting is Jasmine’s own sense of elitism and narcissism as she criticizes her sister for the life she lives and the idea that Ginger is always around men whom she thinks are losers. Though Ginger would later meet a sound engineer named Al (Louis C.K.) at a party where Jasmine would meet an aspiring politician named Dwight (Peter Sarsgaard). Ginger’s relationship with Al would only make her feel insecure as she becomes confused of whether to be with Al or Chili. Jasmine’s own pursuit of Dwight would eventually be her own undoing as she would lie to win Dwight’s heart but elements of her past would come back to haunt her.
Allen’s direction is quite straightforward in the way he presents the film while he gives the scenes set in New York City and San Francisco different atmospheres into the way it plays to Jasmine’s life. For the flashback scenes in New York City, everything is vast and posh where it’s all set in very rich sections including some of the beach homes that Jasmine and Hal lived in. Yet, it’s also quite artificial in some ways to showcase that not everything is as it seems to be. Allen’s approach for the scenes set in San Francisco is far more grounded with the exception of a few scenes where Jasmine is with Dwight as he turns to her about what to do with his new house.
Still, the places that Ginger and her friends take Jasmine to is a mixture of working-class environments and such that is definitely removed from the world that Jasmine is used to. Even as Jasmine reluctantly takes a job working as a receptionist for a dentist (Michael Stuhlbarg) where the direction is tighter but also quite entrancing. Even in the scenes where Jasmine is in a location talking to herself unaware of how mentally ill she’s becoming. Allen would put Jasmine often at the edge of the frame to showcase how detached she’s becoming while everyone around her is either moving on without or are just disturbed by her behavior. Overall, Allen creates a very mesmerizing film about a woman on the verge of collapse as she reluctantly faces reality.
Cinematographer Javier Aguirresarobe does amazing work with the cinematography from the lush and colorful look of New York City to the more simplistic look of San Francisco. Editor Alisa Lepselter does fantastic work with the editing by playing to the film‘s back-and-forth structure to help establish Jasmine‘s dramatic state of mind. Production designer Santo Loquasto, with set decorators Kris Boxell and Regina Graves and art directors Michael E. Goldman and Doug Hustzi, does excellent work with the set pieces from the homes that Jasmine and Hal lived in to the more quaint, simpler apartment that Ginger lives in.
Costume designer Suzy Benzinger does superb work with the costumes from the posh clothes that Jasmine wears to the more blue-collar look of Ginger to display the two different worlds the women live in. Sound editor Robert Hein does nice work with the sound from the chaotic world of Ginger‘s apartment to the more serene world that Jasmine used to live in. The film’s wonderful soundtrack largely consists of jazz music from Louis Armstrong, King Oliver, Jimmy Noone, Lizzie Miles, Conal Fowkes, Julius Block, and Trixie Smith as it all would play to Jasmine’s state of mind as she would often say how Blue Moon reminds her of how she met Hal.
The casting by Juliet Taylor and Patricia Kerrigan DiCerto is brilliant for the ensemble that is created as it features some notable small performances from Max Rutherford and Daniel Jenks as Ginger and Augie’s sons, Charlie Tahan as the adolescent version of Hal’s son Danny, Tammy Blanchard and Annie McNamara as a couple of Jasmine’s friends, and Max Casella as a friend of Chili’s who tries to woo Jasmine. Other noteworthy small yet effective supporting performances include Michael Stuhlbarg as a dentist Jasmine briefly works for while Alden Ehrenreich is terrific as Hal’s son Danny who disappears after feeling humiliated over what his father did. Louis C.K. is excellent as Al as a man Ginger meets at a party as she thinks he could be someone that Jasmine would like. Bobby Cannavale is amazing as Chili as an auto mechanic who loves Ginger while tries to be nice to Jasmine only to feel insecure as he desperately tries to do right for Ginger despite his anger.
Peter Sarsgaard is superb as the aspiring politician Dwight who falls for Jasmine and wants to marry her until he learns the truth about who she is. Andrew Dice Clay is fantastic in a small but memorable performance as Ginger’s ex-husband Augie who is stung by a deal gone bad thanks to Hal as Clay brings a charm to his role in the flashbacks as a simple guy while has this scene with Blanchett that shows a bitterness and loss that he is suffering from which makes his performance a real surprise from the famed comedian. Alec Baldwin is great as Hal as a man who is a schemer that gives Jasmine this very lavish world only to be unveiled as a crook who had stolen from everyone including Augie.
The film’s best performances definitely go to both Sally Hawkins and Cate Blanchett. Hawkins brings a liveliness to the role of Ginger as a woman who has a complicated life but one that she can handle as she is also trying to find something better while eventually coming to the conclusion that she might need more after all. Blanchett is tremendous as Jasmine where she brings this very intense performance of a woman whose life crashes down as she tries to adjust to reality and is desperate to go back to the upper-class world while taking jabs at Chili and those she feels are beneath her. Blanchett and Hawkins have great chemistry together as two sisters who care for each other but it’s a relationship that is also dysfunctional as Hawkins tries to defend her lifestyle while Blanchett would be critical where it would have some very big revelations about Jasmine and her own life.
Blue Jasmine is a remarkable film from Woody Allen thanks in part to Cate Blanchett’s leading performance as well as a sensational supporting performance from Sally Hawkins. Along with notable supporting work from Alec Baldwin, Andrew Dice Clay, Louis C.K., and Bobby Cannavale. It’s a film that explores the very complex yet chaotic relationship between two sisters as well as one woman facing the reality when the life that she once had turns out to be a façade. In the end, Blue Jasmine is a phenomenal film from Woody Allen.
Woody Allen Films: What's Up Tiger Lily? - Take the Money and Run - Bananas - Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) - Sleeper - Love and Death - Annie Hall - Interiors - Manhattan - Stardust Memories - A Midsummer's Night Sex Comedy - Zelig - Broadway Danny Rose - The Purple Rose of Cairo - Hannah & Her Sisters - Radio Days - September - Another Woman - New York Stories: Oedipus Wrecks - Crimes & Misdemeanors - Alice - Shadows and Fog - Husbands and Wives - Manhattan Murder Mystery - Bullets Over Broadway - Don't Drink the Water - Mighty Aphrodite - Everyone Says I Love You - Deconstructing Harry - Celebrity - Sweet and Lowdown - Small Time Crooks - The Curse of the Jade Scorpion - Hollywood Ending - Anything Else - Melinda & Melinda - Match Point - Scoop - Cassandra's Dream - Vicky Cristina Barcelona - Whatever Works - You Will Meet a Tall Dark Stranger - Midnight in Paris - To Rome with Love - Magic in the Moonlight - Irrational Man - (Cafe Society)
The Auteurs #24: Woody Allen Pt. 1 - Pt. 2 - Pt. 3 - Pt. 4
© thevoid99 2013
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