Showing posts with label bernie mac. Show all posts
Showing posts with label bernie mac. Show all posts
Saturday, March 19, 2016
Bad Santa
Directed by Terry Zwigoff and written by Glenn Ficarra and John Requa, Bad Santa is the story of an alcoholic thief who dresses up as Santa Claus where he and his partner hope to rob a mall where he copes with his own self-loathing but also help a young kid. The film is a dark comedy where a man dressed up as Santa Claus tries to find reasons for living though he still feels like he is at odds with the world as the titular character is played by Billy Bob Thornton. Also starring Lauren Graham, Brett Kelly, Tony Cox, Lauren Tom, Bernie Mac, Cloris Leachman, and John Ritter in his final film performance as Bob Chipeska. Bad Santa is an offbeat yet exhilarating film from Terry Zwigoff.
The film revolves around a pathetic, self-loathing alcoholic who works in malls dressed up as Santa Claus as part of an act where he and his midget-partner plan to steal money from malls during the holidays until the man meets a bullied young boy and finds himself caring for him. It’s a film that is sort of an anti-Christmas film in some ways yet it is really about this man that realizes that there is good in the world and doesn’t have to go into this world of self-destruction and self-loathing while can still be perverse such as his liaisons with a bartender who has a fetish for men in Santa’s clothing. It all plays into a world that is quite odd as this man named Willie T. Soke is just someone that is quite amoral as he spends his time in smalls having sex with whoever he sees, gets drunk, or does all sorts of things much to the annoyance of his partner Marcus (Tony Cox).
The film’s script by Glenn Ficarra and John Requa, with re-writes by the film’s executive producers in Joel & Ethan Coen, doesn’t just explore Soke’s own disdain towards society and himself but also in the fact that he unknowingly finds himself being intrigued by this young boy who not only sees him as the real Santa but also someone he believes is actually good despite the awful shit he does. While Soke is seen early in the film being a skilled safecracker, it is clear that his attempts to be part of society fails because of his anti-social behavior which is fueled more by his alcoholism. Even as he ponders about his own purpose in life until he meets this kid where he realizes that he does have a reason to live. Still, he and Marcus have to do the job to steal things but they realize that a security officer named Gin (Bernie Mac) knows what is going on as he wants in on the action which only make things worse. Especially when Willie begins to have a change of heart as he realizes not just the true meaning of Christmas but also in doing what is right.
Terry Zwigoff’s direction is largely straightforward in terms of the compositions he creates but also finds way to create moments that are very funny. While some of the comedic moments were helmed by an unknown filmmaker for its theatrical release, there are moments that is still Zwigoff’s film in the way he presents Soke as this pathetic, unruly man that is often obsessed with sleeping with women or just getting shit-faced. Shot largely on location in Los Angeles and parts of Southern California, the film does play into a world where it is warm in an odd way considering that it is set during the Xmas holidays. The usage of wide and medium shots do play into the look of the malls and some of the locations in California as Arizona. Yet, Zwigoff finds way to convey that sense of dark humor where it can toe the line over what is profane but also what is funny. Even in scenes that play into moments that are quite natural as well as showcase that Soke can be redeemed such as a scene where he beats up a bully and feeling very good afterwards. The climatic heist is filled with tension but also a bit of unexpected sentimentality as it relates to Soke’s own revelations about himself and doing what is right as it would end in a very funny way. Overall, Zwigoff creates a bawdy yet whimsical film about a self-loathing thief finding some meaning during the Xmas holidays.
Cinematographer Jamie Anderson does excellent work with the film‘s cinematography to play into the colorful look of the locations in the day to the usage of lights for many of the interior scenes set at night. Editor Robert Hoffman does nice work with the editing as it is largely straightforward with some rhythmic cuts for some of the film‘s very funny moments. Production designer Sharon Seymour, with set decorator Robert Greenfield and art director Peter Borck, does fantastic work to the look of the mall as well as the home of the kid that Stokes befriends.
Costume designer Wendy Chuck does wonderful work with the costumes in creating some stylish costumes from the ragged look of Soke’s Santa suit to the clothes that Marcus wears as an elf. Sound editors Michael J. Benavente and Larry Kemp do terrific work with the sound from the way liquor bottles and such sound in the background along with the atmosphere of the malls. The film’s music by David Kitay is amazing for its mixture of piano-based music as well as playful orchestral touches while music supervisor Rachel Levy creates a fun soundtrack featuring a variety of Xmas standards along with some classical pieces to play into the film’s humor.
The casting by Felicia Fasano and Mary Vernieu do incredible work with the casting as it features some notable small roles from Ethan Phillips as the boy’s incarcerated father, Tom McGowan as the original mall Santa Claus who quits early in the film, Ajay Naidu as some nut job who attacks Soke over a misunderstanding, Alex Borstein as a mom from a different mall, Octavia Spencer as a prostitute Stokes know in Cleo, Matt Walsh as a neighbor who asks Soke about putting some decorations for the neighborhood, Max Van Ville as the kid’s bully, and Cloris Leachman in a very funny performance as the kid’s senile yet funny grandmother. Lauren Tom is wonderful as Marcus’ mail-order bride Lois who only cares for idiotic things.
Bernie Mac is fantastic as the mall security chief Gin Slagel as a man that is suspicious about Soke and Marcus only wanting half of what they steal in a bargain that makes Soke very uncomfortable. In his final film performance, John Ritter is excellent as the mall’s manager Bob Chipeska as a man that is trying to make sure things go smoothly as he is taken aback by Soke’s behavior as well as Marcus’ own appearance as it’s a very funny performance from Ritter. Lauren Graham is amazing as Sue as a bartender Soke befriends and goes out with as she has a fetish for guys in Santa suits while being a maternal figure for this young kid.
Brett Kelly is brilliant as this young kid named Thurman as someone that is constantly bullied while being fascinated by Soke as he sees someone that he can rely on. Tony Cox is great as Marcus as a midget with a fierce tongue as he is sort of the mastermind behind the thefts as he copes with Stokes’ growing incompetence and troubles where he finds himself doing a lot of the work. Finally, there’s Billy Bob Thornton in a phenomenal role as Willie T. Soke aka Bad Santa as this skilled but unhappy thief who drowns himself in self-loathing and alcohol as Thornton provides something that is very funny in its restraint and indifference but also some moments that are very somber as it relates to his yearning to find meaning in his life.
Bad Santa is a sensational film from Terry Zwigoff that features a winning and hilarious performance from Billy Bob Thornton in the leading role. Along with a great supporting cast and a witty premise, the film isn’t just an odd yet exhilarating dark comedy that is kind of the anti-Christmas film. It’s also a film that explores a man’s disdain towards society and helping this young kid stand out and not take shit from them. In the end, Bad Santa is an extraordinary film from Terry Zwigoff.
Terry Zwigoff Films: Louie Bluie - Crumb - Ghost World - Art School Confidential - The Auteurs #53: Terry Zwigoff
© thevoid99 2016
Monday, May 05, 2014
Ocean's Thirteen
Directed by Steven Soderbergh and written by Brian Koppelman and David Levien, Ocean’s Thirteen is the third and final film of the Ocean’s trilogy as Danny Ocean and his team decide to ruin a new casino and its owner in an act of revenge when one of Ocean’s friends gets conned out of his dream and nearly dies of a heart attack. The film is a heist film but also a comedy in which Danny Ocean and his gang return to Las Vegas and make sure a businessman’s premiere night is ruined as they seek the help from an unlikely person. Starring George Clooney, Brad Pitt, Matt Damon, Don Cheadle, Bernie Mac, Eddie Jemison, Casey Affleck, Scott Caan, Shaobo Qin, Carl Reiner, Elliot Gould, Andy Garcia, Eddie Izzard, Vincent Cassell, David Paymer, Ellen Barkin, and Al Pacino as Willy Bank. Ocean’s Thirteen is an exhilarating and fun film from Steven Soderbergh.
The film is a revenge tale of sorts when Willy Bank cheats Reuben Tishkoff (Elliot Gould) out of his partnership of a casino that leads to Reuben suffering a near-fatal heart attack forcing Danny Ocean (George Clooney) and the rest of the gang to seek vengeance on Bank and ruin his new casino. While it is a simple premise of a revenge/heist film, it’s also a film about brotherhood and loyalty where Ocean and the gang help out one of their own while getting help from an ally of theirs from the past as well as a foe in Terry Benedict (Andy Garcia) who also despises Bank and wants the gang to steal some prestigious diamonds that Bank has won. Along the way, the gang that is expanded to thirteen do whatever it takes to ruin the opening night of Bank’s casino and make sure that Reuben gets the chance to be happy again.
The film’s screenplay by Brian Koppelman and David Levien does have a very unique structure where the first half is about Reuben’s heart attack and the gang wanting to get back at Bank for what he did as well as plan the heist and to make sure that Bank loses more than half a billion dollars on opening night. Yet, the stakes are much bigger as the casino known as the Bank gives the gang even bigger challenges as they seek the help of friend Roman Nagel (Eddie Izzard) who learns that his old roommate in Greco Montgomery (Julian Sands) has created an artificial intelligence system that can scope out anyone to see if anything they did in the casino is illegal as the only way to disable it temporarily would be through a natural disaster.
The film’s second half is set on opening night where it’s about the scheme where Linus Caldwell (Matt Damon), who poses as an assistant for Yen (Shaobo Quin) who plays a real estate billionaire, would seduce Bank’s assistant Abigail Sponder (Ellen Barkin). Yet, a lot more chaos happens as Virgil and Turk Malloy (Casey Affleck and Scott Caan, respectively) take part in a protest for Mexican workers that would be successful in the scheme while Benedict’s involvement isn’t just funding the gang when they needed money to create a natural disaster. Benedict has a bigger grudge towards Bank who had always prevented him from winning the prestigious Five Diamonds Award as Saul Bloom (Carl Reiner) would pose as a critic of that award while the real critic (David Paymer) would endure the most humiliating moments of his life.
Steven Soderbergh’s direction is very stylish as well as lavish for the way he presents the world of casinos including the one that Bank wants to create as it displays his very egotistical personality. Much of it involves some massive wide shots and some second unit work as the look of the casino from the exterior displays how crazy Bank is as a person in making sure that his casino is the best. Soderbergh adds in a lot of humor not just in the schemes that Danny Ocean and the gang creates but also in how the way the react to certain things and such as Danny becomes sentimental when watching Oprah Winfrey. There’s also a sense of nostalgia in Danny and Rusty (Brad Pitt) who look at what Las Vegas has become as they think about how much Reuben was there for them as they think of him as a father and friend.
In his Peter Andrews alias, Soderbergh’s photography has a lushness in many of its interiors for the scenes at Bank’s casino with its red and yellow while Soderbergh infuses it with a lot of stylish shots to play into that look. Even as the exteriors in Las Vegas and Los Angeles maintains that sense of beauty that is the American West Coat. Still, Soderbergh makes sure that the film is about more than just payback and ruining one man’s life as it’s a film about friendship and honor. Overall, Soderbergh crafts a very enjoyable film about a gang rallying for an ailing friend and go after the man who hurt their friend.
Editor Stephen Mirrone does brilliant work with the editing with its use of montages and stylish cuts to play into the sense of craziness and planning that goes on as well as the humor in the film. Production designer Philip Messina, with set decorator Kristen Toscano Messina and supervising art director Doug J. Meerdink, does fantastic work with the look of the casino from its posh interior setting to the home where Reuben lives. Costume designer Louise Frogley does amazing work with the costumes from the dresses that Sponder wears as well as the clothes that the men wear.
Visual effects supervisor Thomas J. Smith does terrific work with some of the film‘s minimal visual effects such as the cologne that Linus uses to woo Sponder. Sound editor Larry Blake does superb work with the sound from the sound effects in the casino to the way some of the machines sound. The film’s music by David Holmes is excellent for its mixture of jazz and upbeat electronic music while he also supervises the soundtrack to include some jazz classics including songs by Frank Sinatra.
The casting by Debra Zane is great as it features appearances from producer Jerry Weintraub as a friend of the gang, Oprah Winfrey as herself, Bob Einstein as a FBI agent, Noureen DeWulf as a casino expo girl, Olga Sosnovska as the casino manager Rusty bribes, Julian Sands as the artificial intelligence game designer Greco Montgomery, and David Paymer as the unfortunate Five Diamonds Award critic who endures the worst conditions in his stay at Bank’s casino. Vincent Cassel is terrific in reprising his role as Francois Toulour from the second film as he seeks revenge on the gang while Ellen Barkin is wonderful as the very sexy and cunning Abigail Sponder who aids Bank in ensuring that things go well only to become seduced by Linus in his character. Al Pacino is excellent as Willy Bank as this very slimy casino owner who cheats Reuben out of his dream and dismisses Danny’s plea as he is a man full of ego and vanity as it’s a role that Pacino is perfect in.
Eddie Izzard is fantastic as the tech genius Roman Nagle who joins the gang as he also has a grudge towards Greco as he wants to get a nice share and help the gang. Andy Garcia is brilliant as longtime foe Terry Benedict who helps the gang in humiliating Bank while having a few tricks in his sleeve as he wants something in return for helping them. Eddie Jemison, Shaobo Qin, Carl Reiner, Casey Affleck, and Scott Caan are amazing in their respective roles as Livingston Dell, Yen, Saul, Virgil, and Turk as they all contribute some humor to the film while Bernie Mac is superb in his role as Frank Catton as it’s one of his final performances.
Elliot Gould is incredible as Reuben Tishkoff as a man who just wants to get his chance to run a casino as he nearly dies while seeing what his friends are doing for him. Matt Damon and Brad Pitt are hilarious in their respective roles as Linus Caldwell and Rusty Ryan where they both put on disguises and do some funny things. Don Cheadle is also hilarious as Basher who would pretend to be a stuntman to distract Bank while George Clooney is marvelous as Danny Ocean who leads the team into targeting Bank and make his night a living hell.
Ocean’s Thirteen is a phenomenal film from Steven Soderbergh. Armed with a great cast and an engaging premise, it’s a film that definitely serves as a fitting finale to the trilogy. Especially as it’s a film that just promises fun and excitement with characters audiences want to root for. In the end, Ocean’s Thirteen is a dazzling film from Steven Soderbergh.
Steven Soderbergh Films: sex, lies, & videotape - Kafka - King of the Hill - The Underneath - Gray's Anatomy - Schizopolis - Out of Sight - The Limey - Erin Brockovich - Traffic - Ocean's Eleven - Full Frontal - Solaris (2002 film) - Eros: The Equilibrium - Ocean's Twelve - Bubble - The Good German - Che - The Girlfriend Experience - The Informant! - And Everything is Going Fine - Contagion - Haywire - Magic Mike - Side Effects - Behind the Candelabra - Logan Lucky - (Unsane) - (High Flying Bird)
The Auteurs #39: Steven Soderbergh: Pt. 1 - Pt. 2
Related: Ocean's 8
© thevoid99 2014
Saturday, February 18, 2012
Ocean's 11 (2001 film)
Based on the 1960 film version that was scribed by Harry Brown and Charles Lederer with story credit by George Clayton Johnson and Jack Golden Russell, Ocean’s 11 is the story of eleven men who plan to rob three casinos in one entire night as they’re owned by the same man. Directed by Steven Soderbergh and screenplay by Ted Griffin, the film is a modern update on the original 1960s Rat Pack film with a new edge. Starring George Clooney, Brad Pitt, Matt Damon, Don Cheadle, Elliott Gould, Carl Reiner, Casey Affleck, Scott Cahn, Bernie Mac, Eddie Jemison, Shaobo Qin, with Andy Garcia and Julia Roberts. Ocean’s 11 is a fun heist film from Steven Soderbergh.
After being released on parole for various theft crimes, Danny Ocean (George Clooney) decides to organize another theft as he meets up with old friend Rusty Ryan (Brad Pitt). The plan is to rob a trio of casinos in one night as the money is stored the vault of one of those casinos. Pitching the idea to a former casino owner in Reuben Tishkoff (Elliott Gould), Tishkoff agrees to fund the operation as Ocean and Ryan began to recruit and assemble their team. With Tishkoff and Ocean’s con friend Frank Catton (Bernie Mac) on board, joining the team are mechanics Virgil and Turk Malloy (Casey Affleck and Scott Caan, respectively), electronics surveillance expert Livingston Dell (Eddie Jemison), acrobat Yen (Shaobo Qin), explosives expert Basher Tarr (Don Cheadle), old-school con man Saul Bloom (Carl Reiner), and a young thief in Linus Caldwell (Matt Damon).
The team scout the Bellagio casino as a big boxing fight is coming as the casino is owned by Terry Benedict (Andy Garcia) who also owns the other two planned for the robbery. With Linus and Rusty also watching over Benedict, Rusty realizes that Danny’s ex-wife Tess (Julia Roberts) is dating Benedict which complicates everything as Rusty wonders about Danny’s true motives for the robbery. With planning still underway including re-creating the vault for practice, things become complicated when Yen gets injured in a theft for a device Basher needs to black out the city for a small amount of time. Danny also sits out due to his feelings for Tess as Rusty takes over as he and the team decide to play roles to get into the casino and its vaults while Livingston watches everything he sees.
On the night of the heist, Danny makes a final plea to Tess before he’s taken away by Benedict’s men while Frank, Linus, Rusty, and Saul poses as different people for the con game with Virgil and Turk assisting them. Things go underway as Danny makes a last-minute assist with a bit of help as he and the gang make the robbery in grand style.
The film is essentially a heist film set in Las Vegas as eleven guys decide to steal more than a $150 million in one night just so they can pull off the impossible. Notably as it involves three casinos and an owner who will do more than put the thieves in jail. Amidst this heist is its leader who has just been paroled and is risking it just so he can claim his ex-wife back from a guy he knows is far more dangerous. The script by Ted Griffin is pretty loose in terms of its storytelling as he creates some wonderful scenes about the set-up of the heist and how the team is assembled. It’s a script that is filled with lots of humor and action while not taking itself very seriously.
Steven Soderbergh’s direction definitely is geared towards style as he creates dazzling compositions and montages to play up the assembling of the team as well as the set-up into the heist. While most of the film is about the set-up of the heist for the first two acts, Soderbergh does allow the film to be quite playful in the way the actors interact and play their con roles. Soderbergh also chooses to play up the film’s romantic moments in an understated tone involving Danny and Tess while keeping the compositions straightforward. Serving as cinematographer under his Peter Andrews alias, the film has a look that is quite stylish to play up to the glitz of Las Vegas from its nighttime and interior lighting to the sunny look of that city in the day. Soderbergh creates a truly crafty and ravishing film that is very funny and exciting for the heist genre.
Editor Stephen Mirrione does a fantastic job with the editing to play up the film‘s sense of style by utilizing rhythmic jump-cuts as well as multiple split-screens to play up some of the montages displayed in the film. Production designer Phillip Messina, with set decorator Kristen Toscano Messina and art director Keith P. Cunningham, does excellent work in the set pieces created such as the bar that Rusty manages to Reuben‘s home and the look of Benedict‘s safe. Costume designer Jeffrey Kurland does some wonderful work in the costumes from the dresses and gowns that Tess wears to the stylish suits that the men wear including the ones for the actual job they do.
Sound editor Larry Blake does a brilliant job with the sound work to capture the raucous world of Las Vegas from the boxing scene to the sounds of what goes in for the actual heist including chaos that occurs in the blackout as the heist is well underway. The film’s score by David Holmes is superb for its playful mix of jazz and electronic music that is perfect for the film’s humor and visual style in relation to the world that is Las Vegas. Particularly as the soundtrack plays to a wide variety of music from the likes of Elvis Presley, Perry Como, Handsome Boy Modeling School with De La Soul, Quincy Jones, Liberace, and classical pieces from Claude Debussy.
The casting by Debra Zane is extraordinary for the ensemble that is created along with the slew of cameo appearances made for the film. Among these cameos include Shane West, Barry Watson, Holly Marie Combs, Topher Grace, and Joshua Jackson as Rusty’s poker pupils. Other cameos include the film’s producer Jerry Weintraub as a high-roller poker player, director Steven Soderbergh as one of Basher’s bombing associates, boxers Lennox Lewis and Wladimir Klitschko, Wayne Newton, Siegfried and Roy, and from the original 1960 film, Angie Dickinson and Henry Silva.
In the roles of the various players that forms the heist team, there are definitely some very funny performances from Eddie Jemison as the nervous Livingston Dell, Bernie Mac as the smooth con artist Frank Catton, Shaobo Qin as the Asian acrobatic Yen, Carl Reiner as the old-school yet multiple-accent portraying Saul, and Elliott Gould as the old-school casino owner Ruben Tishkoff. Casey Affleck and Scott Caan are very good as in their respective roles as the bickering brothers Virgil and Turk Malloy while Don Cheadle is brilliant by sporting a Cockney accent as the witty explosive expert Basher. Andy Garcia is excellent as the suave yet vicious casino owner Terry Benedict while Julia Roberts is terrific as Danny’s ex-wife Tess.
Matt Damon is wonderful as the young thief Linus who tries to find his footing as part of the team as well as hoping to break out of his father’s shadow. Brad Pitt is great as the cool Rusty who always try to keep everyone ground while always eating something on the job. George Clooney is superb as the team’s leader Danny Ocean as Clooney brings his usual charm and swagger into the character while also being the kind of guy who can get the job done.
Ocean’s 11 is an entertaining and witty heist film from Steven Soderbergh. Armed with a great ensemble cast and a visual style that is dazzling to watch, it’s a film that aims to just entertain and give the audience a good time. Notably as it’s one of Soderbergh’s more accessible films proving that he can do anything while give the film buffs something to be enamored by. In the end, Ocean’s 11 is a sensational heist film from Steven Soderbergh.
Steven Soderbergh Films: sex, lies, & videotape - Kafka - King of the Hill - The Underneath - Gray’s Anatomy - Schizopolis - Out of Sight - The Limey - Erin Brockovich - Traffic - Full Frontal - Solaris (2002 film) - Eros-Equilibrium - Ocean’s 12 - Bubble - The Good German - Ocean’s 13 - Che - The Girlfriend Experience - The Informant! - And Everything is Going Fine - Contagion - Haywire - Magic Mike - Side Effects - Behind the Candelabra - Logan Lucky - (Unsane) - (High Flying Bird)
The Auteurs #39: Steven Soderbergh Pt. 1 - Pt. 2
Related: Ocean's 8
The Auteurs #39: Steven Soderbergh Pt. 1 - Pt. 2
Related: Ocean's 8
© thevoid99 2012
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