The King of Marvin Gardens

Directed by Bob Rafelson and screenplay by Jacob Brackman from a story by Rafelson and Jack Nicholson, The King of Marvin Gardens is the story of two estranged brothers who go to Atlantic City for a real-estate scam where things go wrong. The film is an exploration into the world of brothers as one is an extroverted con man and the other is an introverted and depressed radio disc jockey as they reluctantly work together. Starring Jack Nicholson, Bruce Dern, Ellen Burstyn, and Scatman Crothers. The King of Marvin Gardens is a chilling yet whimsical film from Bob Rafelson.

The film explores the relationship of two different brothers who hadn’t seen each other in two years as the introverted younger radio disc jockey in David Staebler (Jack Nicholson) reluctantly travels to Atlantic City to bail out his older brother Jason (Bruce Dern) who has an idea for a real-estate scam that David unwillingly becomes a part of. Yet, it’s a film that plays into an idea of two brothers who try to create something for themselves but not everything is going great as David is skeptical about what Jason is doing as they’re joined by Jason’s aging beauty queen girlfriend Sally (Ellen Burstyn) and a younger woman in Jessica (Julia Ann Robinson). While all of them have dreams about what they want to do if the scam becomes successful, David tries to remain optimistic as he copes with his own depression as it would play into the fallacies of the American Dream and reality that of what is really happening.

Jacob Brackman’s screenplay doesn’t just explore this unique relationship between brothers but also what they’re trying to do with this scheme that Jason is creating. Especially as Jason wants to break out of his own and live very richly despite years of work and loyalty towards his boss in Lewis (Scatman Crothers). Things eventually complicated as jealousy begins to arise in Jason’s attention towards Jessica making Sally more troubled than she already is as she resents David’s presence though he tries to be nice to her. Yet, David’s skepticism and Sally’s fragile behavior creates a situation that becomes very toxic as Jason seems more eager to succeed though the details of his plan becomes more scarce. David would eventually try to see reason into what is happening as it would lead to a break down in the relationships involving his brother and the women in the scheme.

Bob Rafelson’s direction is truly amazing for the way he captures much of the drama and some of the livelier moments such as Sally’s introduction to David to showcase her beauty queen persona. Yet, the film opens with this very long take of David talking about a story in his radio program where it reveals who he is as this very somber way he tells his story as he prefers to live modestly with his ailing grandfather. Upon his arrival to Atlantic City where it is this lost world where things are still happening but it has lost the sense of prestige where it’s being taken over by crime and corruption. Rafelson brings in something that is improvisational in its direction such as this big scene where Jason, David, Sally, and Jessica are doing a show of their own in an empty theater as Rafelson uses a lot of wide and medium shots for much of the presentation where he also includes a lot of long takes.

Even as the music in the film is presented on location such as Jason and David’s encounter with a marching band that showcases how warm their brotherhood could be. Yet, it wouldn’t last as things do get more dramatic as it involves Sally’s own breakdown as well as revelations about Jason’s own schemes where it would play into the fallacy that is the American Dream. Overall, Rafelson crafts a very engaging and haunting film about two brothers working together in a doomed scam.

Cinematographer Laszlo Kovacs does brilliant work with the film‘s very realistic yet colorful cinematography where he infuses a lot of low-key lights for some of the film‘s nighttime interior/exterior scenes as well as some unique lighting schemes in some of the film‘s more eerie moments. Editor John F. Link II does nice work with the editing as it‘s mostly straightforward in its approach to cutting while using a few rhythmic cuts for its dramatic moments. Art director Toby Carr Rafelson does terrific work with the look of the hotel rooms that the four characters are staying at as well as the abandoned theater where they performed their show. Sound mixer Tom Overton does superb work with the sound from the hollowness of the abandoned theater to some of the craziness that David sees at the hotel involving Jason and the two women.

The casting by Marion Dougherty and Fred Roos is fantastic as it features some notable small roles from Charles Lavine as David and Jason’s grandfather and Scatman Crothers as the elusive yet charming crime boss Lewis. Julia Ann Robinson is wonderful as Jessica as a young woman who dreams of being a beauty queen while becoming more flirtatious as she eventually causes tension with Sally. Ellen Burstyn is great as Sally as this beauty queen who deals with aging as well as Jason’s attention towards Jessica as she starts to have a break down of her own as well as the idea of not being needed anymore. Bruce Dern is excellent as Jason Staebler as this determined con man who is full of charm and exuberance as he is eager to succeed with his scam yet is oblivious into how he will execute these plans. Finally, there’s Jack Nicholson in an incredible performance as David Staebler as this nerdy and introverted radio disc jockey who reluctantly takes part in his brother’s scam while dealing with his own issues as he tries to smooth things out in terms of business as he becomes aware of the chaos that is emerging.

The King of Marvin Gardens is a phenomenal film from Bob Rafelson. Armed with the top-notch performances of Jack Nicholson, Bruce Dern, and Ellen Burstyn plus Laszlo Kovacs’ colorful cinematography. The film isn’t just one of Rafelson’s finest films but also one of the key gems of the New Hollywood movement in its exploration of the American Dream. In the end, The King of Marvin Gardens is an extraordinarily rich film from Bob Rafelson.

Bob Rafelson Films: Head - (Five Easy Pieces) - (Stay Hungry) - (The Postman Always Stay Twice (1981 film)) - (Black Widow) - (Mountains on the Moon) - (Man Trouble) - (Blood and Wine) - (Poodle Springs) - (No Good Deed)

© thevoid99 2014

Head (1968 film)

Directed by Bob Rafelson and written by Bob Rafelson and Jack Nicholson, Head is an off-the-wall film where the pop group the Monkees encounter elements of surrealism as they spoof on themselves. A mish-mash of various genres with political overtones of the late 1960s, the film is an antithesis of the TV show the pop group starred in where it doesn’t play into the comical sensibilities that made them popular. Featuring appearances from Annette Funicello, Sonny Liston, Victor Mature, Frank Zappa, Jack Nicholson, and Timothy Carey. Head is a strange yet exhilarating film from Bob Rafelson and the Monkees.

The film is about the Monkees trying to dismantle their teen-pop image in this crazed, psychedelic-inspired film where a lot happens and nothing really makes sense. All of which involve the Monkees in an array of strange sequences where the fourth wall, at times, gets broken as they’re making a film where they often struggle with what they’re doing. The film’s screenplay by Bob Rafelson and Jack Nicholson has this sense of improvisation where it is clear that they’re making things up as they went along. That sense of improvisation has the Monkees play out fantasies of war and parties along with individual moments to showcase what Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would want. There’s also cameos that get added into the story as some of these people like Frank Zappa appear to guide them but often into strange directions.

Rafelson’s direction starts and ends with this very dizzying sequence of the band jumping off a bridge that would lead to these psychedelic-drenched images with the music of the Monkees playing in the background. Rafelson would create some unique compositions while having the Monkees play out fantasies in war films, Westerns, silent comedy, and a musical along with a live performance of the band to showcase the hysteria they had caused in their hey-day. Though some of these moments are essentially a product of its time as it is set during a turbulent period of the 1960s such as the Vietnam War. Some of the humor in the film that Rafelson presents is either ironic or very dark as it plays into the Monkees struggling with their image as well as their identity and a gigantic Victor Mature. Overall, Rafelson creates a messy yet very enjoyable film about the Monkees going into a strange adventure.

Cinematographer Michel Hugo does excellent work with the film‘s very colorful cinematography with its array of psychedelic lights for some of the parties scenes along with some unique lighting for some scenes inside the box plus some photographic effects in the psychedelic moments. Editor Mike Pozen, with additional work from Monte Hellman, is brilliant for its very stylized approach to rhythms with some fast-cuts, dissolves, dizzying montages, and jump-cuts to play into the film‘s chaotic tone. Art director Sydney Z. Litwack and set decorator Ned Parsons do amazing work with the set pieces such as the box as well as some of the fake sets that plays into the craziness the Monkees encounter. Sound editor James M. Falkinburg does terrific work with the film‘s sound to play into some of the chaos the Monkees encounter as well as the moments that goes on during the filming. The film’s music score by Ken Thorne is mostly comical with its mix of jazz and orchestral pieces while much of the music is made by the Monkees as it features a snarky rendition of their theme song plus original tunes that is written by Gerry Goffin and Carole King, Harry Nilsson, and band members Mike Nesmith and Peter Tork.

The film’s cast is fun to watch as it features appearances from boxing champion Sonny Liston, Frank Zappa as a critic, Jack Nicholson and Bob Rafelson as directors, Teri Garr as a character in a western piece, June Fairchild as a woman threatening to jump, Annette Funicello as a love interest for a film Davy is working on, Toni Basil as a dancer in the Daddy’s Song sequence as she’s also the film’s choreographer, Logan Ramsey as a police officer, Timothy Carey as a tall man who antagonizes the Monkees, and Victor Mature as himself who proves to be a great threat to the Monkees. Finally, there’s the Monkees as themselves as Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork bring a lot of off-the-wall humor into their characters as well as deal with the situations they’re in though it sort of pales to the more comical work they did in the TV show.

Head is an excellent film from Bob Rafelson and the Monkees. While it’s a film that is odd and nonsensical at times, it’s also quite funny and refuses to take itself so seriously. While it might be a product of its time, it is still an important film as it would plant the seeds of what is to come from the next decade for American cinema. Fans of the Monkees might be put off by some of the psychedelic aspects and its lack of plot though there is enough music and wit that will entertain them. In the end, Head is an extraordinarily weird yet fun film from Bob Rafelson.

Bob Rafelson Films: (Five Easy Pieces) - The King of Marvin Gardens - (Stay Hungry) - (The Postman Always Stay Twice (1981 film)) - (Black Widow) - (Mountains on the Moon) - (Man Trouble) - (Blood and Wine) - (Poodle Springs) - (No Good Deed)

© thevoid99 2014