Twin Peaks: Episode 14-Lonely Souls

Directed by David Lynch and written by Mark Frost, the fifteenth episode of Twin Peaks entitled Lonely Souls revolves around the break that Special Agent Cooper and Sheriff Truman have been looking for as it relates to who might’ve killed Laura Palmer. While Cooper and Truman take the possessed Philip Gerard to the hotel, it is clear that the suspect is definitely near as Benjamin Horne becomes the major suspect after being asked by Audrey about One-Eyed Jack’s and secrets he had about Laura. Deputy Hawk would go to Harold Smith’s apartment to retrieve Laura’s diary where a discovery is made about Smith and the diary where Cooper looks into its contents where he and Truman conclude that Benjamin Horne might have some involvement in Laura’s death.

It’s an episode where the long-awaited outcome of who might’ve killed Laura Palmer finally emerges but also leaves a lot of questions into what is going on. While Benjamin Horne is a definite suspect for the fact that he had Laura work in his store and got her involved at One-Eyed Jack’s. His confession to Audrey reveal that as bad as a man that he is, he didn’t kill Laura as credit should go to Richard Beymer for unveiling some of Horne’s vulnerability though the scene where’s arrested during a meeting with Tojamura reveal that he is a coward. It’s among some of the intriguing aspects of the episode as it would continue for its multi-layered climax where Cooper, Truman, and the Log Lady go to the Roadhouse where Cooper would have a vision.

Also at the Roadhouse are James Hurley and Donna Hayward as they both deal with some of the drawbacks over what happened at Smith’s home as they learn that Maddy Ferguson is going on home. Bobby Briggs meanwhile, makes a discovery in a boot that Leo Johnson owned in the hopes that it could get him and Shelly out of the financial dire straits they’re in. Especially as Shelly is forced to resign from her work as a waitress for the Double R Diner to take care of Leo full time. While it’s an episode that is quite dramatic and ends some storylines while opening new ones. There are elements of humor where Norma Jennings gets a first-hand look at the new Nadine Hurley who still think she’s in high school and has super-strength as Ed is still baffled. Another funny moments play into Leo Johnson’s outbursts in his comatose state that provide some scares for Bobby and Shelly but it is among these quirks that make it so irresistible to watch. Even as Tojamura makes an appearance to meet Pete Martell where he reveals his true identity.

Yet, it’s the climax where many of the characters converge at the Roadhouse where Julee Cruise performs two songs where a major event is revealed into not just the character BOB but also who is Laura’s killer as seen by Maddy Ferguson. The reveal is definitely an odd one as it only raises more questions than answers as well as some of the mysterious elements that relate to the contents in Laura’s diary with claims of molestation and abuse.

Lonely Souls is a phenomenal episode of Twin Peaks from David Lynch and writer Mark Frost. It’s an episode that closes some things but also opens to some newer questions about Laura Palmer’s death and the revelations to who killed her. Featuring some top-notch performances from Richard Beymer, Sheryl Lee, and Kyle MacLachlan, the episode isn’t just one of the show’s key episodes but also one that would mark some serious changes to the series. In the end, Lonely Souls is a remarkable episode of Twin Peaks from David Lynch.

Twin Peaks: Season 1: Pilot - Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6 - Episode 7

Season 2: Episode 8 - Episode 9 - Episode 10 - Episode 11 - Episode 12 - Episode 13 - Episode 15 - (Episode 16) - (Episode 17) - (Episode 18) - (Episode 19) - (Episode 20) - (Episode 21) - (Episode 22) - (Episode 23) - (Episode 24) - (Episode 25) - (Episode 26) - (Episode 27) - (Episode 28) - (Episode 29)

Season 3: (Coming Soon)

Twin Peaks: Fire Walk with Me - (The Missing Pieces)

© thevoid99 2015

The Short Films of David Lynch Part 1 (1966-1995)

Throughout his illustrious career in the world of film, television, art, and music, David Lynch is someone that is the true definition of an artist. While he is largely known for his work in feature films, the man has also carved a very solid career in the world of short and experimental films. His work in shorts have spanned for more than half a century as it is clear why he is so lauded by many as one of the finest filmmakers in the world.

Part 1 (1966-1995)

Six Men Getting Sick


The first short that Lynch did is a forty-second animated loop about six men getting sick as they throw up as it features images that are strange which would play into the many things Lynch would do in the coming years. While it’s a simple student film that cost about $200 back in 1966, the sense of imagination is very prominent as Lynch’s approach to editing and shooting style is just incredible for someone who was just starting out in the world of film. 

Sailing with Bushnell Keeler

One of Lynch's early short films is essentially a homage to his mentor Bushnell Keeler as it play into a sailboat trip with Keeler and Keeler's brother Dave.  While it doesn't feature many of the surreal nor offbeat aspects that Lynch is known for.  It does play into something simple though Lynch claims it's really just a home film that is a tribute to his mentor.   

Absurd Encounter with Fear


The first of two short films Lynch made in 1967 showcases Lynch playing around with an emerging sub-genre in the world of horror which involves the living dead. It revolves around a zombie walking down a hill as if he’s about to stalk a young woman as he pulls something out of the fly of his pants. What happens is probably one of the most odd short films ever created but it also shows Lynch’s very warped idea of humor.

Fictitious Anacin Commercial


The second of two short films Lynch made in 1967 would be in the form of a commercial for Anacin. Yet, it is played with a sense of kitsch where it starts out being very dark until this young makes the Anacin and feels great. It’s another example of Lynch playing around with the ideas of commercial as it is clear that the 60s were a very weird time.

The Alphabet


The four-minute short film Lynch made in 1968 is a combination of live-action and animation as it relates to a young girl having a nightmare involving the alphabets. The girl, played by Lynch’s then-wife Peggy, would be haunted by learning the alphabets as it’s this strange mixture of fear and innocence as Lynch find ways to combine these two elements in both animated and live-action. It’s a short that would be very inventive as it would give Lynch a grant from the American Film Institute as it’s another of one of his finest shorts.

The Grandmother


The 34-minute short film Lynch made in 1970 at a budget of $7,200 as it is a mixture of live-action and animation in this story about an abused boy who finds seeds and hopes to grow a grandmother to protect him. It’s a short that is just very imaginative as well as relying music and sound effects to help tell the story rather than dialogue. It’s a short that has elements of mime in the performance of the actors but also a lot more as it features images of a boy growing a tree on a bed along with repeated images of him wetting the bed and getting beaten up by his father. Relying on black-and-white and color photography plus animation that is sort of reminiscent of Terry Gilliam’s work with Monty Python. It’s definitely a short that is quintessential Lynch.

The Amputee (versions 1 & 2)


Made in 1974 for the American Film Institute, the short was made during the production of Eraserhead where Lynch and cinematographer Frederick Elmes were both experimenting with black-and-white video stock. Written with Catherine Coulson (who would be known more as the Log Lady in Twin Peaks), the short revolves around an amputated woman (Coulson) writing a letter while a nurse (Lynch) is changing her bandages. The differences between the two shorts as the first one is timed at five minutes and the second is at four is that the former has a crispier look where it’s darker in its photography while the latter is a bit more polished with some blurs. Both are shot in one take in an entire static shot as it’s a very weird yet compelling short from Lynch.

The Cowboy and the Frenchman


The 26-minute short that stars Harry Dean Stanton, Jack Nance, and Frederic Golchan was made for the French TV series The French as Seen By… that would feature shorts by Werner Herzog, Andrejz Wajda, Luigi Comenichi, and Jean-Luc Godard. It’s a very humorous short film that is set in the American West where a nearly-deaf cowboy (Stanton) asks his fellow cowboys to see what is coming down as it is this Frenchman (Frederic Golchan). Thus, a strange mix of culture clash and confusion looms as this cowboy wonders what this Frenchman is about where he and his buddies look into the Frenchman’s luggage and sees things that are foreign to them. However, the two different men would find common ground in all sorts of things which goes to show that even the biggest differences can bring people together.

Industrial Symphony Vol. 1: The Dream of the Broken Hearted


On November 10, 1989 at the Brooklyn Academy of Music in New York City, Lynch did a stage presentation of an experimental play based on complex mosaic geometric shapes that he did during his days at the Philadelphia Academy of Fine Arts. Starring Nicolas Cage, Laura Dern, Michael J. Anderson, and vocalist Julee Cruise, the fifty-minute short that Lynch released a year later would have a lot of references to projects Lynch would do in 1990 such as Wild at Heart and the TV show Twin Peaks. With a stage set looking like a factory, it’s a strange avant-garde mix of musical performance with drama, exotic dancing, horror, and all sorts of things with music by Lynch collaborator Angelo Badalamenti. It’s one of Lynch’s most oddest film pieces but certainly a fascinating one thanks in part to the music and stage setting.

Premonitions Following an Evil Deed


The fifty-two second short film made in 1995 as part of the anthology film Lumiere and Company is a celebration of the works of the Lumiere Brothers where forty filmmakers would create a short no longer than fifty-two seconds with no synchronized sound and no more than three takes where they would use the original Cinematograph camera invented by the Lumiere Brothers. The short revolves around the death of a young woman where the police tells her parents about their daughter as it features some surreal imagery that is definitely in tune with what Lynch does as a filmmaker.

(End of Part 1)

David Lynch Films: Eraserhead - The Elephant Man - Dune - Blue Velvet - Wild at Heart - Twin Peaks: Fire Walk with Me - Lost Highway - The Straight Story - Mulholland Dr. - INLAND EMPIRE

The Short Films of David Lynch Pt. 2 - The Music Videos of David Lynch

The Auteurs #50: David Lynch: Pt. 1 - Pt. 2 - Pt. 3 - Pt. 4

© thevoid99 2015