Memoirs of an Invisible Man

Based on the novel by H.F. Saint, Memoirs of an Invisible Man is the story of a stock analyst who suddenly turns invisible due to an experiment gone wrong as he tries to evade a CIA operative with the help of a woman he had fallen in love with. Directed by John Carpenter and screenplay by Robert Collector, Dana Olsen, and William Goldman, the film is a mixture of comedy, sci-fi, and drama as it relates to a man’s plight in being invisible as Chevy Chase plays the role of the invisible man named Nick Holloway. Also starring Daryl Hannah, Michael McKean, Paul Perri, Pat Skipper, Stephen Tobolowsky, and Sam Neill. Memoirs of an Invisible Man is an intriguing but lackluster film from John Carpenter.

The film revolves around this shallow and bored stock analyst whose life goes upside when he becomes invisible during a botched experiment where he is pursued by a psychotic CIA operative. While it is a simple story, it’s a film that is largely told from the perspective of its protagonist Nick Halloway (Chevy Chase) who doesn’t just cope with what happened to him but also how much it changed him just as he is thinking about moving away from this world where he just thought about himself. While it’s a film and story that is interesting, it does unfortunately suffer from not just in what it wanted to be but also in how conventional it is. The film’s script which was originally written by William Goldman and largely re-written by Robert Collector and Dana Olsen wanted to be a lot of things. A suspense-comedy with some existential drama as well as a romantic-adventure film but it’s never consistent despite some interesting characters in Halloway, the love interest Alice Monroe (Daryl Hannah) and, the antagonist in CIA operative David Jenkins (Sam Neill).

John Carpenter’s direction is quite interesting not just for the visual effects as well as some visual homage to the 1933 James Whale film The Invisible Man. It also plays into the many things that are happening to Halloway where there are interesting bits of character study in the film. Shot largely on location in San Francisco and parts of Northern California, the film does play into something that has Carpenter pay tribute of sorts to other suspense-based films from the city while also wanting to create something that had an air of drama and light comedy. Despite some unique compositions he creates, he is unable to overcome many of the faults in the script as some of the scenes involving Jenkins feel like they come from another film. Even as Carpenter tries to blend so many elements as some of its humor where it feels forced despite its efforts to be very natural where the results never really mesh as a whole. Overall, Carpenter makes an interesting but very underwhelming and messy film about a man becoming invisible.

Cinematographer William A. Fraker does nice work with the film‘s cinematography for many of the scenes set at night in terms of its lighting as well as some naturalistic look for some scenes at the beach in the daytime. Editor Marion Rothman does excellent work with the editing as it‘s mostly straightforward for much of the dramatic and suspenseful moments in the film. Production designer Lawrence G. Paull, with set decorator Rick Simpson and art director Bruce Cone, do terrific work with the look of Halloway‘s apartment as well as the summer home of a friend where he would hide for a while. Costume designer Joe I. Tompkins does fine work with the costumes as it‘s mostly casual including the clothes Halloway would wear over himself when he‘s invisible.

Visual effects supervisor Bruce Nicholson does have some brilliant moments in the way things look in the way the Halloway would be seen to everyone when he‘s invisible though some of it is quite scratchy considering that it was new and probably needed a few things to make it more polished. Sound editors Gordon Ecker and John Leveque do superb work with the sound in the way some of the locations are presented as well as the sound of the tranquilizer guns that Jenkins’ men uses. The film’s music by Shirley Walker is wonderful for its orchestral-based score that features some string-based themes for some of its dramatic and suspenseful moments.

The casting by Sharon Howard-Field does amazing work with the film’s cast as it includes notable appearances from Rosalind Chao as Halloway’s secretary, Patricia Heaton as George’s girlfriend Ellen, Gregory Paul Martin as a friend of George in Richard who tries to flirt with Alice to the annoyance of Halloway, Barry Kivel as a drunk businessman Halloway uses to get a cab, and the trio of Pat Skipper, Paul Perri, and Richard Epcar as Jenkin’s henchmen who try to help him capture Halloway. Jim Norton is terrific as Dr. Bernard Wachs as a scientist who might know what happened to Halloway and how to help him only to be captured by Jenkins. Stephen Tobolowsky is superb as Jenkins’ superior Warren Singleton who sees Jenkins as a loose cannon as he tries to clean up the mess while being someone that could help Halloway. Michael McKean is fantastic as Halloway’s friend George who would introduce him to Alice as he has no clue what is happening while admitting that Halloway has a lot of faults.

Sam Neill is brilliant as David Jenkins as this CIA operative who is quite obsessive in capturing Halloway while being this man that is so cunning and engaging where he offers Halloway a chance to be part of something historic and do things where it’s one of Neill’s finest and more underrated performances. Daryl Hannah is excellent as Alice as a love interest that manages to rise above the weak material she is given as someone that finds Halloway interesting while is someone that needs something different as she provides key reasons to make Halloway and settle for a new life. Finally, there’s Chevy Chase in a marvelous performance as Nick Halloway as a vain stock analyst whose life changes by this botched experiment he wasn’t supposed to be a part of while coming to terms with his condition as it’s Chase being very dramatic where he is funny though some aspects of the humor feels forced due to the faults of the script.

Memoirs of an Invisible Man is a very messy and half-realized film from John Carpenter. Despite some solid performances from Chevy Chase, Daryl Hannah, and Sam Neill as well as some unique but imperfect visual effects. It’s a film that falls very short in what it wanted to be as well as try to be a lot for a wide audience. In the end, Memoirs of an Invisible Man is a lackluster film from John Carpenter.

John Carpenter Films: Dark Star - Assault on Precinct 13 - Halloween - Someone’s Watching Me! - Elvis - The Fog - Escape from New York - The Thing - Christine - Starman - Big Trouble in Little China - Prince of Darkness - They Live - Body Bags - In the Mouth of Madness - Village of the Damned - Escape from L.A. - Vampires - Ghosts of Mars - The Ward

The Auteurs #60: John Carpenter Pt. 1 - Pt. 2

© thevoid99 2016

National Lampoon's Vacation

(In Memory of Harold Ramis 1944-2014)

Directed by Harold Ramis and written by John Hughes, National Lampoon’s Vacation is the story of a family who travel cross-country from Chicago to California to go to the famed amusement park known as Walley World where everything goes from bad-to-worse during the journey. Based on a short story by John Hughes with additional contributions from Ramis and Chevy Chase who plays the lead role of Clark W. Griswold. The film is an unusual comedy that explores a family’s ill-fated journey where they have to deal with misdirection, a troubled station wagon, hick relatives, a very mean aunt, and a hot lady driving a Ferrari. Also starring Beverly D’Angelo, Anthony Michael Hall, Dana Barron, Imogene Coca, Randy Quaid, Christie Brinkley, and John Candy. National Lampoon’s Vacation is truly one of the greatest comedies ever created.

Family vacations is a chance for parents and their children to enjoy time with one another and do things like go to Disneyland or Universal Studios theme parks. What Clark W. Griswold and his family want to do is to go the happiest play in the world in Walley World and meet the mascot Marty Moose by traveling from Chicago to Los Angeles. By going cross-country on a very troubled station wagon, a lot goes wrong along the way as it would play to some of the series of misfortunes that occurs in the film. All of which involves a lot of laughs and all sorts of crazy shit for Clark, his wife Ellen (Beverly D. Angelo), son Rusty (Anthony Michael Hall), and daughter Audrey (Dana Barron). Add the very bitchy Aunt Edna (Imogene Coca) who joins them during a stop in Kansas to drop her off to Phoenix.

John Hughes’ screenplay is based on his own real life experience about his own ill-fated trip to Disneyland where it all plays to all of the unfortunate things that can go wrong in a cross-country road trip through America. Throughout all of this ordeal, there is this strange optimism that is prevalent in Clark Griswold as he wants his family to experience a kind of journey that every American family has done. Even as he deals with all sorts of bad shit and a hot blonde (Christie Brinkley) driving a red Ferrari 308 GTS who tempts him from leaving his family. Yet, there’s Ellen who is the most grounded person of the family as she tries to remain realistic and deal with the chaos on the road as she even makes Clark visit her cousin Catherine (Miriam Flynn) and Catherine’s oddball husband Eddie (Randy Quaid). One aspect of the script that works isn’t its use of language but also in some of the dialogue that is largely improvised and full of wit that just adds to the brilliance of the film.

Harold Ramis’ direction is pretty simple in terms of the compositions and scenes he creates where he’s not doing anything flashy or go for something that is visually-astonishing. Instead, Ramis just create something that does feel like a road film where it’s shot on various locations in the U.S. with some wide shots and medium shots of the locations. By going into different locations in the U.S. from Chicago to Los Angeles, it adds to the sense of unpredictability to the film as well as some of its humor that feels loose and natural. Even in some of the moments that involve Clark being wooed by the hot lady during a picnic or the moment he finds himself in the ghetto of St. Louis and asks for directions unaware that his hubcaps are being stolen. It would eventually lead to the Griswolds finally going to Walley World as it is a climax that pays off and more. Overall, Ramis crafts a very entertaining and heartfelt comedy about a family road trip to Walley World.

Cinematographer Victor J. Kemper does excellent work with the cinematography from the vibrant look of the daytime interior/exterior settings to the simple lighting schemes for some of the film‘s nighttime scenes. Editor Pembroke J. Herring does nice work with the editing as it‘s very straightforward while using some slow-motion moments to play into some of the funnier moments like a homage to Chariots of Fire. Production designer Jack T. Collis and set decorator Joe D. Mitchell do terrific work with some of the set pieces from the different hotels and homes the Griswolds stay at to the look of Walley World.

Sound editors Bub Asman, Robert G. Henderson, and Alan Robert Murray do superb work with the sound in some of the sound effects that is created in the film. The film’s music by Ralph Burns is wonderful for its light-hearted orchestral score that plays to the film’s humor while its soundtrack features songs by June Pointer, Vanity 6, Nicollete Larson, the Fleetwoods, the Ramones, and a couple of original songs by Lindsey Buckingham including the theme song Holiday Road.

The casting by Susan Arnold and Phyllis Huffman is fantastic for the ensemble that is created as well as cameo appearances from Eugene Levy as a shady car salesman, John Diehl and Mickey Jones as a couple of sleazy mechanics, James Keach as a motorcycle cop, Brian Doyle-Murray as the Kamp Komfort clerk, and Eddie Bracken as Walley World founder Roy Walley. Other notable small roles include John P. Navin Jr. and a young Jane Krakowski as Rusty and Audrey’s cousins, John Candy in a hilarious performance as a Walley World security guard, and Christie Brinkley as the hot blonde in a Ferrari. Miriam Flynn is very good as the very kind cousin Catherine while Randy Quaid is a total hoot as the inbred cousin Eddie. Imogene Coca is great as the very mean and cold Aunt Edna who always take shots at Clark and make him do all sorts of shit while having no problem eating a sandwich drenched in dog piss.

Dana Barron and Anthony Michael Hall are amazing in their respective roles as Audrey and Rusty Griswold as two teens trying to deal with the chaos of the vacation as well as trying to get anything from pot to booze to cope while doing some funny things along the way. Beverly D’Angelo is great as Ellen Griswold as the realist of the family who tries to handle everything that is happening while being the voice of reason as she also has some funny lines. Finally, there’s Chevy Chase in an iconic performance as Clark W. Griswold as this very optimistic father who tries to give his family the greatest vacation ever no matter how bad things are as he says all sorts of funny things and so some funny shit as it’s definitely a performance for the ages.

National Lampoon’s Vacation is an outstanding film from Harold Ramis and screenwriter John Hughes. Thanks to a great cast and its theme on family along with a witty approach to the road film. It’s not just a film that stands as a touchstone of classic 80s comedies but also a film that has something for everyone as it’s a family film and a low-brow comedy rolled up into one. In the end, National Lampoon’s Vacation is tremendous film from the late Harold Ramis.

Harold Ramis Films: (Caddyshack) - (Club Paradise) - (Groundhog Day) - (Stuart Saves His Family) - (Multiplicity) - (Analyze This) - (Bedazzled) - (Analyze That) - (The Ice Harvest) - (Year One)

© thevoid99 2014