Based on the novel by Robert C. O’Brien, Z for Zachariah is the story of a nuclear holocaust survivor who finds another survivor as she takes him in where their quaint life is disrupted by the arrival of another survivor. Directed by Craig Zobel and screenplay by Nissar Modi, the film is a look into people dealing with their own emotions as they all try to survive the aftermath of a nuclear holocaust and restart their lives. Starring Margot Robbie, Chiwetel Ejiofor, and Chris Pine. Z for Zachariah is a riveting and somber film from Craig Zobel.
The film revolves around the aftermath of a nuclear holocaust as a young woman who had survived the event as she would meet an engineer who would help her get electricity in her home as they form a friendship that is later disrupted by another survivor who had lurking around. It’s a film that explore three people dealing with loneliness as well as being the possible survivors of a nuclear holocaust where there is very little land where they can be safe as there’s areas around this young woman’s family farm where it is contaminated with nuclear radiation. Nissar Modi’s screenplay doesn’t have much of a plot as it’s more about the need to survive and start all over as the protagonist Ann Burden (Margot Robbie) spends much of her time planting seeds and creating crops as well as pick up whatever she needs wearing a gas mask and such to contaminated areas.
When she encounters John Loomis (Chiwetel Ejiofor) in a radiation suit as he arrives to the non-contaminated area until he swims onto a contaminated pond with a waterfall is where Ann helps him get better despite his leg injury. Much of the first act is about Ann and her time with John as the latter sees the waterfall as a way to create a water wheel for a power generator that Ann has but in need of repairs. The second act prompts the arrival of Caleb (Chris Pine) who would lurk around until Ann’s dog had sniffed him as he would be taken in despite John’s reluctance. It would set the tone for what is happening during the course of the film as John is suspicious of Caleb but does realize that Caleb is still a helpful man who had endured his own experience with the nuclear holocaust.
Craig Zobel’s direction is quite straightforward in terms of the setting and compositions though there are some stylistic shots that do pay homage to the films of Andrei Tarkovsky. Shot mainly on location in New Zealand with some of the small town locations shot in West Virginia, Zobel’s direction does have some wide shots to establish the location as well as the sense of isolation the three characters are in as if they are the only survivors left. Much of the direction would be simple in the way Zobel would frame the characters as well as build small moments of suspense including the scenes in the second half where there is tension between John and Caleb but it is very restrained. Zobel would hint into some of the sexual tension that is looming within the three but have the characters remind themselves that there is so much more at stake as it relates to survival as well as what to do to stay alive. Even in the usage of close-ups and medium shots to play into the drama where the third act is about building this water wheel for the power generator as well as what Ann wants in her life. Overall, Zobel crafts a gripping yet evocative film about a trio of people trying to live their lives following a nuclear holocaust.
Cinematographer Tim Orr does brilliant work with the film’s cinematography with its usage of natural lights for many of the exterior scenes as well as candle lights for some of the interior scenes at night. Editor Jane Rizzo does excellent work with the editing as it is straightforward for much of the film with some rhythmic cuts for the suspenseful moments. Production designer Matthew Munn, with set decorator Amber Richards and art director Ken Turner, does fantastic work with the look of the home that Ann lives as well as a gas station nearby with thing she hasn’t taken and a church that her father used to run.
Costume designer Bob Buck does nice work with the costumes as it’s mostly casual with the exception of the radiation suit that John wears early in the film that Caleb would wear later on in creating the water wheel. Visual effects supervisor John Bair does terrific work with the some of the film’s minimal visual effects as it’s mostly set-dressing for some of the exteriors such as the trees and clouds. Sound editor Rich Bologna does superb work with the sound in creating some unique textures for some of the exteriors that play into the air of silence as well as these quiet moments that add to the dramatic suspense. The film’s music by Heather McIntosh is wonderful as it’s mainly an ambient score that play into the sense of isolation and uncertainty while music supervisor Laura Katz provides a soundtrack that mainly feature bits of religious music as well as some early 20th Century jazz.
The casting by Kerry Barden, Allison Estrin, and Paul Schnee is great as it mainly feature its three principle actors with Chris Pine in an incredible performance as Caleb as a drifter who arrives during the film’s second act as he would formally appear as someone that had seen the outside world as he finds himself attracted to Ann while being aware of John’s suspicions. Chiwetel Ejiofor is remarkable as John Loomis as an engineer who is dismissive towards ideas of religion yet he tries not to say much about it to Ann as he is a man of science where he tries to help her fix things as he also copes with his own sense of loss and longing. Finally, there’s Margot Robbie in a phenomenal performance as Ann Burden as a young woman trying to rebuild her family farm to sustain herself with the things she needs as she finds herself tempted by the presence of two men who have feelings for her knowing that she needs them to help her out.
Z for Zachariah is a marvelous film from Craig Zobel with top-notch performances from Margot Robbie, Chiwetel Ejiofor, and Chris Pine. Along with its minimalist script, gorgeous visuals, and themes on survival and isolation, it’s a film that explore a trio of people dealing with the aftermath of a nuclear holocaust and see if they can live with one another without any problems. In the end, Z for Zachariah is a remarkable film from Craig Zobel.
Related: Compliance
© thevoid99 2017
Written and directed by Craig Zobel, Compliance is the story about a prank caller who claims to be a police officer as he makes accusation to a fast-food manager whose cashier had stolen money. The film is based on a real-life incident that left many people in trouble and business reeling from the damage as the film focuses on the people ruined by this prank. Starring Dreama Walker, Ann Dowd, and Pat Healy. Compliance is a disturbing yet harrowing film from Craig Zobel.
The film takes place in the course of a very busy, tense day at a fast food restaurant where a cashier named Becky (Dreama Walker) is working on what was supposed to be her day off. Later that morning, her boss in Sandra (Ann Dowd) receives a call from a man (Pat Healey) claiming to be a police officer as he says that Becky had stolen money from a woman’s purse and she’s in trouble. Forced to listen to everything the officer says, Sandra had to take Becky in the back in which Becky had to strip her clothes to see if she’s carrying any money. Things eventually escalate as Sandra asks her fiancee Van (Bill Camp) to watch Becky as he is forced to listen to the man as things get far more disturbing. Even as it leads to these people asking questions about all of the things they’re being told to do.
Craig Zobel’s screenplay explores this real-life incident that led to countless lawsuits and people’s lives ruined by this incident as he creates it into this tense, dramatic story. Even as he chooses to focus on these individuals who are being played into a prank that eventually ruins them. There’s a young woman who is a good worker and hasn’t done any crimes who becomes a victim over these accusations as she’s forced to be stripped naked and wear an apron to cover herself as she waits for the police. Then there’s this manager who is being played for a fool as she’s listening to this man who is making claims about all of this. Though there’s questions about this manager on whether she’s really dumb or is just being manipulated on a very stressful day. She’s also a victim because of all of these things she’s been told to do.
Then there’s her fiancee as he comes in because one of the employees refuses to listen to what this man is telling him to do. He is just as reluctant where by the film’s second half, he is forced to listen to this man’s instructions as it would lead to moments that would disgust him. Yet, there’s questions about his own intelligence as well where one would wonder does he know what he’s being asked to do is wrong. Leading all of this is man who is essentially a sadistic individual who is in glee over ruining the lives of these people and manipulating them into doing what he wants. Even as he makes these exaggerated claims where there’s minor characters who would question about what is happening.
Zobel’s direction is entrancing in the way he captures the tension and suspense that occurs throughout the film. While it starts out as a calm, straightforward film where nothing happens early on in a very busy work day at a fast-food restaurant. That all changes once that phone call comes in where it becomes this very dark film that mostly takes place in a fast food restaurant. The camera is always wandering around where it doesn’t remain still but doesn’t delve into shaky camera movements. Even through these close-ups where it adds to the sense of discomfort that is happening. In the film’s second half, the culprit does get revealed where it is established that what this man is doing is a very disgusting prank.
Though things get more troubling by the third act, there’s some revelations that occur in the aftermath of the incident where it does sort of become a different film. Yet, it revolves around these discoveries and the people who were affected by this prank. Overall, Zobel creates a fascinating yet distressing film that explores the world of manipulation.
Cinematographer Adam Stone does excellent work with the film‘s photography from the colorful, sunny exteriors of the locations to the more ominous lighting schemes inside the store room where Becky is forced to stay throughout the film. Editor Jane Rizzo does wonderful work with the editing by creating some rhythmic, suspenseful cuts to play out the tension and the chaos that ensues at the restaurant. Production designer Matthew Munn, along with set decorator Tom McMillan and art director Michael Powsner, does nice work with the look of the fast-food restaurant as well as the claustrophobic yet tense store room where Becky has to be in.
Costume designer Karen Malecki does very good with the costumes from the uniforms many of the characters wear to the casual clothes that Van and the caller wear. Sound designer Rich Bologna does brilliant work with the sound to capture the atmosphere of the fast-food restaurant along with the eerie scenes at the store room including the moment between Becky and Van. The film’s music by Heather McIntosh is superb for its brooding yet ethereal score that is filled with ominous string arrangements and chilling ambient textures.
The casting by Kerry Barden and Paul Schnee is terrific for the small ensemble that is created as it includes Ashlie Atkinson as Sandra’s assistant supervisor, Philip Ettinger as Becky’s friend/fellow employee Kevin, James McCaffrey as a detective in the film’s third act, and Stephen Payne as the custodian Harold whose presence would impact the film’s third act. Bill Camp is very good as Sandra’s fiancee Van who is forced to watch Becky under the caller’s instruction where he ends up doing things he didn’t want to do. Pat Healy is incredible as the very sadistic caller who manipulates everyone as he pretends to be a cop as he calls through a cell phone to do everything.
Dreama Walker is wonderful as Becky as she displays a sense of restraint as a young woman who has to deal with accusations and humiliation where it would eventually affect her as she tries to defend herself. Finally, there’s Ann Dowd in a brilliant performance as the fast-food manager Sandra as she brings a very captivating approach to a character who is unaware that she’s being fooled while being stressed out by what is happening at work.
Compliance is a mesmerizing yet eerie film from Craig Zobel that features top-notch performances from Dreama Walker and Ann Dowd. The film is really an unsettling drama that bears a lot of hallmarks that is expected in suspense and horror films. Notably as it reveals a lot of harsh truths about manipulation as well as the fact that incidents like this really happen. In the end, Craig Zobel’s Compliance is a terrifying yet engrossing film that will definitely leave the audience in shock over the actions that occur in this film.
Related: Z for Zachariah
© thevoid99 2012
