Directed by David Yates and written by J.K. Rowling that is based on her fictional guide book Fantastic Beasts and Where to Find Them, Fantastic Beasts: The Crimes of Grindelwald is the sequel to the 2016 film that follows various wizards trying to find the dark wizard Gellert Grindelwald who is rumored to be forging an alliance to destroy Muggles prompting a young wizard to seek the help of Albus Dumbledore. The film is set a year after the events of the previous film as it explore loyalties and the emergence of a much darker conflict that would possibly shape the wizarding world with Johnny Depp playing the role of Grindelwald and Jude Law as Albus Dumbledore. Also starring Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, Zoe Kravitz, Callum Turner, Claudia Kim, Kevin Guthrie, William Nadylam, and Brontis Jodorowsky as Nicholas Flamel. Fantastic Beasts: The Crimes of Grindelwald is a bloated and nonsensical film from David Yates and writer J.K. Rowling.
Set a year after events in New York City, the film revolves the escape of Gellert Grindelwald following a prison transfer as he has returned to Europe to wreak havoc prompting a young wizard to find and stop Grindelwald. It’s a premise that could be told in a simple fashion where it play into characters dealing with this antagonist as loyalties come into question yet its execution in the story ends up being more about spectacle rather than focusing on the story. J.K. Rowling’s screenplay is the biggest crime of the film as it’s a script that starts off with this exhilarating escape only to fall down hard into an overblown and over-explained first act that reintroduce characters from the previous film and don’t do much to introduce new characters. At the same time, the story goes all over the place where part of the narrative takes place in Britain while much of it is in Paris and there is so much that is happening that it’s hard to keep up.
There are also these twists and turns that starts to occur late in the film as it involves the identity of Creedence (Ezra Miller) as it ends up being filled with a lot of confusion while there are also these subplots involving individual characters with Queenie (Alison Sudol) going to Grindelwald thinking he can help change the law about wizards/witches marrying muggles/no-majs. The lack of a structure is also what hinders the script as much of it is all about exposition and an overdrawn first act that rely on exposition leading to a third act and skipping over a second act to unveil this climax that is underwhelming and incoherent in its execution.
David Yates’ direction is definitely undercooked largely due to the many shortcomings of the film’s screenplay. Shot mainly at a studio lot in Leavesden in Britain with additional shots in London, Paris, and parts of Switzerland, Yates establishes a world that is vast with much of the emphasis set on Europe as well as being in transition. It mainly serves as set dressing where it tries to distract the viewers with these vast spectacle of a magical world that has a lot to offer. Yet, Yates never really does more to establish the world nor make it feel special while the brief scenes set at Hogwarts has that yet it is only brief that also include a strange flashback scene involving a young Newt Scamander (Joshua Shea) and Leta Lestrange (Thea Lamb). Scenes involving Newt (Eddie Redmayne) and the no-maj Jacob Kowalski (Dan Fogler) has Yates creating compositions that are quite typical but it often tries to play it for laughs or suspense yet it doesn’t deliver in neither department. Even moments where Newt meets Queenie’s sister Tina (Katherine Waterston) feels tacked on as they never get a chance to really re-establish their own relationship.
Yates’ direction does establish the locations and where the characters are but its approach to suspense is underwhelming as it tries to put in awkward moments of humor while whatever dramatic rhythms it tried to put on feels flat. Even in the lead-up to its climax feels clunky and tacked on at times where it comes to these revelations about Creedence’s identity as it creates confusion that is followed by Grindelwald’s plans for an upcoming war as he asks wizards and witches to join him. Instead, it feels like an overblown set piece with lots of visual effects and ends up being anticlimactic that is then followed by another big revelation that isn’t just ridiculous but it raises questions into what Rowling is trying to say and set up for the next story nearly to the point of frustration. Overall, Yates and Rowling create a film that tries to do a lot only to end up being a hollow and lifeless spectacle about a wizard trying to stop an evil wizard from wreaking havoc on the world.
Cinematographer Philippe Rousselot does fine work in creating unique look for the visuals though it never does anything to standout due in part to what Yates try to do on a visual scale. Editor Mark Day does terrible work with the editing mainly due to the many subplots and expository scenes as it aims for too many quick cuts where at times it becomes nonsensical in what is going on. Production designer Stuart Craig, with set decorator Anna Pinnock and supervising art director Martin Foley, does nice work with the look of Hogwarts and the British and French Ministry of Magic buildings though other sets don’t have this air of intrigue that the characters go into. Costume designer Colleen Atwood does OK work with the costumes as it play into the style of the late 1920s to play into the refined look of Leta Lestrange and the more ragged look of Newt Scamander.
Hair/makeup designer Fae Hammond does good work with the hairstyles that the women wore at those time though the look of Grindelwald is just dumb. Special effects supervisor David Watkins, along with visual effects supervisors Tim Burke, Andy Kind, and Christian Manz, do some decent work with the visual effects to play into the world of magic yet it tries too hard to be big for the film’s climax as it just falls very short. Sound designers Niv Adiri, Ben Barker, and Glenn Freemantle do some terrific work with the sound to establish the locations and the kinds of power that the wizards/witches uses in the spells they create. The film’s music by James Newton Howard has its moments in soaring orchestral score yet nothing really stands out as tries too hard to help set a tone for the drama and humor as it ends up not being memorable at all.
The casting by Fiona Weir also has its moments though many of the actors involved are practically wasted due to the poor material they’re given. Performances from Joshua Shea as the young Newt, Thea Lamb and Ruby Woolfenden as the young versions of Leta Lestrange, Fiona Glascott as a young version of Minerva McGonagall, Poppy Corby-Teuch as Grindelwald’s right-hand woman Vinda Rosier, Victoria Yeates as Newt’s assistant Bunty, Kevin Guthrie as Tina’s former supervisor Abernathy who is a follower of Grindelwald, and Brontis Jodorowsky in a very under-used appearance as the famed alchemist Nicolas Flamel who helps out in the film’s climax. William Nadylman and Claudia Kim are wasted in their respective roles as French-Senegalese wizard Yusuf Kama and the circus performer Nagini as they’re not given much to do with the narrative as the former spends his time trying to catch Creedence as it relates to his own family while the latter is someone who befriends Creedence while dealing with a blood curse that eventually would make her a snake permanently. Callum Turner’s performance as Newt’s older brother Theseus is also underused as he’s not given much to do other than give Newt advice as well as be Leta’s fiancé.
Zoe Kravitz’s performance as Leta Lestrange as a childhood friend of Newt and later Theseus’ fiancée is a mixed bag mainly due to the material where it is a character that is definitely tormented and troubled but is unable to really be fleshed out as she ends up being a form of exposition about a story that relates to Kama. Alison Sudol’s performance as Queenie Goldstein as this witch gifted in Legilimens has become this desperate and almost psychotic character who wants to marry a no-maj as this character who was sweet and kind has now become insane as Sudol’s performance is just bad. Katherine Waterston is OK as Queenie’s older sister Tina as the American auror who is trying to find Creedence as she is badly written as someone who isn’t given much to do other than be upset at Newt over something she misinterpreted as well as be involved in awkward moments. Dan Fogler is bland as Jacob Kowalski as Queenie’s no-maj lover who is first seen under an enchantment spell as he is often confused while is also badly written as someone with no real sense of direction or motivation.
Ezra Miller is terrible as Creedence as there isn’t given any logical explanation into how he’s alive as he’s first seen in a circus while is also someone with a lack of direction about who he is as Miller is unable to flesh out his character. Eddie Redmayne is horrendous as Newt Scamander as whatever charm he had in the previous film that he carried is washed away in favor of him being quirky and awkward to the point where Redmayne just overdoes it as he tries to be funny and serious only to accomplish in neither. Johnny Depp’s performance as Gellert Grindelwald is horrible mainly because Depp never really fleshes out Grindelwald other than be someone with dark intentions and give this big speech as it’s just Depp being weird and menacing yet with no substance as it’s just a lazy performance. Finally, there’s Jude Law who gives an excellent performance as a younger version of Albus Dumbledore where Law manages to bring in some nuances and charm into the character despite the shortcomings of the script as his brief appearances in the film do have some gravitas as he’s the only thing in the film that is worthwhile.
Despite Jude Law’s appearance as Albus Dumbledore, Fantastic Beasts: The Crimes of Grindelwald is a horrendous film from David Yates and writer J.K. Rowling. Largely due to its uninspired direction, overblown spectacle, badly-written characters, lame twists, and a messy and incoherent screenplay that is expository rather than take its time to build up its suspense. It is a film that wants to be a lot of things as well as set things up for the next film and instead end up becoming demanding and overblown to the point of indifference and frustration. In the end, Fantastic Beasts: The Crimes of Grindelwald is an atrocious film from David Yates and J.K. Rowling.
Harry Potter Universe Films: Harry Potter & the Sorcerer's Stone - Harry Potter & the Chamber of Secrets - Harry Potter & the Prisoner of Azkaban - Harry Potter & the Goblet of Fire - Harry Potter & the Order of the Phoenix - Harry Potter & the Half-Blood Prince - Harry Potter & the Deathly Hallows Pt. 1 - Harry Potter & the Deathly Hallows Pt. 2 - Fantastic Beasts & Where to Find Them - (Fantastic Beasts Pt. 3) – (Pt. 4) – (Pt. 5)
© thevoid99 2020
Directed by David Yates and written by J.K. Rowling that is based on her fictional guidebook, Fantastic Beasts and Where to Find Them is the story about a British wizard who arrives in New York City where he tries to find three magical creatures who had escaped from his suitcase as he is aided by a demoted Auror, her Legilimens sister, and non-magical baker in retrieving them as he’s been accused of unleashing a mysterious creature wreaking havoc on the city. The film is a prequel of sorts to the Harry Potter universe as it takes place in 1926 New York City as it follows around a young Newt Scamander who would write the guidebook on magical creatures. Starring Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, Carmen Ejogo, Samantha Morton, Jon Voight, Ron Perlman, and Colin Farrell. Fantastic Beasts and Where to Find Them is an extraordinary film from David Yates.
Set in 1926 New York City as the magical community is dealing with anti-wizard sentiment from individuals as well as the threat of Gellert Grindelwald wreaking terror around the world. The film revolves around a young British wizard in Newt Scamander who arrives to the city originally going to Arizona to bring a creature home where he would embark on a series of misadventures in the cities as he would be accused of unleashing a creature that is causing all of the trouble in the city. Among them would involve a non-magical man who would accidentally take Scamander’s luggage causing trouble when three magical creatures are loose forcing Scamander to retrieve them with the non-magical man and two other wizards. J.K. Rowling’s screenplay explore not just the wizarding world in New York City which is very different from Britain but also how they’re having a hard time trying to conceal it to the non-magical community as they’re called No-Majs.
There are multiple characters involved in the story that would play into Scamander’s search as well as him being a major suspect of the terror that is looming around the city. One of the antagonists is an anti-wizard activist in Mary Lou Barebone (Samantha Morton) who wants to expose the wizarding world as she turns to a newspaper publisher in Henry Shaw Sr. (Jon Voight) for help as he’s busy making a senate campaign for his son Henry Jr. (Josh Cowdery). Scamander would come across Barebone early in the film though she is unaware of what he really is as the meeting would set off a chain of events when one of his creatures in a niffler would go inside a bank as he would meet the No-Maj Jacob Kowalski (Dan Fogler) who is trying to get a loan to start a bakery. Accidental events happen where Scamander is taken by the demoted Auror Porpentina “Tina” Goldstein (Katherine Waterston) for his actions where they go on a chase to find the three missing creatures with Kowalski and Tina’s younger sister Queenie (Alison Sudol) who is a Legilimens that is very interested in Kowalski.
Also involved in the search for the mysterious creature that is wreaking havoc in the city is a magical securities director in Percival Graves (Colin Farrell) who believes that Barebone’s adopted son Credence (Ezra Miller) might know what it is and where to find it in exchange to free him from the abuse of Barebone. Yet, so much is happening as it play into the search for the mysterious creature wreaking havoc in the city while the three creatures that Newt is trying to find prove to be more fascinating as he has a collection of them inside his luggage which he is studying for the book that he would later create. At the same time, he is trying to learn more about his new surrounding as he is also coping with his own issues which Queenie would learn accidentally as it play into his eccentric and awkward persona when he’s around people as he’s more comfortable with magical creatures and animals.
David Yates’ direction is definitely dazzling in terms of the world that he creates though the film begins with a montage of the chase for Grindelwald as he’s only seen briefly from the back as it sets the tone for much of the film with the wizarding community in New York City struggling to hide this terror from the non-magical community despite the verbal attacks from Barebone. Shot mainly at the Warner Brothers studio lot in Hertfordshire, England with some of it shot in London and St. George’s Hall in Liverpool as 1926 New York City. The film does play into a world that is filled with intrigue but it’s also quite rich in the way the wizarding community presents itself as house-elves are doing jobs and bartend speakeasies, goblins are the leaders of the financial world, trolls are also citizens, and there’s even a government based in New York City known as the Magical Congress of the United States of America (MACUSA) led by President Seraphina Picquery (Carmen Ejogo).
There are also laws that is established such as that magical and non-magical people can’t socialize while magical creatures are banned which makes Scamander’s mission not just difficult but also the need to prove that he’s not the one causing trouble. There are some wide shots in the film to establish the locations yet Yates would use medium shots and close-ups to focus on the characters as they deal with trying to find the lost creatures as well as go after the mysterious creature wreaking havoc on the city. Yates would mix in elements of suspense and humor throughout the film as it would culminate with this grand third act as it play into the reveal of this mysterious creature as well as Scamander’s suspicions towards Graves who has his motives in wanting to find this creature. Especially in his interest towards the troubled Credence which makes Tina uneasy as Credence played a part in her demotion prompting her and Scamander the need to confront Graves. Overall, Yates creates an enchanting and exhilarating film about a British wizard trying to save New York City from a mysterious creature and retrieve three others from harm with the help of two American wizards and a No-Maj baker.
Cinematographer Philippe Rousselot does amazing work with the film’s beautiful cinematography as it has a sepia-like tone to the way some of the daytime exterior looks in terms of grey skies and sunny look as well as the usage of lights for some of the scenes at night including the interiors inside Scamander’s home-made zoo inside his luggage. Editor Mark Day does excellent work with the editing for its usage of montages for the opening sequence as well as some jump-cuts for some of the action and other stylish cuts to play into the drama and suspense. Production designer Stuart Craig, with art directors David Allday and Leslie Tomkins plus set decorator Anna Pinnock and associate set designer James Hambidge, does amazing work with the look of 1926 New York City from the home of MACUSA, the apartment that the Goldstein sisters live in, Newt’s zoo inside his luggage, and the dreary home of Barebone. Costume designer Colleen Atwood does fantastic work with the costumes as it play into the period of the mid-1920s with some dresses for the women as well as the clothes that President Picquery wears.
Hair/makeup designers Fae Hammond and Marilyn MacDonald do nice work with the look of the hairstyles of the women as well as the haircuts that men had and the makeup for a few of the characters in the film. Visual effect supervisors Tim Burke, Pablo Grillo, Christian Manz, and David Watkins do incredible work with the visual effects from the design of the different creatures that Scamander has collected including his pet plant-like creature in a bowtruckle as well as the look of the city and other magical things. Sound designers Glenn Freemantle and Eilam Hoffman do superb work with the sound from the way some of the creatures sound to the sounds of terror and suspense in some of the darker moments in the film. The film’s music by James Newton Howard is wonderful for its bombastic orchestral score that play into the action and suspense as well as some low-key music for the light-hearted moments while music supervisors Alejandro de la Llosa and Karen Elliott provide a jazz-like soundtrack to some of the original songs played in the film.
The casting by Fiona Weir is marvelous as it feature some notable small roles from Dan Hedaya as the voice of house-elf elevator operator, Kevin Guthrie as Tina’s supervisor, Ronan Rafferty as Henry Shaw Sr.’s youngest son Langdon who wants to help Barebone expose the wizarding world, Josh Cowdery as the cruel and arrogant Henry Shaw Jr., Jenn Murray as Barebone’s adopted eldest daughter, Faith-Wood Blagrove as Barebone’s youngest adopted daughter in Modesty whom Credence suspects to have magical powers, and Zoe Kravitz in a small role as the picture of Scamander’s former lover Leta Lestrange. Ron Perlman is terrific as the speakeasy owner Gnarlack as a goblin who was an informant of Tina as it is a charming role in this mixture of visual effects and performance-capture. Jon Voight is superb as Henry Shaw Sr. as a newspaper owner who would come across a major incident as he wants to go after the mysterious creature. Carmen Ejogo is fantastic as President Seraphina Picquery as the leader of MACUSA who is trying to ensure the law and make sure the magical world isn’t exposed as well. Samantha Morton is brilliant as Mary Lou Barebone as an anti-wizard activist who wants to expose the wizarding world as well as destroy wizard and witches while being very abusive towards Credence.
Ezra Miller is excellent as Credence as Barebone’s adopted son who is troubled by the beatings he receives from Barebone as he befriends Graves who promises him a chance for freedom in exchange for knowledge of the mysterious creature wreaking havoc. Colin Farrell is amazing as Percival Graves as a magical securities director for MACUSA who is in charge of protecting wizards as he is very powerful while having his own reasons for helping Credence. Alison Sudol is incredible as Queenie Goldstein as Tina’s younger sister who is kind-hearted as well as being an accomplished Legilimens, the ability to read minds, where she knows what to do to help out her sister, Newt, and Jacob whenever they get into trouble.
Dan Fogler is marvelous as Jacob Kowalski as a No-Maj cannery worker who aspires to become a baker that finds himself being exposed to the world of magic via accident as he proves to be a helpful ally for Newt and prove his worth to the world of magic. Katherine Waterston is phenomenal as Porpentina “Tina” Goldstein as a demoted Auror who works in a lowly position at MACUSA as a witch trying to do what is right as it was the reason she got demoted while helping Newt retrieve his creatures to realize that he’s not the one that is at fault for the chaos in the city. Finally, there’s Eddie Redmayne in a remarkable performance as Newt Scamander where Redmayne provides this very odd and eccentric collector of magical creatures who arrives to New York City where he unknowingly causes mayhem as Redmayne has this air of charm into his role but also that awkwardness that allows him to be vulnerable when it comes to people as he prefers the company of magical creatures.
Fantastic Beasts and Where to Find Them is a sensational film from David Yates and writer J.K. Rowling. Featuring a great ensemble cast, top-notch visual effects, amazing art direction, lovely visuals, and a compelling story about a wizard’s arrival into America. It’s a film that explores the world of magic in a different setting that allow audiences to be enchanted into what the magical world in America is like from the mind who brought Harry Potter into the world. In the end, Fantastic Beats and Where to Find Them is a spectacular film from David Yates.
Harry Potter Universe Films: Harry Potter & the Sorcerer's Stone - Harry Potter & the Chamber of Secrets - Harry Potter & the Prisoner of Azkaban - Harry Potter & the Goblet of Fire - Harry Potter & the Order of the Phoenix - Harry Potter & the Half-Blood Prince - Harry Potter & the Deathly Hallows Pt. 1 - Harry Potter & the Deathly Hallows Pt. 2 - Fantastic Beasts: The Crimes of Grindelwald – (Pt. 3) – (Pt. 4) – (Pt. 5)
© thevoid99 2017
Directed by Kyle Newman and screenplay by Ernest Cline and Adam F. Goldberg from a story by Cline and Dan Pulick, Fanboys is the story of a group of friends who go on a road trip from Ohio to California to try and watch a rough version of The Phantom Menace to fulfill a dying friend’s wish. The film is an exploration into the world of geek culture in the late 1990s where friends who are Star Wars fans try to break into Skywalker Ranch as they would contend with all sorts of people including Trekkies. Starring Sam Huntington, Dan Fogler, Christopher Marquette, Jay Baruchel, Kristen Bell, and Seth Rogen. Fanboys is a silly but fun film from Kyle Newman.
Set in late 1998, the film revolves a group of friends who go on a road trip to see a rough cut of Star Wars Episode I: The Phantom Menace for a friend who is dying of a terminal illness. Though it is a simple story involving four guys who love Star Wars, it is a film where these guys decide to embark on an adventure for their friend while they cope with the expectations of growing up as one of them is trying to mend fences with his ailing friend. The film’s script does play into a traditional structure where its first act is about the motivations for this road trip and its planning as its second act is about the trip where hilarity ensues where the gang decide to upset a group of Star Trek fans that nearly goes out of control. The trip would also involve numerous references to the world of geek culture and other things as it plays into a world that is just about to be on the cusp of the mainstream. Though some aspects of the script involving some of its characters aren’t that great as well as some lame jokes. The story is still engaging and does get it point across where it is thoroughly entertaining.
Kyle Newman’s direction is quite simple where he pays tribute to not just the Star Wars franchise but also the world of geek culture from comic book stores to sci-fi conventions. Shot on various locations, the film does have the feel of a road comedy fused in with some low-brow humor as Newman keeps many of the compositions simple while putting in as many references to Star Wars just as a tongue-in-cheek tribute that fans of the franchise will know. Newman’s usage of wide shots are evident in many of the road scenes as well a few location spots while he would create framing devices that are similar to what is evident in Star Wars with some moments that includes a Mexican standoff involving memorabilia of films created by George Lucas. All of which plays into how much these geeks have a love for not just this franchise but also what it means to them as friends where they would help a dying friend fulfill a final wish. Overall, Newman creates a very funny and witty comedy about a group of geeks trying to go see a rough cut of The Phantom Menace and piss off some Trekkies.
Cinematographer Lukas Ettin does nice work with the cinematography from the interior look of some of the places such as a bar the guys go to as well as the interiors of Skywalker Ranch. Editors James Thomas and Seth Flaun do excellent work with the editing as it features some transition wipes as well as some rhythmic cutting for the action and comedic moments. Production designer Cory Lorenzen and set decorator Kimberly Wannop do fantastic work with the look of some of the places the characters go to including the Skywalker Ranch where the gang sees all of the film memorabilia. Costume designer Johanna Argan does terrific work with the costumes as most of it is casual with the exception of the Star Wars and Star Trek costumes.
Visual effects supervisors David A. Davidson and Kevin O’Neill do superb work with the visual effects for a sequence where one of the characters get stoned as well as moments that serve as a homage to Star Wars. Sound designer David Acord, with sound editors Michael Kirschberger and Matthew Wood, does brilliant work with the sound in the sound effects for some of the objects the characters have as well as effects that pay homage to Star Wars. The film’s music by Mark Mothersbaugh is wonderful as it‘s a mixture of kitsch jazz with some orchestral bombast to play into the world of sci-fi while music supervisor Michelle Kuznetsky creates a soundtrack filled with music from the late 90s such as Spacehog, the Presidents of the United States of America, Tag Team, Chumbawumba, Black Sheep, Liz Phair, Remy Zero, the Smashing Pumpkins, and the Dandy Warhols plus cuts from John Williams, Menudo, and Rush.
The casting by Anne McCarthy and Jay Scully is amazing as it’s filled with many cameo appearances from such character actors, sci-fi icons, and indie stars like Lou Taylor Pucci and Noah Segan as a couple of Boba Fett fans, Jaime King and Pell James as a couple of escorts, Joe Lo Truglio as a jailhouse cop, Danny Trejo as a mysterious man known as the Chief, Will Forte and Craig Robinson as a couple of Skywalker ranch security guards, and Ray Park as another Skywalker ranch security guard who says a line in reference to a Star Wars character he plays. Other notable small roles include Ethan Suplee as the famed film buff Harry Knowles, David Denham as Eric’s older brother Chaz, and Christopher McDonald as Eric’s father Big Chuck. In a trio of roles, Seth Rogen plays an alien in a surreal scene, a nerdy Trekkie who calls Han Solo a bitch, and a pimp named Roach who is a Star Wars fan.
Kristen Bell is fantastic as Zoe as a friend of the gang who later joins them on the trip as she is lone girl who is quite tough and just as geeky in her love of comics and sci-fi. Jay Baruchel is excellent as Windows as a nerd who has fallen for a mysterious person online as he is clueless about women. Dan Fogler is superb as Hutch as a brash fan who likes to be perverse and crass in everything he does. Christopher Marquette is brilliant as Linus as the guy suffering from cancer as he deals with his illness as he is eager to see The Phantom Menace before its release. Finally, there’s Sam Huntington in a remarkable performance as Eric as the mature one of the group who tries to mend his friendship with Linus after a falling out as he copes with his own attempts to grow up despite his talent in creating his own comic figures.
Fanboys is a pretty good film from Kyle Newman. With an excellent cast and an engaging premise, the film is definitely something sci-fi geeks will definitely relate to as well as get a chance to laugh at how ridiculous fan boy obsessions are. In the end, Fanboys is a superb film from Kyle Newman.
Star Wars Films: Star Wars - The Empire Strikes Back - Return of the Jedi - The Phantom Menace - Attack of the Clones - Revenge of the Sith - The Force Awakens - The Last Jedi - The Rise of Skywalker
Related: The Star Wars Holiday Special - Caravan of Courage - The Battle for Endor - The Clone Wars - The People vs. George Lucas
Star Wars Anthology Films: Rogue One - Solo: A Star Wars Story - (Untitled Star Wars Anthology Film)
George Lucas Films: THX 1138 - (American Graffiti)
© thevoid99 2015
