Blazing Saddles

(In Memory of Gene Wilder 1933-2016)

Directed, starring, and songs by Mel Brooks and screenplay by Brooks, Andrew Bergman, Richard Pryor, Norman Steinberg, and Al Uger from a story by Bergman, Blazing Saddles is the story of a State Attorney General who conspires to have a railroad be built on a town while getting an African-American railroad worker to be its sheriff only for the sheriff to gain the trust of the locals to fight back. It’s a film that is a spoof of sorts on the western genre that includes some well-intended anachronisms as well as a commentary on race relations and ideas of the American West. Also starring Cleavon Little, Gene Wilder, Harvey Korman, Madeline Kahn, Slim Pickens, David Huddleston, Alex Karras, and Dom DeLuise. Blazing Saddles is an off-the-wall and rip-roaring film from Mel Brooks.

Set in the American West, the film is about a railroad worker, who was about to be hanged for hitting his boss with a shovel, who becomes the sheriff for a town that is under the threat of bandits unaware that that the bandits are working for the State Attorney General wanting to build a railroad through the town. It’s a film that sort of makes fun of the western genre where it plays into every cliché that happens as well as provide some commentary about the modern world where this town is aghast over the fact that their new sheriff is African-American. The film’s script doesn’t just play into some satirical commentary on race relations but also what men of power would do to stop this sheriff only to be outwitted.

The script also has gags that doesn’t just play into clichés but also subvert many stereotypes of the genre such as this dim-witted henchman named Mongo (Alex Karras) who is revealed to be quite philosophical. Another gag in the film is the fact that it’s intentionally anachronistic where it adds to the film’s subversive approach to the genre as well as the fact that the antagonist Hedley Lamarr (Harvey Korman) is mistakenly called Hedy Lamarr. It adds to some of the absurdity that is in the script as well as the fact that it refuses to take itself too seriously.

Mel Brooks’ direction is quite simple in terms of the compositions he creates yet he definitely brings in a lot of the visual tropes that is expected in the western genre with its usage of wide and medium shots to capture the beauty of its locations. Shot in the back-lot studios of Warner Brothers, the film definitely play into some of the artificial aspects that is common with the genre while also creating these moments that are offbeat. Even with the anachronistic elements such as an audition scene for Lamarr’s posse where there’s German soldiers from World War I, bikers, and Ku Klux Klan members as well as a scene in the climax where the film literally breaks the fourth wall. It’s among these moments of the absurd that makes it so interesting while Brooks isn’t afraid to be politically-incorrect as it add to a lot of the humor that occurs in the film. Even as Brooks is willing to go into lowbrow territory just to maintain that sense of joy and laughter without deterring too much from the story. Overall, Brooks creates a witty yet sensational film about an African-American sheriff fighting for liberty, justice, and German sausages.

Cinematographer Joseph F. Biroc does excellent work with the cinematography as it is very straightforward in its approach to the daytime exteriors while using some light for some of the interiors and scenes set at night. Editors Danford Greene and John C. Howard do nice work with the editing as it is very straightforward with some stylish cutting for some of the transitions. Production designer Peter Wooley and set decorator Morris Hoffman do amazing work with the look of the town as well as the office of Lamarr and Governor Le Petomane. The sound work of Gene S. Cantamessa does superb work with the sound as it‘s straightforward in playing up the chaos of the West. The film’s music by John Morris is wonderful for its orchestral-based music that play into the world of the American West as it includes some songs written by Mel Brooks that are very funny.

The casting by Nessa Hyams is great as it features notable small roles and appearances from Robyn Hilton as the governor’s busty secretary, Ralph Manza as an actor playing Adolf Hitler, Count Basie as himself, Robert Ridgely as the hangman Boris, Rodney Allen Rippy as a young Bart, Anne Bancroft as an extra at the congregation, Richard Collier as the town doctor, Liam Dunn as the local reverend, Carol Arthur as the local schoolmarm, Charles McGregor as Bart’s friend Charlie, Burton Gilliam as Taggart’s henchman Lyle, and David Huddleston as one of the locals in Olson Johnson who isn’t receptive about Bart because he’s African-American. Dom DeLuise is fantastic as filmmaker Buddy Bizarre who is trying to make a Busby Berkeley-style musical while Mel Brooks is superb in a dual role as the dim-witted Governor William J. Le Pentomane and a Yiddish-speaking Indian chief the young Bart meets. Alex Karras is excellent as Mongo as this big and strong man who looks and seem like the dumbest person around yet is surprisingly philosophical where he eventually helps Bart and Jim.

Slim Pickens is brilliant as Taggart as Lamarr’s henchman who is the personification of every cliché of the western genre where he says all sorts of shit and does idiotic things. Madeline Kahn is amazing as Lili Von Shtupp aka the Teutonic Titwillow as German seductress/performer who is asked by Lamarr to seduce Bart only to fall for Bart. Harvey Korman is incredible as Hedley Lamarr who always has to correct people for saying his name wrong as he is this state attorney general trying to do whatever he can to destroy a small town so he can get this railroad built. Gene Wilder is phenomenal as Jim aka the Waco Kid as the fastest gunslinger in the world that is trying to escape his past while later helping out Bart in every way where Wilder provides a lot of humor without doing much. Finally, there’s Cleavon Little in a sensational performance as Bart as a railroad worker who becomes sheriff for a town unaware that he is meant to cause trouble only to win over the people and do whatever it takes to outwit and outplay the bad guys.

Blazing Saddles is a magnificent film from Mel Brooks. Featuring a great cast, hilarious gags, witty commentary on social and racial issues, and some off-the-wall humor. It’s a film that isn’t just a great spoof on the western but also manages to do a lot of things and more to create something that is full-on entertainment. In the end, Blazing Saddles is an outstanding film from Mel Brooks.

Mel Brooks Films: The Producers - (Twelve Chairs) - Young Frankenstein - (Silent Movie) - High Anxiety - (History of the World, Part 1) - Spaceballs - (Life Stinks) - Robin Hood: Men in Tights - (Dracula: Dead and Loving It)

© thevoid99 2016

Smokey and the Bandit II

Directed by Hal Needham and screenplay Jerry Belson and Brock Yates from a story by Michael Kane, Smokey and the Bandit II is the sequel to the 1977 film in which the Bandit and the Snowman are asked to transport an elephant to the GOP National Convention in Texas from Miami with the aid of Frog as they’re once again pursued by Buford T. Justice aka Smokey. The film is another adventure of fun and car chases in the South where the Bandit tries to go for another ride as well as deal with some issues as Burt Reynolds reprises his role of the Bandit and Jackie Gleason once again playing Smokey. Also starring Sally Field, Jerry Reed, Mike Henry, David Huddleston, Pat McCormick, Paul Williams, and Dom DeLuise. Smokey and the Bandit II is a wild yet adventurous film from Hal Needham.

The film is sort of a rehash of the first film where the Bandit is being asked to transport an elephant to the GOP National Convention in Texas where he will be paid lots of money as he also has to endure the pursuit of Smokey and his dim-witted son Junior (Mike Henry). Yet, the situation is different as it relates to Big Enos Burdette (Pat McCormick) trying to run for governor of Texas with help from his son Little Enos (Paul Williams) as they deal with their rival candidate John Coen (David Huddleston) where things had gotten ugly. The Burdettes are trying to get the Bandit to help them but the Bandit has become a drunken, washed-up mess who is dealing with heartbreak and the downside of fame. The film’s script doesn’t just explore the Bandit trying to get back in the game with help from his friend Cledus aka Snowman (Jerry Reed) and ex-girlfriend Carrie aka Frog (Sally Field).

Once they learn what they have to transport and get some help from an Italian doctor in Doc Carlucci (Dom DeLuise), the stakes get much higher as it adds to the Bandit thinking more about himself rather than this elephant. The Bandit’s selfishness lead to some tension but also some issues that relates to the Bandit who is still trying to coast on his fame without really thinking about the fact that not everyone likes him. It is a harsh reality that the Bandit has to face while knowing that he is still being pursued by Smokey who has called on some help from his brothers Reggie and Gaylord (both played by Jackie Gleason) for a wild climax.

Hal Needham’s direction is quite lavish for its big action sequences and moments that are quite spectacular as it includes a massive climax involving lots of police cars and trucks. Yet, the film is more grounded where even though Needham uses a lot of wide and medium shots for many of the film’s locations as much of it is set in Florida with a few shots in Texas and Georgia. Needham’s usage of close-ups and some of the medium shots to focus on the characters where they would rest for a while would really be the meat of the film as it showcased characters coping with their situations. Even as there’s a scene where a gas station attendant thinks the Bandit is an asshole as the Bandit takes offense to that as it does add to some of the reality in the film. Needham does manage to balance that reality with some humor where some of it is lowbrow from the opening sequence the Burdettes and their rival do outlandish things to humiliate each other. It all plays into some of the hilarity that occurs throughout the film as it is all about a chase and a trooper trying to get some revenge. Overall, Needham creates a fun and exhilarating film about a trooper trying to catch a trucker.

Cinematographer Michael Butler does excellent work with the film‘s cinematography as it is colorful as it plays into the vibrancy of the locations in Florida along with some unique lighting for some of the scenes at night and in some of the interiors in the truck. Editors Donn Cambern and William Gordean do nice work with the editing as it is straightforward with some stylish rhythmic cuts to play into the humor and action. Production designer Henry Bumstead, with set decorator Richard J. DeCinces and art director Bernie Cutler, does fantastic work with the look of the truck interior as well as some of the places the characters go to.

Carrie’s costumes designed by Bob Mackie are amazing from the wedding dress she wears to some of the stylish clothes she would wear during her trip as it play to her sense of style as opposed to the more cowboy look of the Bandit. Sound editor Gordon Davidson does terrific work with the sound as it is natural with some sound effects that help play into the action. Snuff Garrett does wonderful work with the film’s soundtrack that includes a few country-inspired score pieces by Garrett as well as a lot of country music from Jerry Reed, the Statler Brothers, Tanya Tucker, Mel Tillis, Burt Reynolds, Brenda Lee, and Don Williams.

The film’s superb cast include cameo appearances from Brenda Lee as woman attending the wedding, the Statler Brothers and Don Williams as themselves, Chuck Yeager as a party guest, Mel Tillis as a fairgrounds owner, and football legends “Mean Joe” Greene and Terry Bradshaw as themselves helping out the Bandit. John Anderson is terrific as the Texas governor who is angry over the mud-slinging between Coen and the Burdettes while David Huddleston is fantastic as the Burdettes’ opponent in John Coen who decides to humiliate them in the worst way. Mike Henry is wonderful as Justice’s dim-witted son Junior who is once again left in the altar by Carrie as he would say some dumb-ass things. Pat McCormick and Paul Williams are excellent in their respective roles as Big and Little Enos Burdette as the father-son duo where the former is trying to run for governor and pay off the Bandit and Snowman money to do a job for them in three days.

Dom DeLuise is hilarious as Doc Carlucci as an Italian doctor who is asked to help watch over the elephant Charlotte as he provides some nice comical moments that is fun to watch. Jerry Reed is brilliant as the Snowman who would convince the Bandit to do the job as he would name the elephant as he becomes fond of her where he realizes there is much more at stake instead of money. Sally Field is amazing as Carrie aka Frog as the Bandit’s former flame who joins the job for money while she tries to understand what is wrong with the Bandit while becoming concerned for the elephant Charlotte where she gives the Bandit a hard dose of reality. Jackie Gleason is phenomenal in a trio of roles as Buford T. Justice aka Smokey as well as his brothers in the effeminate Gaylord and the opera-loving Mountie Reginald where Gleason provides a lot of humor and hilarious comments as it’s one of his finest performances. Finally, there’s Burt Reynolds in a marvelous performance as the Bandit as the trucker who is dealing with heartbreak as he copes with doing his job but also attain that status as an icon not knowing that not everyone likes him where it’s a performance that has Reynolds be funny but also display some humility.

Smokey and the Bandit II is an excellent film from Hal Needham. Though it isn’t entirely original as it sort of rehashes everything. It is a film that is all about a lot of fun as it involves elephants, big chases, and all sorts of crazy shit. In the end, Smokey and the Bandit II is a superb film from Hal Needham.

Hal Needham Films: Smokey and the Bandit - (Hooper) - (The Villain (1979 film)) - (Death Car on the Freeway) - (The Cannonball Run) - (Megaforce) - (Stroker Ace) - (Cannonball Run II) - (Rad) - (Body Slam)

Related: Smokey and the Bandit Part 3

© thevoid99 2016

The Big Lebowski

Originally Written and Posted at Epinions.com on 7/5/06 w/ Additional Edits & Revisions.

Written, produced, and directed by the Coen Brothers, The Big Lebowski is a wonderful tale set in the early 1990s about a lazy stoner named Jeff Lebowski, nicknamed The Dude, who through all of his life, likes to drink White Russian, play bowling with his pals, and smoke some fine grass in his Los Angeles home with a rug, a rug that really tied the room together. Then amidst some confusion, he is mistaken for another Jeff Lebowski as criminals urinated on his rug, the rug that really tied the room together, as he seeks compensation from the other Lebowski, a richer, elder man. The Dude ends up being part of a scam where he's involved with Lebowski's artistic daughter, nihilists, porn producers, and many more as he and his buddy Walter do what they have to do to save the day.

Playing the role of The Dude is great dramatic actor Jeff Bridges in a role that he is born to play. Also starring Coen Brothers regulars John Goodman, Peter Stormare, Steve Buscemi, Jon Polito and John Turturro plus Julianne Moore, Sam Elliott, Flea, David Huddleston, David Thewlis, Ben Gazzara, Philip Seymour Hoffman, and Tara Reid. The Big Lebowski is one of cinema's greatest and hilarious comedies of all-time.

The Dude comes home to chill until a couple of thugs come in and urinate his favorite rug because he's Jeff Lebowski. Yet, he's not the millionaire Jeff Lebowski (David Huddleston) whose young wife Bunny (Tara Reid) has amassed a huge debt owed to porn film producer Jackie Treehorn (Ben Gazzara). The Dude talks to his ex-Vietnam vet friend Walter Sobchak (John Goodman) and their bowling buddy Donny (Steve Buscemi) about the incident as the Dude wants compensation for his rug. After getting in contact with Mr. Lebowski's assistant Brandt (Philip Seymour Hoffman), the Dude meets with Mr. Lebowski who is already angry over Bunny as he later steals a rug where he would meet Bunny and a nihilist named Uli (Peter Storemare). Things seem fine as the Dude is preparing himself for an upcoming bowling tournament until Brandt calls him about Bunny being kidnapped as Mr. Lebowski wants the Dude to give the kidnappers the ransom money with a 20 grand fee for the job.

The Dude and Walter make the drop-off though Walter is convinced that it's a cover-up as they bungle the drop-off where the Dude is later confronted by a mysterious woman who knocks him out as he loses his rug. Things worsen as the Dude, Walter, and Donny are threatened by a crazed bowler named Jesus (John Turturro) while the Dude is followed by a mysterious man (Jon Polito) in a Volkswagen. The Dude gets a call from the mysterious woman who is revealed to be Mr. Lebowski's daughter Maude (Julianne Moore) who is an avant-garde artist as she gives the Dude some information. After another meeting with Mr. Lebowski and Brandt that becomes disastrous due to the bungled drop-off as the Dude finds his stolen car and later deals with Uli and a couple of nihilists in Kieffer (Flea) and Franz (Torsten Voges). After another meeting with Maude and her friend in video director Knox Harrington (David Thewlis) that involves a film produced by Jackie Treehorn. The Dude is then forced to meet with Jackie Treehorn as he's accompanied by the thugs who peed on his rug.

The meeting with Treehorn turns strange as the Dude is tortured over information as he is drugged into having a surreal dream involving Maude. The night worsens following a meeting with a sheriff (Leon Rossum) as the Dude meets with Maude again who reveals more key information. This would lead the Dude and Walter to make more moves in another night full of hilarity.

Now for anyone aware of the all the plot implications and catchy dialogue that the Coen Brothers have is sometimes filled with intelligence and ideas to think about. Well, this film doesn't have any sense of intelligence or ways to move you emotionally. Nope, this is pure low-brow comedy at its finest and who better to conceive this masterpiece of slacker humor with elements of stoner comedies better than the Coen Brothers. There's no sense of character study or morals in here. The film is simply about a lazy stoner who becomes a hero, or a loser, or both Plus, it's a buddy comedy where the stupid guy is helped by an even dumber guy. It's not brain surgery or some kind of typical Academy Award-winning script. No, it's just a simple, hilarious, flat-out, laughing-your-sick-fucking-ass-off kind of comedy.

In many respects, if Fargo was the duo aiming high, this film was the duo aiming low and in a great way. Still, the Coen Brothers manage to reference everything they've done before where for example, Steve Buscemi's character in Fargo never shuts up while the character of Donny never really gets a chance to talk. In many ways, the Coen Brothers are just having fun where the film's script that is accompanied a bit by the rambling narration of a sarsparilla-loving cowboy called the Stranger played by Sam Elliott. The script is built to create each funny moment and situation with rambling dialogue that just makes the audience care or laugh at the Dude with or without his cohorts.

Joel and Ethan Coen's direction is filled with the traditional camera angles while he presents some hilarious sequences. Notably the film's fantasy sequences which features a Saddam Hussein look-a-like giving the Dude some bowling shoes. The fantasy sequences are surreal yet witty in the Dude's adventures. Even the aura of mystery surrounding the whereabouts of Bunny reveals that despite his laziness, the Dude isn't a total idiot who has morals while the mystery angle works to help carry the comedy. Coen's direction brings a presentation of Los Angeles that is strange and zany for all the surroundings of the Dude.

Helping the Coen Brothers in their unique vision is their longtime cinematographer Roger Deakins. Deakins' work is filled with wonderful lighting in the brightness of the bowling scene while capturing the upper-class world of the film's interior settings. For the exterior settings, Deakins uses the flashy colored lights of the pool and the bowling alley stars to brings a surreal, colorful atmosphere for the surroundings of Los Angeles to complement the Dude in his stoned state. Production designer Rich Heinrichs helps create the contrasting world of upper-class and lower-class Los Angeles while giving a wide look for the film's bowling scenes as well the surreal fantasy sequences for the Dude. Longtime costume designer Mary Zophres also does great work in the film's costumes, notably in the costume sequences where Julianne Moore wore two bowling balls as a bra while most of the clothes the Dude wears is actually the clothing Jeff Bridges own. To think that a rich, successful actor like Jeff Bridges could actually afford some decent clothes instead of the cheap ones he wore as the Dude.

In their alias as Roderick Jaynes, the Coen Brothers with Ethan's wife and editor Tricia Cooke brings a nice, leisurely-paced style to the film's editing while the film's tight cutting help the scenes move along nicely, particularly the segue to the fantasy sequences. Jaynes and Cooke does some great work with the editing with the help of longtime sound editor Skip Lievsay who does some excellent sound work to help out in the film's strange atmosphere to play with its humor. Longtime composer Carter Burwell does some excellent score work with his orchestral arrangements to play up to the film's intensity in its mystery subplot while some more playful textures to the film's comedy. Most of the film's music is supervised by T-Bone Burnett who created a rich soundtrack to play up to the world of the Dude.

The soundtrack includes an array of great cuts filled with such classic rock music from Creedence Clearwater Revival, Bob Dylan, Santana, Booker T & the MGs, Townes Van Zandt, and Elvis Costello plus a couple of cuts from the Eagles. A cover of Hotel California by the Gypsy Kings and another song from the band where it had a scene of the Dude saying he hates the fucking Eagles. There's also some nice jazz cuts from Nina Simone, Dean Martin, Debbie Reynolds, and a cut from the Sons of the Pioneers that opens the movie. There's also a great cut in a fantasy performed by Kenny Rogers & the First Edition that is very surreal yet fun to watch with the music. Burnett's choice of music is brilliant and its easily one of the best soundtracks ever which also includes two covers of Viva Las Vegas by ZZ Top and Shawn Colvin.

Now there's the film's cast which includes some wonderful cameos and small performances from porn actress Asia Carrera as an actress in a porn film, Aimee Mann as a fellow nihilist, Dom Irrera as a limo driver, Carlos Leon as a thug of Maude's Coen Brothers regular Jon Polito as the Dude's stalker, Jerry Havela as Saddam Hussein, Leon Russom as the Malibu sheriff, Jesse Flanagan as the quiet kid Larry, David Thewlis as Maude's video director friend, Phillip Moon and Mark Pellegrino as Treehorn's thugs, and Jimmie Dale Gilmore as Smokey, the guy who Walter violently threatens. Red Hot Chili Peppers bassist Flea and Torsten Voges are hilarious as the nihilists while Peter Stormare is even funnier as the lead nihilist with their funny German accents. Tara Reid is good as Bunny Lebowski which isn't much of a stretch since her party girl antics makes her suited for the role.

Ben Gazzara is excellent as the sleazy but charming porn producer Jackie Treehorn with his coolness and business-like presence. Coen regular John Turturro's small performance as Jesus is truly one of the best small roles ever as Turturro brings a lot of funny creepiness and antics that are so memorable to watch while he does a great Spanish accent. Another Coen regular in Steve Buscemi is also funny as the nice but often interrupted Donny who always tries to get into a conversation but ends up being a great comedic prop as Buscemi played the role perfectly. Philip Seymour Hoffman gives a great, straight performance as Mr. Lebowski's assistant Brandt with such restraint and manner as Hoffman plays the role in the straightest way as he comes off as the most straight person in the film. Sam Elliott is very funny as the Stranger whose rambling narratives often lose track while his voice is very laid back and often talking about sarsparilla. David Huddleston is great as Mr. Lebowski with his mean-like presence that is big as Huddleston really stands out.

Julianne Moore gives her most pretentious performance to date as Maude Lebowski as Moore plays the role with sheer fun while creating a mock-European voice to give the character a lot of humor. It's Moore's funniest performance overall as she brings a lot of snobbery as Moore parodies the art world with her great performance. Coen regular John Goodman is truly perfect as Walter with his stickler to the rules and his misreading of information. Goodman has a great, cartoon-like army look that is truly Walter and no one could play that role better than him. Goodman has great chemistry with Bridges as they make one of the best comedies duo of all-time.

Finally, there's Jeff Bridges in what is truly, a role that he is born to play as the Dude. Bridges before the Dude was always wonderfully dramatic and showing a lot of his range in his roles. Once he is the Dude, Bridges looks like he has a lot of fun as the Dude with his laid-back persona while trying to do things right although he never does. Bridges never makes his character truly pathetic yet he's so much fun to watch that he becomes an unconventional hero. If there's one film performance Bridges will be remembered for, it'll be as The Dude.

If there's only one film to see from the Coen Brothers, it's The Big Lebowski. Thanks to the performances of Jeff Bridges, Julianne Moore, Ben Gazzara, Sam Elliott, David Huddleston, Phillip Seymour Hoffman, and Coen regulars John Goodman, Steve Buscemi, Jon Polito, John Turturro, and Peter Stormare. The film is without a doubt a classic stoner comedy. While it's not for high intellectuals who want a plot, it's for anyone who just doesn't care and just wants to laugh. So in the end, grab some White Russians, some grass, call a few bowling buddies, and have a good time watching one of the greatest movies of all-time, The Big Lebowski.

Coen Brothers Films: Blood Simple - Raising Arizona - Miller's Crossing - Barton Fink - The Hudsucker Proxy - Fargo - O Brother, Where Art Thou? - The Man Who Wasn’t There - Intolerable Cruelty - The Ladykillers (2004 film) - Paris Je T'aime-Tuileries - To Each His Own Cinema-World Cinema - No Country for Old Men - Burn After Reading - A Serious Man - True Grit (2010 film) - Inside Llewyn Davis - Hail, Caesar! - The Ballad of Buster Scruggs

The Auteurs #9: The Coen Brothers Pt. 1 - The Auteurs #9: The Coen Brothers Pt. 2

© thevoid99 2012