Showing posts with label gina carano. Show all posts
Showing posts with label gina carano. Show all posts
Saturday, November 26, 2016
Deadpool
Based on the Marvel Comics series by Fabian Nicieza and Rob Liefeld, Deadpool is the story of an assassin who reinvents himself as an anti-hero who goes after the man that ruined his life and has captured his old girlfriend. Directed by Tim Miller and screenplay by Rhett Reese and Paul Wernick, the film is spoof of sorts as it play into the many tropes of superhero films but with a character that often makes very satirical comments as the titular character is played by Ryan Reynolds. Also starring Morena Baccarin, T.J. Miller, Ed Skrein, Gina Carano, Leslie Uggams, Briana Hildebrand, and Stefan Kapicic. Deadpool is a wild yet witty film from Tim Miller.
The film follows its titular character who was once a top assassin until he is stricken with cancer where he goes to a mysterious man who would cure him but leave him deformed. In turn, he goes after him hoping for a cure and get his life back on track while providing some commentary of everything that is around him as well as breaking the fourth wall. It’s a film about a guy who claims to be a bad guy but does worse thing to those who are really bad as he has no interest in being a hero. Yet, once the assassin Wade Wilson would find love in a prostitute named Vanessa (Morena Baccarin). He starts to embrace some form of normalcy until he is stricken with terminal cancer as desperation to find a cure would lead him into a trouble where he meets this mutant named Ajax (Ed Skrein) who is immune to pain as he would put Wade into a dark experiment that would force him to become the anti-superhero Deadpool.
The film’s script doesn’t play by traditional narrative as part of it has Deadpool reflecting on his life with Vanessa and what he was doing while chasing Ajax and his goons at a highway only to be interrupted by Colossus (the voice of Stefan Kapicic) and Negasonic Teenage Warhead (Briana Hildebrand) of the X-Men who want him to join. Deadpool refuses as he also comments about what he’s doing as well as criticize his character’s previous appearance in a film as well as other things that breaks the fourth wall. Especially as Deadpool would often talk to the audience as he tries to go after Ajax who would later kidnap Vanessa. There is also that sense of conflict in Wade as he embraces being Deadpool but also is filled with fear about what will Vanessa think of what he did to get rid of the cancer.
Tim Miller’s direction is definitely stylish as it play into the many tropes that is expected in action and superhero films but it also has fun with it. Shot largely on location in Vancouver, British Columbia in Canada, the film plays into a world that is quite chaotic but also exciting which is something that Wade is comfortable at since it play into his twisted personality. Miller does use some wide shots for some big moments as well as establishing some of the locations yet he would go into more intimate approaches to compositions with the usage of close-ups and medium shots. Some of which are playful as well as maintain that air of dark comedy into the film in the way Wade comments on the torture he would endure as well as comments from everything including bad movies and the guy who is playing him. Miller’s direction also has these moments such as the opening sequence where it plays into the many clichés of what is expected as the opening credits list everything that is often seen in these films. Still, Miller understands that the film isn’t taking itself seriously while not being afraid of being graphically violent at times or just taking a piss on itself at many of the clichés and have fun with it. Overall, Miller creates a thrilling and hilarious film about a bad guy who goes ape-shit on even worse guys by trying to get his girlfriend back and kill a bunch of fuck-heads.
Cinematographer Ken Seng does excellent work with the film‘s cinematography as it play into the somewhat de-colored look of the exterior locations with the exception of the scenes at the home of the X-Men while some of the nighttime scenes have some nice lighting to play into its eerie look. Editor Julian Clarke does superb work with the editing as it has some stylish fast-cuts for some of the action while actually not overwhelm anything as well as be straightforward in some parts. Production designer Sean Haworth, with set decorators Shannon Gottlieb and Shane Vieau as well as art directors Greg Berry, Nigel Evans, and Craig Humphries, does fantastic work with the set design from the bar Wade often hangs out as well as the home he would share with a blind woman. Costume designer Angus Straithe does terrific work with the costumes from the clothes that Vanessa wear as well as the design of the Deadpool suit.
Makeup designer Bill Corso does brilliant work with the look of Wade in his decayed and post-cure state as it play into the decision he‘s made. Visual effects supervisor Jonathan Rothbart does wonderful work with the visual effects from the way some of Deadpool‘s wounds are healed and the look of Colossus. Sound editors Jim Brookshire and Wayne Lemmer, along with sound designer Craig Henighan, do amazing work with the sound as it play into the sound effects and the way some of the gore sounds as it isn‘t afraid to be squeamish. The film’s music by Tom Holkenborg is marvelous for its mixture of bombast electronic music with some orchestral flourishes to play into the action while music supervisor John Houlihan create a fun soundtrack featuring music from DMX, Wham!, Juice Newton, Salt-N-Pepa, Chicago, Neil Sedaka, the Chordettes, and TeamHeadKick.
The casting by Ronna Kress is remarkable as it feature some notable small roles from Karan Soni as a cab driver named Dopinder that Deadpool befriends, Jed Rees as a mysterious man in a suit that gives Wade a secret contact, and Leslie Uggams in a very funny performance as Blind Al as a blind old lady that Deadpool lives with as she has a love for cocaine and IKEA. Stefan Kapicic is terrific as the voice of the steel-like mutant Colossus as a X-Men who tries to recruit Deadpool as he thinks there is good in him. Brianna Hildebrand is fantastic as Negasonic Teenage Warhead as a X-Men trainee who has the power to detonate atomic bursts in her body as she doesn’t seem to be impressed by Deadpool. T.J. Miller is superb as Weasel as a bartender friend of Wade who would help him with a few things as well as be a comic foil for Wade.
Gina Carano is excellent as Angel Dust as Ajax’s powerful henchwoman who likes to have a match in her mouth as well as be very strong where she is able to match up against Colossus. Ed Skrein is brilliant as Ajax as a mutant who is immune to pain as he would manipulate and ruin Wade’s life in the hopes he can use him as part of a secret army only to fuck with the wrong guy. Morena Baccarin is amazing as Vanessa as a prostitute who is Wade’s girlfriend as she has a strange yet enjoyable relationship until she wonders where he is as she isn’t some typical damsel-in-distress but rather someone that doesn’t take a lot of shit. Finally, there’s Ryan Reynolds in a phenomenal performance as the titular character as a smart-aleck assassin who is diagnosed with cancer only for things to go wrong when he gets cured as he becomes an even more fucked-up killer as it’s Reynolds being funny as well as provide some charm as it’s one of his best performances to date.
Deadpool is a sensational film from Tim Miller that features an incredible performance from Ryan Reynolds. Along with a strong supporting cast, a fun music soundtrack, and a premise that isn’t afraid to not take itself seriously. It’s an anti-superhero film that doesn’t care about taking a piss on itself as well as have a good time playing with the many clichés of the genre. In the end, Deadpool is a dazzling and hilarious film from Tim Miller.
X-Men Films: X-Men - X2: X-Men United - X-Men 3: The Last Stand - X-Men Origins: Wolverine - X-Men: First Class - The Wolverine - X-Men: Days of Future Past - X-Men: Apocalypse - Logan - Deadpool 2 - (Dark Phoenix) – (New Mutants)
© thevoid99 2016
Saturday, November 15, 2014
Haywire
Directed, shot, and edited by Steven Soderbergh and written by Lem Dobbs, Haywire is the story of a spy who is betrayed by her organization as she seeks revenge while uncovering a conspiracy that is going against her. The film is an action-thriller where a woman whose job was to help a company as she realizes that there’s more at stake as she is a pawn of a big scheme. Starring Gina Carano, Ewan McGregor, Michael Fassbender, Channing Tatum, Michael Angarano, Antonio Banderas, and Michael Douglas. Haywire is a stylish yet entertaining film from Steven Soderbergh.
The film is an exploration of betrayal where a woman, who is hired by a private organization to retrieve hostages and kill targets, becomes part of a conspiracy where that organization tries to get rid of her. While it is a premise that is very simple, it is a film that is about a group of people who try to play a scheme where those of power become either corrupt or be caught off guard. Lem Dobbs’ screenplay doesn’t just explore what governments do to take care of situations but how certain individuals are willing to compromise them. In the middle of this is Mallory Kane (Gina Carano) who is just someone that does her job as she learns she is betrayed when an assignment she reluctantly takes part in is merely more of an attempt to eliminate her.
The first half of the story is about Kane being betrayed and what does she do as the narrative is largely told in flashback after a meeting a colleague has gone bad as she takes a hostage and tells him what is going on. The second half is about Kane exacting her revenge and why she gets betrayed as it involves all sorts of things about government involvements. Especially as it plays into ideas of capitalism and corruption in a world where the rules are changing and some in the old order are out of the loop. These things would motivate Kane into not just take action but also confront those who are running the show.
Steven Soderbergh’s direction is very stylish not just in his approach in creating a film that is thrilling and action-packed. It’s also a film where it’s quite engaging in the way the mystery unfolds and how it’s being told. Shot in various locations in two different continents, the film has something that feels big but also very intimate in some of the compositions that Soderbergh makes. Much of it involves close-ups and medium shots while some of the action scenes are presented in wide shots such as a chase scene in Dublin involving cops as there’s an intricacy to the way Soderbergh presents the sequence.
Serving as cinematographer in his Peter Andrews alias and editor in his Mary Ann Bernard alias, there are some unique images to the look of the film in terms of how the interiors are lit while Soderbergh uses a lot of blue filters for the scenes set in upstate New York. Soderbergh’s editing definitely has a lot of unique rhythms in the way the action and fights are presented yet he keeps it straightforward in order to maintain the air of suspense. Even as it would lead to confrontations and questions about the way the world works. Overall, Soderbergh creates a very intelligent yet riveting thriller about a woman going after those who betrayed her.
Production designer Howard Cummings, with set decorator Barbara Munch and art director James F. Oberlander, does excellent work with the look of the home where Kane‘s father lived in as well as the government offices and house that Kane goes to with a MI-6 agent. Costume designer Shoshana Rubin does nice work with the costumes as most of it is casual with the exception of the dress that Kane wears for a party. Visual effects supervisor John Kennedy does terrific work with the few visual effects shots in the film such as a scene in upstate New York where Kane tries to evade the police. Sound editor Larry Blake does fantastic work with the sound from the way punches and kicks are heard to the sound of sirens in some of the film‘s action scenes. The film’s music by David Holmes is brilliant for its mixture of funk and jazz to play into the energy of the film with some electronic pieces for the suspense and drama.
The casting by Carmen Cuba is amazing for the ensemble that is created as it features some notable small roles from Anthony Brandon Wong as a hostage Kane had to retrieve and Mathieu Kassovitz as a businessman that Kane and her MI-6 colleague Paul had to target. Michael Angarano is terrific as a young man named Scott that Kane takes hostage in the film’s first half as he learns about what she is doing. Michael Fassbender is excellent in a small role as a MI-6 agent named Paul who is part of the scheme to betray Kane. Antonio Banderas is brilliant as a Spanish contact named Rodrigo who is trying to watch over the international interest for the U.S. in terms of what is happening. Bill Paxton is fantastic as Kane’s father John who knows what his daughter does as he is aware of what is happening as he does whatever it takes to fool those who have betrayed her.
Channing Tatum is wonderful as a colleague in Aaron who only knows Kane for about a week after an assignment as he’s asked to deal with her where he would question about what is going on. Ewan McGregor is superb as Kane’s former boyfriend/contractor Kenneth who is trying to make some moves while getting Kane to accept a job that he needed. Michael Douglas is incredible as the government agent Coblenz who is this ambiguous figure as he is someone that is trying to watch over everything while being unaware of things that are happening. Finally, there’s Gina Carano in a remarkable performance as Mallory Kane as this woman who is trying to leave her job as she copes with being betrayed as it’s a performance that has Carano display some charm while kicking some ass at the same time.
Haywire is a phenomenal film from Steven Soderbergh that features a fantastic performance from Gina Carano. The film isn’t just a smart action-thriller but also a compelling film about the way governments and private firms deal with things in a world that is becoming very complicated. In the end, Haywire is a marvelous film from Steven Soderbergh.
Steven Soderbergh Films: sex, lies, & videotape - Kafka - King of the Hill - The Underneath - Gray’s Anatomy - Schizopolis - Out of Sight - The Limey - Erin Brockovich - Traffic - Ocean's 11 - Full Frontal - Solaris (2002 film) - Eros-Equilibrium - Ocean’s Twelve - Bubble - The Good German - Ocean’s Thirteen - Che - The Girlfriend Experience - The Informant! - And Everything is Going Fine - Contagion - Magic Mike - Side Effects - Behind the Candelabra - Logan Lucky - (Unsane) - (High Flying Bird)
The Auteurs #39: Steven Soderbergh: Pt. 1 - Pt. 2
© thevoid99 2014
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