Split (2016 film)

Written and directed by M. Night Shyamalan, Split is the story of a man who kidnaps three teenage girls as he is revealed to have 23 different personalities as he becomes unhinged. The second film in a trilogy of films based on individuals with special abilities that was preceded by 2000’s Unbreakable, the film features a man who is holding three young women hostage in order to connect with the different personalities he has. Starring James McAvoy, Anya-Taylor Joy, Haley Lu Richardson, Jessica Sula, Brad William Henke, and Betty Buckley. Split is a gripping and harrowing film from M. Night Shyamalan.

Three teenage girls get abducted at a local mall by a mysterious man who inhabits 23 different personalities as they all try to escape but have no clue what they’re facing just as the man himself is being checked upon by a psychiatrist who believes he is developing a new personality. It’s a film with a simple premise yet there’s a lot of complexities into the situation that these three young women are in as they believe they’re facing just one man but he’s not exactly what he seems through the personalities he inhabits. M. Night Shyamalan’s screenplay follows the events that Kevin Wendell Crumb (James McAvoy) and the many personalities he is in where he would meet his psychiatrist Dr. Karen Fletcher (Betty Buckley) as the kind and artistic Barry while he would be the OCD Dennis, the feminine and proper Patricia, and the young boy Hedwig.

For the two of the three teenage girls in Claire (Haley Lu Richardson) and Marcia (Jessica Sula) who both try to find ways to escape only to be imprisoned in separate rooms. The third teenage girl in Casey Cooke (Anya Taylor-Joy) is aware that something isn't right about Kevin as she’s coping with her own childhood trauma that relates to what is happening to her. Yet, she is the odd girl as she only was with Claire and Marcia because of a party the former was having and didn’t have anything to do while is also someone that prefers to be a loner. This connection with Kevin just adds to the drama and suspense as Casey is more concerned with understanding what Kevin is as a way to earn the trust of one of his personalities and hopefully find a way to get out.

Shyamalan’s direction is engaging for suspense and drama that he creates as much of it is intimate in its setting in this mysterious world that feels like it is set in an underground environment. Shot on location in Philadelphia, the film does have Shyamalan use the city as a major location where Kevin would visit Dr. Fletcher occasionally whenever he needs help as Barry. Though Shyamalan does use a few wide shots for the locations outside of Kevin’s lair, much of his direction has him using close-ups and medium shots that include these claustrophobic scenes where it play into the girls trying to hide or be in this room that has a bathroom next to it that they have to clean constantly or else Dennis does something to them. The camera movements of the hallways with pipes on the ceiling definitely play into this air of terror that looms throughout the film while things feel much freer outside of that place. Notably as there’s scenes in the streets of Philadelphia where Dr. Fletcher would notice something as it relates to Kevin as Barry and what is happening to him as he starts to develop this 24th personality.

Shyamalan’s direction also play into these simple yet effective dramatic scenes such as a meeting between Kevin as Barry/Dennis and Dr. Fletcher where he keeps the camera still in a close-up of Kevin’s face as he’s slowly changing into this personality while Dr. Fletcher is talking. It’s a moment in the film that has Shyamalan using simple methods to get something going as it play into this shift of a man starting to unravel as he is becoming more dangerous to the girls he’s abducted. The film’s third act is about the unveiling of the 24th personality as well as Casey’s discovery about Kevin’s real identity and the personalities he has where it is clear that this is someone who also had trauma that is similar to what she encountered as a child told through flashbacks. Overall, Shyamalan crafts a chilling and provocative film about three teenage girls abducted by a mysterious man with multiple personalities.

Cinematographer Mike Gioulakis does excellent work with the low-key yet eerie look of the interiors at Kevin’s home and the rooms that he has with its usage of little lighting while going for something straightforward with the exterior scenes in day and night. Editor Luke Ciarrocchi does brilliant work with the editing as it does use rhythmic cuts to play into the suspense but also know when not to deviate from fast-paced speed cutting that is often conventional with big-budget films. Production designer Mara LePere-Schloop, with art director Jesse Rosenthal plus set decorators Jennifer Engel and Lauri Gaffin, does fantastic work with the look of the place where Dr. Fletcher works at as well as the home where Kevin lives and keeps his hostages in this small and desolate room. Costume designer Paco Delgado does nice work with the costumes as it include certain kind of clothes that Kevin wears in the different personalities he inhabits.

Visual effects supervisor Ed Mendez does terrific work with the film’s visual effects that isn’t used much except for a key moment in the film’s climax as it relates to the activities of Kevin’s new personality. Sound editor Skip Lievsay does superb work with the sound as it play into the atmosphere of the locations as well as the tense moments in the suspense into what Kevin becomes. The film’s music by West Dylan Thordson is wonderful for its eerie ambient-based score that help set a tone for the scene without overdoing it while music supervisor Susan Jacobs brings in a soundtrack of a variety of music from hip-hop, classical, indie, and score music from other films to play into the world the characters live in.

The casting by Douglas Aibel is marvelous as it include some notable small roles and appearances from M. Night Shyamalan in a cameo as a security guard who recorded a video of Barry walking out of Dr. Fletcher’s building, Lyne Renee as an academic director for a seminar that Dr. Fletcher is speaking at, Neal Huff as Claire’s father at the beginning of the film before he gets knocked out by Kevin, Sebastian Arcelus as Casey’s father in Casey’s flashback scenes, Brad William Henke as Casey’s uncle John who is seen in the flashbacks as someone that is involved with Casey’s trauma, and Izzie Coffey as a young Casey from her own flashbacks. Jessica Sula and Haley Lu Richardson are fantastic in their respective roles as Marcia and Claire as two teenage girls captured by Kevin as they try to fight back in some ways with the latter leading the charge while the former also tries to fight Kevin as they both end up being isolated.

Betty Buckley is brilliant as Dr. Fletcher as a psychiatrist who is trying to understand Kevin’s condition as she notices that Kevin is starting to behave differently as Barry and later into other personalities such as Dennis where she believes that a new condition has emerged. Anya Taylor-Joy is amazing as Casey Cooke as a teenage girl who is also abducted by Kevin as she tries to understand Kevin while not wanting to do anything that could get her killed due to her own traumas where she would make a chilling discovery as it’s a restrained yet intoxicating performance from Taylor-Joy. Finally, there’s James McAvoy in a tremendous performance as Kevin Wendell Crumb as a man with 23 different personalities as McAvoy displays a lot of different accents, demeanors, and physical stances to play these personalities where he manages to be charming but also dangerous as it is really a career-defining performance from McAvoy.

Split is a sensational film from M. Night Shyamalan that features a tour-de-force performance from James McAvoy. Along with strong supporting work from Anya Taylor-Joy and Betty Buckley as well as eerie visuals, a discomforting setting, and a haunting music score. It is a film that marks a major return to form for M. Night Shyamalan as well as be a chilling suspense film that play into the idea of three young women dealing with the unknown. In the end, Split is a phenomenal film from M. Night Shyamalan.

M. Night Shyamalan Films: (Praying with Anger) – (Wide Awake) – (The Sixth Sense) – (Unbreakable) – (Signs) – (The Village) – (Lady in the Water) – (The Happening) – (The Last Airbender) – (After Earth) – (The Visit (2015 film)) – (Glass)

© thevoid99 2018

The Edge of Seventeen (2016 film)

Written and directed by Kelly Fremon Craig, The Edge of Seventeen is the story of a high schooler who confides to one of her teachers about wanting to kill herself as it relates to the complication of her life that includes her older brother dating her best friend. The film follows the life of a young woman dealing with growing pains as well as the many complications relating to loss and the uncertainty of being a teenage girl. Starring Hailee Steinfeld, Haley Lu Richardson, Blake Jenner, Kyra Sedgwick, Hayden Szeto, and Woody Harrelson. The Edge of Seventeen is a riveting and witty film from Kelly Fremon Craig.

The film follows a seventeen-year old high school student whose life has become troubling as she turns to one of her teachers where she has thoughts about killing herself. During this conversation with her teacher, she thinks about the events in her life that has shaped her including her tumultuous relationship with her older brother, the death of her father a few years before, and the fact her brother is now dating her best friend. Kelly Fremon Craig’s screenplay opens with the film’s protagonist Nadine Franklin (Hailee Steinfeld) driving to her school and then walk to the classroom of one of her teachers in Mr. Bruner (Woody Harrelson) as much of the film’s first two acts is about Nadine telling Mr. Bruner what’s been happening with her life. Much of it involves having to be in the shadow of her older brother Darian (Blake Jenner) who often gets his way since they were kids as the only friend she had is Krista (Haley Lu Richardson) who had always been there for Nadine.

During a sleepover one night when Nadine and Darian’s mother Mona (Kyra Sedgwick) is out of town, something happens that changes everything where Krista and Darian become a couple much to Nadine’s disgust. It play into Nadine’s own insecurities as she often feels like her brother always get what he wants and is often considered the favorite since their mother always calls on Darian. Nadine also copes with her own desires as she has a crush on an older classmate in Nick Mossman (Alexander Calvert) but has befriended another classmate in Erwin Kim (Hayden Szeto) who has feelings for her. Still, it raises a lot of confusion for Nadine who is dealing with so much including her relationship with her mother that is reaching its breaking point.

Craig’s direction is quite simple where it doesn’t rely a lot in style in favor of something more straightforward. Shot largely in Anaheim, California as Portland, Oregon with some scenes shot near Vancouver and Surrey, British Columbia in Canada, the film is set in a suburban world where everyone kind of knows each other but it’s a world where Nadine feels like she doesn’t really belong to. Even in moments where Craig would use wide shots to establish her own isolation when she breaks off her friendship with Krista as Craig would also use some medium shots to play into the growing confusion and anguish that Nadine is enduring. There are some close-ups in some scenes such as a moment where Nadine is thirteen dealing with the awkwardness of growing up as she sports a bad haircut. It’s among the few moments in the film where Craig displays some humor while much of the drama is low-key and restrained to play into Nadine’s own growing pains as she tells her story to Mr. Bruner. When the film returns to that opening scene where it would lead to the third act, some revelations occur about not just Nadine but also Mr. Bruner and Darian as the latter copes with being the man of the house. All of which play into Nadine’s search in finding herself as well as deal with the fact that there’s people who do care about her. Overall, Craig creates a compelling and heartfelt film about a seventeen year-old girl dealing with loneliness and herself.

Cinematographer Doug Emmet does excellent work with the film’s cinematography as it is largely straightforward in its autumn setting while using some lighting schemes for some of the scenes at night. Editor Tracey Wadmore-Smith does nice work with the editing as it is also straightforward with some stylish montage cuts to play into Nadine’s own troubles including the film’s opening sequence. Production designer William Arnold, with set decorator Ide Foyle and art director John Alvarez, does fantastic work with the look of Nadine’s home as well as the home she, Darian, and their mother live in as well as the home of Erwin.

Costume designer Carla Hetland does terrific work with the costumes as it is largely casual as well as the usage of color to play into the personality of the characters. Sound designer Kami Asgar and sound editor Erin Oakley do superb work with the sound as it is straightforward including the way things sound at a party or at the school cafeteria. The film’s music by Atli Orvarsson does wonderful work with the music with its mixture of folk and keyboard-based music to play into some of the film’s dramatic moments while music supervisor Jason Markey creates a fun mixture of music ranging from old-school music from Billy Joel, the Alan Parsons Project, Aimee Mann, Pixies, Beck, and Spandau Ballet to current music from Cut Copy, Miles Betterman, Santigold, Craig Austin, Cloves, Miike Snow, Valentino, Birdy, ASAP Ferg, Caribou, Two Door Cinema Club, Anderson Paak with Schoolboy Q, Phantogram, and the 1975.

The casting by Melissa Kostenbauder is marvelous as it feature some notable small roles from Lina Renna as the young Nadine, Ava Grace Cooper as the young Krista, Christian Michael Cooper as the young Darian, Eric Keenleyside as Darian and Nadine’s father Tom in the film’s flashbacks, Alexander Calvert as an older student named Nick that Nadine has a crush on, and Hayden Szeto in a terrific performance as Erwin Kim as a classmate that Nadine befriends as he tries to woo her awkwardly while listening to her problems. Kyra Sedgwick is fantastic as Nadine and Darian’s mother Mona as a woman that is very image-conscious as she is trying to be young and vibrant but copes with Nadine and her issues where she really doesn’t understand her. Blake Jenner is excellent as Darian as Nadine’s older brother who is the epitome of perfection as someone that is just trying to be a good person yet hides his own secret about the way things are going for the family.

Haley Lu Richardson is brilliant as Krista as Nadine’s best friend who finds herself falling for Darian as she finds herself torn in wanting to be there for Nadine but also finding someone in Darian that she likes being with. Woody Harrelson is incredible as Mr. Bruner as a teacher who listens to everything Nadine is going through as he is a man that knows that Nadine is a lot smarter than the students he’s taught while also being a very calm and observant man that knows a lot as well as provide some sensitivity in trying to help this young girl. Finally, there’s Hailee Steinfeld in a remarkable performance as Nadine as this seventeen-year old girl that is dealing with a lot in her life as she tries to cope with her loneliness as well as her own wants and needs where Steinfeld provide that air of energy and angst into the role of a teenager dealing with growing pains and her role in the world.

The Edge of Seventeen is a sensational film from Kelly Fremon Craig that features great performances from Hailee Steinfeld and Woody Harrelson. Along with its supporting cast, fun soundtrack, and an engaging story on growing pains and teenage identity, it’s a film that has elements of realism but enough entertaining moments to create something that audiences can connect with. In the end, The Edge of Seventeen is a phenomenal film from Kelly Fremon Craig.

© thevoid99 2018