Based on the story Blazing Guns on the Chisholm Trail by Borden Chase for the Saturday Evening Post, Red River is the story of a cattle drive from Texas to Kansas where a rancher finds himself sparring with his independent-minded adopted son. Directed by Howard Hawks and screenplay by Borden Chase and Charles Schnee, the film is a fictional account about the very first cattle drive along the Chisholm trail as it also explores the dynamic between two men on the cattle drive. Starring John Wayne, Montgomery Clift, Walter Brennan, Joanne Dru, Coleen Gray, John Ireland, Harry Carey, Harry Carey Jr., Hank Worden, Noah Beery Jr., and Paul Fix. Red River is a mesmerizing and riveting film from Howard Hawks.
Set during the aftermath of the American Civil War where the country is going through an economic depression, the film revolves around a rancher who spent 14 years creating a ranch in Texas as he decides to take the cattle to Missouri and hope to make some money. Joining him is adopted son, his longtime trail hand, and several other men trekking more than a thousand miles yet things go wrong prompting some tension between father and son as the latter realizes that going to a small town in Kansas is the way to go as it also has a railroad. It’s a film that explores a cattle drive as well as two men finding themselves at odds over what to do as a series of small incidents would drive them further. Even as many of the men who signed up for the trail find themselves dealing with the journey and how rough it’s become as they begin to rebel.
The film’s screenplay by Borden Chase and Charles Schnee doesn’t just explore the dynamic between Thomas Dunson (John Wayne) and his adopted son Matthew Garth (Montgomery Clift) but also the former’s stubborn demeanor trying to get the cattle to Missouri thinking he will be well-paid there. The script opens with a prologue of sorts as it relates to how Dunson found the land and met Garth when he was a kid. It displays the drive and ambition that Dunson has where he is eager to make a name for himself following a moment of tragedy in an earlier cattle drive. When he spends years building the ranch with Garth and longtime friend Groot (Walter Brennan), he would succeed but becomes broke due to the aftermath of the Civil War where he makes the decision to do the cattle drive. When they’re joined by several men including a gunslinger named Cherry Valance (John Ireland), the journey from Texas to Missouri would be an arduous one.
Garth doesn’t try to argue or go against Dunson but eventually realizes that Dunson’s ideals start to get the better of him as even Groot start to question what is going on. The film’s second half isn’t just about a breakdown between Dunson and Garth but also what the latter would try to do after some men left the drive in protest. Even as some of the men would make a discovery of what they would find that would lead them to Kansas much to Dunson’s protest. For Dunson, it’s a moment where he’s humiliated as he would retaliate in such a way as Garth would anticipate it leading to a very chilling climax.
Howard Hawks’ direction is truly intoxicating in terms of the presentation he creates where he does maintain a feel of the American West where it plays into a world that is changing but also with a sense of hope. Shot in various locations around Arizona, Texas, Louisiana, California, and parts of Mexico, the film does play into this growing expansion of the West where Hawks would use a lot of wide shots for the scenery as well as in some medium shots to capture the intimacy of the group. With the aid of co-director Arthur Rosson in shooting some of the cattle drive and action sequences in the film, Hawks maintains that sense of being in the journey while knowing how rough it is as it would include a stampede scene and later a sequence involving Indians trying to go after a group of travelers. There is an element of thrill in those sequences while Hawks would also find ways to create scenes of dialogue and drama that is really key to the film in the course of the story.
Many of the scenes during the stops in the journey are very intimate where Hawks uses some close-ups and medium shots to play into the growing tension between Dunson and Garth. Even in moments where Dunson would do some very serious things to those who caused harm or tried to leave the drive as it would be some of the darkest moments in the film. Once the film goes into the third act where Garth would take control of the drive and move it towards Kansas. The eventual showdown between Dunson and Garth isn’t a traditional showdown where guns are drawn as it is more about ownership and ideals. Overall, Hawks creates a rapturous yet intense film about a cattle drive that becomes a troubling journey for a rancher and his adopted son.
Cinematographer Russell Harlan does amazing work with the film‘s black-and-white photography from the look of the daytime exterior scenes as well as the look of the scenes set at night as it would also include some additional work from Allan Thompson in some of the special effects for the action sequences. Editor Christian Nyby does excellent work with the editing as it includes some stylish rhythmic cuts for some of the action scenes along with some straightforward cuts for the drama as well in some of the chilling moments in the film. Art director John Datu Arensma does fantastic work with the look of some of the buildings in the film as well as the town for the film‘s climax.
The sound work of Richard Deweese is superb for the way the cattle sounds during a stampede as well as the little moments in the film as it plays into the intimacy and suspense. The film’s music by Dimitri Tiomkin is wonderful for its orchestral-based score that is filled with lush string arrangements and some bombastic percussions where it plays into some the action in the latter as it would include a song written by Tiomkin that is in the vein of country-western music.
The film’s marvelous cast include some notable small roles from Slim Pickens as a cowboy late in the film, Shelly Winters as a dancehall girl in the wagon, Mickey Kuhn as the young Garth, William Self as a wounded wrangler from another drive that Dunson and Garth meet, Ivan Parry as a sugar-addicted wrangler named Kenneally, and Chief Yowlachie as an Indian wrangler named Two Jaw Quo. Other noteworthy roles as wrangler’s in Dunson’s cattle drive include Wally Wales, Hank Worden, and Paul Fix as a trio of men who become frustrated with Dunson’s rules while Harry Carey Jr. is terrific as a young wrangler eager to make it and bring money home to his family. Noah Beery Jr. is superb as the wrangler Buster McGee who would help Garth in rebelling against Dunson while making a key discovery in their destination.
Coleen Gray is wonderful as Fen as the love of Dunson’s life early in the film who wanted to join him on the land he had just discovered. Harry Carey Sr. is excellent as Mr. Melville in a trading company leader who would give Garth the offer of a lifetime as his small but brief appearance late in the film is fun to watch. Joanne Dru is amazing as Tess Millay as a woman Garth meets in the third act as he saves her from an Indian attack where she is this fascinating woman that is intrigued by Garth but also fascinated by who Dunson is. John Ireland is brilliant as Cherry Valance as a gunslinger who joins Dunson and Garth as he befriends the latter over their skills as he is also someone that knows more about what is out there.
Walter Brennan is incredible as Groot as a old trail hand who has been Dunson’s longtime friend as he is also the film’s conscience of sorts where he observes a lot that is happening as he becomes frustrated with Dunson’s stubbornness. Montgomery Clift is phenomenal as Matthew Garth as Dunson’s loyal stepson who does whatever he can to help his stepfather in driving the cattle to Missouri as he begins to realize what needs to be done as it’s more of an act of taking control instead of disrespecting the man who raised him. Finally, there’s John Wayne in a tremendous performance as Thomas Dunson as this man who would build and create a cattle ranch from very little as he does whatever he can to get the cattle to Missouri as it’s Wayne being a man that is quite un-likeable at times but is filled with a lot of determination no matter how foolish it is as it’s one of Wayne’s great performances.
Red River is a magnificent film from Howard Hawks that features great performances from John Wayne and Montgomery Clift. Featuring an amazing supporting cast, dazzling visuals, and a gripping story, the film isn’t just one of the finest westerns ever made but it’s also a unique study into the fallacy of ambition but also what some will do to salvage morale in an ever-changing world. In the end, Red River is an outstanding film from Howard Hawks.
Howard Hawks Films: (The Road to Glory) - (Fig Leaves) - (Cradle Snatchers) - (Paid to Love) - (A Girl in Every Port (1928 film)) - (Fazil) - (The Air Circus) - (Trent’s Last Case (1929 film)) - (The Dawn Patrol (1930)) - (The Criminal Code) - Scarface (1932 film) - (The Crowd Roars (1932 film)) - (Tiger Shark) - (Today We Live) - (The Prizefighter and the Lady) - (Viva Villa!) - (Twentieth Century) - (Barbary Coast) - (Ceiling Zero) - (The Road to Glory) - (Come and Get It) - Bringing Up Baby - (Only Angels Have Wings) - (His Girl Friday) - (Sergeant York) - (Ball of Fire) - (Air Force) - (To Have and Have Not) - (The Big Sleep (1946 film)) - (The Outlaw) - (A Song is Born) - (I Was a Male War Bride) - (The Big Sky) - (Monkey Business) - (O Henry’s Full House) - Gentlemen Prefer Blondes - (Land of the Pharaohs) - Rio Bravo - (Hatari!) - (Man’s Favorite Sport?) - (Red Line 7000) - (El Dorado) - (Rio Lobo)
© thevoid99 2016
Based on the short novelette by Peter B. Kyne, 3 Godfathers is the story of three outlaws who find themselves taking care of a baby as they try to bring it to civilization in an act of goodwill. Directed by John Ford and screenplay by Frank S. Nugent and Laurence Stallings, the film is a dramatic tale in which three men find themselves in a situation as well as trying to do some good in a world that is often chaotic. Starring John Wayne, Pedro Armendariz, Harry Carey Jr., Ward Bond, Mae Marsh, and Ben Johnson. 3 Godfathers is a riveting and compelling film from John Ford.
Following a robbery that left one of three criminals wounded and forced to hide in the desert with very little water, three criminals find a covered wagon in the middle of the desert where a dying woman is giving birth as they made a promise to take care of her baby. It’s a film with a simple story yet it bears a lot of spiritual elements while balancing with it elements of the western genre as it manages to be a lot more. The film’s screenplay by Frank S. Nugent and Laurence Stallings start off with these three men wanting to rob a bank as it would be successful except one of the men gets wounded and they also lose their water supply. It becomes cat-and-mouse game between these criminals and a sheriff who is accompanied by a posse of deputies where it is a game of wits. Once the three men find this woman and help her give birth, they realize that they need to get this baby to shelter as it’s no longer about them anymore. Even as they also struggle to do the right thing amidst their lack of water and trekking through the treacherous desert.
John Ford’s direction is definitely rapturous in terms of its visuals as a lot of the film would be shot in and around Death Valley, California as Arizona and parts of Utah. The locations would give Ford a canvas to work with as his usage of the wide shots would play into the beauty of the American West and the Rocky Mountains where he would create images that are just gorgeous to watch. Especially in the attention to detail in how he would frame his actors for a shot while he would also use medium shots to create some intimacy but also moments where it plays into some suspense and drama. The film is set during the Christmas holidays which does add to the air of spirituality in the journey the three criminals would take as it has biblical references while giving the men something more noble than what they were doing. All of which play into doing what is right for a child and bring him into a world where no matter how bad things can be. There is a sense of good that can come in and with people who will do the right thing. Overall, Ford creates a fascinating yet powerful film about three criminals trying to make a vow for a dying woman to take care of her baby.
Cinematographer Winton C. Hoch does amazing work with the film‘s gorgeous and colorful cinematography with the usage of the Technicolor film stock as it captures a lot of the beauty of the Death Valley desert as well as the Rocky Mountains along with some unique yet naturalistic lighting for the scenes set at night. Editor Jack Murray does excellent work with the editing as it is straightforward with some rhythmic cuts for some of the action and a few dissolves for transitions. Art director Jack Basevi and set decorator Joseph Kish do amazing work with the look of the town that the criminals encounter early in the film as well as the water tank stops on the railroad. The sound work of Joseph I. Kane and Frank Moran is terrific as it plays into the sound of train whistles and gunfire as well as other naturalistic elements in the sound. The film’s music by Richard Hageman is fantastic for its orchestral-based music with its string arrangements that range from bombastic to somber as it plays into the many moods in the film as it would also include traditional songs of the times.
The film’s superb cast include some notable small roles from Charles Halton as the bank manager, Dorothy Ford as the bank manager’s niece, Guy Kibbee as the local judge, Jane Darwell as a train stop manager in Miss Florie, Ben Johnson as a member of the deputy posse, Hank Worden as a sheriff’s deputy in Curley, Mae Marsh as the sheriff’s wife, and Mildred Natwick as the dying mother the criminals find in the desert as they help deliver her baby. Ward Bond is fantastic as Sheriff Buck Sweet as a man who is going after the three criminals while admiring their strategy in how to evade capture. In the titular roles as the three criminals are its leads in Harry Carey Jr., Pedro Armendariz, and John Wayne in great performances. In the role of the youngest in William Kearney aka the Abilene Kid, Carey provides that sense of youth but also a spirituality as someone that is well-versed in the Bible while dealing with a gunshot wound on his shoulder.
Pedro Armendariz’s performance as Pete “Pedro” Fuerte is just fun to watch as someone that randomly speaks Spanish as he’s a Mexican bandit yet knows a lot about raising children while also being a man that knows a lot about the story of the three wise men where he sees it as a call to God. John Wayne’s performance as Robert Marmaduke Hightower is really Wayne in one of his best roles as this aging bandit that has seen a lot and knows what to do. Yet, he becomes this unlikely father for this baby while he is determined to do the right thing.
3 Godfathers is a phenomenal film from John Ford that features incredible performances from John Wayne, Pedro Armendariz, Harry Carey Jr., and Ward Bond. It’s a film that isn’t just a western that breaks away from some of its conventions but also give it a sense of spirituality in what three men try to do for a baby. In the end, 3 Godfathers is a spectacular film from John Ford.
© thevoid99 2016
Based on the short story Mission with No Record for the Saturday Evening Post magazine by James Warner Bellah, Rio Grande is the story of a cavalry unit who are trying to control an Indian uprising near the Mexican border. Directed by John Ford and screenplay by James Kevin McGuinness, the film is the third and final film of a trilogy of films devoted to the cavalry as it would revolve around a cavalry officer torn between his duty and the family he‘s become estranged with. Starring John Wayne, Maureen O’Hara, Claude Jarman Jr., Ben Johnson, Harry Carey Jr., Chill Wills, Victor McLaglen, and Grant Withers. Rio Grande is a compelling yet exciting film from John Ford.
Set in 1879, the film revolves an officer who is trying to run a fort and protect his settlers from the Apache who are trying to create chaos near the Mexican border in Texas. Even as he finds himself dealing with the arrival of his estranged wife and their son who had just enlisted in the cavalry after failing at West Point where he struggles to be a soldier as well as a good man. It’s a film that plays into a man trying to keep everything together as he is aware that the Apache are nearby the border where he hopes to stop them yet is uneasy by issues he has in his past relating to his family. James Kevin McGuinness’ script is structured to play into Lt. Colonel Kirby Yorke (John Wayne) as he tries to balance between family and duty as the first act is him dealing with his son Jeff (Claude Jarman Jr.) being enlisted as he doesn’t give him any special treatment as well as the arrival of his estranged wife Kathleen (Maureen O’Hara) whom he’s still in love with.
The second act revolves around Lt. Colonel Yorke’s attempt to balance duty and family while going on a small mission to the Rio Grande to meet with Mexican officers as Kathleen gets some unneeded reminders of her old home in the form of Major Sgt. Quincannon (Victor McLaglen) who is a friend of Lt. Col. Yorke. There’s a subplot involving a recruit named Tyree (Ben Johnson) who is rumored to be a fugitive as he tries to hide from a marshal as he would help Jeff go through training. The film’s third act revolves around a mission about getting the settlers to a fort where a lot happens but it also shows what kind of man Lt. Col. Yorke does as well as how his son is willing to prove himself to his father.
John Ford’s direction is definitely evocative for its usage of the wide and medium shots to capture much of the film’s location set in Monument Valley in Utah for many of the scenes set in the deserts along with some locations set in the town of Moab, Utah and areas near the Colorado River. Many of it play into the expansion of the West but also the unrest that is looming where Lt. Col. Yorke has to try and keep things civilized. The direction also has Ford creating a lot of these gorgeous images with the mountains and such as beautiful backdrops while he would create some intimate moments in the scenes at the fort involving Lt. Col. Yorke and his wife with some medium shots but also some close-ups. There are also moments where there are musical performances including a scene where musicians play for Kathleen as well as a general visiting the fort as well as a few comedic moments provided by Major Sgt. Quincannon. The climatic raid in the third act is definitely thrilling not just for Ford’s usage of dolly and tracking shots to capture the chase but also in creating a sense of urgency into the action. There is some suspense as it relates to what is needed to do but also a sense of what is happening where Ford knows how to shoot the action and make it mean something. Overall, Ford creates a fascinating and gripping film about a cavalry officer’s attempt to find balance in his role as a soldier and as a man.
Cinematographer Bert Glennon does brilliant work with the film‘s black-and-white photography from its usage of low-key lights and shadows for some of the film‘s nighttime interior/exterior scenes to the gorgeous look of the daytime exteriors to capture some of the film‘s locations. Editor Jack Murray does excellent work with the editing as a lot of it is straightforward with some rhythmic cuts to play into some of the action. Art director Frank Hotaling, with set decorators John McCarthy Jr. and Charles S. Thompson, does fantastic work with the look of the fort as well as the tents and wagons used in the film.
Costume designer Adele Palmer does nice work with the look of some of the uniforms as well as the dresses that Kathleen wears. The sound work of Earl Crain Sr. and Howard Wilson is superb for its naturalistic approach to the sound in the locations as well as in the music as well as some sound effects for the gunfire and arrows. The film’s music by Victor Young is wonderful for its orchestral score that can be serene for the dramatic moments to bombastic with its action scenes as the music also includes traditional songs performed by Sons of the Pioneers who appear in the film as regimental singers.
The film’s marvelous cast include some notable small roles from Karolyn Grimes as a young girl Major Sgt. Quincannon is fond of, Peter Ortiz and Steve Pendleton as a couple of captains aiding Lt. Col. Yorke, and Grant Withers as a marshal trying to find Tyree. J. Carrol Naish is terrific as General Philip Sheridan who makes a visit in the film’s second half as he would give Lt. Col. Yorke a major assignment while Chill Wills is fantastic as Dr. Wilkins who is the regiment’s surgeon that often provides some wise ideas. Victor McLaglen is excellent as Major Sgt. Quincannon as the film’s comic relief of sorts who likes to drink but also try to deal with what he did years ago that has gained him the ire of Kathleen Yorke.
Claude Jarman Jr. is superb as Lt. Col. Yorke’s son Jeff as a young recruit who tries to find his role in the military as well as trying to be himself without the need to impress his father whom he never saw for 15 years. Harry Carey Jr. is brilliant as Daniel “Sandy” Boone as a trooper who helps Jeff in learning the ropes while being a bit comical himself while Ben Johnson is amazing as the trooper Tyree as someone that is good with horses yet is hiding a secret as he is pursued by a marshal. Maureen O’Hara is great as Kathleen Yorke as Lt. Col. Yorke’s estranged wife who arrives to the fort to pull Jeff out only to find herself falling for her husband all over again but struggle with his duty as a soldier as it’s one of O’Hara’s finest performances. Finally, there’s John Wayne in a phenomenal performance as Lt. Colonel Kirby Yorke as this cavalry officer trying to do his job while becoming uneasy about having his son enlist as a cavalry trooper and becoming more uneasy with the presence of his wife where finds himself trying to balance being a soldier and be a good man as it’s Wayne in one of his defining roles.
Rio Grande is a remarkable film from John Ford that features amazing performances from John Wayne and Maureen O’Hara. The film isn’t just a unique look into the world of the cavalry but also a look into a man trying to find balance in his role as a soldier and as a man. In the end, Rio Grande is a sublimely rich film from John Ford.
© thevoid99 2016
Based on the stories The Big Hunt and War Party for the Saturday Evening Post magazines by James Warner Bellah, She Wore a Yellow Ribbon is the story of a cavalry officer trying to prevent a war with the Indians just days away from his impending retirement. Directed by John Ford and screenplay by Frank S. Nugent and Laurence Stallings, the film is the second part of Ford’s trilogy of films devoted to the cavalry where a man tries to deal with another war with the Indians as well as aging. Starring John Wayne, Joanne Dru, John Agar, Ben Johnson, Harry Carey Jr. and narration by Irving Pichel. She Wore a Yellow Ribbon is a dazzling and exhilarating film from John Ford.
Set in 1876 in the desert just days after the Battle of Little Big Horn where General George A. Custer and more than 200 men were killed by Sioux and Cheyenne Indian tribes. The film revolves around a cavalry officer who is a week away from retirement as he has a final mission to do while getting his officers ready to lead. It’s a film that plays into a man dealing with these last days in service as he also has to watch out for a young woman joining the mission to go into this fort to aid another regiment in breaking up a squadron of Cheyenne and Arapaho tribes and send them back to their reservations. The film’s screenplay doesn’t just play with Captain Nathan Brittles (John Wayne) dealing with retirement but also wanting to have a final moment of glory in his final days of service. It is also about the mission in hand as Cpt. Brittle is reluctant to accompany his superior’s wife Abby Alshard (Mildred Natwick) and their niece Olivia Dandridge (Joanne Dru).
The script also have a few subplots as it relates to a couple of lieutenants vying for Olivia’s affections while it adds some punch to the story where Cpt. Brittle is trying to smooth things but also watch Olivia closely as if she was his daughter. While Cpt. Brittle is a man of duty, he also knows what to do and how to keep everyone from harm. The script also play into this world that is changing as tribes the cavalry are dealing with are young men that really have a disdain for the rule of the cavalry and the white man. It’s something Cpt. Brittle and a few of his officers understand yet they know they have to deal with it anyway they can as there is a key moment in the film’s second half that play into that world that Cpt. Brittle is facing. Even as it shows that he has to accept the way things are and that he might not be part of this new world.
John Ford’s direction is definitely intoxicating not just for the usage of wide shots to play into many of the film’s locations at Monument Valley in Utah but also in creating something that play into the grandness of the American West. The usage of the wide and medium shots for its depth of field as well as play into some of the scenery and the largeness of the cavalry regiment says a lot of what Ford wanted to do visually. There is also an intimacy in the direction with its medium shots as it plays into some of the relationships that are happening with Cpt. Brittle trying to make sense of everything as well as do whatever he can to do his duty and get everyone in check. There aren’t a lot of close-ups but Ford does know how to create something simple while also adding some humor as it relates to Cpt. Brittle’s friendship with Sgt. Quincannon (Victor McLaglen). The action sequences are thrilling in the way Ford would know how to film the action as well as create a lot of shots to get the scope of what is happening. Even as it play into the climax where Cpt. Brittle and his men would do something drastic to chase away the Indians. Overall, Ford creates a riveting yet witty film about a cavalry officer embarking on one last mission before his retirement.
Cinematographer Winton Hoch does brilliant work with the film‘s gorgeous cinematography with its usage of the Technicolor film stock to capture the beauty of the locations for many of the scenes set in the day to some usage of low-key lighting for scenes set at night as well as some of its interior scenes. Editor Jack Murray does excellent work with the editing as a lot of it is straightforward with some stylish usage of dissolves and rhythmic cuts for the action scenes. Art director James Basevi and set decorator Joseph Kish do fantastic work with the look of the fort that many of the character live in as well as a reservation that Cpt. Brittle goes to late in the film. The sound work of Clem Portman and Frank Webster is terrific for some of the naturalistic sounds that happen in the location as well as some sound effects for some of the action. The film’s music by Richard Hageman is superb for its bombastic score with its Indian-inspired percussions as well as the usage of bugles and broad string arrangements along with a traditional song that is the inspiration for the film’s title.
The film’s incredible cast feature some notable small roles from Noble Johnson as a famous warrior known as Red Shirt, Chief John Big Tree as an old Indian friend of Cpt. Brittle in Pony-That-Walks, Francis Ford as a barman, Chief White Eagle as a tribe leader in Chief Sky Eagle, Michael Dugan as Sgt. Hochenbauer, and Arthur Shields as the regiment’s surgeon Dr. O’Laughlin. George O’Brien is terrific in his role as Cpt. Brittle’s superior/friend Major Allshard as a man who tries to give Cpt. Brittle a fitting and final assignment while Mildred Natwick is wonderful as Allshard’s wife Abbey who goes to the mission to see some friends as she would eventually help out as a nurse tending to the wounded. Victor McLaglen is fantastic as Sgt. Quincannon as a longtime friend of Cpt. Brittle who had fought with him for years as he is also due to retire where he provides some comedic dialogue as well as be given a very funny sequence.
Harry Carey Jr. is excellent as 2nd Lt. Ross Pennell as Olivia’s boyfriend who finds himself sparing against his superior Lt. Cohill for her affections. Ben Johnson is brilliant as Sgt. Tyree who is Cpt. Brittle’s right-hand man who helps look into the areas that is happening as well as help lead the cavalry into battle. John Agar is terrific as Lt. Flint Cohill as a young lieutenant that is groomed to be Cpt. Brittle’s replacement as he tries to deal with his ahead as well as his affections for Olivia. Joanne Dru is amazing as Olivia Dandridge as Major Allshard’s niece who joins the mission to go to another fort as she deals with the chaos of what Cpt. Brittle has to do but also the affections of two lieutenants. Finally, there’s John Wayne in a remarkable performance as Captain Nathan Brittle as this cavalry officer dealing with his retirement as he tries to embark on a final mission where it is Wayne not only displaying a larger-than-life presence but also a humility and sentimentality to a man dealing with not being what he’s meant to do as it is one of Wayne’s great performances.
She Wore a Yellow Ribbon is a phenomenal film from John Ford that features an incredible performance from John Wayne. Featuring a fascinating script, beautiful locations, and a strong supporting cast, the film is definitely one of the finest collaborations between Ford and Wayne in its exploration of the American West and the world of the cavalry. In the end, She Wore a Yellow Ribbon is a sensational film from John Ford.
© thevoid99 2016
