Based on the novels The Settlers and The Last Letter Home from The Emigrants novel series by Vilhelm Morberg, Nybyggarna (The New Land) is the sequel to the 1971 film The Emigrants that follows a Swedish family’s arrival in America where they hope to start a new life just as the country they arrived in is embarking into their own turmoil. Directed, shot, and edited by Jan Troell and screenplay by Troell and Bengt Forslund, the film is the second part of a two-part film series that follows a family trying to start anew in their new home. Starring Max von Sydow, Liv Ullmann, Eddie Axberg, Pierre Lindstedt, Monica Zetterlund, Hans Alfredson, Allan Edwall, and Peter Lindgren. Nybyggarna is an evocative and enchanting film from Jan Troell.
Picking up where the previous film left off in 1850 near the Chisago Lake in Minnesota, the film is about the life of a Swedish family settling in their new home as they deal with not just creating their new home but also maintaining their roots though ever-changing times. It plays into this family that is trying to start this new life in Minnesota having left Sweden years ago as they endure not just establishing their home but also deal with people changing and other circumstances. The film’s screenplay by Jan Troell and Bengt Forslund does follow the three-act structure yet there is so much that is happening as it play into the evolution of the Nilsson family led by Karl Oskar Nilsson (Max von Sydow) and his wife Kristina (Liv Ullmann). They would start off living in a shack with their children and Karl Oskar’s brother Robert (Eddie Axberg) where they struggle with the winter and other things including American currency which confuses Karl Oskar at first. The first act is about the family settling and Robert eventually leaving with his friend Arvid (Pierre Lindstedt) to go to California to find gold.
The second act is about the formation of a parish with Danjel (Allan Edwall) as more settlers from Sweden are coming as the Nilsson would have a slew of Swedish neighbors. Though it would be welcoming at first, it would later cause trouble in the third act as it would relate to the natives in a scene where Karl Oskar meets his old friend Jonas Peter (Hans Alfredson) who warns him about the natives. The second act is about Robert’s return after a two-year journey to California and back where he doesn’t exactly reveal what happened to him as it would play into what he had encountered as well as revelations about a world that is darker than he imagined. The second act also include Karl Oskar’s desire to wanting to be an American yet Kristina believes it will rob him of his identity just as their family is growing despite its risk for Kristina’s health. The third act is about not just this sense of change but also the emergence of hostile natives lurking as well as Karl Oskar coping with mortality.
Troell’s direction is engaging for the way it presents the world of mid-19th Century Minnesota as some of it is shot in areas in Sweden including Stockholm, Smaland, and Skane as well as some locations in America in parts of Minnesota, Wisconsin, and Colorado for some scenes in the desert. It does play into this sense of emergence of a world that is starting for the Nilsson family in the way Troell uses hand-held cameras to get their point of view of their environment as well as how homes were built back then. The scenes in the home are shot with close-ups and medium shots to maintain that air of intimacy as well as wide shots for its exteriors and its surroundings that would play into the confusion that Karl Oskar and Kristina would encounter when they go to a nearby town where the latter’s friend Ulrika (Monica Zetterlund) lives in as she would marry the preacher (Tom C. Fouts) whom she had met years ago when he helped them find their way to town.
Also serving as the film’s editor and cinematographer, Troell would maintain something that is natural such as the sequence involving Robert’s journey to California which includes a scene at night where he and Arvid try to find a mule that had gotten loose. The sequence would have Troell use some stylish jump-cuts and montages to play into the chaos that Robert encountered as well as other dizzying cuts for a scene late in the film as it relates to the Dakota War of 1862 that involved settlers in Minnesota and nearby states. Troell would also play into the sense of change that emerges as he would provide little hints of what Karl Oskar and Kristina would face as well as its ending that play into not just what Karl Oskar and Kristina’s children have become but also a sense of loss relating to where they came from in this journey that their parents endured. Overall, Troell crafts a majestic yet rapturous film about Swedish settlers making a new home as well as try to maintain their roots in the New World.
Art director P.A. Lundgren does brilliant work with the look of the home that Karl Oskar would build for his family and the evolution of what it would become as well as the look of the small town they live nearby as well as the desert town that Robert would go to in his journey. Costume designer Ulla-Britt Soderlund does excellent work with the costumes from the lavish hat that Ulrika would wear after her marriage to simpler clothes of the settlers that would evolve during the course of time. The sound work of Eddie Axberg and Sten Norlen do superb work with the sound in capturing the sounds of nature in its different locations as well as play into moments of suspense as it relates to the natives. The film’s music by Bengt Ernryd is amazing for its rich score filled with lush strings and some organ music to play into the sense of drama and spiritualism that looms throughout the film while Georg Oddner creates an unsettling yet eerie theme to accompany Robert’s journey to California with lots of percussive instruments to play into the dark aspects of his journey.
The film’s wonderful cast include some notable small roles from Per Oscarsson as Pastor Torner as a traveling Swede who arrives to Minnesota to lead a congregation, Tom C. Fouts as the American pastor Jackson whom Ulrika would marry as he would help everyone get settled, Agneta Prytz as the old woman Fina Kajsa who would live with her son who had emigrated many years earlier, Peter Lindgren as Kajsa’s son Samuel Nojd who deals with alcoholism to cope with his attempts to tend to his land, Halvar Bjork as another settler in Anders Mansson who helps out the Nilsson family, Pierre Lindstedt as Robert’s friend Arvid who joins him on the journey to California, and Hans Alfredson as the settler Jonas Petter as a settler who marries a native only to deal with the chaos that involves the natives warning Nilsson about what is to come. Allan Edwall is fantastic as Danjel Andreasson as a former preacher who has started a new life nearby the Nilsson though a falling out with Ulrika would complicate his relationship with Kristina.
Monica Zetterlund is excellent as Ulrika as a former prostitute who marries an American preacher as she would help out Kristina in finding things as well as to save money while being her own woman. Eddie Axberg is brilliant as Robert Nilsson as Karl Oskar’s younger brother who tries to forge his own path in life by going to California in the search for gold only to return to Minnesota a broken young man who encountered some of the darkest aspects of humanity and environments that would nearly kill him. Liv Ullmann is incredible as Kristina as Karl Oskar’s wife who finds some happiness in her new home as she also deals with her longing for Sweden while being worried about losing her roots and who she is where she turns to God for answers. Finally, there’s Max von Sydow in a phenomenal performance as Karl Oskar Nilsson as a man who has finally found his new home where he is determined to create a new life but he’s tempted to conform to the ideas of America only to struggle with some of its realities and later dealing with loss and his own struggles with faith.
Nybyggarna is a tremendous film from Jan Troell. Featuring a great ensemble cast, beautiful visuals, a mesmerizing music score, and stories of a family settling into their new home as well as try to maintain their identity. It’s a film that explores what a family from another country tries to do to find their place in the world but also struggling to adapt to this new world that they’re unsure if it belongs to them. In the end, Nybyggarna is a spectacular film from Jan Troell.
Jan Troell Films: (Here is Your Life) – (Who Saw Him Die?) – The Emigrants - (Zandy’s Bride) – (Bang!) – (Hurricane (1979 film)) – (Flight of the Eagle) – (Land of Dreams) – (Il Capitano: A Swedish Requiem) – (Hamsun) – (A Frozen Dream) – (As White as in Snow) – (Everlasting Moments) – (The Last Sentence)
© thevoid99 2018
Based on the novel by Vilhelm Morberg, Utvandrarna (The Emigrants) is the story of a poor Swedish farming family who travel from a small village in Sweden to America in the hopes of finding a new life in a new world. Directed, shot, and edited by Jan Troell and screenplay by Troell and Bengt Forslund, the film is the first of a two-part film series that explore the life of a family who deal with the hardships of their homeland and the need to find something new. Starring Max von Sydow, Liv Ullmann, Eddie Axberg, Allan Edwall, Pierre Lindstedt, Hans Alfredson, Sven-Olof Bern, Aina Alfredsson, Ulla Smidje, Eva-Lena Zetterlund, and Monica Zetterlund. Utvandrarna is a rapturous and evocative film from Jan Troell.
Set in 1844 Sweden, the film revolves around a family of farmers who live in a small village as they decide to move to America in the state of Minnesota in the hopes of a new start. During the course of their long and arduous journey, they deal with so much that would challenge any kind of family in the course of a long period of time as well as this seaside journey from Sweden to America. The film’s screenplay by Jan Troell and Bengt Forslund does have this unique structure that play into the journey that Karl Oskar Nilsson (Max von Sydow) and his wife Kristina (Liv Ullmann) would take starting off in the Swedish province of Smaland in a small village where they try to tend the farm and its land that Nilsson got from his father which is unfortunately filled with large stones. Much of the first act is set in Sweden where the Nilsson family that include Karl Oskar’s younger brother Robert (Eddie Axberg) deal with not just the land of their family but also this sense of oppression among their authority figures including those who lead this strict idea of faith.
This idea of Lutheran faith and its rule would force Kristina’s uncle Danjel Andreasson (Allan Edwall) to leave town as he would join Nilsson and his family to go to America with a young farmhand in Arvid (Pierre Lindstedt) whom Robert met when they worked for a cruel farmer. The second act is set on the ship from Sweden to America as there is so much the passengers endure ranging from seasickness, bad food, horrible weather, and death. There is also question about whether the decision to leave Sweden was the right one as the third act is set in America where there is a sense of confusion over what to expect as well as the fact that they have to take another journey to the state of Minnesota where an old woman’s son is living at.
Troell’s direction is mesmerizing in the way he captures mid-19th Century life in Smaland as well as the way America looked in that time. While much of the film was shot in Sweden with the scenes in America shot at Lake Krageholm in Scania, Troell uses the location to showcase not just the sense of wonderment that is America but also the struggle that Nilsson and his family would endure early on. The first shot of Nilsson’s father Nils (Sven-Olof Bern) trying to pull a big stone out of the ground on a rainy day is an example of the kind of troubles Karl Oskar would endure as there’s something mythical into this ongoing struggle where all of these stones are in the family’s fields. Troell’s usage of the wide shots play into the scope of the landscape as well as the sense of struggle that Nilsson has to cope with in relation to his land as well as providing for his family. Even as Robert would be forced to work for a cruel farmer as Troell showcases not just the day-to-day grind but also the lack of appreciation Robert and Arvid would get as Troell would shoot them in close-ups as well as medium shots to show their cramped living quarters.
Also serving as the film’s cinematographer and editor, Troell aims for a naturalistic look into the film in not just the landscapes but also the scenes on the ship. With much of the direction emphasizes on hand-held cameras to get that air of realism, Troell would shoot the scenes on the ship as if he was a passenger to get an idea of the danger of that journey. His approach as an editor isn’t just using dissolves and jump-cuts but also some fade-outs to help transition parts of the story that is grand not just in its 190-minute length but also to play into the struggle these characters endure. Even in the third act where they arrive in America as the confusion is shown in the editing where it is like a fish out of water but also in their attempts to communicate with Americans for direction as they still have trouble trying to speak English. The film’s ending has Troell play into the possibilities as well as the end of this journey that Nilsson takes over his desire for a new start. Overall, Troell crafts an intoxicating and riveting film about a Swedish family going to America to start over.
Art director P.A. Lundgren does brilliant work with the look of the homes the Nilsson family lived as well as the interiors of the ship they would board on to America and some of the locations in America. Costume designer Ulla-Britt Soderlund does fantastic work with the costumes as it play into the period of the times where there isn’t a lot of color into the clothes that the characters wear that include the wooden clogs they would wear in Sweden. Sound mixers Eddie Axberg and Sten Norlen do superb work with the sound in capturing the sounds of the different locations in the film including the scenes on the ship as well as the natural sounds of nature. The film’s music by Erik Nordgren is wonderful for its orchestral-based score that appear in some parts of the film as it play into the drama with its soft strings as well as some intense musical moments that help add to the drama.
The film’s terrific cast feature some notable small roles from Tom C. Fouts as an American pastor who helps out Nilsson and his entourage find their destination, Ake Fridell as the cruel farmer Aron who severely hits Robert’s left ear, Gustaf Faringborg as the local vicar Brusander who feels threatened by Andreasson’s teachings, Aina Andersson as Nilsson’s young daughter Marta, Bruno Sorwing as the local sheriff whom Nilsson has to deal with in relation to Robert’s issues with Aron, Eva-Lena Zetterlund as Ulrika’s daughter Elin who befriends Robert on the way to America, Ulla Smidje as Andreasson’s wife Inga-Lena who copes with the journey on ship, Hans Alfredson as a fellow traveling Swede in Jonas Petter, and Sven-Olof Bern as Nilsson’s father Nils who copes with the injury that would cripple him as well as realize the lack of future for his sons and their families in Sweden. Monica Zetterlund is fantastic as Ulrika as a former prostitute with an awful reputation who joins the journey as she is someone that Kristina isn’t fond of until she proves her worth as well as being someone that is helpful. Pierre Lindstedt is superb as Arvid as a farmhand that Robert meets as he’s a simpleton who is aware of the cruelty he’s dealing with as he’s eager to want something more as he joins Robert on the journey to America.
Allan Edwall is excellent as Daniel Andreasson as a preacher whose ideas of faith gets him in trouble with the local vicar as he decides to go America with his family where he deals with his own tests of faith through the circumstances he endures. Eddie Axberg is brilliant as Robert Nilsson as a Karl Oskar’s younger brother who likes to read and is more fascinated by science and social ideals rather than farming as he is eager to go to America in the hope of doing something that matters. Liv Ullmann is incredible as Kristina as a woman who endures a lot in her journey hoping for something good as she is also a God-fearing woman that believes God will bring something as she later copes with her own challenges towards faith. Finally, there’s Max von Sydow in a remarkable performance as Karl Oskar Nilsson as a man who is given his father’s farm to tend only to deal with the same struggles of his father prompting him to go to America with his family as a way to start all over as he would also cope with the wonderment and confusion of his encounter with America.
Utvandrarna is a phenomenal film from Jan Troell that features great performances from Max von Sydow and Liv Ullmann. Along with its ensemble cast, gorgeous visuals, and a gripping yet somber story about a family’s journey from Sweden to America in the mid-19th Century. It’s a film that captures a moment in time of a family dealing with uncertainty in their homeland as well as wanting to see if they can find something new in what was then known as the New World. In the end, Utvandrarna is a tremendous film from Jan Troell.
Jan Troell Films: (Here is Your Life) – (Who Saw Him Die?) – The New Land – (Zandy’s Bride) – (Bang!) – (Hurricane (1979 film)) – (Flight of the Eagle) – (Land of Dreams) – (Il Capitano: A Swedish Requiem) – (Hamsun) – (A Frozen Dream) – (As White as in Snow) – (Everlasting Moments) – (The Last Sentence)
© thevoid99 2018
