Directed by Kathryn Bigelow and written by Bigelow and Eric Red, Near Dark is the story of a young farmhand who falls for a young woman only to learn she’s a vampire as he reluctantly becomes part of a vampire cult. The film explores the world of vampires from a newborn vampire’s perspective as he struggles with this new role. Starring Adrian Pasdar, Jenny Wright, Lance Henriksen, Jenette Goldstein, Bill Paxton, Joshua John Miller, and Tim Thomerson. Near Dark is a visually-entrancing yet chilling film from Kathryn Bigelow.
At a small town in Oklahoma, a farmhand named Caleb (Adrian Pasdar) meets a beautiful young woman named Mae (Jenny Wright) one night as he takes her on a night around the town but she insists on going home. Caleb takes her home but wants to kiss her as they do only for Caleb to be bitten in the neck as he struggles to walk home to his family where he was suddenly abducted by a group of people in a motor home. Caleb learns that Mae is a vampire as she’s part of a group of vampires led by Jesse (Lance Henriksen) as it also consists of Diamondback (Jenette Goldstein), an old man in a boy’s body named Homer (Joshua John Miller), and wild man named Severen (Bill Paxton) as they wonder whether to take Caleb in as he’s about to turn into a vampire.
Caleb tries to leave in order to return home only to realize that he needs blood as Mae gives him some of her own blood to feed on while everyone else kills people for feeding. Caleb reluctantly joins the band of drifting vampires as they keep moving from city to city to quench their appetite as they all attack a bar and burn it while Caleb almost kills a young man (James LeGros) he was trying to feed on but lets him go. This would eventually lead to trouble when the vampires stay at a motel as they’re ambushed by the police only for Caleb to save them. Just as Caleb is about to accepted, Homer comes across a young girl named Sarah (Marcie Leeds) as he tries to capture her as Caleb realizes its her sister as their father Loy (Tim Thomerson) had been trying to find Caleb. After the vampires decide to target Caleb’s family, Caleb decides to do something that would save his family from Jesse and the vampires.
The film is essentially the story of a bored farmhand from a small Oklahoma town who comes across a band of drifting vampires as he reluctantly becomes part of their group only to realize what they need to do to survive as he eventually becomes more unsure once his family is targeted. It’s a story that explores a man trying to deal with being a newborn vampire and all of its consequences as well as his feelings for this beautiful woman who is also a vampire. Yet, this woman is also reluctant about her role as she’s more willing to accept but she becomes more unsure once it involves that man’s family while the rest of the vampires are just looking for people to feed on no matter who they are.
The screenplay is a different take on the myth of the vampires by setting them in a modern time where they’re moving from place to place in order to evade the law. A lot of the film is told from the perspective of Caleb who is just this very simple farmhand who knows nothing about the world of vampires as he is forced to give into survival mode as well as realizing that he’s no longer human. Still, he wants to return home to his family as they would see him be abducted as they would play a key part in the film’s plot in their search for Caleb. This would lead to a climatic third act in which Caleb has to fight off Jesse and this band of vampires who are really unmerciful with anything they come across to.
Kathryn Bigelow’s direction is very stylish in terms of the presentation that she creates as she often sets her scenes at night where the look has this very entrancing visual style that is somewhat reminiscent of film noir. Particularly in setting moods that marks the arrival of the vampires and Caleb’s struggle in this new world where the vampires rule and can do whatever they want. For the daytime scenes, a lot of it is set inside whether it’s in a car or wherever they stay in order to hide from the sun. Bigelow maintains a sense of intimacy in those scenes while also creating some broad yet intense shots for scenes outside whether it’s day or night as includes some very explosive action sequences that is mixed with some dark humor. Notably as the climax is this great mix of action and suspense with a bit of the western mixed around. Overall, Bigelow creates a very exciting and engaging thriller that plays around the myth of the vampires.
Cinematographer Adam Greenberg does amazing work with the film‘s stylish photography to play out the dark mood of the film with amazing lighting schemes for many of the film‘s nighttime exterior scenes as well as police raid sequence in the day with all of those wholes as it‘s a real highlight of the film. Editor Howard E. Smith does superb work with the film‘s editing by employing lots of stylish cuts for the film‘s action and suspense scenes as well as transition wipes to help the film move at a brisk pace. Production designer Stephen Altman and art director Dian Perryman do fantastic work with the set pieces from the motor home the vampires drive in early in the film to the motel room during the police raid with all of its holes and such.
Costume designer Joseph A. Porro does some nice work with costumes as it plays to the different personalities the characters wear from the more leather-cowboy look of Severin to the more ragged look of the other vampires. Sound designer David Lewis Yewdall and sound editor R.J. Palmer do terrific work with the sound to convey the sense of horror that occurs as well as some of the film‘s intense action scenes. The film’s music score by Tangerine Dream is phenomenal for its electronic score to play out the dark mood of the film as it also features some guitars for some of the more intense scenes. The soundtrack features a wide of music from acts like John Parr, Jools Holland, the Cramps, and George Strait as most of it features in the film’s bar scene.
The casting by Karen Rea is incredible for the ensemble that is created as it features some small appearances by Theresa Randle as a woman in a truck, Roger Aaron Brown as a Cajun truck driver, and James LeGros as a teenage cowboy who is almost killed at the bar scene. Marcie Leeds is pretty good as Caleb’s adolescent sister Sarah who is pursued by Homer while Tim Thomerson is great as Caleb’s father Loy who goes on a search to track down his son’s abductors. Jenette Goldstein is excellent as low-key vicious Diamondhead who will always attack when unexpected while Joshua John Miller is superb as the devious childlike vampire Homer. Lance Henrikson is wonderful as the very chilling leader Jesse who ensures everything that vampires are supposed to do as he also deals with the very naïve Caleb.
Bill Paxton is amazing as the very wild Severen as Paxton brings everything to this crazed character who has no qualms about killing anybody while displaying a dark charm and sense of humor as it’s character that is truly unforgettable to watch as it’s also one of Paxton’s great performances. Jenny Wright is terrific as Mae where she brings an innocence to a character who is very dark as she goes into conflict about whether to help Caleb or the rest of the vampires. Finally, there’s Adrian Pasdar in a brilliant performance as Caleb where he displays a sense of naivete` as a man dealing with his new powers while pondering about what to do as a vampire as it’s really an engaging performance from Pasdar.
Near Dark is an outstanding vampire thriller from Kathryn Bigelow that features top-notch performances from Adrian Pasdar, Lance Henriksen, Jenny Wright, and Bill Paxton. The film is quite different from Bigelow’s more action-driven work yet it does have a lot of intensity that will entertain audiences. It’s also a film that plays true to what vampires are as it doesn’t feature mopey pussies who won’t kill or any kind of gooey love story that involves constipated werewolves. The bottom line is that Near Dark is a vampire film that is fun and action-packed that is geared to give audiences a good time as it comes from the wondrous mind of Kathryn Bigelow.
Kathryn Bigelow Films: The Loveless - Blue Steel - Point Break - Strange Days - The Weight of Water - K-19: The Widowmaker - The Hurt Locker - Zero Dark Thirty - The Auteurs #29: Kathryn Bigelow
© thevoid99 2012
Written and directed by James Cameron from a story by Cameron, David Giler, and Walter Hill, Aliens is the sequel to 1979’s Alien in which Ellen Ripley returns to the planet fifty-seven years after the event where she encountered the alien as she’s joined by Marines and a corporate officer to go after the alien creatures. With Sigourney Weaver reprising her role as Ripley, the film also stars Michael Biehn, Lance Henrikson, Bill Paxton, Carrie Henn, William Hope, Jenette Goldstein, Al Matthews, and Paul Reiser. Aliens is a remarkable yet chilling action-suspense film from James Cameron.
Fifty-seven years after encounter with an alien that left her crew dead, Ellen Ripley wakes up from a cryogenic sleep as she’s been rescued by the Weyland-Yutani Corporation who interrogate her about what happened. After learning that the planet she visited has now become a terraforming colony, Ripley loses her space license as she meets a corporate representative in Carter Burke (Paul Reiser) who offers to get her job back by taking part of a mission to return the planet over the loss contact in that planet. Ripley reluctantly takes part as she and Burke are joined by a group of Marines led by Lieutenant Gorman (William Hope) to see if Ripley’s claims about aliens are true. On board the Sulaco, Ripley meets the team that consists Sergeant Apone (Al Matthews), Corporal Hicks (Michael Biehn), Private Vasquez (Jenette Goldstein), Private Hudson (Bill Paxton), and an android named Bishop (Lance Henrikson).
Arriving at the planet where Ripley serves as a consultant, the Marines enter the building where all they could find were two living facehuggers in containment tanks in a lab. Also there is a survivor in a young girl named Newt (Carrie Henn) who has been traumatized by the aliens as the Marines continue to search throughout the locations that included a nuclear-powered processing plant. There, the Marines make a drastic discovery about what they found as they’re suddenly attacked by the aliens leaving many of them dead until Ripley drives the Marine vehicle to save Hicks, Vasquez, and Hudson while Gorman becomes unconscious during the rescue. When their drop ship has been destroyed and unable to have access to the other one, Bishop volunteers to get to the building’s transmitter to get the other drop ship.
After an encounter with the facehuggers where Ripley and Newt are saved by Hicks, the group starts to realize what Burke is up to. With the aliens ready to attack, Ripley and the group struggle to survive as it leads to an all-out battle between the humans and aliens led by their queen.
The film is essentially the story of where Ellen Ripley returns to the planet where her crew discovered an alien life form that would eventually destroy her crew and leaving her as its sole survivor. Upon her return as she accompanies a group of Marines, an android she’s wary about, and a corporate representative. All hell breaks loose when they all had to encounter a group of aliens forcing Ripley to fight back. It’s a very simple premise that has all of the makings of a compelling sci-fi film with elements of suspense, horror, and action. Yet, there’s a lot more to the story in what James Cameron brings that makes the film far much better than it needed to be.
The first is in the way Ripley is portrayed as she returns home after being asleep for fifty-seven years while having nightmares about everything she had encountered in the past. Here’s this woman who had just lost a lot as she’s forced to report to a bunch of corporate honchos who could care less about what happened while caring more about the cargo that was lost. When she’s offered to get her job back by returning the planet, she immediately says no but changes her mind as she just wants to see these aliens dead. Once arriving to the planet where she would find a survivor in a young girl, her maternal instincts come in as she becomes this great protector for this young girl by fighting off the aliens any way she can.
It’s not just Cameron’s approach to the Ripley character that makes the script succeed, he also creates a small group of supporting characters that provide enough substance for the audience to care about. While Hudson may be a loudmouth moron, he is a comic relief who is able to do his job and kick ass while Corporal Hicks becomes the unexpected leader knows about what he should do as a soldier but prefers to ensure the safety of his team and the people he’s protecting. Then there’s the android Bishop who seems like a liability based on Ripley’s own issues with them as he ends up becoming the most helpful person on the team where he would gain the trust of everyone. Finally, there’s the Burke character who is this corporate representative who is just there to oversee things as he becomes the one person everyone else distrust because of his own agenda.
Cameron’s script not only works in creating characters that are interesting but also manages to do a lot with a premise that could’ve failed in terms of the schematics that is expected in a horror film. What Cameron does is create a unique structure to the story where the first half is about Ripley returning to the world and getting ready to take part on this mission. It’s in the second half where the element of suspense and horror comes in where it becomes a film where a group of people struggle to survive and get out of a planet that no one should’ve encountered in the first place.
Cameron’s direction is truly a marvel to watch in terms of the ambition he sets out to make as well as the intimacy that he brings to the film. From the visual-effects driven exterior space shots he creates to the tense meetings that occur between Ripley and the Marines as they all try to figure out how to survive. There’s also a sense of claustrophobia in the direction as the camera is always moving to see these places as a lot of is enclosed and very small. Even in a scene where Bishop goes inside a pipe to get the transmitter, Cameron does manage to find a way to keep things engaging without needing to over-explain things.
Cameron also knows when to give the action a break in order for the characters to figure out what to do or to reveal the motives of a few like Burke. Even as he creates moments such as Ripley’s time with Newt that shows that allows the audience to be intrigued by this relationship that has the audience rooting for Ripley to be this protector. Even in the film’s climatic battle against the Alien Queen where Ripley delivers one of the great lines in film. When it comes time for Ripley and the Marines to kick some ass, Cameron creates some striking compositions to capture the element of suspense and then goes for the kill where invests a lot of time to establish what is going on and what are they trying to kill. Overall, Cameron creates a truly mesmerizing and thrilling film that bends all sorts of genre while giving audiences a film that entertains its audience.
Cinematographer Adrian Biddle does superb work with the photography from the bright look of some scenes in the spaceships to the more brooding look of the scenes in the colony buildings filled with startling lighting schemes and other moments to maintain that sense terror. Editor Ray Lovejoy does brilliant work with the editing to play up the suspense with slow, methodical cuts along with more fast-pace rhythms for the film‘s action scenes. Production designer Peter Lamont, with set decorator Crispian Sallis and supervising art director Terry Ackland-Snow, does great work with the set pieces from the look of the spaceships to the building halls filled with lots of alien material including the queen’s nest.
Costume designer Emma Porteus does nice work with the costumes from the uniforms the Marines wear to the more casual clothing the other characters wear. Visual effects supervisors Robert and Dennis Skotak and Alan G. Markowitz do amazing work with the visual effects for many of the film‘s exterior space ship scenes along with some of design of the scenes involving the aliens. Sound editor Don Sharpe does terrific work with the sound by playing up the suspense in some scenes that leads to the Marines fighting off the aliens as it enhances the atmosphere. The film’s music by James Horner is wonderful for its low-key yet suspenseful-driven score to play up the sense of terror as well as a cadence drum theme for the Marines to arrive and get ready.
The film’s incredible ensemble cast features some notable small performances from Paul Maxwell as corporate head Van Leuwen, Mark Rolston as smart gunner Private Drake, Al Matthews as Sgt. Apone, and Cynthia Dale as Corporal Dietrich. William Hope is very good as the Marines’ commanding officer Lt. Gorman while Jenette Goldstein is excellent as the tough Private Vasquez. Bill Paxton is very funny as the cocky Private Hudson who ends up being scared about what is happening as he has some of the film’s best lines. Lance Henrikson is superb as the android Bishop who helps everyone out while revealing the flaws of being human and being an android.
Paul Reiser is terrific as the slimy Burke who pretends to be all cool only to have ulterior motives about his own agenda as Reiser makes Burke a guy everyone loves to hate. Michael Biehn is amazing as Corporal Hicks who leads the Marines into battle while being the guy who is willing to help out everyone when things get troubling. Carrie Henn is wonderful as the young girl Newt as she displays an innocence of a girl traumatized by what she saw as she also helps out the Marines into surviving the aliens. Finally, there’s Sigourney Weaver in an outstanding performance as Ellen Ripley by making her a far more complex and determined character. Weaver brings a sense of weariness as a woman reluctant to take part in a mission while becoming maternal in protecting Newt as she later becomes this full-blown badass who is not afraid to go toe-to-toe with the aliens as it is truly one of Weaver’s best performances.
Aliens is a magnificent film from James Cameron that features a towering performance from Sigourney Weaver. The film is definitely not just one of the great sci-fi horror films of that genre but also one of the key films that makes the Alien franchise so interesting. Filled with great technical work and memorable supporting performances from Michael Biehn, Carrie Henn, Lance Henrikson, Paul Reiser, and Bill Paxton. It’s a film that has a lot of substance in terms of its story and presentation as well as a lot of action and suspense to be entertained by. In the end, Aliens is a triumphant film from James Cameron.
James Cameron Films: (Xenogenesis) - (Piranha II: The Spawning) - (The Terminator) - (The Abyss) - (Terminator 2: Judgment Day) - (True Lies) - (Titanic) - (Expedition: Bismarck) - (Ghosts of the Abyss) - (Aliens of the Deep) - Avatar
Alien Films: Alien - Alien 3 - Alien: Resurrection
© thevoid99 2012
