Frozen (2013 film)

Inspired by Hans Christian Andersen’s fairy tale The Snow Queen, Frozen is the story of a young princess who treks through rugged mountains during a cold winter to retrieve her estranged sister who was responsible for the cold winter through her icy powers. Directed by Chris Buck and Jennifer Lee and screenplay by Lee from a story by Buck, Lee, and Shane Morris, the film is a tale of sisterhood where a young princess tries to save her older sister from herself with the help of a mountain man, a reindeer, and a snowman. Featuring the voices of Kristen Bell, Idina Menzel, Jonathan Groff, Josh Gad, and Santino Fontana. Frozen is a dazzling and heart-warming film from Chris Buck and Jennifer Lee.

The film plays into the relationship between two sisters as the eldest is born with powers to produce snow and ice as she is afraid to hurt her younger sister leading to a schism between the two prompting the younger to get her back home. While it is a film about sisters, it is also a film about love between these two women as the eldest in Elsa (Idina Menzel) wants to protect Anna (Kristen Bell) from herself as she had accidentally hit ice at Anna when they were kids and cut herself off to protect her. Yet, Anna has no memory of that incident as she is confused by their estrangement until they come together for Elsa’s coronation ceremony where problems emerge where Elsa turns the kingdom into ice and isolates herself in her own castle. Anna wants to get Elsa back home with some help yet things become complicated when it is clear how dangerous Elsa has become to herself and to Anna.

Jennifer Lee’s screenplay takes it time to explore the troubled relationship between Elsa and Anna where Elsa’s icy powers are the real problem as they’re forced to live in isolation in their castle for much of their life as they would also deal with the death of their parents separately. When Elsa comes of age to become queen, she has a hard time dealing with the responsibilities that she has to face as well as controlling her powers as she is being exposed to the people in her kingdom. Even as Anna falls for a prince named Hans (Santino Fontana) while a duke (Alan Tudyk) from a neighboring country wants to do business with her only to plot Elsa’s assassination once her powers are exposed. When Anna goes to find Elsa, she gets the help of the mountain man Kristoff (Jonathan Groff), his reindeer Sven, and a living snowman named Olaf (Josh Gad). Yet, the forces such as the Duke of Weselton would try to complicate things as well as Elsa’s own powers as she continuously shuts herself off from the people that really cared about her.

The direction of Jennifer Lee and Chris Buck is truly astonishing not just in its visual setting but also in the animation as it blends hand-drawn animation and 3D computer animation. With its team of animators, the film has this wide canvas to create this land that Elsa and Anna live in as well as what it would look like in the winter time. Much of it involve some wide shots and scenery to play into that world where it includes some unique lighting schemes to play into the mood of the film as Elsa’s emotions is the catalyst for her powers. There’s also some medium shots and close-ups into the way Lee and Buck wanted to frame the characters including some of the elements of love in the way Anna falls for Hans. Some of it is presented in a comical manner as characters like Sven and Olaf are comic figures yet they do help drive the story as it relates to the concept of love and being there for one another.

There’s also some dazzling sequences that play into a sense of action as it’s driven by emotion where the mixture of the animation styles manage to work very seamlessly. Especially in the film’s climax where it plays into the world that the sisters had lived in as well as the forces who want to stop Elsa for their own reasons. Much of the compositions of that sequence as well as what is at stake comes into play as it maintains that theme of love and sisterhood. Overall, Lee and Buck creates a truly exhilarating and touching film about the love of two sisters.

Editor Jeff Draheim does brilliant work with the editing with its use of montages, jump-cuts, and other rhythmic cuts to play into the humor and drama. Production designer David Womersley and art director Michael Giamo do amazing work with the design of the castles and places the characters go to. Sound designer Odin Benitez does fantastic work with the sound from the way ice sounds when it cracks and the way some of Elsa‘s powers are shot from her hands. The film’s music by Christophe Beck is superb for its bombastic orchestral score to play with the film‘s adventurous tone while the songs by Robert Lopez and Kristen Anderson-Lopez is just incredible for the way it helps tell the story as songs like Let It Go, Do You Want to Build a Snowman?, For the First Time in Forever, In Summer, and many others doesn’t just give the film a musical feel but also has more to say as it is a true highlight of the film as the songs themselves are great in their own.

The voice casting by Jamie Sparer Roberts is excellent as it features some notable small voice roles Maurice LaMarche and Jennifer Lee as Elsa and Anna’s parents, Chris Williams as the very funny trading post manager Oaken, Maia Wilson as a troll Anna meets in Bulda, and Ciaran Hinds as an elderly troll in Grand Pabbie who reveals a lot about Elsa’s powers and how she can control it. Alan Tudyk is terrific as the scheming Duke of Weselton who wants to gain power of some of Arendelle’s commerce while planning to have Elsa killed later on. Santino Fontana is superb as Prince Hans of the Southern Isles who woos Anna into being engaged with him as he would try to save her. In the voices of the young Elsa and Anna, respectively, there’s Eva Bell and Spencer Lacey Ganus as the 8 and 12 year old versions of Elsa while Livvy Stubenrauch does the voice of the 5-year old Anna while Katie Lopez and Agatha Lee Monn provide the singing versions of the 5 and 9 year old versions of Anna.

Josh Gad is a total delight as the snowman Olaf as this snowman who wants to experience summertime as well as being a comic relief with some nice commentary about love and its power. Jonathan Groff is amazing as Kristoff as this mountain man who provides ice to Arendelle as he reluctantly helps out Anna with his reindeer Sven, who is a fantastic companion, as he would introduce Anna to the trolls that he had been raised by. Idina Menzel is brilliant as Elsa as this troubled young woman who has powers to create ice as she tries to shut herself off so that she wouldn’t hurt anyone as Menzel also provides a lot of weight into her singing as she makes Elsa a truly engaging character. Finally, there’s Kristen Bell in a remarkable performance as Anna as Elsa’s younger sister who just wants to help and reach out to Elsa unaware of what Elsa can do as Bell’s determination, anguish, and exuberance in her singing just makes Anna a very complex character.

Frozen is a truly outstanding film from Chris Buck and Jennifer Lee as well as the team of Disney Animation Studios. Not only is it a musical that is very soaring with its songs but also with a strong story that can captivate audiences of any age. Especially as it is an animation film that can dazzle cinephiles but also astonish children while having something profound to say about sisterhood and love. In the end, Frozen is a phenomenal film from Chris Buck and Jennifer Lee.

© thevoid99 2014

Taking Woodstock

Based on the memoir Taking Woodstock: A True Story of a Riot, a Concert, and a Life by Elliot Tiber and Tom Monte, Taking Woodstock tells the story of how the famous 1969 music festival in Bethel, New York came to life with the help of a young man who brought the festival to his town. Directed by Ang Lee with an adapted script by longtime collaborator James Schamus, the film is an exploration on Tiber’s young life as he tries to save his parents’ motel by getting more than half a million people to attend the festival. Starring Demetri Martin, Imelda Staunton, Henry Goodman, Liev Schreiber, Jonathan Groff, and Eugene Levy with appearances from Paul Dano, Dan Fogler, Kelli Garner, Mamie Gummer, and Emile Hirsch. Taking Woodstock is a good though underwhelming film from Ang Lee.

Elliot Tiber (Demetri Martin) is an aspiring interior designer/artist who returns home to the El Monaco Motel in his town of Bethel, New York as it’s in danger of foreclosure. With his parents Jake (Henry Goodman) and Sonia (Imelda Staunton) short on cash, Elliot decides to help them as he hopes to organize another small music festival to raise money. With the realization that he needs to raise the money by the end of the summer, he seeks help from a local drama troupe to help them as he hears the news about a concert festival that is looking for a location. Elliot, who is also the local chamber of commerce, offers a permit to the concert organizers where he meets Michael Lang (Jonathan Groff) who brings his team to scout the location. Finally finding the place on the farm of Max Yasgur (Eugene Levy), Yasgur makes them a deal to hold the concert on his land.

With Elliot having some money that could help his family, he faces some trouble with the locals and health inspectors looking over the hotel as a transvestite named Velma (Liev Schreiber) offers to help as security. With Elliot realizing that more than a 100,000 people will show up and a press conference where he gets high becomes a disaster. He gets into really big trouble with the organizers as people come in thinking it’s a free concert as a lot more people come in. With his parents working to deal with the people, Elliot meets a carpenter named Paul (Darren Pettie) whom he falls for though he wonders what his dad will think about his homosexuality.

With the Woodstock concert finally happening, Elliot tries to see the show as he encounters a couple of hippies (Paul Dano and Kellie Garner) while hanging out with his old friend Billy (Emile Hirsch), a former Vietnam vet. Elliot also tries to deal with his mother’s strict attitude while his father seems to enjoy having the young hippies around. With all of the things happening around him, Elliot ponders his life and the family he loves while trying to catch a glimpse of the show at Woodstock itself.

The film is about how the famed Woodstock festival in August of 1969 was organized and how it found its location near a motel run by a Jewish couple and their gay son where the woman is a Russian refugee. Yet, it’s an interesting story for some aspects of the film as it’s told from the perspective of a young man who is essentially trying to save the motel his parents had been working hard for. Once that motivation for Elliot to save his motel happens through getting Woodstock to come to his town, the film’s mood starts to change a bit from a comedy to a character study that doesn’t really work very well.

The third act has Elliot trying to go to the concert but the real disappointment isn’t that the film doesn’t get to show the concert as it’s happening. Instead, there’s an acid trip and a mud slide where it kind of meanders a bit. Then there’s the character of Elliot Tiber where as a protagonist, he isn’t very interesting despite his development and character struggle with his homosexuality. While there’s a bit of reference to the Stonewall riots, the homosexuality parts of the film doesn’t really fit in with the narrative. While screenwriter James Schamus does some fine work in creating some interesting supporting characters and the organization of the festival. He didn’t do enough to create a very engaging third act where isn’t sure what to do.

Ang Lee’s direction is very stylish in its presentation as the opening credits scene features a lot of split screens and multiple shots of events happening at the same time. Lee does a lot to create some light-hearted moments that includes some funny scenes of Elliot’s parents fighting some anti-Semitic kids or some mob guys or stuff where people decide to get naked. There is a looseness to the direction that makes it very engaging for most of the film. By the time it comes to the third act, there’s still a few funny moments but it starts to drag a bit once Elliot encounters various people where it includes a very silly acid trip with weird visual effects that looks very silly. While Lee does create some wonderful compositions and intimate camera work throughout the film, he creates a film that is pretty decent but loses its excitement in the third act.

Cinematographer Eric Gautier does some wonderful work with the film‘s colorful cinematography in capturing the gorgeous landscape of upstate New York. Gautier’s photography has a lushness to many of the daytime exteriors while creating a more intimate look for some of the interior scenes in the film along with the nighttime exterior shots. Longtime Lee collaborator Tim Squyres does some fantastic work with the editing by creating a lot of stylized cuts to re-create some of the shots and multiple split-screens that is really an ode to the original Woodstock movie.

Production designer David Gropman, along with set decorator Ellen Christiansen and art director Peter Rogness, does some fine work with the look of the motel that Elliot lives in along with the farm and places that he frequents to. Costume designer Joseph G. Aulisi does some excellent work with the costumes from the straight-laced clothes that Elliot wears to the more lavish clothes many of the hippies wear. Visual effects supervisor Brendan Taylor does some OK work with the visual effects for the acid trip scene where some of the animation is inspired but it doesn‘t fit in with the tone of the film and makes the scene to be very silly. Sound editors Eugene Gearty and Phillip Stockton do some good work with the sound to capture the quietness of the town to the chaos and blaring music once the concert starts to happen.

The film’s score by Danny Elfman is a very folk-driven score to play to the setting that is 1969 with brimming acoustic guitars as it’s mostly set in sparse places. While Elfman’s score is very good, the rest of the music is surrounded by cuts from the music of the time such as Richie Havens, the Band, Crosby, Stills, & Nash, Janis Joplin, Arlo Guthrie, Blind Faith, the Doors, the Seeds, Love, Ravi Shankar, Jefferson Airplane, and the Grateful Dead plus a song from Judy Garland to complement the taste of the gays. The overall soundtrack is a real highlight of the film since it brings a bit of nostalgia as well as a primer for new listeners to the music of the times.

The casting by Avy Kaufman is pretty good for the large ensemble that is created that includes memorable appearances from Skylar Astin as Woodstock organizer John P. Roberts, Richard Thomas as Reverend Don, Darren Pettie as the construction worker Elliot falls for, Adam LeFerve as a local who despises Elliot for bringing hippies to the town, Mamie Gummer as Lang’s assistant Tisch, and Dan Fogler in a tolerable performance as the theater troupe leader. Other notable appearances include Paul Dano and Kelli Garner as a couple of hippies who take Elliot on an acid trip along with Jeffrey Dean Morgan as Billy’s older brother and Emile Hirsch in a comical though overdone performance as the Vietnam Vet Billy.

Eugene Levy is very good in a very laid-back performance as the farmer Max Yasgur who offers his land to the Woodstock organizers while wowing them with his chocolate milk. Liev Schreiber is excellent as the drag-queen Velma who is very tough and cool while being the one person who helps loosen up Elliot’s parents. Jonathan Groff as Michael Lang is one of the film’s most uninspiring moments as he ends up looking very goofy while not really giving the Lang character anything to do except say “hey man” and “groovy” with just a straight face.

Henry Goodman and Imelda Staunton are great as Elliot’s parents as they bring a lot of humor to their characters. Goodman as the more laid-back father who finds an ally in Velma as they fight off anti-Semitic youths as he also sports some subtle humor to his character. Staunton is even funnier as the Russian immigrant mother who often spouts stories of how she walked from Russia to America with cold potatoes while being the more strict as it’s a remarkable role for the British actress. Demetri Martin is OK as Elliot Tiber as he tries to make the character he plays interesting but is unable to do since he‘s practically a comedy actor. The problem is that Martin isn’t very engaging in his performance as he mostly stares at his surroundings while doesn’t really he seems unsure what to do in some of the performance as it’s a pretty uninspiring performance.

Taking Woodstock is a film that has a lot of good moments but loses steam in the third act that includes a very dull lead performance by Demetri Martin and the lack of footage from the famed Woodstock concert. Audiences who are interested in the history of the famed music festival will find this to be insightful over how it got organized though the actual Woodstock movie is a much better introduction about the festival. For its director Ang Lee, the film is pretty much one of his weaker efforts as he creates something that is very loose and lively though is unable to keep things interesting in the third act. In the end, Taking Woodstock is a fine film from Ang Lee despite some underwhelming moments.

Ang Lee Films: Pushing Hands - The Wedding Banquet - Eat Drink Man Woman - Sense & Sensibility (1995 film) - The Ice Storm - Ride with the Devil - Crouching Tiger, Hidden Dragon - The Hire: Chosen - Hulk - Brokeback Mountain - Lust, Caution - Life of Pi - Billy Lynn's Long Halftime Walk - The Auteurs #19: Ang Lee

© thevoid99 2011