The Young Victoria

Directed by Jean-Marc Vallee and written by Julian Fellowes, The Young Victoria is the story about the early life and reign of Queen Victoria in the 19th Century as she copes with her new role as Queen of Great Britain and her marriage to Prince Albert of Saxe-Coburg and Gotha. The film is a dramatized take on Queen Victoria’s early life as well as what she had to do in trying to maintain her duty as queen but also finding some self-being as a person as the role of Victoria is played by Emily Blunt. Also starring Rupert Friend, Paul Bettany, Mark Strong, Thomas Krestchmann, Julian Glover, Jesper Christensen, Jim Broadbent, and Miranda Richardson. The Young Victoria is an enchanting and engaging film from Jean-Marc Vallee.

The film is about the early life of Princess Victoria of Kent, who would later become Queen of Great Britain on June 20, 1837 at the age of 18, as she deals with the role she is to play where many around try to put their own interests towards her with some wanting her to fail. It’s a film that explores a woman being aware of the role she is to play as she also tries to assert her own ideas while there are many that are plotting against her with some wanting her to give up her claim to the throne. At the heart of the story is her relationship to her first-cousin Prince Albert of Saxe-Coburg and Gotha (Rupert Friend) who is sent by his uncle as a way to seduce her for political reasons but he falls for her and would end up being her greatest ally. Julian Fellowes’ screenplay does take some dramatic liberties such as an assassination attempt on Queen Victoria in 1840 as well as some of the details of her coronation and the age of Lord Melbourne (Paul Bettany) who was 40 years older than the queen.

Yet, it does remain faithful to the events that was happening while creating a story that is engaging about Queen Victoria’s understanding of her role but also being aware of what is going on around her. Early in the film, she is being forced by her mother in the Duchess of Kent (Miranda Richardson) and Sir John Conroy (Mark Strong) to sign away her powers while she is ill as she would refuse to. Especially as she has a strong devotion towards her uncle in King William IV (Jim Broadbent) who isn’t fond of her mother but wants to ensure that Victoria would have her place to rule Britain despite the opposition of so many. The character of Prince Albert is definitely a unique one as he is someone that knows the pressure of what Victoria is to endure where he would have ideas that would help her and Britain. Yet, she would take the advice of Lord Melbourne as her private secretary where things don’t go as she wants them to as she ponders every decision she makes as well as the people she wants around her.

Jean-Marc Vallee’s direction is very straightforward for not just capturing that period in time during King William IV’s final year but also into the glimpse of Queen Victoria’s life before she becomes queen. Though the first sequence that is presented is her coronation which would be shown again, it play into the many doubts that is looming once she becomes queen as Vallee’s direction would feature some wide and medium shots of the coronation in different perspectives. Much of the film is shot on various locations around Britain with some of it on actual palaces as well as some re-creation of the exteriors of Buckingham Palace as Vallee doesn’t go for anything stylistic but rather something simple and to the point. Even in the close-ups as it play into the anguish that Victoria endures where she would often vent her feelings through corresponding letters with Albert as it would strengthen their relationship. Vallee would also create moments that play into their growing relationship once they’re together with Albert knowing his place but also slowly do things to make sure that Victoria would be confident in her own decisions as queen. Overall, Vallee creates a riveting yet intoxicating film about the early life and reign of Queen Victoria.

Cinematographer Hagen Bogdanski does excellent work with the film’s cinematography from the natural look of the daytime interior/exterior scenes to the usage of lights for some of the scenes set at night. Editors Jill Bilcock and Mat Garner do brilliant work with the editing with its usage of jump-cuts and some stylized cuts to play into the rhythm of the film. Production designer Patrice Vermette, with set decorator Maggie Gray and supervising art director Paul Inglis, does amazing work with the look of the interiors of the palaces and dining halls as well as the design of the carriages in those times. Costume designer Sandy Powell does fantastic work with the costumes from the look of the gowns as well as the clothes that the men wore in those times.

Hair/makeup designer Jenny Shircore does terrific work with the design of the hairstyles and extensions they wore during the day as well as the look of the men. Sound designer Martin Pinsonnault does superb work with the sound as it play into the sparse elements of what goes on in the palace as well as the raucous sounds for some of the parties. The film’s music by Ilan Eshkeri is sublime for its low-key orchestral score that play into the drama while music supervisor Maureen Crowe creates a music soundtrack that largely consists of the music of the times including some classical pieces that Victoria and Albert have a fondness for.

The casting by Susie Figgis is incredible as it feature some notable small roles and appearances from Josef Altin as the man that tried to assassinate Queen Victoria, Genevieve O’Reilly as Lady Flora Hastings, Julian Glover as the Duke of Wellington, Michiel Huisman as Prince Albert’s brother Ernest, Michael Maloney as Sir Robert Peel who briefly replaces Lord Melbourne as prime minister, Rachel Stirling as the Duchess of Sutherland who is the queen’s lady-in-waiting during her early reign, and Jeanette Hain as the queen’s caretaker in Baroness Louise Lezhen. Other noteworthy small roles include Jesper Christensen as Baron Stockmar as an advisor to Prince Albert in how to woo Victoria while Thomas Krestchmann is superb as King Leopold I of Belgium who is hoping that Prince Albert succeeds in the hopes of a political alliance with Britain and Belgium. Harriet Walter is wonderful as Queen Adelaide as Victoria’s aunt who is one of the few people that Victoria can trust and turn to as she also feels that Albert has a very important role in helping Victoria. Jim Broadbent is fantastic as King William I as Victoria’s uncle who is aware of what is going on as he doesn’t like Victoria’s mother very much while worrying about Victoria once she becomes queen. Mark Strong is excellent as Sir John Conroy as a comptroller to Victoria’s mother who wants to maintain control and influence into Victoria as a man that wants power even though Victoria hates him.

Paul Bettany is brilliant as Lord Melbourne as the prime minister who becomes the queen’s advisor as someone with good intentions only to create some trouble in the queen’s early years as he would later find himself dealing with Albert for the queen’s attention in power. Miranda Richardson is amazing as the Duchess of Kent as the queen’s mother who would try to get her daughter to listen to Sir Conroy only to become estranged from her daughter until Albert would be the one to end the estrangement. Rupert Friend is marvelous as Prince Albert of Saxe-Coburg and Gotha as the man who would be Queen Victoria’s husband and greatest ally where Friend is quite restrained in his performance as someone who is just loyal and devoted to a woman he feels has a lot to offer to the world. Finally, there’s Emily Blunt in a radiant performance as the young Queen Victoria as a woman trying to deal with the role that is set upon her as well as wanting not to fail and do right for her country as it’s one of Blunt’s finest performances in displaying the anguish and determination of one of the greatest figures in history.

The Young Victoria is a remarkable film from Jean-Marc Vallee that features an incredible leading performance from Emily Blunt. Along with a great supporting cast, beautiful locations, rapturous images, and some fine technical work. It’s a film that chronicles the life of a woman in her early years as she would later become a definitive figure for Great Britain. In the end, The Young Victoria is a phenomenal film from Jean-Marc Vallee.

Jean-Marc Vallee Films: (Black List) - (Los Locos) - (Loser Love) - (C.R.A.Z.Y.) - (Café de Flore) - Dallas Buyers Club - Wild (2014 film) - Demolition (2015 film) - (Big Little Lies)

© thevoid99 2017

Summer of Star Wars: The Empire Strikes Back

Directed by Irvin Kershner and screenplay by Lawrence Kasdan and Leigh Brackett from a story by George Lucas, The Empire Strikes Back (Star Wars: Episode V) is the story where the Empire tries to find the small band of rebels who had destroyed their most powerful weapon as the group of rebels each go into different journeys where one of them would seek his destiny to become a Jedi. The second part of a trilogy about a civil war between an evil empire and a resistance group, the film plays into characters trying to evade the Empire as its evil leader is trying to pursue the young man who could destroy that empire. Starring Mark Hamill, Harrison Ford, Carrie Fisher, Peter Mayhew, Anthony Daniels, Kenny Baker, David Prowse with the voice of James Earl Jones, the voice of Frank Oz, Billy Dee Williams, and Alec Guinness as Obi-Wan Kenobi. The Empire Strikes Back is a riveting and intense film from Irvin Kershner.

Set three years after the events of the previous film, the film is a vengeance story of sorts from the point of view of its antagonists in the Imperial Empire led by Darth Vader (David Prowse with the voice of James Earl Jones) as he is trying to hunt down the group of rebels that had managed to defeat them in a big way. Most notably in Luke Skywalker (Mark Hamill) who has become a top pilot for the rebellion while having the abilities to become a Jedi where his journey would lead him to be trained under one of the Jedi’s great masters in Yoda (voice of Frank Oz). Meanwhile, Han Solo (Harrison Ford) tries to leave the rebellion in order to pay some long-standing debts to a criminal as he is chased by the Empire along with Princess Leia (Carrie Fisher), his sidekick Chewbacca (Peter Mayhew), and the protocol droid C-3P0 (Anthony Daniels). It’s a film that has a lot that is happening as it shows exactly how angry the Empire is in their pursuit to crush the rebellion. At the same time, it also plays into the sense of hope that the former Republic longs for in the hands of a young man who needs to learn the ways of the Force.

The film’s screenplay not only explores the complexity of what the Empire is trying to do in the aftermath of their major defeat but also into who is really running things where Vader is revealed to be under the orders of its leader in Emperor Palpatine (Elaine Baker with the voice of Clive Revill). While Darth Vader is still a very dangerous and cunning antagonist, the script allows to reveal much more into who he is as he’s not a man that is totally evil as he’s willing to give those who work for him second chances. Even in the film’s climax where he and Luke Skywalker have a battle with lightsabers where Vader offers Luke the chance to join him where it reveals an ambiguity into Vader. The character of Luke Skywalker also becomes more layered in the film but as someone who is more unsure about the ways of being a Jedi as he travels to the swampy planet of Dagobah to meet Yoda with the astromech droid R2-D2 (Kenny Baker). Upon learning who Yoda is and Yoda’s reluctance to train him because of Luke’s lack of patience.

Luke would go through a rigorous training as he would also learn about the dark side of the force where a vision he would have would become the catalyst for the film’s climax. A climax that would involve Han and Leia where their storyline involves the two finally realizing their attraction for one another after years of tension where they seek shelter in a friend of Han in Lando Calrissian (Billy Dee Williams) who is an ambassador in a planetary city known as Cloud City. Calrissian is a unique character who is someone that is loyal to Han but is forced to reveal that his city had been taken by the Empire as he becomes consumed with guilt into what Vader is doing. The climax at Cloud City wouldn’t just be a moment where many of its protagonists would come together but also would create a resolution which would bring more motivation to destroy the Empire.

Irvin Kershner’s direction maintains the vast tone of its predecessor by not just setting it into different worlds but also create something that is very dark as it relates to Darth Vader’s pursuit of Luke Skywalker. Shot partially on location in Norway with much of it shot in studios in London, the film has a very broader look in terms of how diverse the galaxy is. The film would begin in a snowy and icy planet where the rebels are in hiding where Luke’s encounter with a monster would play into his evolving powers with the Force. Kershner’s usage of wide shots not only plays into the ground battle between the rebels and the Empire but also in some medium shots and close-ups that add to the sense of suspense and drama. Even in the action where many of the scenes set in space such as the chase between the Star Destroyers and the Millennium Falcon through asteroid fields and such do play into the vast tone of the story.

There’s also some humor in the film as one of the running jokes involves the Millennium Falcon’s attempt to jump into hyperdrive where it is this great attempt at dark humor. The scenes set in the planet of Dagobah where there’s all of these creatures and such play into Luke Skywalker not just being out of his comfort zone but also in a land that is quite damp and desolate which is the last place he would expect to find someone like Yoda. Some of the visual effects that are used aren’t just miniatures and puppets but also in stop-motion animation for the battle scenes in Hoth as it adds a realism to the film. The film’s climax as this sky-based city known as Cloud City isn’t just one of the most chilling moments in the film but it would also feature a moment that is very shocking. Overall, Kershner creates a gripping and exhilarating film that explores a group of rebels trying to escape and defy an evil empire.

Cinematographer Peter Suschitzky does brilliant work with the film‘s cinematography with the damp look of the scenes set in Dagobah as well as the usage of orange lights for some of the exteriors in Cloud City as it creates something that is gorgeous as well as eerie. Editor Paul Hirsch, with additional work by George and Marcia Lucas, does amazing work with the editing with its usage of dissolves, transition wipes, and other stylish cuts to play into the action and suspense. Production designer Norman Reynolds, along with set decorator Michael Ford and art directors Leslie Dilley, Harry Lange, and Alan Tomkins, does fantastic work with the look of the rebel base at Hoth as well as the bridge inside the Star Destroyer Excelsior Class and the rooms inside Cloud City. Costume designer John Mollo does nice work with the clothes from the look of the Imperial uniforms as well as the clothes the main protagonists wear in their journey.

Makeup designer Stuart Freeborn does excellent work with the look of Emperor Palpatine as well as some of the alien creatures that appear in the film. Visual effects supervisors Richard Edlund, Brian Johnson, Dennis Muren, and Bruce Nicholson do phenomenal work with the visual effects from the look of the AT-AT Walkers with its usage of stop-motion animation to the design of the scenes in space. Sound designer Ben Burtt does superb work with the sound in not just the sound of the droids but also in the creatures and other aspects in the sound. The film’s music by John Williams is incredible for its bombastic orchestral score that includes some lush and soaring string arrangement pieces as well as some low-key orchestral moments to play into the drama.

The casting by Bob Edmiston, Irene Lamb, and Terry Liebling is marvelous as it features notable small roles from John Ratzenberger and Bruce Boa as a couple of rebel military leaders, Julian Glover as General Veers who leads the attack at Hoth, Michael Culver as Captain Needa who tries to capture the Millennium Falcon, John Morton as Luke’s gunner at Hoth, Michael Sheard as the Imperial Admiral Ozzel who would make a fatal mistake at Hoth that angers Vader, Kenneth Colley as Ozzel’s replacement Admiral Piett who would be the one to find the rebels at Hoth, Denis Lawson as rebel pilot Wedge, and Jeremy Bulloch, with the voice of Jason Wingreen, as the bounty hunter Boba Fett who is tasked to capture Han Solo for a major reward. Clive Revill is terrific as the voice of Emperor Palpatine with Elaine Baker as the character in physical form as it displays a figure that is truly evil.

Alec Guinness is superb as the late Obi-Wan Kenobi who appears as a spiritual guide of Luke through the Force while Frank Oz is fantastic as the voice of Yoda that is an alien figure who would teach Luke the ways of the Force and show him that nothing is impossible. Anthony Daniels and Kenny Baker are excellent in their respective roles as C-3P0 and R2-D2 as the two droids who both endure separate adventures with Daniels being the comical protocol droid who complains about what is happening to him while Baker brings a more whimsical yet low-key approach to his role as he would play a crucial part for the film’s ending. David Prowse is great as Darth Vader as he maintains a dangerous presence with James Earl Jones providing the voice that would show glimpse of the humanity that makes Vader a very interesting antagonist. Peter Mayhew is amazing as Chewbacca as Han Solo’s Wookie sidekick who often brings some comical commentary to Han’s attempt to woo Leia while being the guy that everyone can count on.

Billy Dee Williams is brilliant as the smooth-talking Lando Calrissian as an ambassador of Cloud City who is an old friend of Han while being forced to work with the Empire over Han’s capture. Carrie Fisher is remarkable as Princess Leia Organa as a top rebel leader who copes with her feelings for Han while dealing with the chaos that is surrounding her as she tries to keep things calm. Harrison Ford is incredible as Han Solo where he brings in some charm and humility into his anti-hero character that is being chased by the Empire while dealing with his feelings for Leia. Finally, there’s Mark Hamill in a sensational performance as Luke Skywalker as he displays not just an immaturity and naiveté in his training as a Jedi but also a determination to prove himself to become a Jedi.

***The Following is Based on the 1997 Special Edition and its Subsequent Revised Editions***

The 1997 Special Edition and its subsequent revised versions of the film not only featured new visual effects and remastered sound design by Ben Burtt along with additional edits by T.M. Christopher. What George Lucas does in this edition aren’t a lot of new things as it’s only a few subtle changes with new effects for the scenes in Cloud City as well as a fully-realized look of the monster that would attack Luke early in the film. The one big change that is most evident in the film that would emerge in later editions is the Emperor Palpatine character as he would be played by Ian McDiarmid in a 2004 revised version as McDiarmid would play the character in Return of the Jedi and its prequels. Another change is in the character of Boba Fett as the 2004 revised version would feature a new voice by Temura Morrison who would play the role of Jango Fett in 2002’s Attack of the Clones and the many storm troopers in 2005’s Revenge of the Sith. While it is a different version than the original film, the revised versions is able to at least maintain some of the heart of the film’s original story and its dark tone.

***End of Special Edition/Revised Versions Tidbits***

The Empire Strikes Back is a magnificent film from Irvin Kershner. Armed with a great cast, sprawling visual effects, and a thrilling story that is dark as well as raising the stakes. It’s not just one of the best sci-fi adventure films ever made but also a standard into what blockbuster cinema is and more. Even as it’s revised editions don’t do much to deter some of the elements of the original films. In the end, The Empire Strikes Back is an incredible film from Irvin Kershner.

Star Wars Films: Star Wars - Return of the Jedi - The Phantom Menace - Attack of the Clones - Revenge of the Sith - The Force Awakens - The Last Jedi - The Rise of Skywalker

Related: Holiday Special - Caravan of Courage - The Battle for Endor - The Clone Wars - Fanboys - The People vs. George Lucas

Star Wars Anthology Films: Rogue One - Solo - (Untitled Star Wars Anthology Film)

George Lucas Films: THX 1138 - (American Graffiti)

© thevoid99 2015

007 James Bond Marathon: For Your Eyes Only

Based on Ian Fleming’s novel, For Your Eyes Only is the story of James Bond trying to recover a missile command object from a Greek businessman who is also targeted by a woman seeking revenge for her parents’ death. Directed by John Glen and screenplay by Richard Maimbaum and Michael G. Wilson, the film returns to more traditional elements of Bond following a series of genre-bending films as the humor is also more restrained as Roger Moore returns for his fifth of seventh outing as James Bond. Also starring Carole Bouquet, Chaim Topol, Julian Glover, Lynn-Holly Johnson, Desmond Llewelyn, Lois Maxwell, Walter Gotell, and Geoffrey Keen. For Your Eyes Only is a suspenseful yet tremendous film from John Glen.

After the disappearance of a secret spy boat and the assassination of a marine archeologist (Jack Hedley) and his wife, James Bond is asked by the Minister of Defense (Geoffrey Keen) to investigate the matter as Bond travels to Spain to confront the suspected assassin Hector Gonzalez (Stefan Kalipha) and find out who hired him to killed Sir Timothy Havelock. While Bond eventually finds the man who paid Gonzalez, Gonzalez was suddenly assassinated as Bond learns that Havelock’s daughter Melina (Carole Bouquet) who is seeking vengeance for her parents’ murder as she wants to go after the man who hired Gonzalez. With the help of Q (Desmond Llewelyn) and his identi-graph machine, Bond learns that a man named Emile Leopold Locque (Michael Gothard) is the man who paid Gonzalez as Bond travels to Cortino, Italy for more information on Locque.

Bond meets Greek businessman Aristotle Kristatos (Julian Glover) who claims that Locque is a hired killer working for his business rival in Milos Columbo (Chaim Topol) as Bond also meets Bibi Dahl (Lynn-Holly Johnson), an ice-skating prodigy Kristatos is sponsoring. After dealing with some of Locque’s henchman including an assassin named Erich Kriegler (John Wyman), Bond later goes to Greece to meet up with Kristatos and see the scenery with Melina who is still trying to find Locque. After seducing Columbo’s mistress in Countess Lisl von Schlaf (Cassandra Harris), Bond later has an encounter with Locque that goes wrong where Bond finally meets Columbo who reveals some information about who Kristatos really is forcing Bond to realize something isn’t right.

After meeting Melina to recover the ATAC decoding machine from the boat, the two finally realize who wants the machine all along and who really hired Gonzalez and Locque to kill the Havelocks. There, Bond realizes what he must do to stop the sale of the ATAC to the KGB as he and Melina would get some help for the mission.

The film is essentially the story of Bond trying to recover a decoding machine that he hopes won’t get into the wrong hands while being entangled into a web of intrigue and lies as he tries to find out who killed a marine archeologist whose daughter is also seeking vengeance for her parents’ death. It’s a story that is simple but filled with lots of suspense and action as well as bits of humor. Notably as Bond has to figure out who wants this device and for what while wondering if he’s being played by these two rivaling smugglers who despise each other and see who is really telling the truth.

Helping Bond in this mission is Melina Havelock, a Bond girl that may have her own agenda but she aids Bond in trying to find out why her father was killed. While her motive may be for vengeance for her parents’ murder, it’s only because she feels she has to do what is necessary to gain justice for what happened as she cites Greek folklore as inspiration. While she may not a completely physical force, she is deadly with a crossbow as well as very determined that makes her one of the most compelling figures in a Bond movie. Especially since she and James Bond do help each other and eventually team up in the film’s second half where they prove to be a strong team.

The screenplay by Richard Maimbaum and Michael G. Wilson is successful for not just creating great characters like Melina, Kristatos, and Columbo but for also raising the stakes of what Bond had to do. There is a MacGuffin in the form of this ATAC decoding device where if it was in the wrong hands, someone could control the enemy submarines to shoot nuclear missiles against the enemy. For Bond, it’s something he has to do as he eventually has to realize that the KGB is involved and its ending has him doing something for the sake of world peace.

In his first outing as director, John Glen succeeds in creating a Bond film that harkens back to its roots. More element of suspense and extended action sequences, it’s a film that manages to be engaging and thrilling through the compositions he creates as well as the locations that he manages to have Bond be in. Yet, the film opens in grand style with a prologue that has Bond at a graveyard and then being trapped in a helicopter that is remote controlled by an old enemy. It’s a prologue that doesn’t have anything to do with the main story but it’s a great opening sequence to emphasize Bond going back to his roots while being witty in the way he defeats this old adversary.

The rest of the film maintains its sense of intrigue where Glen allows the audience to follow Bond in his attempt to uncover the mystery through this web of lies where he wonders who is telling the truth in these two rivaling smugglers. Bond is able to charm his way into getting information while having to fend off foes through any means such as this huge chase sequence where he’s having to ski in a sequence that is quite long but investing in how Bond has to evade these assassins. The climatic battle where Bond has to recover the ATAC before the KGB gets it is also filled with suspense where Bond has to mountain climb this secret base as there’s moments where Bond might not be able to succeed. Overall, Glen creates a film that has all of the tropes of what a Bond film is and should be while playing to its strengths by balancing the film with lots of action and suspense.

Cinematographer Alan Hume does excellent work with the photography from the soft lenses he uses for some of the nighttime close-ups to the colorful exteriors of the locations from the white snow of Cortino, Italy to the beautiful scenery in Greece. Editor John Grover does superb work with the editing by creating dazzling cuts to play up the film‘s action scenes as well as more methodical pacing for some of the film‘s suspenseful moments. Production designer Peter Lamont, along with set decorator Vernon Dixon and art director John Fenner, does amazing work with the set pieces such as the climatic base near the film‘s end as well as the design of the Neptune submarine that Bond and Melina use to find the ship. Costume designer Elizabeth Waller does terrific work with the costumes from the underwater suits Bond and Melina wear to find the ATAC to some of the clothes that Melina wears socially.

Visual effects supervisor Derek Meddings does brilliant work with the minimal visual effects scenes created such as some of the underwater scenes and the action sequences in Cortino. Sound mixer Derek Ball does nice work with the sound to capture the layer of gunshots to the crackling of pistachio nuts that Columbo always eats and uses during missions. The film’s score by Bill Conti is stellar for its electronic-driven score that plays to mixture of rhythmic-based themes for some of the film’s action sequences to more lush themes for some of the film’s romantic scenes. The title song by Conti and lyricist Michael Leeson is among one of the best theme songs as it is sung by Sheena Easton who appears in the film’s stylish opening credits sequence.

The casting by Debbie McWilliams and Maude Spector is incredible for the ensemble that is created as it features some small performances from Charles Dance as a henchman of Locque, John Moreno as Bond‘s Italian contact Luigi, Jack Hedley as Melina‘s father Sir Timothy Havelock, James Villers as MI6 Chief of Staff Bill Tanner, Stefan Kalipha as the assassin Hector Gonzalez, Jill Bennett as Bibi‘s coach Brink, Cassandra Harris as Columbo‘s mistress Countess Lisl von Schlaf, and John Hollis as Bond‘s old adversary in the film‘s opening prologue. Bond regulars like Lois Maxwell as Miss Moneypenny, Walter Gotell as KGB head General Gogol, and Desmond Llewelyn as Q are always a joy to watch where Q gets to have a funny scene where he briefs Bond in Greece. Geoffrey Keen is excellent as the Minister of Defense who briefs Bond in what he has to do as Keen does a nice job in taking the place of the M character.

John Wyman is very good as the henchman Erich Kriegler who is proven to be a formidable opponent for Bond while Michael Gothard is also good as the mysterious killer Emile Leopold Locque. Lynn-Holly Johnson is terrible as Bibi Dahl where it’s a character who tries to seduce Bond as Johnson’s dramatic moments aren’t very good as she is one of the worst Bond girls out there. Chaim Topol is excellent as Kristatos’ former smuggling partner Columbo who makes some startling revelations to Bond about Kristatos as Topol gives a very low-key performance as a man who has a love for pistachio nuts. Julian Glover is great as the shady Kristatos who tries to manipulate Bond into going after Columbo while trying to maintain his role as a fair but corrupt businessman.

Carole Bouquet is brilliant as Melina Havelock, a woman seeking vengeance for her parents’ death as she aids Bond in trying to retrieve the ATAC decoding device. It’s a performance that ranks up there with some of the best Bond girls as Bouquet also has a beauty that is truly intoxicating to look at while proving to be very strong in some of the film’s dramatic moments. Finally, there’s Roger Moore as James Bond where Moore gives another phenomenal performance as he displays a more restrained humor to Bond while making Bond more cunning in the way he tries to uncover plots and such.

For Your Eyes Only is a marvelous James Bond film from John Glen that features a top-notch performance from Roger Moore as Bond along with notable supporting work from Carole Bouquet, Chaim Topol, and Julian Glover. The film is among one of the best films of the Roger Moore era as it goes back to its roots by being more of a suspense film rather than trying to mesh with another genre. In the end, For Your Eyes Only is a brilliant film from John Glen.

James Bond Files: The EON Films: Dr. No - From Russia with Love - Goldfinger - Thunderball - You Only Live Twice - On Her Majesty's Secret Service - Diamonds are Forever - Live and Let Die - The Man with the Golden Gun - The Spy Who Loved Me - Moonraker - Octopussy - A View to a Kill - The Living Daylights - Licence to Kill - GoldenEye - Tomorrow Never Dies - The World is Not Enough - Die Another Day - Casino Royale (2006 film) - Quantum of Solace - Skyfall - SPECTRE - No Time to Die

Non-EON Films: Casino Royale (Climax! TV Episode) - Casino Royale (1967 film) - Never Say Never Again

Bond Documentaries: Bond Girls Are Forever - True Bond - Everything or Nothing: The Untold Story of 007

© thevoid99 2012

Scoop

Originally Written and Posted at Epinions.com on 12/14/06 w/ Additional Edits & Revisions.

Written, directed, and starring Woody Allen, Scoop is about a young, American student trying to be a journalist gets a big scoop from a ghostly spirit who is trying to catch a tarot-card carrying serial killer. Helping the student is an American magician who suspects a rich heir as does the ghostly spirit while the young woman falls for the handsome suspect. Taking cues from his old films and love of mystery and comedy, Allen goes for laughs as the films reveal he's been re-inspired. Also starring Scarlett Johansson, Hugh Jackman, Ian McShane, Romola Garai, and Charles Dance. Scoop is an entertaining, witty mystery from Woody Allen.

Revered British journalist Joe Strombel (Ian McShane) has just died as he meets a woman named Jane Cook (Fenella Woolgar) on their way to the afterlife. When Cook revealed that she had been poisoned by her boss and rich heir Peter Lyman (Hugh Jackman), she believes that he's the Tarot Card killer who has been killing hookers in a similar style to Jack the Ripper. Strombel jumps off the boat to give someone the scoop as a young college student journalist named Sondra Pransky (Scarlett Johansson) is trying to catch a break. Going to a magic show with her friend Vivian to see Sidney Waterman aka Splendini (Woody Allen) perform magic tricks, Sondra is part of the act as she sees Strombel giving her the scoop of a lifetime.

When Sondra learns who Strombel was and finds information about the Tarot Card killer, she talks to Sidney about his magic box where they see Strombel's spirit who gives them more information. Sondra and Sidney decides to to investigate Lyman, who is the son of a well-respected lord (Julian Glover) as they managed to get into a posh gym through Vivian's connections where Sondra meets Peter Lyman as she calls herself Jade Spence with Sidney posing as her father. The two get invited to the Lyman estate as Sondra doesn't think that Lyman is the killer as she starts to fall for him. When Sidney holds another magic show, Strombel appears out of the box in front of an audience as he gives Sidney information about a vault in Lyman's home. Sidney goes to Lyman's home during the party as he goes into the vault and finds nothing much to Sondra's disappointment until she later finds a deck of tarot cards when she spends the night.

After turning to Vivian's father (Charles Dance), a newspaper editor, about what she believes, Sondra realizes that it might not be enough until the news that the real Tarot Card killer was caught. Sondra meets Peter again to confess who she really is as the two starts a relationship. Sidney however, doesn't think the case is over as he still suspects Peter Lyman as Strombel makes a last appearance where Sidney realizes who the Tarot Card killer is.

While the film doesn't rank up there with Allen's earlier, funnier films of the early 70s or some of his other comedies and the 80s and 1990s, Scoop does achieve in what Allen aimed for. A witty, clever mystery that features laughs and the kind of neurotic, insecure characters that Allen is known for. The screenplay is really Allen's most entertaining since Sweet & Lowdown where he finds the right timing for comedy while building the suspense of mystery where although it's kind of predictable. The adventure is still fun to watch where Allen's direction and locations of London really brings a new energy to his comedic style. Allen understands that mystery can be funny and he uses these flawed, characters who aren't smart or very driven but have something that audiences can relate to. Overall, the film features Allen in his finest.

Cinematographer Remi Adefarasin, who worked on Match Point, returns to bring in a more colorful, vibrant look of London in its exterior setting of the country side to the posh, interiors of some of the locations. Production designer Maria Djurkovic and art director Nick Palmer do excellent work into the look of posh London with its inspiring locations as well as costume designer Jill Taylor for the dresses that Scarlett Johansson wore. Editor Alisa Lepselter does some wonderful, tight editing to the film a nice, leisurely pace in its 96-minute running time. The film's soundtrack is filled with a lot of classical cuts that Allen has often compiled but most of its is done in a playful way along with elements of suspense as the music really adds a lot of wit and joy.

The film's cast is wonderfully assembled with notable small performances from Julian Glover, Kevin R. McNally, and Fenella Woolgar. Other minor performances from Charles Dance as Mr. Malcolm and Romola Garai as Vivian are excellent and memorable in their supporting roles. Ian McShane is very funny and intelligent as the wise, driven Joe Strombel. McShane, often known for playing dark, brooding characters, proves his range as a comedy actor where he plays his character very straight and intelligent as he steals every scene he's in. Hugh Jackman is wonderfully charming as the shady, charismatic Peter Lyman. The Australian-born actor proves he can do an authentic English accent while bringing a lot of wit and complexity to his character. Coming off films like the X-Men series and The Prestige, Jackman proves that he can do comedy and bring a lot of joy into a performance. Woody Allen is very funny in his usual, neurotic persona. While it's essentially Woody playing himself, Allen sticks with what works and it's consistently funny and witty as Allen brings a cleverness to his role while performing some magic tricks.

While not up to par with the sarcasm in Ghost World and the eerie minimalism of Lost in Translation, Scarlett Johansson gives an excellent performance as Sondra Pransky. A far superior performance than she gave in Match Point, in which it was uneven, Johansson brought more layers as she plays a nerdy, frumpy kind of woman who is driven but not very confident. When Johansson plays the sensual Jade Spence, it's all done in a comical way as Johansson plays a great straight-woman to Allen while having some wonderful chemistry with Jackman. It's clearly one of her better performances and far superior to the recent ones in The Black Dahlia and The Prestige also with Jackman.

While not as groundbreaking or one of his great films, Scoop is still a clever, witty mystery-comedy from Woody Allen. With a great cast led by Allen, Scarlett Johansson, Hugh Jackman, and Ian McShane, it's a film that is filled with some wonderful, funny moments while being entertaining at the same time. Though it's one of the better films he's made in the 2000s, Scoop is a good and enjoyable comedy from Woody Allen.

Woody Allen Films: What’s Up, Tiger Lily? - Take the Money & Run - Bananas - Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) - Sleeper - Love & Death - Annie Hall - Interiors - Manhattan - Stardust Memories - A Midsummer Night’s Sex Comedy - Zelig - Broadway Danny Rose - The Purple Rose of Cairo - Hannah & Her Sisters - Radio Days - September - Another Woman - New York Stories-Oedipus Wrecks - Crimes & Misdemeanors - Alice - Shadows & Fog - Husbands & Wives - Manhattan Murder Mystery - Don't Drink the Water - Bullets Over Broadway - Mighty Aphrodite - Everyone Says I Love You - Deconstructing Harry - Celebrity - Sweet & Lowdown - Small Time Crooks - The Curse of the Jade Scorpion - Hollywood Ending - Anything Else - Melinda & Melinda - Match Point - Cassandra’s Dream - Vicky Cristina Barcelona - Whatever Works - You Will Meet a Tall Dark Stranger - Midnight in Paris - To Rome with Love - Blue Jasmine - Magic in the Moonlight - Irrational Man - (Cafe Society)

The Auteurs #24: Woody Allen: Pt. 1 - Pt. 2 - Pt. 3 - Pt. 4

© thevoid99 2011