In the Mouth of Madness

Directed by John Carpenter and written by Michael De Luca, In the Mouth of Madness is the story of an insurance investigator who tries to find a mysterious horror writer who has disappeared as he deals with the phenomenon of his work. Inspired by the works of H.P. Lovecraft, the film is an exploration into the world of books and its power where a man deals with the chaos that surrounds him. Starring Sam Neill, Jurgen Prochnow, Julie Carmen, David Warner, and Charlton Heston. In the Mouth of Madness is a strange yet thrilling film from John Carpenter.

The film revolves an insurance investigator who is asked by a publishing company to find a popular horror writer and the manuscript of his new book as the writer itself had disappeared. The film plays into a man who went through a hellacious journey as he would tell his story to a doctor at a mental institution about what happened where his attempt to disprove a writer’s power would only have him question the world he is in. It’s a film that also explores the power of fiction where the investigator John Trent (Sam Neill) is trying to believe that the small town he is in isn’t real but there’s too many things that have him question what is real and what is fiction.

Michael De Luca’s screenplay begins with Trent being taken to a mental asylum as he claims he’s not crazy though Dr. Wrenn (David Warner) wants to disprove that as Trent tells him his story. Trent is a very unique character as someone who is good at disproving many insurance claims as he thinks his search for the popular horror writer Sutter Cane (Jurgen Prochnow) is nothing more than another easy assignment as he’s joined by Cane’s editor Linda Styles (Julie Carmen). Styles is more in tune with Cane’s work though Trent is very dismissive but once they believe where Cane is, things become very strange where they arrive into a town that is named after one of Cane’s books. Styles would see things as she admits to try to fool Trent in getting the insurance money but what she and Trent would see wasn’t part of the plan where it becomes clear how dangerous the book is as well as Cane’s influence.

John Carpenter’s direction is very stylish not just in his approach to some of the compositions he creates but also in the strange world that is presented which plays into the works that Cane has created. While it is set largely in New York and New Hampshire, the film is actually shot in parts of Toronto and small town areas in Toronto play up this look of a world where it seems very innocent and quiet. Instead, Carpenter goes for something that is odd in terms of the compositions he creates in its close-ups, medium shots, and wide shots to display a world where it could be real, fictional, or both. It’s these kind of ambiguities that adds to the tone of the film where its second and third act is about the journey Trent and Styles would go to and the things they encounter. Plus, it is also clear that any chance for any of them to get out would be impossible as it adds to this blur of reality and fiction.

By the time the Crane character is formally introduced as well as the world he is in, the influence of H.P. Lovecraft does come into play as far what Crane has written over the years as it starts to become real. Even in its third act where Styles’ encounter with Crane would have some serious repercussions on Trent who has no idea what is real and fiction. Some of it plays into the kind of creatures that Lovecraft is known for such as Cthulhu where it added to some of the elements of horror and dark fantasy that emerges where it would have a far more troubling aftermath once the film returns to the mental asylum where Trent tells his story to Dr. Warren. Even as the aftermath would not only play elements of the Apocalypse but also an ending that is very weird where it also breaks the fourth wall about the impact of the book. Overall, Carpenter creates a very eerie yet riveting film about an insurance agent who encounters the strange world of a horror novelist.

Cinematographer Gary B. Kibbe does excellent work with the film‘s cinematography from the colorful look of the small town exteriors in the day to the usage of lights for the scenes set at night as well as the scenes in the church where Crane lives. Editor Edward A. Warschilka does brilliant work with the film‘s editing with its stylish usage of fast-cut montages as well as rhythmic cuts to play into its suspense and terror. Production designer Jeff Ginn, with set decorator Elinor Rose Galbraith and art director Peter Grundy, does fantastic work with the look of the hotel Trent and Styles live in to some of the design of the place that Crane lives and works at which adds to the sense of horror and Lovecraft visual style. Costume designer Robin Michel Bush does nice work with the costumes from the casual clothes that Trent wears to the stylish clothes that Styles wear.

Special makeup effects designers Howard Berger, Robert Kurtzman, and Greg Nicotero do amazing work with the design of some of the creatures as well as some of the makeup and such in some of the characters who follow Crane and his work along with the look Trent would give to himself early in the film. Visual effects supervisor Bruce Nicholson does terrific work with the visual effects from the look of some of the backgrounds in the realm between the real world and fantasy as well as a few scenes involving the monsters. Sound editor John Dunn and sound designer John Pospisil do superb work with the sound to create some sound effects as well as some of the moments in the violence and terror. The film’s music by John Carpenter and Jim Lang is wonderful for its mixture of haunting electronic textures with some metal-based guitar music as it plays into the sense of darkness that looms in the film.

The film’s incredible cast includes some notable small roles from a young Hayden Christensen as a paperboy, Wilhelm von Homburg as a local from the small town named Simon, Frances Bay as a hotel owner named Mrs. Pickman, Bernie Casey as a friend of Trent early in the film named Robinson, and John Glover as the mental asylum director Saperstein. Charlton Heston is fantastic as the publisher Jackson Harglow who hires Trent for the insurance investigation claim as he wonders what is going on with Cane. David Warner is superb as Dr. Wrenn as the man who interrogates Trent at the asylum as he tries to figure out if Trent is really insane. Julie Carmen is brilliant as Linda Styles as an editor who joins Trent in the trip as she tries to comprehend what she is seeing while being the one person who knows Cane’s books as she tries to hold on to her humanity. Jurgen Prochnow is amazing as the writer Sutter Cane as a man whose imagination comes to life as he believes in the power of his work where he would unleash the Apocalypse. Finally, there’s Sam Neill in a remarkable performance as John Trent as an insurance investigator who is good at disproving things where he is challenged by what he sees as he tries to make sense of the chaos as there’s elements of humor in his performance that makes it one of his best.

In the Mouth of Madness is a phenomenal film from John Carpenter. Armed with a great cast, an intriguing premise, and engrossing elements of horror and suspense. The film is truly an off-the-wall horror/suspense film that plays into the world of reality vs. fiction as well as the power of what fiction can do. In the end, In the Mouth of Madness is an exhilarating and evocative film from John Carpenter.

John Carpenter Films: Dark Star - Assault from Precinct 13 - Halloween - Someone’s Watching Me! - Elvis - The Fog - Escape from New York - The Thing - Christine - Starman - Big Trouble in Little China - Prince of Darkness - They Live - Memoirs of an Invisible Man - Body Bags - Village of the Damned - Escape from L.A. - Vampires - Ghosts of Mars - The Ward

The Auteurs #60: John Carpenter Pt. 1 - Pt. 2

© thevoid99 2015

Gloria (1980 film)

Written and directed by John Cassavetes, Gloria is the story about a gangster’s ex-girlfriend who is protecting a boy who carries crucial information that can bring down the mob as she and the boy are in pursuit. The film is a simple story in which a woman is forced to protect a boy as she comes into conflict into either saving the boy or herself. Starring Gena Rowlands, Julie Carmen, Buck Henry, and John Adames. Gloria is a captivating suspense-drama from John Cassavetes.

The film revolves around this titular character (Gena Rowlands) who is asked by a woman and her husband to protect their son Phil (John Adames) as the husband is already in trouble for leaking information to the FBI as he works as a mob accountant. Though Gloria is a woman who has connections to the mob and was once the girlfriend of a famed gangster. She is reluctant to help take care of Phil as she wanted no involvement in the matter as the people who are going after the boy are her friends. Eventually, Gloria has to deal with various conflicts in her situation as she admittedly doesn’t like kids while she realizes that having this kid killed because of some money figures isn’t the honorable thing to do. Especially as this six-year old Puerto Rican kid is having a hard time understanding the situation as he isn’t sure what side to turn as he and Gloria have to stick together.

John Cassavetes’ screenplay doesn’t really do much to flesh out the plot by focusing more on a woman trying to protect a boy as well as deal with her loyalties to the mob. While the script is filled with dialogue that is intense and frenetic to showcase the tension between Gloria and Phil as the latter is already ravaged by the fact that he is in the care of a very tough woman. Gloria is someone who isn’t afraid to get shot as she always carries a gun and is always ready yet she doesn’t like the fact that she’s being put into a dangerous situation by taking care of a kid as she’s not really a very maternal person. Still, the fact that this kid is in danger because of his father’s actions makes Gloria realize that the mob are doing things that are really cruel where she eventually realizes what she must do for Phil. Though Phil has reservations about Gloria, he does realize that she’s the only person he has right now as the two have to work together to survive.

Cassavetes’ direction is quite intriguing in not just the way he maintains an air of realism in the drama but also in creating an air of suspense where Gloria and Phil are trapped in the middle of New York City and the borough of the Bronx. Cassavetes uses the city as a character in the film where it plays to the idea that Gloria and Phil have to go into places where they can’t hide or go into an area that is dangerous as they’re constantly on the run. Still, Cassavetes maintains that atmosphere where there is this air of uncertainty about the two being captured while taking its time to give the characters a breather as they get to know each other. Particularly as it plays to the idea that the boy needs a mother and the woman has to be there for that boy. By using some wide shots and other stylized moments to play out the element of suspense without getting into any kind of gory violence. Cassavetes creates a very engrossing yet mesmerizing suspense-drama about a woman protecting a boy from the mob.

Cinematographer Fred Schuler does fantastic work with the cinematography to maintain that sense of realism while using some low-key lighting schemes for some of the film‘s interior settings. Editor George C. Villasenor does brilliant work with the editing to create some rhythmic cuts to play out some of its suspenseful moments. Art director Rende D’Auriac and set decorator John Godfrey do terrific work with the set pieces from the secret apartment that Gloria lived in to some of the hotel rooms she and Phil hide out at.

Costume designer Peggy Farrell does wonderful work with the costumes in the way many of the suits the men wear in the film while Emanuel Ungaro creates more stylish clothing that Gloria wears. The sound work of Stan Gordon is superb for the atmosphere that is created including the smaller moments to help build up the suspense. The film’s music by Bill Conti is amazing for its soaring orchestral score that is mixed in with plaintive folk guitars and jazz arrangements to capture the atmosphere of New York City.

The casting by Vic Ramos is great as it features an interesting ensemble that features appearances from Tom Noonan as a henchman, Lawrence Tierney as a bartender, Basilio Franchina as Gloria’s former boyfriend in mob boss Tony Tanzini, Lupe Garnica as Phil’s grandmother, Jessica Castillo as Phil’s sister, Julie Carmen as Phil’s worried mother, and Buck Henry as Phil’s troubled father who puts the family in danger. John Adames is wonderful as the young Phil as a boy who has to endure the new reality he’s in as he is forced to grow up at a very young age and survive against the mob. Finally, there’s Gena Rowlands in a remarkable performance as the titular character as a woman conflicted in her loyalties to the mob while trying to protect a young boy as it’s a riveting performance that allows Rowlands to portray a character that is tough and not willing to back down no matter how grim the situation is.

Gloria is a marvelous film from John Cassavetes that features a brilliant leading performance from Gena Rowlands. While it is a film that is different from Cassavetes’ previous films in terms of a more tightened filmmaking style. It is still a film that is engaging especially as it’s a thriller that is engrossing over its situations and the drama that is presented. In the end, Gloria is a phenomenal film from John Cassavetes.

John Cassavetes Films: (Shadows (1959 film)) - (Too Late Blues) - (A Child is Waiting) - (Faces) - Husbands - (Minnie and Moskowitz) - A Woman Under the Influence - (The Killing of a Chinese Bookie) - (Opening Night) - Love Streams - (Big Trouble)

© thevoid99 2013