Showing posts with label leila hyams. Show all posts
Showing posts with label leila hyams. Show all posts

Friday, October 06, 2017

Island of Lost Souls




Based on the novel The Island of Dr. Moreau by H.G. Wells, Island of Lost Souls is the story of an island where a scientist is trying to a hybrid of humans and animals as it eventually goes out of control. Directed by Erle C. Kenton and screenplay by Waldemar Young and Philip Wyle, the film is a strange sci-fi horror film set in a remote island in the South Pacific where a shipwrecked man makes a chilling discovery of what a mad scientist is trying to do. Starring Charles Laughton, Richard Arlen, Leila Hyams, Kathleen Burke, Arthur Hohl, Stanley Fields, and Bela Lugsoi. Island of Lost Souls is a thrilling and evocative film from Erle C. Kenton.

The film follows a man who had been kicked out of a ship after being saved following a shipwreck where he finds himself on a strange island where a scientist is trying to create a hybrid of humans and animals in a strange experiment. It’s a film that explore the idea of a man wanting to play God as he lives in this remote island where he would collect animals with the help of his assistant Mr. Montgomery (Arthur Hohl) who was onboard of a ship collecting these animals. During Montgomery’s journey, he would encounter a man on a capsized lifeboat in Edward Parker (Richard Arlen) who is saved and aided by Montgomery back to health until the ship’s captain knocks Parker onto the ship of Dr. Moreau (Charles Laughton). Parker would stay in the island for a few days where he befriends Dr. Moreau’s daughter Lota (Kathleen Burke) where he would later make a chilling discovery. The film’s screenplay showcase this air of madness in Dr. Moreau as well as what he’s trying to do in creating a civilization that would allow a lot of the animalistic traits out of these people and create a better version of humanity.

The direction of Erle C. Kenton does have elements of style in terms of its approach to suspense and horror yet much of it is very straightforward. Shot on soundstages, the film does play into this world that is cut off from society where Dr. Moreau is trying to create one with order as one of his creatures known as the Sayer of the Law (Bela Lugosi) recites the concepts of the law. While there are a few wide shots, Kenton’s direction emphasize more on medium shots and some close-ups for some of the coverage in the film’s 1:33:1 full-frame aspect ratio. Notably in the way he presents some of the drama as well as these moments of suspense including Parker’s discovery of this room known as the House of Pain. The third act where Parker’s fiancée Ruth Thomas (Leila Hyams) arrives to the island with another ship captain, the suspense and terror do heighten up when Dr. Moreau decides to do something that is against everything he had intended to do. Overall, Kenton crafts a chilling yet rapturous film about an island of human-animal hybrids being created by a mad scientist.

Cinematographer Karl Struss, with special photographic effects by Gordon Jennings, does brilliant work with the film’s black-and-white cinematography with its stylish usage of lights for many of the scenes at night as well as in some of the film’s interior scenes. Art director Hans Dreier does amazing work with the look of the sets including some of the rooms at Dr. Moreau’s house as well as the look of the jungle. The makeup work of Charles Gemora and Wally Westmore is excellent for the way the monsters look into their mixture of animal and human. The sound work of M.M. Poggi and Loren L. Ryder is superb for the sound effects created as well as the sense of eerie atmosphere of the jungle. The film’s music by Arthur Johnston and Sigmund Krumgold is fantastic for its usage of tribal drums and heavy orchestral music to play into the suspense and terror.

The casting by Fred A. Datig is wonderful as it feature some notable small roles from George Irving as a consul at a nearby Samoan island, Tetsu Komai as Dr. Moreau’s animal-human hybrid servant M’ling, Hans Steinke as a big animal-human hybrid in Ouran, Stanley Fields as a cargo ship captain who kicks Parker out of his ship in Captain Davies, Paul Hurst as a ship captain in Captain Donahue who accompanies Ruth to Dr. Moreau’s island to find Parker, and Bela Lugosi in a fantastic small role as the animal-human hybrid known as the Sayer of the Law as an intelligent beast who states the complexities of the laws while figuring out its flaws. Arthur Hohl is superb as Mr. Montgomery as a former doctor who aids Dr. Moreau in the surgeries and experiments as he has an interest in what Dr. Moreau is doing only to realize how far Dr. Moreau has gone.

Kathleen Burke is excellent as Lota, the Panther Woman, as this human-like figure who is considered a daughter of Dr. Moreau who has a great interest in Parker as she copes with her animal-like condition. Leila Hyams is amazing as Ruth Thomas as Parker’s fiancée who is eager to find him as she would learn about what is going on at Dr. Moreau’s island which terrifies her. Richard Arlen is brilliant as Edward Parker as a man who had been shipwrecked only to be kicked out of another boat where he finds himself on Dr. Moreau’s island as he copes with what he sees as he tries to escape only to be part of an experiment as it relates to Lota. Finally, there’s Charles Laughton in a phenomenal performance as Dr. Moreau as a mad scientist trying to create his own version of humanity through animal and experiment them with humans as a way to create a new society only to display elements of madness and manipulation as it is one of Laughton’s iconic performances.

Island of Lost Souls is a spectacular film from Erle C. Kenton that features a tremendous performance from Charles Laughton. Along with its ensemble cast, dazzling visuals, top-notch makeup work, and a chilling premise of playing God. It’s a film that doesn’t play by the convention of horrors and suspense in order to study a man’s attempt to create his own idea of humanity through animals. In the end, Island of Lost Souls is a sensational film from Erle C. Kenton.

Related: The Island of Dr. Moreau - Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau

© thevoid99 2017

Saturday, October 06, 2012

Freaks




Directed by Tod Browning and written by Tod Robbins, Freaks is the story of a trapeze artist who marries a midget in order to gain his inheritance as a group of circus freaks seek revenge on the woman. Based on Robbins’ short story, the film explores the world of the circus sideshow and its performers as they become the focus of the film. Starring Wallace Ford, Leila Hyams, Olga Baclanova, and Henry Victor. Freaks is a strange yet compelling film from Tod Browning.

At a circus, the midget Hans (Harry Earles) is in love with the trapeze artist Cleopatra (Olga Baclanova) as he hopes to woo with presents and such. Though Hans’ friend Frieda (Daisy Earles) is suspicious of Cleopatra’s intentions for Hans, Cleopatra and Hans’ love affair becomes news to the people in the circus as they wonder what is going on. Also suspicious is a circus performer in Venus (Leila Hyams) who had just broken up with the strongman Hercules (Henry Victor) who is having an affair with Cleopatra as she overhears about Hans’ inheritance.

During a wedding celebration for Hans and Cleopatra where many of Hans’ friends attend the dinner along with Hercules, things go wrong when Hans becomes sick while Cleopatra berates the freaks at the dinner. Upon learning about what really happened to Hans and what Cleopatra and Hercules are planning. Venus along with the clown Phroso (Wallace Ford) and the freaks decide to take action for their friend.

The film is essentially the look into the life of circus performers who aren’t considered normal as one of them is played for a fool as his friends along with some other circus performers discover a scheme concocted by a gold-digging trapeze artist. While the first half of the story is about these group of people who work and live their life in the circus, there’s a little bit of prejudice in the way the freaks are treated though most of the performers treat the freaks like normal people with a few exception. The fact that someone like Cleopatra despises freaks and only wants Hans for his money just makes her a despicable person that would drive the film’s second half which becomes a revenge story of sorts by the film’s third act.

Tod Browning’s direction is quite extraordinary for the way he presents the world of circus life where he has his camera fixated on these people through a lot of group shots in the frame. He also creates shots that are lively such as the wedding dinner party scene where it’s definitely a joy to watch until Cleopatra becomes disgusted by their partying ways. The film has a unique opening where it involves a man showing people the world of freaks where he tells the story of a particular freak that leads to the main narrative. While a lot of the shots are straightforward, Browning’s direction does get more engaging in the third act in the way he sets up the suspense of the freaks making their move to stop Cleopatra and Hercules where it’s very unsettling but the payoff is definitely satisfying. Overall, Browning creates a mesmerizing yet thrilling film that explores the world of circus freaks.

Cinematographer Merritt B. Gerstad does wonderful work with the film‘s black-and-white photography from many of the film‘s vibrant shots in the daytime exterior and interior settings to the eerie climax during the rain involving the freaks‘ thirst for justice. Editor Basil Wrangell does excellent work with the editing by creating some offbeat rhythmic cuts to play with the film‘s action and conversations along with some suspenseful cutting styles for the film‘s climax. Art directors Cedric Gibbons and Merrill Pye do superb work with the set pieces such as the circus and wagons the circus people live in.

The film’s ensemble cast is incredible for the array of people that are hired for the film as many of the circus freaks that appear in the film are real circus freaks as they’re just full of life and just fun to watch. Notable performances include Henry Victor as the conniving Hercules while Daisy Earles is wonderful as Hans’ real friend Frieda who is suspicious about Cleopatra’s intentions. Wallace Ford is excellent as the friendly clown Phroso while Leila Hyams is terrific as the kind Venus as they both would help out the freaks in their act to stop Cleopatra. Harry Earles is great as the very charming Hans as he tries to deal with the reaction over his love affair with Cleopatra. Finally, there’s Olga Bacalanova who is brilliant as the scheming gold-digger Cleopatra as she displays a sense of charm in the way she tries to woo Hans while being very evil in her schemes with Hercules.

Freaks is a marvelous film from Tod Browning that explores the world of circus freaks. The film is definitely one of the most fascinating films of the pre-Hays code era for taking on a subject that seemed to be controversial at the time yet has a story that is very engaging. It is also a film that allows the audience to find humanity in a group of freaks while rooting for them in their endeavors. In the end, Freaks is a unique yet offbeat film from Tod Browning.

© thevoid99 2012