Pusher 3

Written and directed by Nicolas Winding Refn, Pusher 3: I’m the Angel of Death is the story of a Serbian drug lord who struggles to maintain his sobriety as he faces many challenges in the wake of his daughter’s upcoming birthday. The third and final film of the Pusher trilogy, the film explores the character of Milo who had been in the previous films as he is played by Zlatko Buric. Also starring Kurt Nielsen, Slavko Labovic, Levino Jensen, and Ilyas Agac reprising their roles from the previous films. The cast also includes Marinela Dekic, Vasilije Bojicic, and Kujtim Loki. Pusher 3 is a ominous yet hypnotic film from Nicolas Winding Refn.

Milo’s daughter Milena (Marinela Dekic) is about to celebrate her 25th birthday at a lavish party in a Copenhagen dining hall as Milo is trying to handle all of the festivities. After learning that Milena is dating a drug dealer named Mike (Levino Jensen), Milo is struggling to maintain his business as well as his newfound sobriety as he’s been going to meetings for recovering addicts. Still wanting to maintain his role as a drug lord, a shipment he was supposed to receive from an Albanian supplier named Luan (Kujtim Loki) revealed to be ecstasy rather than heroin as Milo has no idea what to do with it. Luan’s partner Rexho (Ramadan Hyseni) suggests that Milo should sell it so he can get a new shipment of heroin in return.

When one of Milo’s associates in Muhammad (Ilyas Agac) arrives with his daily take, he tells Milo about the ecstasy as he decides to help Milo sell it as he asks for a bigger cut in return. Milo agrees as he’s trying to prepare food and gather things for Milena’s party as his henchmen become ill with food poisoning forcing Milo to do things himself. At the party, Milo becomes worried about the food as he tries to order fish to replace some of the food he cooked. Instead, an encounter with a dealer in Kurt the Cunt (Kurt Nielsen) adds to trouble while Rexho and his Polish arrive at Milo’s home base with a young hooker forcing Milo to do things as Muhammad hasn’t returned with the money.

With Rexho ordering Milo around to remind him of the huge debt he has, things get worse after a bad deal between Rexho’s Polish friend and a brothel madam named Jeanette (Linse Christansen) over the young hooker. Milo decides to take matters into his own hands where he turns to his old friend Radovan (Slavko Labovic) for help.

The film is about the day in the life of a drug lord who finds himself becoming irrelevant as he’s dealing with his daughter’s birthday, younger drug dealers, and trying to be sober. All of it is told from Milo who was seen in the past two films as a powerful yet friendly drug lord who carries an air of respect. In this film, Milo is a shell of his former self due to these changing times while he is forced to cater to these newer, younger drug dealers who feel like they are more powerful than he is. It’s all part of the world that Nicolas Winding Refn creates to explore this man’s fall as he tries to do what he does while being a good father to his daughter who at times can be a bit selfish towards him. Even as she knows about her father’s business and wants in so her boyfriend can do better.

The screenplay is really a character study of sorts where it follows Milo doing all sorts of activities while going to these addict meetings where he reveals his struggle and such. In the course of the day, things escalate as he has to deal with his daughter, her ambitious boyfriend, all these new dealers, an old one, and everything else where things eventually escalate in the third act. Since the film revolves around a man dealing with these new dealers where he gets screwed in the process. It leads to this third act where an old character from the first film in Radovan is re-introduced but as a very different man who still has his old skills.

Refn’s direction is definitely more engaging in the way he explores the day in the life of this man as it begins with Milo in an addicts anonymous meeting where he reveals he’s been sober for five days. With a lot of hand-held cameras including a scene around the party at a dining hall where the camera is always wandering the table. The direction is very potent to establish the fall of a once powerful drug lord who is struggling to get through an entire day. Particularly as it features scenes of Milo inside a room all by himself where he’s just smoking a cigarette just to get through the day. Even as the film is progressed where Milo would smoke something that is laced with some drugs.

The film eventually gets darker where Refn’s camera becomes much tighter and more in control with these compositions where it’s shown from Milo’s perspective as he’s looking at what is happening around him. Notably the scene involving Rexho, Rexho’s Polish friend, and a brothel madam discussing about the transfer where it’s a simple scene where nothing drastic happens but some of it is shown from Milo’s perspective where he is later seen in the background. The film’s third act is really the most intense moment due to the violence that eventually occurs where there is a newfound brutality that Refn does present as it features the return of an old character from the first film. Overall, Refn creates a truly mesmerizing and chilling film that serves as an intriguing study in the day of a man's life.

Cinematographer Morten Soborg does amazing work with the film‘s stylish photography from the moody interiors created for the party scenes and exterior nighttime shots to the more brighter but crisp look of Milo‘s home base at night. Editor Miriam Norgaard and Anne Osterud do great work in the editing by creating stylish jump cuts to play around with Milo‘s state of mind as well as slower more methodical cutting sequences to help enhance his troubled mood. Production designer Rasmus Thjellesen does nice work with the set pieces such as the place that Milo runs to the dining hall where Milena is having her party with its balloons and such.

Costume designer Jane Whittaker does terrific work with the costumes from the suit that Milo wears to more stylish clothing that the younger dealers were to contrast the different worlds the characters live in. Sound designer Jens Bonding does superb work with the sound to capture the atmosphere of the birthday parties to the sparse sounds of some of the locations that Milo is at. The film’s score by Peter Peter is a wonderful mixture of driving rock and ambient music to set a mood for Milo’s troubled journey in a tense day of his life as it is easily the best score of the trilogy.

The casting by Pernille Lembecke is brilliant for the ensemble that is created as it features some memorable small performances from Linse Christiansen as a brothel madam, Vasilije Bojicic as Milo’s henchman Branko, Levino Jensen as a low-level drug dealer/Milena’s boyfriend Mike, Kurt Nielsen as the troublemaking drug dealer Kurt the Cunt, Kujtim Loki as an Albanian supplier named Luan, and Slavko Labovic as Milo’s old friend Radovan who steals the show as a hood who turned straight. Ramadan Hyseni is very good as a sleazy gangster in Rexho who serves as Luan’s translator while Ilyas Agac is excellent as a young dealer named Muhammad who tries to help Milo with a deal only for something to go wrong.

Marinela Dekic is wonderful as Milo’s daughter Milena who is trying to have a lavish birthday party while wanting to ensure about her financial future as she’s a character who is quite complicated where Dekic allows her to not be a completely un-likeable person. Finally, there’s Zlatko Buric in a marvelous performance as the Serb drug lord Milo. Buric’s performance is very different from the performances he gave in the previous film where he allows himself to show humility as well as a man on the edge as he tries to deal with a tense day. It’s definitely the best thing Buric has done as he creates a truly exhilarating performance as Milo.

Pusher 3 is an incredible film from Nicolas Winding Refn that is highlighted by Zlatko Buric’s brooding performance. While it may not have some of the more intense, exciting moments of the previous films of the trilogy. It is still a very interesting film for the way it highlighted a day in the life of a character losing control. In the end, Pusher 3 is a phenomenal film from Nicolas Winding Refn.

Nicolas Winding Refn Films: Pusher - Bleeder - Fear X - Pusher II - Bronson - Valhalla Rising - Drive - Only God Forgives - The Neon Demon - The Auteurs #12: Nicolas Winding Refn

© thevoid99 2012

Bleeder

Written and directed by Nicolas Winding Refn, Bleeder is the story of a young couple whose life is changed when a man learns his wife is pregnant as she is bewildered by his sudden dark behavior. The film is an exploration into the transition of adulthood told in a dark fashion as it plays to Refn’s interest in the world of detachment. Starring Kim Bodnia, Mads Mikkelsen, Rikke Louise Andersson, Liv Corfixen, Levino Jensen, and Zlatko Buric. Bleeder is a wonderfully stylish drama from Nicolas Winding Refn.

After receiving news that his girlfriend Louise (Rikke Louise Andersson) is pregnant, Leo (Kim Bodnia) is shocked by the news and the arrival of a new baby as he’s unsure if he wants a child. While Louise’s brother Louis (Levino Jensen) is ecstatic about the news and hope Leo will do go, an event where the two were working at a club leaves Leo shaken by the violent incident. While Leo and Louis also spend their time watching movies at a video store with their friends Kitjo (Zlatko Buric) and the shy film buff Lenny (Mads Mikkelsen) who works at the video store with Kitjo. Lenny’s anti-social life starts to change when he meets and falls for a girl named Lea (Liv Corfixen) who works at a diner as he tries to talk to her but couldn’t muster the courage to make a date with her.

During one night where the four guys watch a film, Leo brings a gun to the screening to threaten Louis over a dispute concerning Louise. Leo’s behavior suddenly starts to unravel as he takes it out on Louise prompting Louis to do something. Notably as it would cause a lot of trouble for Leo who becomes consumed with guilt where he would do something that would change everything in his troubled life.

The film is about the life of a man that is about to change due to the fact that he’s going to become a father. Unfortunately, he isn’t ready because of all the anxieties he’s facing about becoming an adult and handle the responsibility to deal with a child. Notably as an incident where he works as a bouncer at a club leaves him shaken about the world he’s about to enter his child in where would eventually unravel and scare his friends including his girlfriend’s brother who is later to be revealed as a more troubling person to deal with.

Nicolas Winding Refn’s screenplay is intriguing for the way he explores the world of young adulthood in Copenhagen as it features five characters who are quite young with another in his 40s. Though the narrative is uneven due to the subplot of a socially-awkward film buff who falls for a book-loving woman who works at a diner which is a bit comical. It does make the film also uneven in its tone though it is still a very engaging story as it fits to the theme that Refn wants to explore.

Refn’s direction is definitely stylish from the opening montage to introduce the characters to the wandering hand-held tracking shots he creates to explore the video store. While the film is presented in a straightforward manner in terms of its drama with some style added in the compositions that Refn creates. The film does have an air of darkness in the main narrative from the club break-in scene to the more chilling moment in the film’s third act when Louis confronts Leo in one of the most disturbing moments in film. Some of the darker moments of the film does have compositions that are quite striking while Refn does maintain the focus on the anxieties men have in the transition to adulthood. Despite the uneven narrative, Refn does create a solid film that is exciting but also unsettling.

Cinematographer Morten Soborg does excellent work with the film‘s very colorful photography to play out the exciting world of late 90s young adult culture while creating some stylish lights for some of the film‘s interiors such as the club, the bookstore Lea hangs out at, and the room where the guys watch the movies. Editor Anne Osterud does incredible work with the editing to play up the rhythm of the some of the film‘s violent scenes with some swift cuts to more stylish cuts such as dissolves and jump-cuts to play with the film‘s transitions.

Production designer Peter De Neergard does wonderful work with some of the places in the such as the video store Lenny and Kitjo work at to the diner‘s kitchen that Lea is often at. Costume designer Loa Miller does very good work with the costumes as a lot of it is quite casual with the exception of some of the stylish suits the men wear during their movie night. Sound designer Svenn Jakobsen is terrific for the some of the intimacy set in some of the interior locations to more tense moments in the club fight that Leo witnesses. The film’s score by Peter Peter is a superb mix of chugging hard rock, metal, dream-pop, electronic music, and ambient as the soundtrack plays to the personalities of these characters as it includes a great dream-pop cover of John Lennon’s Love that is played in the film’s final credits.

The film’s cast is brilliant for the ensemble that is created as it includes some memorable small performances from Ole Abildgaard as a video store customer, Gordana Radosavljevic as a mother Louise befriends, and Clause Flygare as Lea’s diner boss Joe. Zlatko Buric is very funny as the wise and laid-back Kitjo while Liv Corfixen is wonderful as the bookworm Lea who is intrigued by Lenny’s strange behavior. Rikke Louise Andersson is excellent as Leo’s kind girlfriend Louise who is baffled by his sudden behavior as she is trying to help him make changes. Levino Jensen is superb as Louise’s brother Louis who is concerned about Leo’s behavior while proving to be someone who will get serious if things go wrong.

Kim Bodnia is great as the troubled Leo who is dealing with all of the new changes around him as he brings a real intensity to his character that is teetering on the edge. Finally, there’s Mads Mikkelsen in an impressive performance as the shy film buff Lenny who always talks about films just so he can avoid talking about real life. There’s also a wonderful restraint in Mikkelsen in the way he displays the awkwardness of his character as it’s definitely a performance to see.

Bleeder is a stellar drama from Nicolas Winding Refn that features incredible performances from Kim Bodnia and Nicolas Winding Refn. While it’s a very different film of sorts from some of the more violent films that Refn has done. It’s also quite engaging for the way he presents life in transition despite the uneven narrative it presents. In the end, Bleeder is a charming though dark film from Nicolas Winding Refn.

Nicolas Winding Refn Films: Pusher - Fear X - Pusher II - Pusher 3 - Bronson - Valhalla Rising - Drive - Only God Forgives - The Neon Demon - The Auteurs #12: Nicolas Winding Refn

© thevoid99 2012