American Hustle

Directed by David O. Russell and written by David O. Russell and Eric Warren Singer, American Hustle is about the ABSCAM operation of the late 70s where a FBI agent teams with a couple of con artists to nab corrupt politicians so that they wouldn’t go to jail. The film explores the world of corruption and scams where con artists do whatever it takes to make money with a FBI agent while dealing with other problems that would do undo them. Starring Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, and Jeremy Renner. American Hustle is a witty and engaging film from David O. Russell.

Though the film is based on a true story, the first thing presented in the film is stated that some of the events in this film is true which reveals that not everything in this story about ABSCAM is true. Still, it is an intriguing story in which two con-artist lovers who have been successful in embezzling money from other people until they’re caught by an ambitious FBI agent who asks them to take part in a con game to nab a New Jersey city mayor who wants to rebuild Atlantic City. The three go along with the scam to nab the mayor but things become complicated when relationships start to occur in a strange love-triangle while adding to the chaos is a con artist’s emotionally-unstable wife. It’s a film that is about the con game where two hustlers just try to do things carefully only to be involved with this FBI agent where the dealings involve the mob.

The film’s screenplay by David O. Russell and Eric Warren Singer explores not just the idea of scams and con games but also the individuals involved in the ABSCAM operation. Irving Rosenfeld (Christian Bale) is just a guy who lives his life as a con-artist as he just wants to live a good life despite being married to Rosalyn (Jennifer Lawrence) who is pretty crazy as the only reason Irving doesn’t leave her is because he cares for her son Danny (Sonny and Danny Corbo) whom he has adopted. Rosalyn is a unique character just like Irving as she may be this woman who likes to drink a lot and is quite crazy where she is a liability to everything Irving tries to do in secret. There is a lot more to her that even Irving would eventually realizes as she’s also a threat to Irving’s relationship with his con artist partner/lover Sydney Prosser (Amy Adams) who often goes into the guise as a British woman named Lady Edith Greensly.

Sydney is a woman who wasn’t initially involved in Irving’s schemes but realizes how fun it could be where they have an excellent life though she understands why he couldn’t leave Rosalyn which makes her uneasy. When Richie DiMasio (Bradley Cooper) nabs them and is attracted to Sydney in her Edith persona, he would have Irving to teach him the ropes in the art of scamming which Irving reluctantly does as he isn’t sure what Richie wants to do. Even Richie’s own superiors in the FBI are unsure of his plans to nab this New Jersey mayor in Carmine Polito (Jeremy Renner) who has been known as a man of the people. When Irving gets to know Carmine, a conflict begins to emerge in Irving over Richie’s operation where it would go too far as it involved politicians and the Mob that frightens Irving. Eventually, things do go out of control in the third act where much of the first half of the film is comical though things get a bit darker in the second act. Especially as Irving and Sydney realize the danger of what they’re doing and how far Richie is going as even Rosalyn becomes involved.

Russell’s direction is pretty lively in the way he plays into the world of the con game where he does infuse the film with a lot of humor but also a shadiness where the film might be a con itself. Still, Russell ensures that there is a story to tell where he spends much of the film’s first 20 minutes to reveal a lot about Irving and Sydney’s relationship and how the former got introduced to the con game. Much of it is sort of told in a montage where Russell does include a lot of voiceover narration as it’s told by Irving, Sydney, and Richie. With Russell using a lot of hidden cameras to play into some of the secrecy of Richie’s operations and the way these secret meetings are set-up. Russell also ensures that there’s some great attention to the way Sydney and Irving play their role in the background with Richie being the center of these schemes.

It’s not just the intimacy in Russell’s direction that is interesting in the way some of the drama occurs that includes a very chilling confrontation involving Rosalyn and Sydney. There’s also moments where Russell would infuse a lot of humor into the film that would includes Rosalyn’s antics as she is this unpredictable wildcard. There’s also humor in the way the men look as Richie has this perm, Carmine’s hair is also weird, and Irving is bald with this bad comb over that just adds to the ridiculousness of the film. Russell does get more dramatic in not just his framing but also in the way he plays into a lot of the emotions as well as a sense of disillusionment that starts to occur in the film. Even as it becomes clear that the actions of Irving and Sydney in their game is much smaller in what Richie wants who becomes far more corruptible in his ambitions. Overall, Russell crafts a very masterful yet entertaining film about scams and the ugliness of ambition.

Cinematographer Linus Sandgren does amazing work with the film‘s cinematography from the use of its lighting in much of the film‘s interior scenes such as the disco and clubs as well as going for a more naturalistic look for the daytime exterior scenes. Editors Jay Cassidy, Alan Baumgarten, and Crispin Struthers do fantastic work with the editing with its emphasis on style with its use of jump-cuts and montages to help play into the intensity of the story. Production designer Judy Becker, with set decorator Heather Loeffler and art director Jesse Rosenthal, does amazing work with the set pieces from the apartment that Sydney lives in to the house that Irving and Rosalyn live in as well as the look of the cars and such to play into that period of the late 1970s.

Costume designer Michael Wilkinson does fabulous work with the costumes from the leisure suits the men wear as well as the lavish dresses of the women including many of the stuff that Sydney wears which are very revealing. Makeup supervisor Trish Seeney does nice work with some of the makeup work for the look of the men as well as the many kind of hairstyles for those characters. Visual effects supervisor Sean Devereaux does terrific work with some of the minimal effects in some of the background scenes in New York City to play up to that period. Sound designer Jay Nierenberg and sound editor John Ross do superb work with the film‘s sound from the way the tapes are being recorded in the schemes as well as some of sounds of the parties the characters go to.

The film’s music by Danny Elfman is pretty good as it‘s mostly low-key with its emphasis on rock and jazz while music supervisor Susan Jacobs create a very wild soundtrack that includes music ranging from jazz, rock, disco, soul, and pop from artists like Duke Ellington, Jeff Lynne, America, Chicago, Steely Dan, Donna Summer, Tom Jones, Frank Sinatra, Todd Rundgren, Harold Melvin & the Blue Notes, the Temptations, Paul McCartney & Wings, David Bowie, Elton John, and the Bee Gees.

The casting by Lindsay Graham and Mary Vernieu is incredible for the ensemble that is created as it features some small yet noteworthy performances from Colleen Camp as the FBI wire transferee Brenda, Paul Herman as a mob attorney, Shea Whigham as an associate of Irving’s who tries to help make the deal between Irving and Carmine, Michael Pena as an agent who pretends to be Sheik Abdullah, Danny and Sonny Corbo as Irving and Rosalyn’s son Danny, Elisabeth Rohm as Carmine’s wife Dolly, Jack Huston as a mob enforcer Rosalyn falls for in Pete Musane, and Robert de Niro in a great cameo appearance as the mob leader Victor Tellegio.

Alessandro Nivola is excellent as FBI superior Anthony Amado who is intrigued by Richie’s ideas while becoming excited by what Richie is offering. Louis C.K. is superb as Richie’s boss Stoddard Thorsen who is unsure of Richie’s plans as he tries to tell Richie a moralistic story while dealing with the craziness that Richie is creating. Jeremy Renner is amazing as Carmine Polito as the mayor of Camden, New Jersey whose hopes to do good for the people of New Jersey has him lost in the scam he’s being targeted for as Renner displays a humility and heartbreak that he would deal with. Jennifer Lawrence is fantastic as Irving’s wife Rosalyn as this very unstable woman who is just wild and unpredictable yet proves to be almost as smart as Irving and Sydney as Lawrence is just a real scene-stealer.

Bradley Cooper is brilliant as Richie DiMaso as this ambitious FBI agent who hopes to nab the mob and corrupt politicians with this scam only to lose control of his operation as he falls for Sydney, in her Edith persona, as he also becomes a man lost in his ambitions. Amy Adams is phenomenal as Sydney Prosser as this very vivacious woman who wears scantily-clad clothing and sports a British accent as a British woman named Edith as she is someone who enjoys her lifestyle until she becomes aware of the danger of the scheme she’s in. Finally, there’s Christian Bale in a remarkable performance as Irving Rosenfeld as this very smart con artist who has no problem conning people as he finds himself taking a back seat to Richie’s plans while befriending Carmine as he starts to realize the severity of his actions and how troubling Richie’s scheme has become as it’s performance that has Bale put on extra weight but also a humility into a man who has conned himself into a corner.

American Hustle is a marvelous film from David O. Russell. Armed with an amazing ensemble cast and an intriguing look into the ABSCAM operation of the late 1970s. It’s a film that is fun but also compelling to explore the world of scams and how it can corrupt many while hurting those who tried to do good. Even as it explores some of the ugliness of ambition and the loss of identity in a con game. In the end, American Hustle is a sensational film from David O. Russell.

David O. Russell Films: Spanking the Monkey - Flirting with Disaster - Three Kings - I Heart Huckabees - The Fighter - Silver Linings Playbook - Accidental Love - Joy (2015 film) - The Auteurs #70: David O. Russell

© thevoid99 2013

Blue Jasmine

Written and directed by Woody Allen, Blue Jasmine is the story about a woman whose husband had been arrested over his criminal activities forcing her to live with her estranged sister in San Francisco as she tries to get her life back on track. The film is an exploration into a woman trying to start over as she had been nearly thwarted by scandal as she turns to her younger sister for help despite her middle-class lifestyle. Starring Cate Blanchett, Sally Hawkins, Peter Sarsgaard, Andrew Dice Clay, Bobby Cannavale, Louis C.K., Michael Stuhlbarg, and Alec Baldwin. Blue Jasmine is a brilliant yet captivating film from Woody Allen.

What happens to a woman whose wealthy life comes crashes down when her husband is revealed to be a crook as she is forced to move in with her working-class sister? That is essentially the premise of the film where Jasmine Francis (Cate Blanchett) has lost everything as she spent the last of whatever little money she had left to fly from New York City to San Francisco to live with her estranged adopted sister Ginger (Sally Hawkins) and her two kids. Yet, Jasmine is appalled by her sister’s lower-middle class lifestyle and her choice of men as she is desperate to get herself back to the upper-class life but her mental state as well as reflections of her old life with her former husband Hal (Alec Baldwin) would make her uneasy around many people including Ginger.

Woody Allen creates a very interesting narrative where it moves back-and-forth from the new life that Jasmine has to live in San Francisco and the old life she had in New York City where she had money, lived in expensive houses, wore expensive clothes, and have the finest social gatherings out there. Though Ginger and her ex-husband Augie (Andrew Dice Clay) were impressed by what Jasmine and Hal had during their trip to NYC, they preferred the simpler life though Ginger would be the one to discover something about Hal that she had kept a secret until everything went wrong. Due to Hal’s financial schemes, Augie’s chance to have his own business is finished that led to him and Ginger getting a divorced as Ginger is trying to have a new relationship with a mechanic named Chili (Bobby Cannavale).

One aspect of the script that is very interesting is Jasmine’s own sense of elitism and narcissism as she criticizes her sister for the life she lives and the idea that Ginger is always around men whom she thinks are losers. Though Ginger would later meet a sound engineer named Al (Louis C.K.) at a party where Jasmine would meet an aspiring politician named Dwight (Peter Sarsgaard). Ginger’s relationship with Al would only make her feel insecure as she becomes confused of whether to be with Al or Chili. Jasmine’s own pursuit of Dwight would eventually be her own undoing as she would lie to win Dwight’s heart but elements of her past would come back to haunt her.

Allen’s direction is quite straightforward in the way he presents the film while he gives the scenes set in New York City and San Francisco different atmospheres into the way it plays to Jasmine’s life. For the flashback scenes in New York City, everything is vast and posh where it’s all set in very rich sections including some of the beach homes that Jasmine and Hal lived in. Yet, it’s also quite artificial in some ways to showcase that not everything is as it seems to be. Allen’s approach for the scenes set in San Francisco is far more grounded with the exception of a few scenes where Jasmine is with Dwight as he turns to her about what to do with his new house.

Still, the places that Ginger and her friends take Jasmine to is a mixture of working-class environments and such that is definitely removed from the world that Jasmine is used to. Even as Jasmine reluctantly takes a job working as a receptionist for a dentist (Michael Stuhlbarg) where the direction is tighter but also quite entrancing. Even in the scenes where Jasmine is in a location talking to herself unaware of how mentally ill she’s becoming. Allen would put Jasmine often at the edge of the frame to showcase how detached she’s becoming while everyone around her is either moving on without or are just disturbed by her behavior. Overall, Allen creates a very mesmerizing film about a woman on the verge of collapse as she reluctantly faces reality.

Cinematographer Javier Aguirresarobe does amazing work with the cinematography from the lush and colorful look of New York City to the more simplistic look of San Francisco. Editor Alisa Lepselter does fantastic work with the editing by playing to the film‘s back-and-forth structure to help establish Jasmine‘s dramatic state of mind. Production designer Santo Loquasto, with set decorators Kris Boxell and Regina Graves and art directors Michael E. Goldman and Doug Hustzi, does excellent work with the set pieces from the homes that Jasmine and Hal lived in to the more quaint, simpler apartment that Ginger lives in.

Costume designer Suzy Benzinger does superb work with the costumes from the posh clothes that Jasmine wears to the more blue-collar look of Ginger to display the two different worlds the women live in. Sound editor Robert Hein does nice work with the sound from the chaotic world of Ginger‘s apartment to the more serene world that Jasmine used to live in. The film’s wonderful soundtrack largely consists of jazz music from Louis Armstrong, King Oliver, Jimmy Noone, Lizzie Miles, Conal Fowkes, Julius Block, and Trixie Smith as it all would play to Jasmine’s state of mind as she would often say how Blue Moon reminds her of how she met Hal.

The casting by Juliet Taylor and Patricia Kerrigan DiCerto is brilliant for the ensemble that is created as it features some notable small performances from Max Rutherford and Daniel Jenks as Ginger and Augie’s sons, Charlie Tahan as the adolescent version of Hal’s son Danny, Tammy Blanchard and Annie McNamara as a couple of Jasmine’s friends, and Max Casella as a friend of Chili’s who tries to woo Jasmine. Other noteworthy small yet effective supporting performances include Michael Stuhlbarg as a dentist Jasmine briefly works for while Alden Ehrenreich is terrific as Hal’s son Danny who disappears after feeling humiliated over what his father did. Louis C.K. is excellent as Al as a man Ginger meets at a party as she thinks he could be someone that Jasmine would like. Bobby Cannavale is amazing as Chili as an auto mechanic who loves Ginger while tries to be nice to Jasmine only to feel insecure as he desperately tries to do right for Ginger despite his anger.

Peter Sarsgaard is superb as the aspiring politician Dwight who falls for Jasmine and wants to marry her until he learns the truth about who she is. Andrew Dice Clay is fantastic in a small but memorable performance as Ginger’s ex-husband Augie who is stung by a deal gone bad thanks to Hal as Clay brings a charm to his role in the flashbacks as a simple guy while has this scene with Blanchett that shows a bitterness and loss that he is suffering from which makes his performance a real surprise from the famed comedian. Alec Baldwin is great as Hal as a man who is a schemer that gives Jasmine this very lavish world only to be unveiled as a crook who had stolen from everyone including Augie.

The film’s best performances definitely go to both Sally Hawkins and Cate Blanchett. Hawkins brings a liveliness to the role of Ginger as a woman who has a complicated life but one that she can handle as she is also trying to find something better while eventually coming to the conclusion that she might need more after all. Blanchett is tremendous as Jasmine where she brings this very intense performance of a woman whose life crashes down as she tries to adjust to reality and is desperate to go back to the upper-class world while taking jabs at Chili and those she feels are beneath her. Blanchett and Hawkins have great chemistry together as two sisters who care for each other but it’s a relationship that is also dysfunctional as Hawkins tries to defend her lifestyle while Blanchett would be critical where it would have some very big revelations about Jasmine and her own life.

Blue Jasmine is a remarkable film from Woody Allen thanks in part to Cate Blanchett’s leading performance as well as a sensational supporting performance from Sally Hawkins. Along with notable supporting work from Alec Baldwin, Andrew Dice Clay, Louis C.K., and Bobby Cannavale. It’s a film that explores the very complex yet chaotic relationship between two sisters as well as one woman facing the reality when the life that she once had turns out to be a façade. In the end, Blue Jasmine is a phenomenal film from Woody Allen.

Woody Allen Films: What's Up Tiger Lily? - Take the Money and Run - Bananas - Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) - Sleeper - Love and Death - Annie Hall - Interiors - Manhattan - Stardust Memories - A Midsummer's Night Sex Comedy - Zelig - Broadway Danny Rose - The Purple Rose of Cairo - Hannah & Her Sisters - Radio Days - September - Another Woman - New York Stories: Oedipus Wrecks - Crimes & Misdemeanors - Alice - Shadows and Fog - Husbands and Wives - Manhattan Murder Mystery - Bullets Over Broadway - Don't Drink the Water - Mighty Aphrodite - Everyone Says I Love You - Deconstructing Harry - Celebrity - Sweet and Lowdown - Small Time Crooks - The Curse of the Jade Scorpion - Hollywood Ending - Anything Else - Melinda & Melinda - Match Point - Scoop - Cassandra's Dream - Vicky Cristina Barcelona - Whatever Works - You Will Meet a Tall Dark Stranger - Midnight in Paris - To Rome with Love - Magic in the Moonlight - Irrational Man - (Cafe Society)

The Auteurs #24: Woody Allen Pt. 1 - Pt. 2 - Pt. 3 - Pt. 4

© thevoid99 2013