Another Woman

Written and directed by Woody Allen, Another Woman is the story about a philosophy professor whose life unravels after listening to a private psychoanalyst on another woman as she starts to question about her own life. The film is an exploration into the world of identity as well as the choices one makes in a person’s life. Starring Gena Rowlands, Mia Farrow, Ian Holm, Gene Hackman, Harris Yulin, Frances Conroy, Betty Buckley, Blythe Danner, Martha Plimpton, John Houseman, and Philip Bosco. Another Woman is an engrossing yet mesmerizing film from Woody Allen.

What happens when a woman accidentally listens to another woman talking about her own problems leading for this woman to deal with her own life? That’s essentially the premise of the film where a philosophy professor named Marion (Gena Rowlands) finds herself questioning about not just herself but the way she treated the people in her life as she‘s always been judgmental and at times, quite cruel. The revelations that Marion faces about herself and the people in her life forces her to reflect on her past while continually listen to the psychiatric sessions of this pregnant yet troubled woman (Mia Farrow). What Woody Allen does with the script is create a story about a woman’s life being told where Marion often narrates to play into her feelings as well as thinking about the people in her life such as her brother Paul (Harris Yulin) and father (John Houseman) as well as her own marriage to Ken (Ian Holm).

Allen’s direction definitely recalls the work of Ingmar Bergman, most notably Wild Strawberries, in terms of its visual language and its intimacy towards drama. Notably as it plays into the idea of memory and fantasy where this woman has to look back in parts of her life including the way she realizes how complicated things are. Allen’s direction is straightforward though there is a sense of style in terms of close-ups and compositions where Allen goes to Bergman for inspiration. Still, Allen does instill some of his own ideas such as a scene where Marion watches a recreation of a conversation she had with Ken as Marion is being played by her former friend Claire (Sandy Dennis) to establish some ideas about not just who Marion but also a look into her own marriage. Notably as it would force Marion to see her life and what can she do to regain some sense of who she is. Overall, Allen creates a very engaging yet captivating film about a woman reflecting on her life.

Cinematographer Sven Nykvist does brilliant work with the film‘s photography as it recalls many of his work with Ingmar Bergman from the lush look of some of its exterior scenes in the flashbacks to the more colorful look of the locations in New York City. Editor Susan E. Morse does excellent work with the editing to help create seamless transitions from reality to fantasy while keeping things straightforward without any overly-stylized cuts. Production designer Santo Loquasto, with set decorator George DeTitta Jr. and art director Speed Hopkins, does nice work with the look of the NYC apartments and homes the characters live including the look of an antiques shop where Marion meets the woman she‘s been listening to.

Costume designer Jeffrey Kurland does terrific work with the costumes as it‘s mostly sort of colorless and bland to represent the world of the characters and their sort of lack of emotions. Sound editor Robert Hein does wonderful work with the sound from the way Marion listens to the other woman in a session to some of the scenes set in New York City. The film’s music soundtrack is mostly a mix of jazz and classical music that includes a piece Erik Satie that often dominates the film.

The casting by Juliet Taylor is fantastic for the ensemble that is created as it features appearances from Fred Melamed as a guest at an engagement party for Ken and Marion in a flashback, Josh Hamilton as the boyfriend of Ken’s daughter, David Odgen Stiers as the younger version of Marion and Paul’s father, Stephen Mailer and Margaret Marx in their respective roles as the young Paul and Marion, Philip Bosco as Marion’s first husband Sam, Frances Conroy as Marion’s sister-in-law Lynn, and Betty Buckley as Ken’s ex-wife Kathy whose sole appearance at Ken and Marion’s engagement party is chilling to watch. Martha Plimpton is excellent as Ken’s daughter Laura who always turn to Marion for advice while Blythe Danner is very good as Marion’s friend Lydia who always likes to socialize with her and Ken. Harris Yulin is terrific as Marion’s brother Paul who is a man that lacks ambition but wants to do right for his family.

Gene Hackman is great in a small but memorable performance as Ken’s friend Larry who admits to having feelings for Marion as he would play a key part into Marion’s own revelations about her life. John Houseman is amazing as Marion and Paul’s father as a man who also thinks about his life while appearing in a fantasy where he expresses his own regrets. Sandy Dennis is wonderful as Marion’s old friend Claire who expresses her own bitterness towards Marion about their friendship as she later plays Marion in a recreation of a conversation scene. Mia Farrow is superb as the mysterious woman Marion discovers as she is a woman anguished by her own problems in life as she would play a key role into Marion’s own discovery.

Ian Holm is brilliant as Marion’s husband Ken as a man who seems to be content with his life but is sort of aloof in the fact that he and Marion don’t spend a lot of alone time together. Finally, there’s Gena Rowlands in a remarkable performance as Marion where Rowlands display a sense of restraint to a woman who becomes unaware of the life she’s leading. Notably as Rowlands adds that sense of distance to her character as someone who is sort of cruel as well as judgmental as she starts to realize some of the trouble aspects of her life as it’s a very mesmerizing performance from Rowlands.

Another Woman is a marvelous film from Woody Allen that features tremendous performance from Gena Rowlands. Armed with a great ensemble cast as well as themes of regrets and identity, the film isn’t just a fantastic tribute to the works of Ingmar Bergman. It’s also a drama that explores a woman searching for herself in a crucial period in her life as she ponders about the choices she’s made. In the end, Another Woman is a phenomenal film from Woody Allen.

Woody Allen Films: What's Up Tiger Lily? - Take the Money & Run - Bananas - Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) - Sleeper - Love and Death - Annie Hall - Interiors - Manhattan - Stardust Memories - A Midsummer's Night Sex Comedy - Zelig - Broadway Danny Rose - The Purple Rose of Cairo - Hannah & Her Sisters - Radio Days - September - New York Stories: Oedipus Wrecks - Crimes & Misdemeanors - Alice - Shadows & Fog - Husbands & Wives - Manhattan Murder Mystery - Don’t Drink the Water - Bullets Over Broadway - Mighty Aphrodite - Everyone Says I Love You - Deconstructing Harry - Celebrity - Sweet & Lowdown - Small Time Crooks - The Curse of the Jade Scorpion - Hollywood Ending - Anything Else - Melinda & Melinda - Match Point - Scoop - Cassandra’s Dream - Vicky Cristina Barcelona - Whatever Works - You Will Meet a Tall Dark Stranger - Midnight in Paris - To Rome with Love - Blue Jasmine - Magic in the Moonlight - Irrational Man - (Cafe Society)

The Auteurs #24: Woody Allen Pt. 1 - Pt. 2 - Pt. 3 - Pt. 4

© thevoid99 2013

Beautiful Girls

Originally Written and Posted at Epinions.com on 10/2/03 w/ Additional Edits.

In January of 2002, filmmaker Ted Demme died of a heart attack at age 37. By then, he was already one of the promising filmmakers around with such acclaimed films like The Ref and 2001’s Blow. Demme was also responsible for creating the show Yo! MTV Raps in the late 80s that helped put hip-hop in the mainstream and with filmmaking uncle Jonathan, Ted was a practitioner for music and comedy since he directed comedy specials for Denis Leary and making a hip-hop film Who’s the Man? in 1993. In 1996, Ted Demme released one of his most acclaimed films to date with the nostalgic, buddy-comedy Beautiful Girls.

Beautiful Girls is about a young man in his mid-30s attending a high school reunion in a small town in Massachusetts. With his array of high school buddies, they talk about their relationships with women as well as the trouble around them. While the film recalls elements of the 1983 Lawrence Kasdan film The Big Chill, Beautiful Girls doesn't sway into the nostalgia of that film to encompass a more working class, modern tone to the film. Written by Scott Rosenberg and directed by Ted Demme, Beautiful Girls is a fun, heartwarming comedy with a lot of laughs and a lot of heart.

Willie Conway (Timothy Hutton) is a NYC bar pianist who decides to go to a high school reunion in his small hometown. Willie ponders about  his job as a pianist since he’s done little success and isn’t sure if he wants to get married to his girlfriend Tracy (Annabeth Gish). Once he arrives, he meets up with old pal Michael “Mo” Morris (Noah Emmerich), a family man with loving kids and caring wife Sarah (Anne Bobby).  After some time with Mo, Willie returns home to see his widowed father Dick (Richard Bright) and dim-witted brother Bobby (David Arquette) who are still troubled by the death of Willie's mother. Willie encounters his neighbor, a 13-year old girl named Marty (Natalie Portman) where they struck up a friendship as she wonders about the Conway’s sad household.

Willie also meets up with the rest of his buddies led by snowplow chief Tommy (Matt Dillon), quiet guy Kev (Max Perlich), and loudmouth Paul (Michael Rapaport). Tommy is a former jock who has a loving girlfriend Sharon (Mira Sorvino) while is cheating on her with a married woman named Darian Smalls (Lauren Holly). Paul meanwhile, is having relationship troubles as well as his girlfriend Jan (Martha Plimpton) since he’s suspecting her of sleeping with the meat cutter at her job at a local restaurant. Willie feels happy with his pals since they’re having relationship troubles except for Mo as they often hang out at a bar owned by their pal Stinky (Pruitt Taylor Vince). Paul tries to propose marriage to Jan but it becomes a failure as he suspects her of her affair with meat cutter as their relationship ends. Tommy meanwhile, is having some trouble with his relationships with Sharon and Darian.

Willie befriends Marty as he asks what the kids do nowadays which isn’t much as she is going out with some boy named Andrew.  Willie feels a bit jealous since he finds himself enchanted by Marty. After meeting with Paul in Tommy’s apartment, Willie and Tommy meet up with Sharon’s friend Gina (Rosie O’Donnell) as she talks about what men want from women. During a birthday party for Tommy, Darian makes her presence felt as Sharon learns what is going on and she finds herself being unhappy and breaks up with Tommy. Then one night at Stinky’s, his cousin Andrea (Uma Thurman) visits as the men serenade her with the Neil Diamond classic “Sweet Caroline”. Paul finds himself trying to make moves on Andrea, just to piss off Jan.

Paul nabs a date with Andrea while Willie has an encounter with Marty at a skating rink where Marty tells him that he’s her new boyfriend. Willie likes the idea but is afraid things will change and references Winnie the Pooh about changing as Marty is given time to think about whatever relationship they might have. Tommy meanwhile, is feeling guilt from his breakup with Sharon as he learned what a cold bitch Darian really is as he later gets in trouble with her husband Steve (Sam Robards). Paul's date with Andrea becomes a disaster leading Paul to have a rant about women to Willie the next day.  After a conversation with Andrea, Willie ponders his own relationship issues as Tracy finally arrives where he realize what he wants while wanting to help out his friends with their own issues.

What makes Beautiful Girls such an appealing film is its chemistry with the cast. Ted Demme and screenwriter Scott Rosenberg crafted a story that couples could relate to as well as smart-alecks about men and women. Even as it includes a great monologue about how men are attracted to plastic models by Rosie O'Donnell that is one of the film's highlights. Even as it features commentary on men about their own immaturity. Demme even gives the film a working class tone in its small town as something a bit real with wonderful cinematography from Adam Kimmel and Tony Janelli. The music in the film is also worth noting since it’s soundtrack is very diverse with old-school classics from Neil Diamond, the Rolling Stones, Kiss, Jethro Tull, and Billy Paul to more modern stuff from Afghan Whigs, Pete Drodge, Split Enz, Ween, Morphine, and Chris Issak.

The performances in the film are all top-notch led by the enigmatic Timothy Hutton who leads the film with his masterful portrayal as a man in his mid-30s struggling with his identity with women. Matt Dillon is excellent as the hard-nosed jock Tommy while Noah Emmerich plays the film’s sweet conscious that is well utilized. The smaller male roles of David Arquette, Richard Bright, Max Perlich, Sam Robards, and Pruitt Taylor Vince are also well used while Michael Rapaport steals the show with his comedic rants and one-liners. Bringing the film some balance is the female performances. Mira Sorvino brings a lovely performance as the neglected Sharon while Uma Thurman brings a lovely performance as Stinky’s cousin who plays the men’s attraction but brings brains to the role. Rosie O’Donnell is easily the most hilarious performance of the film since she rants a lot about men and stuff while Lauren Holly is excellent as the cold bitch who really doesn’t know how mean she is to men. The smaller roles of Annabeth Gish, Martha Plimpton, and Anne Bobby standout as well while Natalie Portman brings the film’s best performance as the precocious, innocent Marty, who was named after a grandfather she never knew.

Beautiful Girls is an excellent, heartwarming comedy from the late Ted Demme that shines from its cast and script. Though the film at times has predictable moments, it overcomes that through its humor and chemistry from the cast. Fans of comedy will enjoy the rants of Rapaport and O’Donnell while more dramatic fans will love the performances of Hutton and Portman. The film has something for everyone. Sadly, Ted Demme won’t be making any more films like this but at least he captured something magical with Beautiful Girls.

(C) thevoid99 2010