Showing posts with label ron rifkin. Show all posts
Showing posts with label ron rifkin. Show all posts
Saturday, February 01, 2020
A Star is Born (2018 film)
Directed and starring Bradley Cooper and screenplay by Cooper, Will Fetters, and Eric Roth that is based on the 1937 film by William A. Wellman and co-writers Robert Carson, Dorothy Parker, and Alan Campbell that was produced by David O. Selznick, A Star is Born is the story of a troubled country-rock singer who meets an unknown singer as he takes her on tour and help guide her own music career just as his starts to decline. It’s a film that was first told in 1937 and had been remade two more times in 1954 and 1976 as it is now told in another new interpretation for a new generation with Cooper playing the role of the singer Jackson Maine and pop singer Lady Gaga as Ally. Also starring Sam Elliott, Dave Chappelle, Anthony Ramos, Rafi Gavron, Greg Grunberg, and Andrew Dice Clay. A Star is Born is a rapturous and heart-wrenching film from Bradley Cooper.
The film is the simple story about the diverging paths of a troubled country-rock singer and the woman he would fall for and make her into a pop star. It’s a story that had been told three different times in its different incarnations as the script by Bradley Cooper, Will Fetters, and Eric Roth use those three different stories to set in the 21st Century where country-rock artist Jackson Maine is touring and making music although his popularity is starting to decline as he would meet this young woman named Ally at a drag club where she sings La Vie En Rose. Ally is also a songwriter but hasn’t made any waves to attract people in the music industry as she’s stuck in a waitressing job and not do much other than live with her father Lorenzo (Andrew Dice Clay) who runs a chauffeur business with friends. When Maine meets Ally at the drag club and strikes a conversation with her about music, sparks happen as he later invites her to one of his shows as they sing a song that she created.
Immediately, Maine accompanies Ally on their tour yet his older half-brother Bobby (Sam Elliott) is concerned about Maine’s alcoholism as well as his tinnitus which is getting worse while Ally’s songs finally attract the attention of a producer in Rez (Rafi Gavron). Through Rez, Ally would go pop and become immensely successful yet Maine struggles with his own issues as he finds himself playing a show in Memphis for money as he questions his own integrity as well as Ally’s decision to do pop music. The script showcases not just some of the decisions Maine has made in his life and career but also the struggle to realize that Ally has so much to offer as he fears he would ruin her. Yet, Ally is aware of Maine’s troubles as she is eager to help him any way she can as well as willing to risk her own career.
Cooper’s direction does have some elements of style yet much of his direction is straightforward in his presentation of life on the road and on stage as well as the backstage parties, recording sessions, and rehearsals. Shot on various locations with much of it in Arizona and California, Cooper does play into this world that Maine is often surrounded in that include open landscapes, amphitheaters, and music festivals where appearances in such noted festivals as Glastonbury in Britain and Coachella in California are shown. Cooper’s usage of the wide shots showcase the vast world of the venues and festival areas that Maine and later Ally would play to but Cooper also maintains an intimacy as he often captures the performance on the stage with some perspective from the audiences and from the backstage area. The usage of close-ups and medium shots of the performances and some of the action backstage as well as the usage of cell phone footage add to the excitement of the performances in the film.
The non-musical scenes do have an intimacy in the way Ally and Maine would create songs as well as go into discussions about the idea of integrity in music as Cooper knows how to create simple compositions but also in the way characters would react to another. Cooper also maintains that air of simplicity while knowing what not to show during a key dramatic moment late in the film. Notably in the third act as it play into Maine’s own downfall due to his substance abuse as well as growing tinnitus where he is trying to recover but there is also this danger that he could screw things up again. Yet, there is the music as it is what brings him and Ally together as it is a crucial moment for not just its climax but also the ending into the journey that these two endure. Overall, Cooper crafts a touching and ravishing film about the diverging journeys between a country-rock singer and his pop star wife.
Cinematographer Matthew Libatique does brilliant work with the film’s cinematography with its usage of stylish lights for some of the clubs, venues, and bars the characters go to as well as the lighting in some of the concert scenes and some of the natural elements in the film’s exterior scenes. Editor Jay Cassidy does excellent work with the editing where it is straightforward for much of the film while knowing when to keep shots going as well as create a few montages in some parts of the film. Production designer Karen Murphy, with set decorator Ryan Watson plus art directors Matthew Horan and Bradley Rubin, does fantastic work with the look of Maine’s home that he would later share with Ally as well as the home that Ally lived in with her father. Costume designer Erin Benach does nice work with the costumes from the casual and cowboy-like clothing that Maine wears to the more stylish look that Ally would sport in the clothes that she would wear as a pop star.
Hair stylist Joy Zapata and makeup artist Debbie Zoller do terrific work with the look that Ally would venture into from being somewhat plain into being a bit more glamorous into her transformation as a pop star. Visual effects supervisor Bruce Jones does wonderful work with some of the film’s minimal visual effects as it mainly serves as set dressing for some scenes in the film. Sound editor Alan Robert Murray does superb work with the sound in the way live music sounds on locations as well as the way music sounds when it’s being recorded as it is a highlight of the film. Music supervisors Julianne Jordan and Julia Michels do incredible work in cultivating the film’s soundtrack as it feature a lot of original songs sung and performed by Cooper and Lady Gaga with the latter co-writing some of the material with Lukas Nelson, Jason Isbell, Diane Warren, DJ White Shadow, Mark Ronson, and Andrew Wyatt as its mixture of country, country-rock, pop, and dance pop add to the story as it’s one of the film’s major highlights.
The casting by Lindsay Graham and Mary Vernieu is marvelous as it feature notable small roles and cameo appearances from Alec Baldwin as himself hosting Saturday Night Live, Halsey as herself presenting an award, Marlon Williams and Brandi Carlisle as themselves performing at the awards show, Luenell as a grocery cashier, Eddie Griffin as a local preacher, Drena de Niro as the wife of Maine’s friend Noodles, Greg Grunberg as Maine’s driver Phil, the trio of Barry Shabaka Henley, Michael D. Roberts, and Michael Harney as Lorenzo’s friends, Shangela Laquifa Wadley as the drag club emcee, William Belli as the drag queen Emerald, and Ron Rifkin as Maine’s rehab therapist Carl. Dave Chappelle is superb as Maine’s longtime friend and former musician Noodles as a man who has chosen the simple life as well as offer Maine a glimpse into that life that would inspire him to commit full time to Ally.
Rafi Gavron is terrific as Ally’s manager/producer Rez as a man who would drive a wedge between Ally and Maine but is also aware of Maine’s troubles with drugs and alcohol and uses it against Maine. Anthony Ramos is fantastic as Ally’s friend Ramon who would introduce Maine to Ally as well as be someone who would be on Ally’s side and be one of the few people in her life who keeps her grounded. Andrew Dice Clay is excellent as Ally’s father Lorenzo as a man who is supportive of his daughter while is also worried about her not making it knowing about those who had the talent but never made it as it is a charismatic and grounded performance from Clay that also has an air of tenderness that is unexpected from the comedian. Sam Elliott is amazing as Maine’s older half-brother Bobby who also manages Maine as he is aware of his brother’s troubles with substance abuse and his tinnitus as well as being the one who is trying to take care of everything as it is one of Elliott’s finest performances.
Finally, there’s Bradley Cooper and Lady Gaga in phenomenal performances in their respective roles as Jackson Maine and Ally. Cooper’s performance as Maine displays a man who is talented but also extremely troubled as years on the road, recording, and partying is starting to take its toll while his tinnitus is starting to get worse as he is in denial about his issues while is forced to face the reality of his troubles. Gaga’s performance as Ally is a marvel to watch as she displays the sense of reluctance to go into a singing career while eventually finding the confidence but is also someone who doesn’t take shit from anyone. Cooper and Gaga together are incredible to watch in the way they bond with one another as well as the scenes where they argue as they added that edge into two people who both have a love for music and each other but at times can’t stand one another as they are a major highlight of the film.
A Star is Born is a spectacular film from Bradley Cooper that features great performances from Cooper, Lady Gaga, Sam Elliott, and Andrew Dice Clay. Along with its evocative soundtrack, gorgeous visuals, a fresh and daring reinterpretation of an old story, and top-notch musical performances. It’s a film that isn’t afraid of being a remake but also find ways to do something new with it while being this whirlwind romantic drama of two singers both going into different paths only to go up when they work together. In the end, A Star is Born is a sensational film from Bradley Cooper.
Related: A Star is Born (1937 film) - A Star is Born (1954 film) – (A Star is Born (1976 film))
© thevoid99 2020
Thursday, July 25, 2013
Manhattan Murder Mystery
Directed and starring Woody Allen and screenplay by Allen and Marshall Brickman, Manhattan Murder Mystery is the story about a couple who find themselves involved in a murder mystery as they take part in the investigation finding what’s going on. The film a whodunit where a couple goes into the world of mystery as it marks a reunion between Allen and two of his great collaborators in co-writer Marshall Brickman and Diane Keaton who plays Allen’s wife in the film. Also starring Alan Alda and Anjelica Huston. Manhattan Murder Mystery is a fantastic suspense-comedy from Woody Allen.
The film revolves around a couple who learn that the wife of their new neighbor has died as they suspect something isn’t right. Carol (Diane Keaton) investigates what happens despite her husband Larry (Woody Allen) telling her not to. With the help of their friend Ted (Alan Alda), Carol goes further to find out what happened as she is convinced is a murder. Larry eventually helps out as he and Carol make some discoveries of their own while realizing that the killer is on to them. Turning to Larry’s author friend Marcia (Anjelica Huston) for help, Larry and Carol along with some friends decide to nab a trap in order to expose the truth. It’s a premise that is quite simple yet told in a pretty humorous manner where a couple play detectives to see whether or not their neighbor killed his wife.
The screenplay that Woody Allen and Marshall Brickman create is full of ideas that play in the world of mystery as it is driven by this couple who have been married for a long time but have lost a bit of excitement. Upon the news of this woman’s death and her husband’s behavior in its aftermath, the two become suspicious where Carol goes head on into see what is going on. Little by little, clues would emerge as they go into many revelations as Carol gets help from Ted who is a mystery buff as he would inspire Larry to get more involved. There are moments in the film where the suspense is quite intense while it allows time for Ted and Carol to deal with themselves. Eventually, the intensity of the suspense would allow the two to rely on each while calling on Ted for help as they also bring in Marcia who knows a lot about mystery as she would play a key role in the third act.
Allen’s direction is quite engaging as it is mostly straightforward where it is set entirely in Manhattan where he makes it a character in the film as there’s scenes shot at Madison Square Garden and at the Metropolitan Opera House. Still, there’s moments in the direction where Allen does play up into that approach of suspense-comedy where there’s bits of slapstick but also some very mesmerizing scenes involving intrigue. Many of the compositions Allen create are quite lively while he creates a climax that is truly thrilling as well as making it a tribute to Orson Welles’ The Lady from Shanghai as the film is also played in that climatic sequence. Overall, Allen creates a very entertaining and witty suspense-comedy that allows the audience to be engrossed in the mystery.
Cinematographer Carlo Di Palma does excellent work with the cinematography from the look of some of the nighttime exteriors scenes in the city to its daytime interior and exterior scenes. Editor Susan E. Morse does amazing work with the editing as most of it is straightforward with the exception of some montages that play into Marcia‘s theories over what might‘ve happened and such. Production designer Santo Loquasto, with set decorator Susan Bode and art director Speed Hopkins, does wonderful work with the set pieces from the look of the apartments that the characters live in to the theater house where Ted and Carol snoop at.
Costume designer Jeffrey Kurland does nice work with the costumes as it‘s mostly straightforward for the men though the clothes that Carol and Marcia wear are quite fun to look as it displays their different personalities. Sound editor Robert Hein does superb work with the sound from the intimacy in the locations to a very inspiring scene in the film’s third act to play a trick on the killer. The film’s soundtrack is terrific as it features an array of music from Cole Porter, Richard Wagner, Dave Brubeck Quartet, and Benny Goodman to play up some of the humor and suspense.
The casting by Juliet Taylor is fantastic for the ensemble that is created as it features some notable small appearances from Aida Turturro as a hotel clerk, Wendell Pierce as a policeman, and Zach Braff in his film debut as Larry and Carol’s son Nick. Other small roles include Melanie Norris as a young actress named Helen, Marge Redmond as a woman named Mrs. Dalton, Ron Rifkin and Joy Behar as friends of Carol and Larry, Lynn Cohen as the neighbor’s wife who dies early in the film, and Jerry Adler as the mysterious neighbor Paul House. Anjelica Huston is great as the novelist Marcia Fox as a woman who is a friend of Larry as she helps out Larry, Carol, and Ted to uncover the mystery while providing some theories. Alan Alda is brilliant as Ted as a mystery buff who helps Carol in uncovering things while becoming attracted to Marcia over her theories.
Finally, there’s the duo of Woody Allen and Diane Keaton in remarkable performances as Larry and Carol Lipkin. With Allen playing his usual nebbish persona and Keaton as the more outgoing of the two, the two clearly have not lost a step in their rapport with one another. Notably as Allen would provide some of the slapstick with Keaton as the more serious providing this unique balance as they are definitely the highlight of the film.
Manhattan Murder Mystery is a marvelous film from Woody Allen with superb performances from Allen, Diane Keaton, Alan Alda, and Anjelica Huston. The film is definitely one of Allen’s finest as well as another top-notch collaboration between Allen, Keaton, and co-screenwriter Marshall Brickman. It’s a film definitely has great odes to mystery as well as providing elements that are full of laughs. In the end, Manhattan Murder Mystery is a wonderful film from Woody Allen.
Woody Allen Films: What's Up Tiger Lily? - Take the Money and Run - Bananas - Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) - Sleeper - Love and Death - Annie Hall - Interiors - Manhattan - Stardust Memories - A Midsummer's Night Sex Comedy - Zelig - Broadway Danny Rose - The Purple Rose of Cairo - Hannah & Her Sisters - Radio Days - September - Another Woman - New York Stories: Oedipus Wrecks - Crimes & Misdemeanors - Alice - Shadows and Fog - Husbands and Wives - Don’t Drink the Water - Bullets Over Broadway - Mighty Aphrodite - Everyone Says I Love You - Deconstructing Harry - Celebrity - Sweet & Lowdown - Small Time Crooks - The Curse of the Jade Scorpion - Hollywood Ending - Anything Else - Melinda & Melinda - Match Point - Scoop - Cassandra’s Dream - Vicky Cristina Barcelona - Whatever Works - You Will Meet a Tall Dark Stranger - Midnight in Paris - To Rome with Love - Blue Jasmine - Magic in the Moonlight - Irrational Man - (Cafe Society)
The Auteurs #24: Woody Allen Pt. 1 - Pt. 2 - Pt. 3 - Pt. 4
© thevoid99 2013
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