Real Genius

Directed by Martha Coolidge and screenplay by Neal Israel, Pat Proft, and Peter Torokvei from a story by Israel and Proft, Real Genius is the story of a high school student who is accepted to a top university where he works with a college senior in creating a laser unaware of the intentions of its professor. The film doesn’t just explore the world of tech universities but also the fallacies of intelligence where a young genius rebels against his intelligence in order to have fun. Starring Val Kilmer, Gabriel Jarret, Michelle Meyrink, Jon Gries, Robert Prescott, Ed Lauter, and William Atherton. Real Genius is a witty and engaging film from Martha Coolidge.

The film plays into a fifteen year old kid who is given the chance to attend a prestigious technical college to work on a laser with a gifted senior as they’re both unaware of what their professor wants to do with the laser. It’s a film that isn’t just an exploration of kids rebelling against their own intelligence and have fun but it’s also a film where a group of kids deal with college life as well as the world they’re about to embark. It plays into the story as a professor named Jerry Hathaway (William Atherton) is asked by the military to build a laser they need for a weapons project that can kill someone from outer space. In return, Hathaway would get some commendation and more publicity as he is also the host of a TV program. Yet, he spends his time grading papers and overseeing the construction of his house which he used the money for the project while letting his students do all the work.

The film’s screenplay plays into a lot of scenarios that does manage to gel once all of the storylines come together as the 15-year old freshman Mitch Taylor (Gabriel Jarret) arrives to the school as a young genius who is smarter than people his age and above. Still, he is treated with some contempt by some of the students including Kent (Robert Prescott) who constantly sucks up to Hathaway and tries to run the laser project whenever Hathaway nor another top student in Chris Knight (Val Kilmer) isn’t around. Mitch is excited at first about having Knight as his roommate but is shocked that the kid who was considered a genius many years before has become a slacker that just parties constantly. After some moments including enduring a humiliating prank by Kent, Mitch wants to leave until Knight tells him that he shouldn’t and learn to have fun while getting back at Kent.

The film also shows some of the flaws of intelligence as it relates to a mysterious student named Lazlo Holyfield (Jon Gries) who keeps coming in and out of Mitch’s closet in doing a secret project as he got paranoid over ideas that he believes the government wants. Eventually, Holyfield’s paranoia would come true once Knight and Mitch realize exactly what Hathaway wants the laser in its third act as they get the help of friend Ick (Mark Kamiyama) and the hyperkinetic student Jordan (Michelle Meyrink). It’s third act isn’t just handled with some suspense but also a sense of morality that isn’t heavy handed as it’s conclusion is a joyful one.

Martha Coolidge’s direction is very simple as she doesn’t aim for something that is very stylistic with the exception of a few scenes that relates to the military project. Much of the film is shot on location at Caltech in California to give the film not just a realistic look into the world of college life but also in how students conduct themselves socially and academically. The latter of which features elements of humor in a scene where Mitch walks into a classroom as he realizes that he’s the only one there and all of chairs are filled by tape recorder recording what the professor is saying on an audio tape. It’s among these offbeat moments in the film that plays into the humor as well as how Knight is introduced as he is seen wearing pajamas, wearing a headband with spring ears, and fluffy bunny shoes.

The film is balanced with some drama since Coolidge is aware that the film does revolve this young kid who is hoping to go into a world where he can meet people who are smart and mature as he is. Instead, he faces some dose of reality where he is forced to grow up as well as loosen up since he has a whole life ahead of him to learn and be smart but also have some fun at the same time. Much of Coolidge’s compositions are straightforward with its close-ups and medium shots while capturing something is very lively. The film’s climax which does involve this big laser project is a very big moment as it’s outcome not only establishes a lot into what Hathaway was trying to do but also into how he managed to screw over a bunch of kids who thought they were doing something good for the world only to get a dose of revenge. Overall, Coolidge creates a very funny and insightful film about a bunch of genius kids who try to find joy without the need to study and do something good for the world.

Cinematographer Vilmos Zsigmond does excellent work with the film‘s cinematography as it captures not just the sunny look of the daytime locations but also uses some unique interior lights for some scenes at night including a few party scenes and moments in the classrooms. Editor Richard Chew does nice work with the editing as it‘s quite simple in its approach to comedy while creating a few stylish montages to play into the world of learning. Production designer Josan F. Russo, with set decorator Phil Abramson and art director Jack G. Taylor Jr., does fantastic work with some of the look of the parties and classrooms as well as the home of Hathaway.

Costume designer Marla Denise Schlom does wonderful work with the clothes as it‘s mostly casual as well as playing into the development of some of its characters Mitch starts off wearing a suit and look nerdy and eventually dress more casually. Visual effects supervisors Richard L. Bennett and David Stipes do terrific work with the minimal visual effects as it relates to the laser project from space that Hathaway is involved in. Sound designer George Budd and sound editor Julia Evershade do superb work with the sound to create the way the laser sounds upon its firing as well as the atmosphere in some of the party scenes. The film’s music by Thomas Newman does brilliant work with the film‘s score as it features bits of electronic music as well as a few orchestral pieces while music supervisors Becky Mancuso-Winding and Michael Papale create a great soundtrack that mixes synth-pop, new wave, and hard rock from acts like Tears for Fears, Y&T, Don Henley, Bryan Adams, Tonio K, The Call, The System, The Comsat Angels, and several other obscure acts.

The casting by Janet Hirshenson and Jane Jenkins is amazing as it includes appearances from skateboarding legend Stacy Peralta as a space shuttle pilot in the film’s opening scene, Miss January of 1984 Playmate Penny Baker as a party girl in the pool party, Dean Devlin and Yuji Okumoto as a couple of nerdy students who are reluctant to join the pool party, Severn Darden as the school’s eccentric dean, and Deborah Foreman as the daughter of a government official who asks Knight a very interesting question. Other noteworthy small roles include Patti D’Arbanville as a corporate executive who has a reputation for bedding very smart young men, Louis Giambalvo as an air force major who often asks Hathaway about the project’s progress, and Ed Lauter as a government official who supports the laser project.

Robert Prescott is terrific as the slimy nerd Kent who is a constant ass-kisser to Hathaway as he tries to do whatever it takes to ruin whatever ideas Mitch and Knight have. Mark Kamiyama is excellent as Ick as an Asian student who is a friend of Knight that is just as silly as well as being someone who is very fun. Michelle Meyrink is fantastic as Jordan as a hyperkinetic student who talks very fast as she befriends Mitch and helps him deal with the craziness of college. Jon Gries is amazing as the mysterious Lazlo as a student from the 1970s who was considered a genius until he acts very odd by going in and out of Mitch’s closet due to his own paranoia.

William Atherton is superb as Jerry Hathaway as a revered college professor and TV host who is quite smug at times while being someone who abuses his power as he wants to get credit for contributing something that is immoral. Gabriel Jarret is brilliant as Mitch Taylor as a 15-year old kid who goes to college as he tries to deal with his new surroundings while learning that he just needs to have fun. Finally, there’s Val Kilmer in a remarkable performance as Chris Knight as a college senior who was once revered as a genius who decides to become a slacker while aiding Mitch in this laser project as Kilmer brings a lot of energy and wit to his role.

Real Genius is a phenomenal film from Martha Coolidge that features an incredible breakthrough performance from Val Kilmer. Along with a great supporting cast and a fun soundtrack, it is a film that isn’t just a funny college film but also a film that questions the idea of intelligence and how those who are smart are trying to live normal lives and have fun. In the end, Real Genius is a sensational film from Martha Coolidge.

© thevoid99 2015

Dogtown & Z-Boys

Directed by Stacey Peralta and written by Peralta and Craig Stecyk, Dogtown & Z-Boys is the story about the revolutionary group of skateboarders who brought the skateboard back to the public eye in the 1970s as they would set the stage for the world of skateboarding in the years to come. Narrated by Sean Penn, the documentary explores this group of young skateboarders who would take the aesthetics of surfing and put into skateboarding as this group would include Peralta as well as influential skateboarders like Tony Alva and Jay Adams. The result is one of the most enthralling documentaries ever created.

The film is an exploration into the history of skateboarding when it had a brief period of popularity until the late 60s where it was seen as a trend until a group of kids from Southern California would bring it back with the help of a new formula known as polyurethane that created new skateboard wheels that would help improve the performance and traction of the skateboard. Among these kids who would revive the art of skateboarding were Stacey Peralta, Jay Adams, and Tony Alva along with several others as they would bring a lot of the movements they’ve acquired as surfers and infuse it with skateboarding. With the help of photographer Craig Stecyk who would shoot much of the film’s archival footage as well as take photographs, the gang of skateboarders known as Z-Boys would do new things and pave the way to make skateboarding a legitimate sport in the coming decades.

Peralta’s approach to the film is very simple as he would interview many of his colleagues including Z-Boys co-founder and skateboard manufacturer Skip Engblom who talked about the world the boys lived in. Much of it involves a world in Southern California that seems to be ignored where Peralta, Adams, and Alva were part of a small band of surfers that would surf in places that was their own. Once they discovered the new polyurethane wheels and put into their skateboards, they would create moves that they would perfect in various places including abandoned pools during the droughts in California. What the Z-boys would do not only bring back the world of skateboarding but also revive the Skateboarder magazine.

It would also bring back skateboarding competitions where the champions from the 1960s would be destroyed by the Z-Boys as there were complaints from female skateboarders over claims that Z-Boy member Peggy Oki skated like a guy though some claimed she skated better than the guys. It’s among these moments that proved to be very lively and humorous where Peralta uses the archival footage to create a sense of energy as well as some poetry through some of the skateboarding footage. He also reveals how the Z-Boys group disbanded once Skip Engblom was unable to support the group due to his lack of funds as many of them would be sponsored by other skateboarding manufacturers who had money in their pocket. While Peralta and Alva both would emerge into great success where the latter is an icon and the former would create skateboarding videos with Craig Stecyk that would introduce a new generation of skateboarders including Tony Hawk.

With the help of cinematographers Peter Pilafan and Sebastian Jungwirth, Peralta would interview many of his colleagues including those who were fans of that period like punk rock icon Henry Rollins as they’re shot in black-and-white with some backgrounds courtesy of Craig Stecyk in the set design. While many of the Z-Boys are revealed to live comfortable lives, the one person that was considered the big tragedy of the story is Jay Adams as he was a very wild child that loved skateboarding but became troubled by fame and such as he would repeatedly get in trouble as he is also interviewed in the film as a ragged man that lost a lot of his youth.

With the help of editor Paul Crowder and sound editor Dane A. Davis, Peralta infuses a lot of footage to showcase the history of skateboarding as well as the world his band of brothers were in as it‘s told with some humor by Sean Penn who knew them as he is also a fan of skateboarding. One major aspect of the film that really helps drive it is the film’s music as the original score by Paul Crowder and Terry Wilson is very low-key in its electronic setting while music supervisors Deborah MacCulloch and Mark Reiter would bring this very eclectic array of music that largely consists of rock music from the 70s ranging from art rock, punk, new wave, heavy metal, and many others as it just brings a lot of energy to the film.

Dogtown & Z-Boys is a magnificent documentary from Stacey Peralta. The film works not only in talking about the history of skateboarding but also showcase why it is so popular as Peralta and his band of brothers would help revolutionize the sport. It’s a film that manages to make those who don’t know anything about skateboarding will be very interested as well as skateboarders who want to know about the history of the sport. In the end, Dogtown & Z-Boys is an outstanding film from Stacey Peralta.

© thevoid99 2014