Directed by Daniel Algrant and written by Algrant, Emma Sheanshang, and David Brendal, Greetings from Tim Buckley is the story of a 1991 tribute concert for the cult folk singer as one of those who would attend and perform at the concert is his son Jeff. The film is a dramatic account into Jeff Buckley’s legendary 1991 performance as he would cope with the legacy of the man he never knew as Penn Badgley plays Jeff and Ben Rosenfield stars as Jeff’s father Tim. Also starring Imogen Poots and William Sadler. Greetings from Tim Buckley is a somber yet exhilarating film from Daniel Algrant.
The film revolves around the 1991 tribute concert to the folk singer Tim Buckley in which his son Jeff would make a public debut that would eventually be a springboard of sorts for his own career. While the concert is partially-dramatized, the film is mostly about the weekend leading up to this concert where Jeff Buckley not only copes with the legacy of his father but also the fact that he never really knew his father as he only met him twice in his lifetime. It is essentially a dramatic account about what Jeff Buckley must’ve been going through in the days leading up to this tribute concert for his father. The script also has this paralleling storyline which revolves around Tim Buckley trying to make it in the folk music scene as he is sleeping around with women while getting messages from people who knew his first wife that his son is about to born.
Though the narrative is a bit uneven at times, it does play into Jeff’s struggle over his father as he is surrounded by people who aren’t just fans of his work but also the few that actually knew Tim. One of the people that Jeff meets is a young woman named Allie (Imogen Poots) who is a fan of her father’s work as she would spend time with Jeff as they would go to places including the town and home where his father lived as a boy. All of which plays into Jeff not only trying to know who his father is but also to try and comprehend into why he wasn’t there and had died at such a young age without much to show for other than his music.
Daniel Algrant’s direction is quite simple in terms of the compositions that are created as the concert is shot on the actual location where it took place which is St. Ann’s Church in Brooklyn as it would be the film’s centerpiece. Much of it is shot on location in New York City with some shots set in California as well as upstate New York as it plays into Jeff’s journey to find out more about his father. There’s a few wide shots as Algrant aims for something that is more realistic and intimate that includes a key scene where Jeff and Gary Lucas (Frank Wood), jam as they would eventually create something that would become one of Jeff’s songs. The concert sequence is presented with some wide and medium shots plus a few close-ups and hand-held camera moments as it would feature a recreation of Jeff singing Once I Was by his father as it’s one of the film’s most chilling moments. Overall, Algrant creates a very engaging yet compelling film about Jeff Buckley’s journey into knowing and paying tribute to a man he never knew.
Cinematographer Andrij Parekh does excellent work with the film‘s cinematography as it‘s very straightforward for much of the daytime exterior scenes while using some stylish lights and moods for the interior/exterior scenes at night. Editor Bill Pankow does nice work with the editing as it‘s quite straightforward with some jump-cuts and montages to play into Jeff struggling with the memory of his father. Production designer John Paino and set decorator Robert Covelman do superb work with the look of the clubs that Tim played as well as some of the decorations and stage setting for the film’s climatic concert.
Costume designer David C. Robinson does terrific work with the costumes as it‘s mostly casual to play up the early 90s look as well as the look for some of the characters in the Tim Buckley sequences. Sound editor Dave Paterson does brilliant work with the sound from the way instruments sound during rehearsal as well as the atmosphere of the concert itself. The film’s music largely consists of songs by Tim Buckley that includes his own originals as well as performances of his songs that include vocal performances by Kate Nash, Frankie Bello of the seminal thrash-metal band Anthrax, and Penn Badgley in their respective roles plus a couple of covers of Jeff’s songs sung by Badgley as well as a few folk-based score pieces by Gary Lucas.
The casting by Avy Kaufman is amazing as it features appearances from Frankie Bello as punk-rock legend Richard Hell, Frank Wood as the musician Gary Lucas who would become a future collaborator of Jeff’s, Norbert Leo Butz as the concert organizer Hal Wilner, Kate Nash as one of the concert’s performers in Carol, Jennifer Turner and Jann Close as a couple of concert performers, Jessica Stone as one of Tim’s lovers in Janine, and William Sadler as the famed folk musician Lee Underwood who actually knew Tim as he tries to tell Jeff some things about his father. Ben Rosenfield is excellent as Tim Buckley as the folk musician in his early years as he tries to make it as he copes with the idea that he’s becoming a father.
Imogen Poots is brilliant as Allie as a young woman who is a fan of Tim’s music as she gets to know Jeff as she tries to understand his feelings towards his father. Finally, there’s Penn Badgley in an incredible performance as the late Jeff Buckley as a young man trying to cope with the father he never really knew as well as trying to pay tribute to him in a concert as Badgley has an amazing singing voice as he definitely captures the wailing falsetto of Jeff without trying to imitate it.
Greetings from Tim Buckley is an excellent film from Daniel Algrant that features a phenomenal performance from Penn Badgley. Along with a superb supporting performance from Imogen Poots and a killer music soundtrack, the film isn’t just a compelling piece about a moment in time that would be a catalyst for Jeff Buckley’s brief but celebrated career but also into the music of his father Tim. In the end, Greetings from Tim Buckley is a marvelous film from Daniel Algrant.
© thevoid99 2015
Based on the Marvel Comics by Stan Lee, Larry Lieber, Don Heck, and Jack Kirby and from the Extremis story arc by Warren Ellis, Iron Man 3 is the third installment of the Iron Man story in which Tony Stark faces with a new, mysterious enemy who is eager to wreak havoc into Stark’s life. Directed by Shane Black and screenplay by Black and Drew Pearce, the film picks up where The Avengers left off as Stark must deal with his role as Iron Man as he’s once again played by Robert Downey Jr. Also starring Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, James Badge Dale, Ty Simpkins, Jon Favreau, and Ben Kingsley as the Mandarin. Iron Man 3 is a thrilling and adventurous film from Shane Black.
The film revolves around Tony Stark battling an unknown enemy known as the Mandarin who is wreaking havoc on the world as he’s targeting the U.S. President (William Sadler). Yet, things become more complicated as Stark is dealing with anxiety issues relating to the events in The Avengers as he starts to alienate people close to him. Meanwhile, Stark is also dealing with the presence of Adrian Killich (Guy Pearce), who has been known for creating a virus that can help regenerate body parts, as he wants to go after Pepper Potts (Gwyneth Paltrow) to get Starks to help fund his work. It’s all part of a world in which Stark becomes overwhelmed as he has no idea what to do while eventually realizing that he’ll need to do things to help those he care for.
The screenplay by Shane Black and Drew Pearce explores not just Stark’s anxieties as well as his obsession to perfect the Iron Man suits he wears but also to use it so he can protect Pepper. Yet, he’s also dealing with the sins of the past as it relates to Killich who made an offer to Stark back in New Year’s Eve 1999 only to reject the offer while on that same night, he had a one-night stand with a botanist named Maya Hansen (Rebecca Hall) who would be one of the people that would create the Extremis virus. These sins would come back to haunt him as Stark tried to target the Mandarin in which one of his bombs put his former bodyguard Happy Hogan (Jon Favreau) into a coma. All of these incidents and the presence of the mysterious Mandarin would cause a lot of issues for Stark as he finds refuge in a small Tennessee town where he befriends a boy named Harley (Ty Simpkins) who would help Stark get back on his feet.
The script allows the Tony Stark character to not just face his demons and flaws but also face more brushes with death as he finally comes to the conclusion that he’s not just invisible. It’s not just Stark that is given a great character arc as the script also pays attention to Pepper Potts who grows into a much stronger woman who can put on an Iron Man suit and be helpful. There’s also a bit of buddy-comedy elements when it comes to Stark and his friend Colonel James Rhodes aka the Iron Patriot (Don Cheadle) who would later help Stark out in battling the Mandarin. Upon Starks’ eventual confrontation with the Mandarin, it becomes much more complex than it actually seems as it relates more to Killich’s work with the Extremis virus.
Black’s direction is quite typical of what is expected in an action blockbuster but Black does things to make it so much more. Notably as he creates scenes that are fun and full of humor while keeping the action thrilling as well as have some meaning. Black does create some unique shots that are simple including the scenes involving Starks and Potts while opening the film with this very humorous New Year’s Eve party in Switzerland that would set the tone for the entire film as it’s narrated by Stark. Many of the compositions are simple while the humor has the right note of just being unexpected but also natural where there is that sense of improvisation. Overall, Black creates a very solid and enjoyable action-blockbuster that manages to do a lot more than what is expected in its genre.
Cinematographer John Toll does excellent work with the film‘s cinematography as it‘s mostly naturalistic in some of its exteriors while using some more stylish lights for the scenes at night. Editors Jeffrey Ford and Peter S. Elliot do terrific work with the editing to create some rhythmic cut for the action scenes as well as a few montages for the flashback scenes. Production designer Bill Brzeski, along with set decorator Danielle Berman and supervising art director Desma Murphy, does amazing work with some of the set pieces such as the Stark mansion and the places set in Tennessee and Miami. Costume designer Louise Frogley does nice work with the costumes as it’s mostly casual with the exception of the Iron Man suits.
Visual effects supervisors Mark Bakowski, Erik Nash, Saravanan Stalin, and Christopher Townshend do brilliant work with the visual effects from the scenes of Iron Man flying in the air to some of the intense action scenes. Sound designer Ann Scibelli and sound editor Mark P. Stoeckinger do wonderful work with the sound from the layer of sound effects is used to some of the intimate moments in the mixing such as a bar scene where Stark gets information about the Extremis virus. The film’s music by Brian Tyler is very good as it‘s filled with bombastic orchestral music to play out its actions while music supervisor Dave Jordan brings in a few late 90s pop songs for the 1999 opening sequence as well as some funk music.
The casting by Sarah Finn is amazing as it features a massive collection of actors as it includes appearances from Miguel Ferrer as the vice president, Ashley Hamilton as an Extremis soldier, Shaun Toub reprising his role as Yinsen from the first film in the 1999 party scene, Paul Bettany as the voice of J.A.R.V.I.S., and Stan Lee as a beauty pageant judge. Other notable small roles include James Badge Dale and Stephanie Szostak as a couple of vicious Extremis soldiers, Jon Favreau as Stark Industries security officer Happy Hogan, and Ty Simpkins as the boy Harley who helps out Stark in repairing the Iron Man Mk 42 suit. William Sadler is terrific as the American President as someone who is threatened by the Mandarin as he tries to maintain some sense of order. Rebecca Hall is wonderful as Extremis co-creator Maya Hansen as a botanist who had good intentions for the virus only to go into conflict of her own about working for Killian.
Ben Kingsley is great as the Mandarin as a mastermind terrorist who creates mysterious videos with great intimidation as Kingsley brings a lot of chew-scenery to his performance as the Mandarin. Guy Pearce is excellent as Aldrich Killian as a businessman who has a grudge towards Tony Stark as he uses the Extremis virus to become something that is very menacing. Don Cheadle is superb as Col. James Rhodes as a man who is concerned for Tony Stark while dealing with his new role as Iron Patriot as he would deal with the Extremis forces.
Gwyneth Paltrow is brilliant as Pepper Potts as she goes from someone who is dealing with Stark’s anxieties to being a woman that got tired of being pushed around as Potts finally gets to kick some major ass. Finally, there’s Robert Downey Jr. in a marvelous performance as Tony Stark/Iron Man as someone struggling with his role as well as with his own demons as Downey just adds more layers to the characters as someone who is flawed and vulnerable as well as finding a way to get back up.
Iron Man 3 is a remarkable film from Shane Black that features another winning performance from Robert Downey Jr. Thanks to a fantastic script and a brilliant supporting cast, the film is definitely a major improvement over its predecessor while being something more than just a typical blockbuster film. It’s also a film that has something for everyone while not wanting to take itself too seriously. In the end, Iron Man 3 is an excellent film from Shane Black.
Marvel Cinematic Universe: Infinity Saga: Phase One Films: Iron Man - The Incredible Hulk - Iron Man 2 - Thor - Captain America: The First Avenger - The Avengers (2012 film)
Marvel Phase Two Films: Thor: The Dark World - Captain America: The Winter Soldier - Guardians of the Galaxy - The Avengers: Age of Ultron - Ant Man
Marvel Phase Three Films: Captain America: Civil War - Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man & the Wasp - Captain Marvel - Avengers: Endgame - Captain Marvel - Spider-Man: Far from Home
Multiverse Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special
Phase Five: Ant-Man & the Wasp: Quantumania - Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)
Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)
Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World
Shane Black Films: (Kiss Kiss Bang Bang) - The Nice Guys - (The Predator (2018 film))
© thevoid99 2013
