Showing posts with label adam sandler. Show all posts
Showing posts with label adam sandler. Show all posts

Saturday, July 24, 2021

2021 Cannes Marathon: The Meyerowitz Stories (New and Selected)

 

(Winner of the Palm Dog Award to Einstein at the 2017 Cannes Film Festival)
Written and directed by Noah Baumbach, The Meyerowitz Stories (New and Selected) is the story of a group of adult siblings who cope with their failings as they continue to live in the shadow of their famous father. The film is an exploration into family dysfunction as siblings all reunite to celebrate their father despite their own issues as they deal with the many faults of their father. Starring Dustin Hoffman, Adam Sandler, Ben Stiller, Elizabeth Marvel, Grace Van Patten, Adam Driver, Candice Bergen, Judd Hirsch, Rebecca Miller, and Emma Thompson. The Meyerowitz Stories (New and Selected) is a witty yet riveting film from Noah Baumbach.

The film follows the lives of a family whose patriarch is a famous sculptor in the twilight years of his life while his fame and modest success has managed to overshadow his three children who all cope with their own disappointment towards themselves and not living up to his fame. It’s a film that takes a simple premise of family dysfunction as three adult siblings cope with their own lives as they all have to tend to their father who is starting to go through health issues but also unruly behavior in the way he reacts toward certain things. Noah Baumbach’s screenplay has a structure that does focus on these three siblings but also one of the sibling’s kids who has just entered college as it showcase not just trying to cope with the family patriarch but also themselves. The eldest in Danny (Adam Sandler) had just split up from his wife as he’s in New York City taking his 18-year old daughter Eliza to Bard where she is planning to study film while Danny is moving in with his father in Harold Meyerowitz (Dustin Hoffman) and hippy stepmother Maureen (Emma Thompson).

Also at the home is his younger sister Jean (Elizabeth Marvel) who is spending time to help out her father following an injury he suffered involving the dog while Maureen often goes away for seminars only to come back drunk. Danny and Jean are upset to learn that Maureen is planning to sell the family home as well as some of Harold’s art work with their younger half-brother Matthew (Ben Stiller) handling all of the finances. The unemployed Danny and Jean agree to create a retrospective at the Bard for Harold following an event for Harold’s old friend L.J. Shapiro (Judd Hirsch) where Danny reunited with his childhood friend in Shapiro’s daughter Loretta (Rebecca Miller). Yet, that event would prompt some issues from Harold who is jealous towards Shaprio’s success claiming that Shapiro is mediocre compared to himself. The section on Matthew who visits New York City from Los Angeles where he is starting his own accounting business deals with the fact that his own success doesn’t really impress his father as it also causes resentment from his half-siblings whom he is convinced are damaged because of their father. When Harold becomes ill due to the injuries he had sustained some time earlier, the siblings and Eliza deal with the possibility of his impending death as the script also showcase dialogue where Baumbach often have characters talking over one another as it play into the dysfunction of themselves and relationship with one another.

Baumbach’s direction does have some style yet much of his compositions are straightforward as much of the film is shot on location in New York City as well as areas upstate with Sarah Lawrence College playing the role of Bard. Baumbach does use wide shots that do play into some of the locations but much of his compositions emphasize on close-ups and medium shots to play into the interaction between the characters in the film. Notably as there are these elements that feel loose such as the first scene of Danny trying to find an open parking spot as he and Eliza are about to meet Harold as Baumbach also play into some of the awkwardness that is happening that includes some of the strange cuisine that Maureen has created. Baumbach’s approach to humor doesn’t play into these sexually-provocative student films that Eliza has created for her film class but also in the way the siblings react to a situation involving their father such as a scene of Matthew trying to go after a man who had mistakenly taken Harold’s coat.

Baumbach also plays into these moments of tension as it relates to Matthew’s absentee presence as it showcases a man who is still dealing with the fact that he has issues with his dad while his mother Julia (Candice Bergen) who was Harold’s third wife feels guilty over the way she treated Danny and Jean. The scenes in the second half as it relates to Harold being hospitalized and the idea of him dying does come into play where Jean does reveal a harrowing story of what happened to her as a teenager in relation to a friend of Harold a long time ago. It is followed by a moment of comical bonding for Danny and Matthew yet it would be followed by the two going to their father’s retrospective with Jean and Eliza as it showcases the pain that their father caused towards them. The film’s chapters emphasize on Danny, Matthew, Harold’s health, Jean’s story, and a final chapter on Harold’s fate but also the future that is Eliza. Yet, its ending is about these three siblings as they try to cope with their father’s shadow and how they would break out of it. Overall, Baumbach crafts a funny yet somber film about a family coping with the disappointments of their lives and the emotional chaos laid upon them from their father.

Cinematographer Robbie Ryan does brilliant work with the film’s cinematography to capture the autumn-like season of New York City and areas upstate including Massachusetts for the scenes at the hospital while maintaining some low-key lights for some of the interior scenes at night. Editor Jennifer Lame does excellent work with the editing as its usage of jump-cuts help play into some of the film’s emotionally-intense scenes along with some stylish cuts for Eliza’s student films. Production designer Gerald Sullivan, with set decorator Kris Moran and art director Nicolas Locke, does fantastic work with the look of the home that Harold and Maureen have in the city as well as Maureen’s country home upstate as it is filled with all sorts of things including the former’s art work. Costume designer Joseph G. Aulisi does amazing work with the costumes from some of the clothes that Eliza wears to the strange and hippie clothing of Maureen.

Special effects supervisor Jeff Brink and visual effects supervisor Andrew Lim do terrific work on some of the film’s minimal effects that mainly is featured in some of Eliza’s student films. Sound editor Paul Hsu does superb work with the sound in some of the sound effects that are created for Eliza’s student films but also in being straightforward of the way a gathering sounds like or how things sound in a location such as Matthew talking to his son on the phone while at a gas station. The film’s music by Randy Newman is wonderful with its low-key yet piano-based score that plays into some of the film’s melancholia with some string-based pieces in some of the dramatic moments while Britta Phillips and Dean Wareham provide some offbeat music pieces for Eliza’s student films. Music supervisor George Drakoulias creates a fun soundtrack that features music from Lisa Lisa & Cult Jam with Full Force, Cameo, Prefab Sprouts, and a few classical pieces and some original songs written by Adam Sandler and Noah Baumbach.

The casting by Douglas Aibel and Francine Maisler is incredible as it feature some notable small roles and appearances from Sigourney Weaver as herself at Shapiro’s retrospective, Josh Hamilton as a friend of Loretta at the Shapiro retrospective, Danny Flaherty as Eliza’s boyfriend Marcus, Sakina Jeffrey as Dr. Malina Soni who watches over Harold, Gayle Rankin as the nurse Pam that also watches over Harold, Jerry Matz as an old friend of Harold in Paul whom Jean dislikes, Mickey Sumner as an attendee of Harold’s retrospective at Bard that Matthew becomes attracted to, Matthew Shear as Matthew’s colleague Gabe who tries to help out in handling Harold’s financial situations, and Adam Driver in a terrific one-scene performance as a client of Matthew’s in Randy who trying to get his dream apartment made despite the lack of finances he has. Candice Bergen is fantastic in her one-scene appearance as Matthew’s mother and Harold’s third wife Julia who hadn’t seen Harold in years while laments over the way she treated Danny and Jean feeling she only made things worse for them.

Judd Hirsch is excellent as L.J. Shapiro who is an old friend of Harold who is the embodiment of what Harold could’ve been if he wasn’t much of a prick yet Hirsch is someone who often praises Harold and his work feeling that Harold should’ve gotten more recognition. Rebecca Miller is brilliant as Shapiro’s daughter Loretta who is also an old childhood friend of Danny as the two reminisce about their childhood and being the children of artists as it prompts Danny into wanting to renew a relationship with her. Emma Thompson is amazing as Harold’s fourth wife Maureen as an alcoholic artist who often wears hippie-like clothing and cooks strange feasts as she is someone who believes she has a lot in handling Harold’s financial and health situations despite the fact that she’s kind of a flake though she does mean well.

Grace Van Patten is incredible as Eliza Meyerowitz as Danny’s daughter who is about to go to Bard to study film as she creates these sexually-provocative student films while lamenting over the idea of she can make it as an artist like her grandfather. Elizabeth Marvel is remarkable as Jean Meyerowitz as a woman who works for Xerox as she never showed any ambition while spending much of her time taking care of her father while eventually sharing a secret when she was a teenager that would shock her brothers and becoming a muse for Eliza. Dustin Hoffman is marvelous as Harold Meyerowitz as moderately-successful artist who laments over his lack of major success but also has this attitude where he thinks he’s better than many yet he is a fucking prick when it comes to his kids where he does make them feel terrible as it is one of Hoffman’s great performances.

Ben Stiller is great as Matthew Meyerowitz as the youngest of Harold’s three kids and half-sibling to Jean and Danny as someone who has found success through business and accounting while dealing with the fact that his success doesn’t mean much to his father and often brings a lot of insecurities towards his siblings whom he felt never had the chance to connect with. Finally, there’s Adam Sandler in a phenomenal performance as Danny Meyerowitz as the eldest of the three siblings as an unemployed man that was once a gifted musician but quit due to his insecurities as he copes with an unresolved limp and trying to take of his father as well as the lack of connection he has with his siblings as it is a somber yet charming performance from Sandler.

The Meyerowitz Stories (New and Selected) is a sensational film from Noah Baumbach. Featuring a great ensemble cast with standout performances from Adam Sandler, Ben Stiller, Dustin Hoffman, Elizabeth Marvel, Grace Van Patten, and Emma Thompson, insightful and witty observation on family dysfunction and art, gorgeous visuals, and a terrific music score from Randy Newman. It is a rich and compelling film that explores family dysfunction as well as the idea of a family who are dealing with man’s legacy who is filled with complications and their own shortcomings but also themselves as they try to find ways to be together. In the end, The Meyerowitz Stories (New and Selected) is a spectacular film from Noah Baumbach.

Noah Baumbach Films: Kicking and Screaming (1995 film) - Highball - Mr. Jealousy - The Squid & the Whale - Margot at the Wedding - Greenberg - Frances Ha - While We're Young - Mistress America - De Palma - Marriage Story - (White Noise (2022 film)) - The Auteurs #41: Noah Baumbach

© thevoid99 2021

Thursday, September 13, 2012

Punch-Drunk Love




Written and directed by Paul Thomas Anderson, Punch-Drunk Love is the story of a lonely man who meets and falls for a mysterious woman as he pursues her while dealing with an extortion scam. The film marks a departure of sorts from Anderson’s previous efforts for something much more intimate and simpler as he aims to create a love story that involves two people who are out of sorts with conventional society. Starring Adam Sandler, Emily Watson, Luis Guzman, Mary Lynn Rajskub, Robert Smigel, and Philip Seymour Hoffman. Punch-Drunk Love is a mesmerizing yet touching romantic film from P.T. Anderson.

Barry Egan (Adam Sandler) is a business owner who is dealing with loneliness as he would often have emotional outbursts and fits of rage. Notably at a family dinner as he’s often ridiculed by his seven sisters including Elizabeth (Mary Lynn Rajskub). On one morning, Barry wakes up to see a harmonium being dropped into a street as a woman named Lena (Emily Watson) asks is she can park her car in his work place. Barry agrees as he wouldn’t see Lena again for a few days as she’s revealed to be a co-worker of Elizabeth. Dealing with his loneliness, Barry calls a phone-sex line where things get weird when the woman he talks to wants money for her rent. Barry refuses as he starts to get a strange idea to buy Healthy Choice pudding with airline mileage stickers so he can redeem some frequent flyer miles.


After seeing Lena again where the two have a date, she tells him she’s going to Hawaii for a business trip as she plans to see him again. Barry is elated until he’s being chased by a group of men who work for a mattress salesman named Dean Trumbell (Philip Seymour Hoffman) over the phone-sex money. Barry decides to go to Hawaii to see Lena as the two forge a very strange yet fruitful relationship. After they return from Hawaii, they’re attacked by Trumbell’s men where Barry manages to fight back as he decides to confront Trumbell in order to prove his devotion to Lena.

The film is really the story of this lonely, emotionally-awkward man with fits of rage who falls for an enigmatic yet captivating woman as they forge a very strange relationship in the course of a few days while he deals with an extortion scam. During the course of the film, this man would try to create a scheme of his own to buy as many pudding products to get some frequent flyer miles as a chance to go all over the world. In meeting this woman, it would make him more determined to create a scheme as he hopes to share it with the woman he is in love with.

Paul Thomas Anderson’s screenplay is more driven by characters and their actions rather than traditional plot schematics. Notably as it centers around this oddball in Barry Egan who wears the same blue suit wherever he goes. He’s a very strange man who doesn’t know how to socialize as he comes from a dysfunctional family where his sisters call him “gay boy” as he responds by destroying windows and later crying about it to his brother-in-law (Robert Smigel). In meeting Lena, it would provide the chance to get out of being lonely as well as motivate to prove his love to her. Yet, he would have these strange encounters that begins with this bizarre car crash where left behind is a harmonium that he would grow to care for. Then comes this group of brothers who want money following a phone-sex scam as they would try and threaten Barry until it involves Lena where Barry’s rage would finally take over as finds a reason to be use his anger for the sake of good.

Anderson’s direction is very stylish in the intimacy that he creates as he doesn’t go for a big scope in order to tell something that is much simpler. While the film starts off with this very strange, bizarre scene of Barry watching a car accident where he would find this harmonium. The film would have these small interludes that is filled by the artwork of Jeremy Blake to create the sense of a world that Barry wants to be a part of even though it isn’t real. Anderson would create shots that are simplistic in their presentation while maintaining a degree of style through some shots such as the scenes of Barry at the supermarket. The compositions would showcase something that has Anderson taking on ideas of humor where it’s presented naturally rather than forcefully.

Shot largely in Los Angeles with some parts of the film in Hawaii, Anderson chooses to create a film where he isn’t repeating himself visually as a lot of the lighting schemes are very low in order to create something that is dreamier. Even for many of the scenes at night where Anderson just wants to keep the visual look to be more grounded rather than emphasize too much on stylish lighting. The confrontation scenes where Barry starts to get angry shows a real sense of intensity as Anderson just has the camera fixated on Barry’s face in a medium shot to display his anger full-on. It’s part of Anderson utilizing new tricks to say something as he creates a truly engaging yet enchanting romantic film that explores the world of oddball love.

Cinematographer Robert Elswit does amazing work with the film‘s low-key photography by utilizing underexposed lighting schemes to create a grainy yet dream-like look for many of the film‘s nighttime scenes in both its exterior and interior settings to emphasize a gorgeous look to the film. Editor Leslie Jones does excellent work with the editing to create a more straightforward approach to the cutting while utilizing some rhythmic cuts for some of the film’s scenes in the supermarket. Production designer William Arnold, along with art director Sue Chen and set decorators Jay Hart and Lori A. Noyes, does terrific work with the set pieces such as the place that Barry works at along with the apartment that Lena lives in.

Costume designer Mark Bridges does nice work with the costumes from the blue suit that Barry wears to the red dress that Lena wears. Sound editor Phil Benson and sound designer Christopher Scarabosio do wonderful work with the sound such as the film‘s opening sequence as well as the dinner scene that overlaps a lot of the conversation that is interrupted by Barry‘s rage. The film’s music by Jon Brion is definitely one of his best scores as it’s driven by a harmonium to play off the serenity of the film’s romance that includes lush string arrangements. The soundtrack features a mixture of cuts by Conway Twitty, Lady K, and a remixed version of Harry Nilsson’s He Needs Me sung by Shelly Duvall from the Robert Altman film Popeye.

The casting by Cassandra Kulukundis is brilliant for the small ensemble that is created as it features some notable small roles from Robert Smigel as Barry’s brother-in-law, Luis Guzman as Barry’s co-worker Lance, and Mary Lynn Rajskub as his sister Elizabeth. Philip Seymour Hoffman is great in a small but menacing performance as Dean Trumbell who tries to boss around Barry only meet his match in their big confrontation scene. Emily Watson is incredible as Lena where Watson displays a sense of low-key charm and warmth to a woman who sees offbeat but there is something about that is endearing as it is definitely Watson at her best. Finally, there’s Adam Sandler in an astonishing performance as Barry Egan as Sandler creates a character that is troubled yet sympathetic character who is odd yet loveable. It’s Sandler displaying that he definitely has range as it is really the best performance of his career.

Punch-Drunk Love is an exquisite yet ravishing film from P.T. Anderson that features marvelous performances from Adam Sandler and Emily Watson. While it’s a film that doesn’t have the ambitious scope of Anderson’s other films, its approach to romance and drama is still engaging for the way he creates a very unconventional yet heartfelt story. Even as it features lush imagery and an exotic score that helps soar the film into uncharted territory. In the end, Punch-Drunk Love is a magnificent film from Paul Thomas Anderson.

P.T. Anderson Films: Hard Eight/Sydney - Boogie Nights - Magnolia - There Will Be Blood - The Master - Inherent Vice - Junun - Phantom Thread - Licorice Pizza - One Battle After Another

Related Reviews: The Short Films & Videos of P.T. Anderson - The Auteurs #15: Paul Thomas Anderson

© thevoid99 2012