Die Hard

Based on the novel by Nothing Lasts Forever by Roderick Thorp, Die Hard is the story of a NYPD officer who travels to Los Angeles to meet his estranged wife at an office party where a group of terrorists has taken over the building forcing the officer to take on these men by himself. Directed by John McTiernan and screenplay Steven E. de Souza and Jeb Stuart, the film is an action film set in a high-rise building in Los Angeles where a regular NYPD officer has to take on a group of highly elite criminals inside the building as the role of John McClane is played by Bruce Willis. Also starring Bonnie Bedelia, Reginald VelJohnson, Alexander Godunov, William Atherton, Paul Gleason, Hart Bochner, and Alan Rickman as Hans Gruber. Die Hard is an ass-kicking and thrilling film from John McTiernan.

Set during the Christmas holidays, the film revolves around a simple and no-nonsense New York City police officer in John McClane who arrives to Los Angeles to visit his estranged wife Holly (Bonnie Bedelia) at the Nakatomi building in the city where an office party is crashed by a group of elite terrorists led by Hans Gruber. For McClane who was able to hide from the festivities, he realizes what needs to be done to save his wife and many other people in the building. Especially as McClane would kill a few bad guys to get the attention of the LAPD and later the FBI as he would have to do everything while not wearing shoes. It’s a film that has a simple premise that is quite typical of action-based suspense-thrillers but what makes it so much more than that aren’t just the characters but also the situation itself and what goes on in and outside of the building.

The film’s screenplay definitely strays away from some of the conventions that is expected in action films largely due to the characters that are created. John McClane is a simple police officer who is good at his job despite being a bit reckless as he knows what to do when trouble emerges. Plus, he’s someone that is very quick-witted and sort of imagines himself as a cowboy because he stands for what is right in the world. In Hans Gruber, McClane finds the perfect opponent as Gruber is a man that is the epitome of highly-elite Euro-trash that can deliver great speeches and knows how to be intimidating. Even as he can do all sorts of negotiation and such to get what he wants when he is really a thief that just wants to steal a shitload of money with his organization. Once he and his group have to deal with McClaine, they realize that they’re messing with someone who is a very unlikely opponent that they’re underestimating. At one point, Gruber would encounter McClane where he pretends to be an office worker who had escaped from the melee.

The script also plays into action outside of the building where McClaine kills a terrorist and uses a walkie-talkie to talk to the LAPD officer Sgt. Al Powell (Reginald VelJohnson) who would be his only contact outside of the building after a dead terrorist’s body was dropped on Powell’s car. The script would also have moments of humor as it relates to the LAPD deputy chief Dwayne T. Robinson (Paul Gleason) who tends to say stupid things as he has no clue what he’s doing to handle the situation. Plus, there’s two FBI agents both named Johnson (Robert Davi and Grand L. Johnson) who would take over only to really make more of a mess of things which only motivates McClane to do what is right. Another subplot that is added to the film involves a news reporter in Richard Thornburg (William Atherton) who wants to get the scoop as he would also jeopardize the life of Holly who has been using her maiden name so that Gruber wouldn’t know who she really is. All of which does play into McClane not only saving his wife and her co-workers but also uncover exactly into what Gruber and his goons are trying to do.

John McTiernan’s direction is definitely engaging not just for the intimacy and air of suspense that he puts in his approach to action sequences but balance it with drama and humor. The film does start off as a comical and enjoyable film where McClane meets his chauffer Argyle (De’voreaux White) as McClane would attend this office Christmas party where his wife his at as it establishes what is going on and why McClane is there. Then comes Gruber and his gang where it has this edge into what is going to happen where McTiernan’s use of wide and medium shots come into play to showcase the action. Especially where McTiernan creates some unique camera angles in some eerie set pieces including a scene where McClane hides in a vent where there’s some very funny remarks that McClane makes. The usage of high and low angles help play into the suspense as well as the scenes where the terrorists battle it out with the LAPD where it shows how efficient and professional these guys are. When they face McClane, they really underestimate how good McClane is when he’s armed with machine guns and explosives.

The action sequences are definitely extravagant which does involve lots of explosions and gunfire as it adds to the sense of chaos that emerges where McClane has to not just face these terrorists but also authorities who have no clue what they’re doing with the exception of Sgt. Powell who is also a no-nonsense cop. McClane’s conversations with Powell not just add elements to the drama but also play into the fact that these are two men who play by a set of old-school rules while dealing with men who play by a new set of rules. All of which leads to an explosive climax that involves McClane and Gruber as it plays into McClane’s own sense of fantasy of being a cowboy doing what is right for a world that is becoming very complicated and messy where people have their own agendas rather than do something good for the world. Overall, McTiernan creates a truly riveting and exhilarating film about a simple NYPD taking on a group of highly-elite bad guys.

Cinematographer Jan de Bont does excellent work with the film‘s nighttime cinematography for its exteriors while using some unique lighting schemes and mood to play into the interior settings as well as the air of suspense. Editors John F. Link and Frank J. Urioste do brilliant work with the editing with its usage of rhythmic cuts to play into the action while slowing things down for the suspense and dramatic moments. Production designer Jackson de Govia, with set decorator Philip Leonard and John R. Jensen, does amazing work with the look of the Nakatomi building interiors including its main office hall where the party is at as well as the other parts of the building. Costume designer Marilyn Vance does nice work with the costumes from the suit that Gruber wears to the more casual look of McClane. Sound editor Richard Shorr does fantastic work with the sound to play into the layers of gunfire and explosion that occurs in the building. The film’s music by Michael Kamen is superb for its bombastic orchestral score and flourishing string arrangements to play into the sense of excitement while its soundtrack features some classical pieces as well as holiday songs including a future classic by Run-DMC.

The casting by Jackie Burch is incredible as it features notable small roles from Lorenzo Caccialanza, Al Leong, Andreas Wisniewski, and Dennis Hayden as some of Hans’ henchmen, Taylor Fry and Noah Land as John and Holly’s children, De’voreaux White as McClane’s young and witty limo driver Argyle, Clarence Gilyard as Gruber’s hacker Theo, Hart Bochner as the sleazy and idiotic Nakatomi executive Ellis, and James Shigeta as Holly’s boss Takagi whom Gruber would target into trying to give him the code for the vault. William Atherton is terrific as the arrogant news reporter Richard Thornburg who is willing to do anything to get a story as he would blackmail his way to get information about John McClane in order to exploit his family. Paul Gleason is superb as deputy chief Dwayne T. Robinson who tends to say idiotic things in his attempt to get control only to screw things up. Robert Davi and Grant L. Bush are fantastic as the FBI agents Johnson as these two men who arrive only to screw things up for McClane and unknowingly give Gruber what he wants.

Reginald VelJohnson is excellent as Sgt. Al Powell as a straight-laced cop who would have an encounter with the terrorists as he would aid McClane through walkie-talkies about what he’s facing. Alexander Godunov is brilliant as Hans’ lead henchman Karl who wants McClane dead after McClane killed his younger brother as he is a very menacing man. Bonnie Bedelia is amazing as McClane’s estranged wife Holly who takes charge for her co-workers as she is able to talk to Gruber while worrying if her husband can still get things through. Alan Rickman is magnificent as Hans Gruber as it’s a performance for the ages where Rickman really showcases some charm and wit to his character but is also a very cunning antagonist that exemplifies the idea of Euro-trash as it’s a real breakthrough for Rickman. Finally, there’s Bruce Willis in an incredible performance as John McClane as it’s a performance that has Willis be the everyman as someone that is just trying to do his job as a cop. Especially as he isn’t the most agile guy as he has to do everything while being barefooted as it’s really an iconic performance for Willis.

Die Hard is an absolutely sensational film from John McTiernan that features great performances from Bruce Willis and Alan Rickman. The film is without question one of the pillars of what action films should be as well as giving audiences something more by creating characters audiences can root for as well as a villain that manages to be so fun to watch. It’s the kind of film that manages to do more for its genre while also being a fun film to watch during the Christmas holidays. In the end, Die Hard is a phenomenal film from John McTiernan.

John McTiernan Films: (Nomads) - (Predator) - (The Hunt for Red October) - (Medicine Man) - (Last Action Hero) - (Die Hard with a Vengeance) - (The 13th Warrior) - (The Thomas Crown Affair (1999 film)) - (Rollerball (2002 film)) - (Basic)

Die Hard Films: (Die Hard 2) - (Live Free or Die Hard) - (A Good Day to Die Hard)

© thevoid99 2015

Harry Potter & the Deathly Hallows Pt. 2

In the second part of Harry Potter & the Deathly Hallows, Harry Potter must complete his task to find the remaining Horcruxes in order to defeat Lord Voldemort. With longtime friends Ron Weasley and Hermione Granger helping out, the trio learn more about the life of Albus Dumbledore as well as the remaining Horcruxes leading to a climatic battle at the Hogwarts School of Wizardry and Witchcraft. Directed by David Yates and screenplay by Steve Kloves based on J.K. Rowling’s novel, the film marks as the conclusion of the entire Harry Potter series. Starring Daniel Radcliffe, Emma Watson, Rupert Grint, Michael Gambon, John Hurt, Maggie Smith, Alan Rickman, Tom Felton, Jason Issacs, Julie Walters, James & Oliver Phelps, Bonnie Wright, Evanna Lynch, Matthew Lewis, Ciaran Hinds, and Ralph Fiennes. Harry Potter & the Deathly Hallows Pt. 2 is a magnificent conclusion for the film franchise.

With Lord Voldemort (Ralph Fiennes) finally obtaining the Elder Wand, Harry Potter (Daniel Radcliffe), Ron Weasley (Rupert Grint), and Hermione Granger (Emma Watson) hide out at Shell Cottage, the home of Ron’s eldest brother Bill (Domhnall Gleeson) and his wife Fleur (Clemence Poesy). When Harry learns that the next Horcrux is at the vault of Bellatrix Lestrange (Helena Bohnam Carter) as they ask the goblin Griphook (Warwick Davis) to help break in the vault. Griphook does so but asks for the sword of Gryffindor in return as Harry reluctantly makes a deal while learning from the wandmaker Ollivander (John Hurt) about the Elder Wand.

With Hermione disguised as Bellatrix through the Polyjuice Potion, they break in as they find the cup of Hufflepuff in Bellatrix’s vault only to get into trouble and escape with the help of a dragon. Harry then realizes that Voldemort knows what is going on where Harry finds the next location of the fifth Horcrux at Hogwarts. Arriving into the Hogsmeade village and evading Death Eaters, they are saved by Aberforth Dumbledore (Ciaran Hinds) who reveals what’s been happening. When a secret passage opens in Aberforth’s home, Neville Longbottom (Matthew Lewis) appears as he takes the trio to Hogwarts where Harry confronts Severus Snape (Alan Rickman) over the death of Albus Dumbledore (Michael Gambon).

With Snape escaping and Hogwarts in danger, Professor McGonagall (Maggie Smith) along with fellow Hogwarts teachers and members of the Order of the Phoenix get ready for battle. With help from Luna Lovegood (Evanna Lynch), Harry meets the Grey Lady (Kelly Macdonald) who tells him the whereabouts of the Ravenclaw diadem. With Ron and Hermione destroying the Hufflepuff cup and the diadem also getting destroyed, Harry learns that Voldemort is getting weaker as the battle continues. There, he learns about the remaining Horcruxes including some information from Snape about the seventh prompting Harry to get into a confrontation with Voldemort.

The second part of The Deathly Hallows has Harry, Ron, and Hermione continue their trek to search for the remaining Horcruxes leading to a climatic battle at Hogwarts. During this battle, Harry learns more about his connection to Voldemort leading to revelations about why he had survived the Killing Curse a long time ago. It is there that loyalties are revealed along with whose side Severus Snape was on and why did Dumbledore had been so secretive. Yet, it all comes down to the eventual showdown between Harry and Voldemort where Harry knew what he had to do in order to beat him.

Steve Kloves’ script is excellent for the way he creates a sense of dread of everything that is happening along with the stakes into defeating Voldemort. Characters such as McGonagall and Neville definitely get a chance to take charge in the battle where Neville gets an amazing monologue in final moments leading to one final confrontation between the Death Eaters and the Order/Dumbledore’s Army. While Kloves cut out some material to keep things going which isn’t surprising with a lot of adaptations. He keeps things faithful throughout while one of the subplots about Dumbledore’s family life gets cut which was a bit prevalent in the first part of The Deathly Hallows.

David Yates’ direction is truly phenomenal from some of the intimate and quieter moments of the film to the big spectacular sequences that is created. Among them is the climatic Battle of Hogwarts where there’s a mix of humor and drama while it’s all about the intensity and chaos of war. From the wide shots to let audience see Hogwarts in full scale to some close-ups and hand-held shots for the battle scenes. Yates becomes very engaging while mixing in some moments during battle such as Snape and Voldemort’s meeting that becomes one of the most crucial moments in the film. During Harry’s battle with Voldemort, Yates manages to make things grittier than what some expect with the close-ups on the two men as it is one of the most exciting moments of the film.

While the film has a running length of 130 minutes, there’s a feeling that it could’ve been longer though Yates and Kloves manages to simplify things a bit. Then there’s the film’s epilogue which is among one of the things that divides Harry Potter fans. The epilogue turns out to be not the great disaster some predict with the makeup for the characters in the film not as bad as it seems. Yet, it does provide what is certainly a fitting close not to the film but the entire Harry Potter story as well. In the end, Yates creates an amazing film that gives the Harry Potter franchise a proper farewell.

Cinematographer Eduard Serra does a wonderful job with the cinematography from the dark-colored saturated look to the battle scenes and interiors such as the Gringotts caves. Serra also brings a more naturalistic look of the English landscape scenes including a small scene in Snape‘s memory sequence. Editor Mark Day does a really good job with the editing as he maintains a tight, leisured pace throughout the film while playing to jump-cuts and other rhythmic flourishes for the battle sequences in the film.

Production designer Stuart Craig, along with set decorator Stephanie McMillian and a large team of art directors, does a brilliant job with the look for the Shell Cottage along with Gringotts and Hogwarts as it goes into ruins for the climatic battle scene. Costume designer Jany Temime does a good job with the costumes from the Hogwarts uniforms to the decayed, ragged clothing that the trio and many other characters wear during the battle. Visual effects supervisors Matt Jacobs, John Moffatt, and Chris Shaw do some fantastic work with the visual effects such as the dementors, spells, giants, creatures, and other things to enhance the magical world including to the shield in the battle scene.

Sound designer Dominic Gibbs and sound editor James Mather do a superb job with the sound work from the way spells are cast to the sounds of destruction that goes on throughout the film. The film’s score by Alexandre Desplat is great for its sweeping orchestral pieces for many of the film’s big moments such as the Gringotts break-in and the Battle of Hogwarts plus some more melancholic, dramatic pieces for scenes involving death.

The casting by Fiona Weir is truly phenomenal for the array of actors and appearances from actors who appeared in previous films to smaller characters who get their moments to shine. Making small appearances from previous films include Jim Broadbent as Horace Slughorn, Miriam Margolyes as Professor Sprout, Emma Thompson as Professor Trelawney, David Bradley as Argus Filch, Gemma Jones as Madam Pomfrey, Katie Leung as Cho Chang, Josh Herdman as Goyle, Devon Murray as Seamus Finnigan, Alfie Enoch as Dean Thomas, Jessie Cave as Lavender Brown, and Gary Oldman in a wonderful appearance as Sirius Black. Adrian Rawlins and Geraldine Sommerville are good as Harry’s late parents along with David Thewlis as Remus Lupin, Natalia Tena as Tonks, Clemence Poesy as Fleur Delacour-Weasley, Domhnall Gleeson as Bill Weasley, James & Oliver Phelps as Fred & George Weasley, and Mark Williams as Arthur Weasley.

Notable standout performances include Maggie Smith as Professor McGonagall, Warwick Davis in dual roles as Griphook and Professor Flitwick, Robbie Coltrane as Hagrid, Kelly Macdonald in a wonderful small role as the Grey Lady, Jason Issacs and Helen McCrory as Lucius and Naricssa Malfoy, John Hurt as Ollivander, and Julie Walters in an outstanding performance as Molly Weasley who gets to say her big line. Helena Bohnam Carter is excellent as the devious Bellatrix Lestrange as she even gets to be funny when Hermione inhabits her character while Ciaran Hinds is very good as the secretive Aberforth Dumbledore. Evanna Lynch and Bonnie Wright are superb in their respective roles as Luna Lovegood and Ginny Weasley as both young ladies prove to be quite powerful.

Matthew Lewis is amazing as Neville Longbottom as he finally fulfills his character’s long development as the kid who couldn’t hang to a full-fledge badass who delivers a great monologue towards the end of the film. Tom Felton is really good as Draco Malfoy who tries to play his part in battle only to realize the magnitude of Voldemort’s madness. Michael Gambon is great as Albus Dumbledore in the few scenes he has where he explains about Harry’s situation in Snape’s memory scenes. Alan Rickman is wonderful as he is the real standout performance as Severus Snape, a man whose true allegiance is revealed as Rickman brings a heartbreaking performance in the memory scenes. Ralph Fiennes is magnificent as Lord Voldemort as a bit of his vulnerability is revealed through his rage as Fiennes adds a sense of madness into Voldemort as he’s becoming unhinged.

Rupert Grint and Emma Watson are spectacular in their respective roles as Ron Weasley and Hermione Granger as they help Harry in their mission while the two finally gets to share a kiss in one of the film’s grand moments. Finally, there’s Daniel Radcliffe in a towering performance as Harry Potter by making his character the heroic figure that he is. Even as Radcliffe sells the anguish and vulnerability of his character in his connection to Voldemort while proving that he’s not going to back down.

The second part of Harry Potter & the Deathly Hallows is a magical yet awesome film from David Yates and company. With an amazing cast and spectacular sequences that gives the fans what they want and more. Yates creates a film where the Harry Potter franchise goes out with a bang and in grand style. If both parts of The Deathly Hallows were to become one entire film, it would’ve been the best of all the films of the Harry Potter series. In the end, Harry Potter & the Deathly Hallows Pt. 2 is a superb film that allows the Harry Potter universe to say a fond yet grand farewell.

Harry Potter Reviews: Novels: Harry Potter & the Sorcerer's Stone - Harry Potter & the Chamber of Secrets - Harry Potter & the Prisoner of Azkaban - Harry Potter & the Goblet of Fire - Harry Potter & the Order of the Phoenix - Harry Potter & the Half-Blood Prince - Harry Potter & the Deathly Hallows

The Films: Harry Potter & the Sorcerer's Stone - Harry Potter & the Chamber of Secrets - Harry Potter & the Prisoner of Azkaban - Harry Potter & the Goblet of Fire - Harry Potter & the Order of the Phoenix - Harry Potter & the Half-Blood Prince - Harry Potter & the Deathly Hallows Pt. 1

Related: Fantastic Beasts & Where to Find Them - Fantastic Beasts: The Crimes of Grindelwald

© thevoid99 2011

Sense & Sensibility (1995 film)

Originally Written and Posted at Epinions.com on 4/2/09 w/ Additional Edits & Revisions.

Still popular for many years, the novels of Jane Austen has been ready by countless readers throughout the years. One of Austen's most popular novels is her first published novel called Sense & Sensibility released in 1811. The novel tells the story of two sisters who fall in love and deal with heartbreak while moving to a home as their left destitute when their father gives his estate to their half-brother. The book has been acclaimed by many readers though a film adaptation has been attempted for several years. While a 1981 TV serial was the first attempt some acclaim, it would be another adaptation in 1995 that would help create a new wave of film adaptations of Jane Austen's novels as the famed novelist would gain a new generation of fans through both books and film adaptations.

The 1995 film version of Sense & Sensibility tells the story of three sisters and a mother left destitute due to an inheritance deal as they move to a cottage with their relatives. Two sisters would fall in love and deal with heartbreak as their lives would change. Helming the film adaptation is Taiwan-born director Ang Lee, who had just come off the critical acclaim of his third film Eat Drink Man Woman as he makes his first Hollywood-style production. Writing the adaptation is actress Emma Thompson who takes on the role of Elinor Dashwood. Also starring Kate Winslet, Hugh Grant, Alan Rickman, Greg Wise, Gemma Jones, Imelda Staunton, Robert Hardy, Hugh Laurie, Imogen Stubbs, and Tom Wilkinson. Sense & Sensibility is a charming, dramatic, and wonderfully humorous film from Ang Lee.

After hearing his the last request of his dying father (Tom Wilkinson), John Dashwood (James Fleet) gets his inheritance only if he would take care of his stepmother (Gemma Jones) and his three half-sisters.  Unfortunately, John's wife Fanny (Harriet Waller) has ideas of her own forcing Mrs. Dashwood, Elinor, Marianne (Kate Winslet), and Margaret (Emilie Francois) out of their estate and a small inheritance which isn't enough.  Fanny's brother Edward Ferrars (Hugh Grants) makes a visit as he befriends Elinor and Margaret as he helps them gather their things much to Fanny's chagrin.   Moving to a cottage that is owned by Mrs. Dashwood's cousin Sir John Middleton (Robert Hardy) and his wife (Elizabeth Spriggs), the Dashwood women are invited to tea where Colonel Christopher Brandon (Alan Rickman) makes a visit as he becomes smitten by Marianne during a piano performance.

With Brandon befriending Marianne and Elinor longing for Edward, who remains in London and manages to mail Margaret's atlas book, Marianne walks with Margaret as they meet John Willoughby (Greg Wise) whom Marianne falls for.  Brandon holds a picnic with Mrs. Jenning's daughter Charlotte (Imelda Staunton) and her husband Mr. Palmer (Hugh Laurie) as their cousin Lucy Steele (Imogen Stubbs) attend.  Yet, the picnic is abruptly cancelled when Brandon had to go to London that only furthers Marianne's attraction to Willoughby who also has to go to London to meet with his aunt Lady Allen.  The distraught Marianne gets upset until an invite from the Palmers to go to London with Lucy and Mrs. Jennings has her wanting to see Willoughby while Eilnor reluctantly goes to London to accompany Marianne.  

During their trip to London, Marianne learns some news that devastates her while Col. Brandon reveals to Elinor about Willoughby.  Elinor also meets Edward already knowing about his secret engagement to Lucy, which eventually gets revealed putting Edward in trouble until Col. Brandon makes a deal for Edward that he couldn't refuse.  Returning to Devonshire with the Palmers and Col. Brandon, the Dashwoods stay at the Palmers where Marianne becomes ill prompting Elinor to ponder if she and her sister will ever find happiness.

One of the key traits of Jane Austen's novels is strong female protagonists. In this story, we have two in Elinor and Marianne Dashwood. Two sisters both mourning the death of their father and having to lose their home to their selfish, greedy sister-in-law. When they each encounter suitors who might seem fine for them only to realize something more complicated in their own lives. They face heartbreak and such while it's the bond between Elinor and Marianne that is unique. Emma Thompson, who is a devoted fan of Austen's novels, does a fantastic job with the adaptation in taking on what is needed for the story and such. Though with all adaptation, it's not perfect due to what details that are cut and such. Still, Thompson captures the heart of the story and its characters.

Thompson's screenplay is filled with plot structure and plot points that carry the story as it transitions from this lightly-humored story to something more dramatic. From its opening scene of the dying Mr. Dashwood telling his son to take care of Mrs. Dashwood and his half-sisters. Once the audience is introduced to Fanny, it's clear that the Dashwood women will be in trouble. When audiences get to know Elinor, it's clear she's kind of the head of the family who is organizing things and taking care of everyone. Including her mother, who is grieving, and her youngest sister Margaret who is adventurous and finds comfort in the likes of Edward and Col. Brandon. Marianne is a young woman who is just being helpful until she comes across Willoughby as she becomes lovesick over him. When Willoughby is forced to break off the relationship due to troubling circumstances and is forced to fend off Marianne. She becomes heartbroken and distraught only to go into illness when she walks towards Willoughby's home in the rain.

While Austen has been known for creating stories with strong women, there's always men in her stories that are just as complex. Edward Ferrars arrives as a man who is shy and at times, stutters when he's nervous yet provides a sense of charm and wit that Margaret enjoys and something comforting for Elinor. Yet, when it's revealed that he's engaged to someone else. He has no idea how to say all of this because he deeply cares for Elinor but doesn't want to hurt her or Lucy. Yet, Ferrars is a man that is certainly a joy to watch with flaws and all while revealing that he's just someone into simple things.

The character of Colonel Brandon is seen as a melancholic, morose man who had lost a great love in his life years ago and seems disconnected to some degree. The moment he hears Marianne sing and sees her play, it's as if he is awaken as it's love at first sight for the middle-aged army colonel. Becoming fully attentive to her needs and giving her flowers and such. It all goes well until the appearance of Willoughby where he finds himself competing with the younger, more dashing man. Brandon nearly concedes until learning what Willoughby had done as he focuses his sole attention towards Marianne.

Thompson's screenplay is rich with its development of characters and broad, light humor. Nearly every character gets a chance to shine whether it is through humor or drama. Helming all of this is Taiwanese director Ang Lee in his first English-language film debut. An outsider like Lee in doing a 19th Century period piece might seem like it could go wrong. Instead, Lee's straightforward direction with rich compositions, wide shots, and intimate scenery is mesmerizing in everything he captures. Even in allowing the humor to be well-played with such subtlety and the drama being restrained for the most part except in a few scenes. Lee also creates a great mix of humor and melancholia in a few scenes. Notably a scene in which Margaret, Marianne, and Mrs. Dashwood are all in their rooms crying with Elinor sitting on the stairs listening to them.

The way Lee captures those scenes along with the dramatic moment that includes long, wide shots of these hills and mountains of the English countryside. In other dramatic moments at the cottage that the Dashwood women live in, Lee knows when to pull the camera away for unique compositions and scenery as if he knows not to impose on the characters in these emotional moments. Lee also creates unique shots like a crane shot on a party scene from the inside or a shot from the ceiling to see what is happening. The creative compositions Lee creates along with his staging of the drama is purely rich and intoxicating in every scene he creates. It's a testament to his talent as he's regarded as one of cinema's great directors.

Cinematographer Michael Coulter does fantastic work with the film's cinematography from the gorgeous, exterior rainy day shots of the English countryside to the days of sunshine where it's done with little tricks and such. The interior scenes are truly majestic and dream-like to the period setting at hand. From the sepia-like candlelight shots of the nighttime exteriors to the shading of light through the windows. Coulter's work is magnificent in its atmosphere and devotion to the period in its look. Lee's longtime editor Tim Squyres does excellent work with the film's editing in the use of dissolve transitions and straight cuts to give the film a leisurely pace that isn't too slow. Squyres plays to the rhythm of the drama and humor with his cutting while moving the film from scene to scene with such ease without losing its rhythm and pace.

Production designer Luciana Arrighi along with set decorator Ian Whittaker and art directors Philip Elton and Andrew Sanders do an amazing job in the look of the estates and cottages of 19th Century England with its tables, appliances, and such. Even the huge atlas book that Margaret is fond of is well-made along with other little details including carriages. The art direction overall is superb in its authenticity including the costume design by Jenny Beaven and John Bright. The costumes from the suits the men wear with top hats and coats to the dresses the women wear from the simpler to the more lavish. The costume design is purely splendid in its detail and look. Sound editor Steve Hamilton does a great job in the sound work from the nature-like atmosphere of the countryside to the more busy, chaotic sounds of London. Even the interior scenes from the sounds of the floor to the clinks of tea are all masterfully captured.

The film's score by Patrick Doyle is wonderfully subtle and rich with its arrangements of piano-driven flourishes to more orchestral, broader sounds to play up the film's drama. Doyle's score is truly majestic while includes some traditional piano pieces played by Winslet who also sings in the film.

The casting by Michelle Guish is phenomenal in the casting of nearly every part of the film. From small appearances from Lone Vidahl as Lady Grey, Allan Mitchell as Mrs. Jennings' butler Pigeon, Oliver Ford Davies as Dr. Harris, and as the Dashwood women's loyal servants, Isabelle Amyes as Betsy and Ian Brimble as Thomas. Other notable performances from Richard Lumsden as Robert Ferrars and Tom Wilkinson in a small but memorable appearance as Mr. Dashwood are excellent. Small but memorable performances from Imelda Staunton as Charlotte Jennings Palmer and Hugh Laurie as her annoyed husband Mr. Palmer are funny with Laurie being all deadpan in his humor. Robert Hardy as Sir Middleton and Elizabeth Spriggs as Mrs. Jennings are also funny for their lavish personalities as they say the wrong things yet bring laughs in nearly every scene they're in.

James Fleet is good as John Dashwood, the half-brother who inherits everything while Harriet Waller is brilliant as the scheming, snobbish Fanny who wants everything for herself. Imogen Stubbs is wonderful as Lucy Steele, Edward Ferrars' secret fiancee who befriends Elinor though her intentions are good and just wants to be part of a family. Greg Wise is excellent as Willoughby, the dashing young man who falls for Marianne only to be hindered by his own troubles and later, rejecting her. Emilie Francois is great as Margaret, the youngest Dashwood girl who has a love of adventure and exploration as she has some great scenes with Hugh Grant doing some pretend sword fighting. Gemma Jones is good as Mrs. Dashwood, the grieving widow who is living with her daughters while dealing with some of Elinor's judgements over Willoughby and her fears for her daughters' future.

Hugh Grant is extraordinary as Edward Ferrars, the shy, stuttering man who falls for Elinor but deals with his loyalty towards Lucy while hoping for a simple life. Grant's subtlety and light, comic-timing is perfect for the character who is flawed but honorable as it's masterfully performed with such restraint from Hugh Grant. Alan Rickman, known to American audiences in villain-like roles as Hans Gruber in Die Hard and the complex Professor Snape in the Harry Potter films, is amazing as the melancholic, middle-aged Colonel Brandon. Rickman's restrained performance is a marvel to watch as he pines for Marianne and being attentive to her needs while forced to watch in the sidelines as she falls for Willoughby. Rickman is a real surprise as he has great scenes with both Emma Thompson and Kate Winslet while being the man that every woman needs in terms of loyalty and attention.

In one of her pre-Titanic film roles, Kate Winslet is phenomenal as Marianne. The innocent, lovesick young lady who deals with her first love and heartbreak over Willoughby only to find comfort in Col. Brandon shows Winslet in one of her great performances. Filled with humor, charm, and melodrama, it's a performance from a young actress who would later become a force in the years to come as it has Winslet showing her talents that rank up there with veterans like Thompson and Rickman. Emma Thompson is superb as Elinor Dashwood, the elder sister who is trying to take care of things while falling for the young Edward Ferrars. Thompson's subtle, hardened performance is one of the actresses great roles as she rarely displays any heavy emotions until the third act. It's a magnificent performance from the great actress who rarely gives bad performances as she displays herself with dignity and grace.

Released in late 1995, the film drew rave reviews as it was also a modest box office hit. The film garnered several nominations for the Academy Awards with a surprise win for Emma Thompson in the Best Adapted Screenplay category. The film also helped raise Ang Lee's profile as he officially arrived in Hollywood where he would have a career with several critical hits and landmark films for the years to come. The film also helped mark a new revival in the works of Jane Austen which was also helped by Amy Heckerling's adaptation of Emma in the hit teen-comedy Clueless released earlier that summer.

Sense & Sensibility is a majestic, charming, and remarkable film from Ang Lee featuring a superb cast led by Emma Thompson, Kate Winslet, Hugh Grant, and Alan Rickman. Fans of Jane Austen's work, whether in film or books, will enjoy the story as it's true to what Austen had envisioned. For Ang Lee, this film is truly one of his essential masterworks with such films like Crouching Tiger, Hidden Dragon, Brokeback Mountain, and The Ice Storm proving his versatility in stories and cinematic style. In the end, Sense & Sensibility is a film that is entertaining with such grace and style from the mind of Ang Lee, screenwriter Emma Thompson, and its novelist Jane Austen.

Ang Lee Films: Pushing Hands - The Wedding Banquet - Eat Drink Man Woman - The Ice Storm - Ride with the Devil - Crouching Tiger, Hidden Dragon - The Hire: Chosen - Hulk - Brokeback Mountain - Lust, Caution - Taking Woodstock - Life of Pi - Billy Lynn's Long Halftime Walk - The Auteurs #19: Ang Lee

(C) thevoid99 2011

Harry Potter & the Deathly Hallows Pt. 1 (film)

When Harry Potter emerged into the world of literature in 1997, no one thought that a story about a boy who becomes a powerful wizard would become a pop culture phenomenon. J.K. Rowling’s Harry Potter series is among one of the most popular series of novels as it would also spawn everything relating to Harry Potter including films. In the fall of 2001, the first film adaptation for Harry Potter & the Sorcerer’s Stone arrived to theaters as its sequel for Harry Potter & the Chamber of Secrets followed a year later. Two years later, renowned Mexican art-house director Alfonso Cuaron took over for Chris Columbus to direct the third film Harry Potter & the Prisoner of Azkaban which was deemed by some as the best film of the series.

A year later, Mike Newell directed Harry Potter & the Goblet of Fire that featured Ralph Fiennes in the venomous role of Lord Voldemort. David Yates, eventually took over the franchise for the next two films for 2007’s Harry Potter & the Order of the Phoenix and 2009’s Harry Potter & the Half-Blood Prince as the franchise continued to remain successful at the box office. When the time came for the adaptation of the seventh and final book Harry Potter & the Deathly Hallows. Producers of the film wondered what were they going to do in giving the franchise a big send-off. While Prisoner of Azkaban director Alfonso Cuaron and fellow Mexican director Guillermo del Toro of Pan’s Labyrinth both expressed interesting in directing the final part. The job once again went to David Yates.

With screenwriter Steve Kloves taking on the job to adapt the screenplay for Deathly Hallows, producers made an announcement that has divided Harry Potter fans. It was decided that Deathly Hallows would be split into two films with the first part released in November of 2010 and the second part to be released in July of 2011. Some fans accused Warner Brothers studio of using the split to make more money. Yet, with the split decided, fans counted the days as they await the first of Harry Potter’s big finale with the first part of Harry Potter & the Deathly Hallows.

Directed by David Yates and an adapted screenplay written by Steve Kloves. The first part of Harry Potter & the Deathly Hallows tell the story of Harry Potter going on a journey with longtime friends Ron Weasley and Hermione Granger to find the remaining Horcruxes in order to defeat Lord Voldemort. During the journey, Voldemort has taken over the Ministry of Magic with everyone in the magical community under watch while Hogwarts is being run by Professor Severus Snape. While Harry, Ron, and Hermione are on the run and searching for Horcruxes, discoveries are made about the late Albus Dumbledore’s family background including links to another mysterious objects known as the Deathly Hallows.

With an all-star cast leading the series. Returning to the franchise are Daniel Radcliffe, Rupert Grint, Emma Watson, Michael Gambon, Alan Rickman, Tom Felton, Mark Williams, Julie Walters, Bonnie Wright, Helena Bohnam Carter, Robbie Coltrane, Brendan Gleeson, Matthew Lewis, Evanna Lynch, Clemence Poesy, Natalia Tena, George Harris, David Thewlis, Richard Griffiths, Fiona Shaw, Miranda Richardson, Warwick Davis, Imelda Staunton, Jason Issacs, Helen McCrory Frances de la Tour, John Hurt, Jim Broadbent, Maggie Smith, and Ralph Fiennes. Added to the series for the final film are Bill Nighy, Peter Mullan, and Rhys Ifans. The first part of Harry Potter & the Deathly Hallows is an exhilarating and hypnotic film from David Yates.

With the Ministry being threatened by Lord Voldemort (Ralph Fiennes) and his Death Eaters, Harry Potter (Daniel Radcliffe) prepares to go on a mission to find the remaining Horcruxes to destroy Voldemort. With Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson) joining the quest, they go through some dangerous missions to transport Harry to the Burrow with help from the Order. After the wedding ceremony of Ron’s eldest brother Bill (Domhnall Gleeson) and Fleur Delacour (Clemence Poesy), the trio go into hiding following an attack from the Death Eaters. At Grimmauld Place, the house elf Kreacher (the voice of Simon McBurney) revealed that the locket that trio were looking for was stolen by Mundungus Fletcher (Andy Linden). After being captured by Kreacher and Dobby (the voice of Toby Jones), Fletcher revealed he gave the locket to Dolores Umbridge.

An attempt to steal the locket from Umbridge at the Ministry was successful but the trio were unable to return to Grimmauld Place. Ron gets injured as the trio go on the run and walk through the woods avoiding Snatchers. Realizing that the sword of Godric Gryffindor could destroy Horcruxes, it’s not enough to boost morale as Ron departs leaving Hermione devastated. A trip to Godric’s Hollow where Hermione keeps seeing symbols from the book she inherited from Dumbledore. The trip to Godric’s Hollow was a disaster where Harry had an encounter with Voldemort’s snake Nagini while Hermione accidentally destroyed his wand. Then on one night, Harry sees a doe patronus leading him to the lake where the sword of Gryffindor appears in the icy lake. Ron returns to help Harry as he destroys the locket that was tormenting him.

Ron’s return get things going as they go to Xenophilius Lovegood (Rhys Ifans) who reveals the mysterious sign that Hermione sees is the symbol of the Deathly Hallows. The story of the Deathly Hallows is told though Lovegood revealed that his daughter Luna (Evanna Lynch) has been captured by Death Eaters. Following a struggle with Snatchers, the trio is sent to the home of the Malfoys were Draco (Tom Felton) reluctantly takes part in revealing Harry’s identity. With Hermione tortured by Bellatrix Lestrange (Helena Bohnam Carter), Harry and Ron are locked inside a basement with Luna, the goblin Griphook (Warwick Davis) and the wandmaker Ollivander (John Hurt) until they’re saved as the confrontation leaves a tragic death. Even as Harry learns what Voldemort had been searching for.

The first part of The Deathly Hallows is definitely the most complex of the series as it goes into epic storytelling. Yet, it’s also the film that is close to being an art house film in terms of pacing and maintaining the tone of the story. In some parts of the film, there’s moments where nothing happens. For an audience that is used to seeing mainstream blockbuster films, they will have a problem with those scenes. Yet, those scenes were part of the complaints readers when they read the book. It’s all about setting an atmosphere while revealing the uncertainty of what Harry, Ron, and Hermione will do.

Screenwriter Steve Kloves does an amazing job in keeping what is needed for the story and also take his time in exploring the characters. While the script does have flaws, notably the story of the mirror Harry is holding throughout. There was never any explanation about the broken mirror piece and who he got it from (for those who have only seen the films). While the mystery of what Harry sees in that mirror will get revealed in the second half. Kloves does however, take away a few subplots to get the main story going. Notably the one about Remus Lupin (David Thewlis) and his own struggle with the fact that he’s going to have a child with Tonks (Natalia Tena). Even the story about Dumbledore’s past isn’t given much coverage though it’s likely that story will be revealed more in the second part.

Instead, Kloves succeeds in focusing on the trio of Harry, Ron, and Hermione as the all struggle with not just the realism of war but also themselves. For Harry, having been through enough deaths around him along with two major deaths during his journey to the Burrow with Hagrid. He has a hard time not wanting to get anyone killed while dealing with the fact that he’s on a journey not sure what to do with the little information he’s been given. Even as had to deal with the images of his head connected to Voldemort where he would see Voldemort go to various people including the wandmaker Gregorovitch (Rade Serbedzija) and the elder Grindelwald (Michael Byrne).

The uncertainty and realism also takes a toll on his longtime friends in Ron and Hermione as the trio starts to splinter in periods of time. For Ron, having to live under Harry’s shadow and being injured in the journey also plays to his emotions. Even as he wore the locket for some of the time as it worsens his mood. Hermione’s own struggle with the journey leaves her emotionally devastated as she makes the hard decision to remove her parents’ memory of her. Ron’s brief departure also leaves her depressed and not willing to do anything as she loses hope.

It’s not just the emotions and transition into adulthood that Harry, Ron, and Hermione had to face. They also had to go on the run and not have the comfort and safety of their homes as well as Hogwarts. It’s the first time that audiences get to see the trio not be in school and face a very different world. One that is riddled in chaos where Muggle-born wizard and witches are being taken into a modern-day Holocaust. Hogwarts is also taken over with Severus Snape being the new headmaster. The only scene that relates to Hogwarts that is shown in the film is where Death Eaters stop the train to find Harry Potter where his classmate Neville Longbottom (Matthew Lewis) replies with his only line in the film, “he’s not here you losers”.

Kloves’ approach to the adaptation in terms of dialogue and structure is quite faithful while taking one of the series minor characters in Dobby and giving him more exposure as he plays a big part of the story. The script is faithful yet Kloves does more to make it stand out against the rest of the films.

David Yates’ direction is definitely his best work to date for the film series. While the look of the film is similar to his previous work with the series. There’s a different feel to it as he clearly goes for an art house tone for the film. Notably in the second act when Harry, Ron, and Hermione are on the run and hiding through the woods. Even as he starts the film off with Rufus Scrimgeour (Bill Nighy) giving a speech where he makes a stand against Voldemort that is intercut with Ron at the Burrow, Hermione at her home removing her parents’ memory, and Harry at the Dursleys where they leave the house.

Yates’ use that to maintain the bleak tone of the film while he also starts to recall the works of other directors for inspiration on various scenes. For the scenes in the Ministry, the scene is reminiscent to Terry Gilliam’s Brazil with flyers and posters on ridding Muggles along with posters of Harry as a wanted fugitive. The sequence also has a strange sense of humor that is reminiscent of Gilliam while its Yates creating a world that is different while the dystopia seems very real. Even as the posters of anti-Muggle propaganda looks like something from World War II. For many of the film’s second act where not much is happening and the trio are walking from city to city. Some of the bleakness is reminiscent of Children of Men by Prisoner of Azkaban director Alfonso Cuaron while that sense of nothing happening recalls the work of Gus Van Sant’s Gerry but without any long shots.

One sequence that Yates create, which is the absolute highlight of the first part of the film is story of The Tale of the Three Brothers from the book The Tales of Beedle the Bard that Hermione has inherited. The story is presented in an animation sequence is truly enchanting as the dark tone of it is balanced with elegance that is unexpected. It was something that was needed for an overly dark film that really pushes the limits of what can be done. Even for a genre that is targeted towards family where the film has some strong elements of violence, language, and a bit of sexual content that borders the line between PG-13 and the R rating. Notably Hermione’s torture sequence in the hands of Bellatrix that is very gruesome.

Yates direction is definitely superb for the way he handles action sequences as well as long scenes of dramatic nothingness. He ends the film on a dark note where tragedy is followed by triumph. Yet, the triumph really shows what Voldemort is after and it ends the film quite appropriately. The only problem with that ending is that it leaves the audience wanting for more. Yet, they would have to wait till July of 2011 for that second half. Yates isn’t at fault for this but rather the studio for splitting what could possibly be one of the greatest cinematic events to happen. A five-six hour Harry Potter film with an intermission in between. There could’ve been a roadshow presentation for it but given the climate of today’s moviegoers. That is not likely to happen and it’s a shame that a generation of filmgoers won’t experience something like a roadshow version of Harry Potter & the Deathly Hallows.

The cinematography of Eduardo Serra is superb for its array of colors and texture he provides for many of the film‘s exterior settings whether its day or night. Even as the scenes in the woods is presented with a grayish look to convey the realism that the characters are facing. The interiors for the scenes at Malfoy Manor are also given a dark look with a mixture of gray and black to convey the sense of doom that is happening. Serra’s photography is really a highlight of the film. Editor Mark Day does excellent work with the film’s editing in creating fast, stylized cuts for many of the film’s action sequences while taking a slower yet methodical rhythm for the dramatic scenes.

Production designer Stuart Craig, with set decorator Stephanie McMillan, does an amazing job in the set pieces for the Ministry with new rooms that are far more grim. Even in the look of Malfoy Manor that looks like a regal yet dark home where Voldemort is taking refuge. Costume designer Jany Temime does some very good work with the costumes, notably the dark robes of the Death Eaters including Bellatrix Lestrange and Narcissa Malfoy along with the dresses at the wedding scene. Visual effects supervisors John Moffat & Chris Shaw create some amazing visual effects including the looks of the house-elves, the Dementors, and other dazzling effects. Notably the soul of Voldemort from the cursed locket that tries to torment Ron.

The film’s best technical achievement goes to animation director Ben Hibon. Hibon’s look for the animated story sequence for The Tale of the Three Brothers is truly stunning with its look of wooden puppets and objects that would play a bigger role for the second part of the film. Sound designer Dominic Gibbs and editor James Mather do an excellent job in capturing the tone of many of the film’s action sequences along with the use of near-silence for many of the film’s second act in the scenes at the woods.

Music composer Alexandre Desplat creates a wonderful score that plays up to the emotions of the film. His orchestral flourishes and arrangements range from high-octane pieces for the film’s action to more somber cuts in the dramatic scenes. More importantly, the music is played when it’s needed while some of the scenes featured no music at all to convey the uncertainty Harry, Ron, and Hermione faced. One piece of music that appears in the film comes from Nick Cave & the Bad Seeds of their song O Children from the band’s 2004 double album Abattoir Blues/The Lyre of Orpheus. It’s an odd choice but the track works to liven up the mood Harry and Hermione were dealing with following Ron’s brief departure.

The casting of Fiona Weir is amazing for its selection of actors in the roles they play while allowing some from the previous films to return. Yet, for some of those returning players. Their brief scenes were too little. Notably Richard Griffiths, Fiona Shaw, and Harry Melling as the Dursleys as they barely appear in the film for what could’ve been an excellent scene of Harry saying goodbye to his relatives. Other notable small yet memorable roles from previous franchise players include Natalia Tena as Tonks, Matthew Lewis as Neville Longbottom, John Hurt as Ollivander, David Thewlis as Remus Lupin, George Harris as Kingsley Shacklebot, James & Oliver Phelps as Fred & George Weasley, Clemence Poesy as Fleur Delacour, Julie Walters as Molly Weasley, Mark Williams as Arthur Weasley, Miranda Richardson as Rita Skeeter, Brendan Gleeson as Mad-Eye Moody, Bonnie Wright as Ginny Weasley, and Frances de la Tour as Madame Maxime.

Newcomers to the series include some excellent small performances from Domhnall Gleeson as Bill Weasley, Andy Linden as Mundungus Fletcher, Rade Serbedzija as the wandmaker Gregorovitch, Matyelok Gibbs as Aunt Muriel, and David Ryall. For the dual roles of Gellert Grindelwald, Twilight series star Jamie Campbell Bower plays the younger version while Michael Byrne plays the older, demented version. Bill Nighy is excellent in his small role as Rufus Scrimgeour who warns Harry about the dangers that is lurking ahead. Nick Moran is wonderfully creepy as the head Snatcher Scabior while Guy Henry is good as Scrimgeour’s replacement Pius Thicknesse. Rhys Ifans is funny as the eccentric Xenophilius Lovegood who reveals Harry the story of The Deathly Hallows. Also making an outstanding performance is Peter Mullan as the Death Eater Yaxley.

Other notable standouts, who previously appeared in films include Imelda Staunton in the slimy role of Dolores Umbridge along with Robbie Coltrane as Hagrid, Timothy Spall as Wormtail, Jason Issacs (hello Jason) and Helen McCrory as Lucius and Narcissa Malfoy, and Evanna Lynch as Luna Lovegood. Tom Felton does a very good job in his small role as Draco Malfoy where he shows his newfound reluctance in being a Death Eater. Helena Bohnam Carter is brilliant as the psychotic Bellatrix Lestrange who truly shows he very crazy side to her character. Toby Jones is excellent in the voice of Dobby along with Simon McBurney as the voice of Kreacher. Ralph Fiennes is great as Lord Voldemort who shows more of a disturbed, obsessed persona as the dark wizard. Alan Rickman is also great as Severus Snape as he plays the role with such prestige and ambiguity as he takes on the role as Headmaster of Hogwarts.

Finally, there’s the three principle actors in Daniel Radcliffe, Rupert Grint, and Emma Watson. While it’s a cliché to say that it’s their best performance of the series so far. It’s also an indication of how far they’ve come since the first film. Rupert Grint adds a weariness and angst to the role of Ron Weasley. Though Grint does display some humor, he goes for more drama as a character who is having a hard time dealing with the lack of planning as well as being the sidekick to Harry Potter, which he is really not. Emma Watson also adds more emotional range to her role as Hermione. Instead of being the bookish, informative Hermione that audiences knew. Watson keeps that character in bay as she makes Hermione into a strong-willed young woman forced to deal with sacrifices and newfound harsh realities that briefly lead her into depression. It’s a far more complex performance from Watson as it’s going to lead her into the more determined persona of her character.

Daniel Radcliffe also steps his game as Harry Potter. Not only does he add realism to the character but also one reluctant to let people in on the mission. Even as Harry is coming into conflict about what he’s doing while realizing that it’s bigger than him. Even as he has trouble with the fact that he has to carry a lot of the emotional weight for everyone while dealing with Voldemort and his Death Eaters. It’s a remarkable performance from Radcliffe as he definitely reveals a more grounded, grittier Harry Potter.

The first part of Harry Potter & the Deathly Hallows is an amazing film from David Yates. While it’s not clear if it’s the best film of the series considering there’s another part of the film coming in July of 2011. It is still an entertaining and engrossing film that actually take some risks and bring something new to the tale. Fans of the books will no doubt be relieved at the adaptation though will have legitimate complaints over what got cut and such. Fans of the films however, might be challenged into some of the long scenes of nothingness in the second act along with a few plot holes. Despite a few flaws, Harry Potter & the Deathly Hallows Pt. 1 is a spectacular film from David Yates.

Harry Potter Reviews: The Novels: Harry Potter & the Sorcerer's Stone - Harry Potter & the Chamber of Secrets - Harry Potter & the Prisoner of Azkaban - Harry Potter & the Goblet of Fire - Harry Potter & the Order of the Phoenix - Harry Potter & the Half-Blood Prince - Harry Potter & the Deathly Hallows

The Films: Harry Potter & the Sorcerer's Stone - Harry Potter & the Chamber of Secrets - Harry Potter & the Prisoner of Azkaban - Harry Potter & the Goblet of Fire - Harry Potter & the Order of the Phoenix - Harry Potter & the Half-Blood Prince - Harry Potter & the Deathly Hallows Pt. 2

Related: Fantastic Beasts and Where to Find Them - Fantastic Beasts: The Crimes of Grindelwald

© thevoid99 2010

Harry Potter & the Half-Blood Prince (film)

Originally Written and Posted at Epinions.com on 7/19/09 w/ Additional Edits.

The summer of 2007 marked the release of the final Harry Potter novel Harry Potter & the Deathly Hallows in which Harry Potter battled Lord Voldemort to the death. While the novels marked an end of an era with J.K. Rowling moving on to different projects. The successful film franchise that had already spawned five successful films are ready to complete the last two books into films. With the last film set to be a two-part film released in separate years much to mixed reactions from fans of the novel. The long-awaited sixth film for Harry Potter & the Half-Blood Prince after a year of delay is finally released.

Harry Potter & the Half-Blood Prince tells the story of Harry Potter exploring the background of Lord Voldemort with help from Hogwarts headmaster Albus Dumbledore. Asking an old teacher to return to Hogwarts in order to retrieve a memory, Potter and Dumbledore discover the secret into destroying Voldemort. Meanwhile, Harry becomes attracted to Ginny Weasley, the sister of his best friend Ron while Ron falls for Lavender Brown which upsets Hermione Granger. Harry also discovers a book that belongs to someone known as the Half-Blood Prince while learning that Draco Malfoy has become a Death Eater.

Directed by David Yates, who previously directed the last film, and an adapted screenplay by Steve Kloves. The film explores Harry Potter discovering what it takes to destroy Voldemort while being aware of the chaos that is going on as Voldemort is wreaking havoc onto the wizarding world and at Muggles. Featuring such regular players like Daniel Radcliffe, Rupert Grint, Emma Watson, Bonnie Wright, Michael Gambon, Alan Rickman, Maggie Smith, James & Oliver Phelps, Matthew Lewis, Evanna Lynch, Tom Felton, Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Natalia Tena, David Thewlis, Mark Williams, Julie Walters, and Timothy Spall plus new franchise players in Jessie Cave, Jim Broadbent, Helen McCrory, and in the dual roles of the young Tom Riddle, Hero Fiennes-Tiffin and Frank Dillane. Harry Potter & the Half-Blood Prince is an excellent, funny, and haunting film from David Yates.

Chaos is brewing over London in both the wizarding world and with Muggles. Harry Potter (Daniel Radcliffe) meanwhile is joined by Albus Dumbledore (Michael Gambon) to convince an old colleague named Horace Slughorn (Jim Broadbent) to return to Hogwarts. After Harry convinces Slughorn to return, Harry is taken to the Burrow to stay with the Weasleys for the remainder of the summer. Joined Hermione Granger (Emma Watson) and Ron Weasley (Rupert Grint), the trio are in Diagon Alley to check out Fred & George Weasley's (James & Oliver Phelps) new joke-shop where they find Draco Malfoy (Tom Felton)  going into the dark magic street of Knockturn Alley. The trio catches Malfoy with Bellatrix Lestrange (Helena Bohnam Carter) and notorious werewolf Fenrir Greyback (Dave Legeno) at Borgin & Burkes.

Harry immediately suspects that Draco is now a Death Eater though Ron and Hermione don't believe it. After an attempt to see what Malfoy is up to backfires leaving Harry immobilized until he is saved by Luna Lovegood (Evanna Lynch). With the news that Slughorn is the new potions master and Severus Snape (Alan Rickman) the new Defense Against the Dark Arts teacher, much to Harry's dismay. Harry, believing that his OWL grade for potions wasn't good enough takes the course since Slughorn is the new teacher as he received an old copy of a potions book that belonged to the Half-Blood Prince. Now a potions virtuoso, Harry keeps the old copy though Hermione and Ginny Weasley (Bonnie Wright) are suspicious. A class session with Dumbledore about Voldemort's background which includes Dumbledore's first meeting with a young Tom Riddle (Hero Fiennes-Tiffin) through Dumbledore's memories. Dumbledore reveals why he wants Slughorn back at Hogwarts to retrieve a memory about meeting with Slughorn and Riddle.

Things become troubling when a student falls ill to a curse making Harry more suspicious of Malfoy. At the same time, he finds himself becoming attracted to Ginny though she is dating one of his classmates in Dean Thomas (Alfred Enoch). With Harry attending Slughorn's parties with Hermione, Ginny, and Neville Longbottom (Matthew Lewis), Harry hopes to get some information from Slughorn about Voldemort. Yet, he's troubled by some love problems involving Ron and Lavender Brown (Jessie Cave) that's making Hermione jealous. At another party at Slughorn's, Hermione went with Cormac McLaggen (Freddie Storma) to her own regret while Harry accompanied Luna where he learned that Snape made an unbreakable vow with Draco's mother (Helen McCrory) to protect him in his mission.

After telling Remus Lupin (David Thewlis), Nymphadora Tonks (Natalia Tena), and Arthur Weasley (Mark Williams) during the holidays about what he heard. Lupin isn't so sure though Arthur reveals things about a vanishing cabinet at Borgin & Burkes. An attack at the Burrow and on the Weasley family led by Bellatrix and Greyback had the Weasley home destroyed though everyone survived. Back at Hogwarts, Harry's attempts to get information from Slughorn fails until Ron gets hit with a love potion where he turned to Slughorn for help. It worked but Ron got poisoned by a bottle that was supposed to be given to Dumbledore. Harry's suspicions on Draco increase leaving Draco overwhelmed in his mission while Harry finally uncovered the memory that he and Dumbledore needed from Slughorn. What was revealed was how Voldemort survived the killing curse and what he's done to achieve immortality.

The plot of Half-Blood Prince is about Harry Potter discovering about Lord Voldemort's background and how achieved immortality. While that was the main story, it's balanced by two other subplots. One involving the messy love affairs and attraction for the main characters along with Harry falling for Ginny Weasley. The second is Draco Malfoy's struggle to carry on his mission to kill Dumbledore under the orders of Lord Voldemort. While those two subplots are handled quite well. The story about Voldemort and his background doesn't cover as much information as it would be revealed. Especially in the discovery of the object known as a Horcrux. In the book, five of them were revealed where two of them being Tom Riddle's diary and a ring were already destroyed. The third object was a locket but not much information was revealing about the locket along with the Horcruxes that Harry and Dumbledore needed to find.

While Steve Kloves' screenplay is well written and well-condensed in what is needed to be told. There's even little details that do get some attention, notably the big scene near the end involving Dumbledore that serves as an important purpose to the plot of the entire Harry Potter story. Yet, with a lot of adaptations, not everything is perfect but that's understandable. What was missing is some of the things involving Voldemort's family background which was crucial to the objects that he created as Horcruxes. The dark tone of the story does get balanced by some light-hearted moments and scenes that recall a return of sorts to the early films that were directed by Chris Columbus and Prisoner of Azkaban by Alfonso Cuaron.

Even in the scenes involving the romantic troubles with Ron-Hermione-Lavender where clearly, it was used as comic relief in some parts but reveals the long-standing feelings between Ron and Hermione. For Harry, with him being the so-called Chosen One much to his annoyance does get attention from girls but is more focused on other things. One of those things turn out to be Ginny, whom he had known for so long and she had a crush on him since the first day she met him. Now that she has a boyfriend, Harry becomes more attracted to her though he doesn't want to upset Ron. Then there's story involving Draco Malfoy where the character, who had started out as a bully now becomes a full-fledge character. There, Malfoy struggles to carry his mission but behind it shows someone scared and having trouble dealing with the fact that his family name is shamed while he has to carry out a mission or else Voldemort kills him.

Malfoy's struggles would include the involvement of Severus Snape where the film early on includes a scene where he meets Bellatrix and Narcissa Malfoy to make the Unbreakable Vow. Snape becomes more complex than ever as to who is he really working for as his attempts to help Draco cause some resentments from Draco's part while becoming more and more frustrated with Dumbledore. What would be revealed near the end wouldn't just shape the story but add an aura of mystery. After this huge moment, the film ends in an anti-climatic way revolving the aftermath of what just happened. Yet, it reveals what had just happened and what to do next.

Kloves' screenplay does work in helping to advance the plot of the film that would lead to the final story in The Deathly Hallows. Yates' direction is solid throughout, notably the opening scene involving the chaos in London as it opens the film with a bang. Even as the scene reveals the Death Eaters capturing a major character of the Harry Potter story. The direction for the most part is a mixture of broad, light-hearted humor that is balanced dark, dramatic sequences, and high-octane special effects scenes. Even as the film feature some hand-held camera moments for the chase scenes at the Burrow, the duels and such. Yet, there's one scene which involves violence that definitely is a little gruesome for the PG rating along with some of the dark tone of the film. Clearly, it's a PG-13 film as the MPAA has no idea how to rate a film.

While Yates makes a lot of good decision in the scenes involving humor and action, a few decisions in the directing don't work. Notably the big scene involving Dumbledore where originally, it had Harry unable to do anything because he's immobilized. In the film, he could've done something but he's forced to watch instead. That was something that doesn't really work. Still, Yates does manage to create something that is engaging without delving into huge moments of effects and such. With its balance of humor, action, drama, suspense, and character study, Yates creates a film that isn't just faithful to the novel but also a film that takes its time without rushing into things.

Cinematographer Bruno Delbonnel does some great work with the film's look as it is awash with sepia-style colors for some of the film's daytime, sunny scenes in both interior and exterior scenes. Even in darker scenes like the Burrow ambush, the attack of Hogwarts, and the London attack are done with great colors mixed in with a dark look to play up to the film's tone. The flashback scenes with memory are a mixture of light green and gray for its eerie tone. Delbonnel's work is phenomenal in conveying the look of the film in its wide range of tones. Editor Mark Day does excellent work in making the 150-minute film move a bit fast but not too fast. With some nice cuts that plays to a rhythm as well as capturing the intensity of the Quidditch sequence and action scenes.

Production designer Stuart Craig with set decorator Stephanie McMillan does excellent work in creating the looks of Diagon Alley as its decayed along with Weasley Wizard Wheezes shop that includes a little toy involving one of the antagonists in the last film. The design of the Burrow and the mysterious Room of Requirement has great set pieces in its decoration and design. The costume design by Jany Temime is excellent in its mixture of the uniforms and contemporary clothing the young actors wear while the look of Narcissa Malfoy is great for its regal look while the clothes of Slughorn is excellent to display his personality as a man wanting to be linked with greatness. The visual effects are top-notch in the action sequences along with the look of plants and things revolving around the wizarding world and Hogwarts. The opening sequence of the destruction of the Millennium Bridge in London is an effects scene that is phenomenal.

The sound work by editor James Mather is very good for the action scenes, little effects pieces, and the Quidditch sequence. The music score by Nicholas Hooper which revolves around some of the themes by John Williams in previous films plays well to the film's mix of emotions with soaring arrangements for the more heightened, intense action scenes and playful melodies for the light-hearted humorous sequences.

The casting by Fiona Weir is wonderfully assembled with appearances from previous regulars like Alfred Enoch as Dean Thomas, Devon Murray as Seamus Finnigan, David Bradley as Argus Filch, Warwick Davis as Professor Flitwick, Gemma Jones as Madam Pomfrey, Jamie Waylett as Vincent Crabbe, Josh Herdman as Gregory Goyle, William Melling as Nigel, Afshan Azad as Padma Patil, Shefali Chowdhury as Pavarti Patil, Timothy Spall in a brief scene as Wormtail, and Katie Leung as Harry's ex-girlfriend Cho Chang seen in a few background scenes. Other small roles that were played by previous actors that are now portrayed by new actors are Georgina Leonidas as Katie Bell and Scarlett Byrne as Pansy Parkinson. New to the story with some memorable appearances include Anna Shaffer as Romilda Vane, Dave Legeno as Fenrir Greyback, Robert Knox as Marcus Belby, Louis Cordice as Blaise Zabini, Amber & Ruby Evans as twins at Slughorn's parties, and as a waitress Harry meets in early scene, Elarica Gallagher.

Notable big characters who don't get much to do are Matthew Lewis as Neville Longbottom where Lewis only gets to have a few lines as he's really wasted while David Thewlis and Natalia Tena are good though only appear in one big scene as Lupin and Tonks. Mark Williams gets a bit more to do as Arthur Weasley while Julie Walters is still wonderful as Molly Weasley. James & Oliver Phelps are good as Fred & George Weasley while Evanna Lynch continues to be a great scene-stealer in several moments as Luna Lovegood. Maggie Smith is very good as Professor McGonagall with some funny lines while Robbie Coltrane gets to have some good moments as Rubeus Hagrid that involves a great scene with Jim Broadbent. In the roles of the young Tom Riddle, Ralph Fiennes' real-life nephew Hero Fiennes-Tiffin is wonderfully creepy as the 11-year old Tom Riddle while Frank Dillane is charming yet slithery as the 16-year old Riddle.

Freddie Storma makes a fine impression as Cormac McLaggen, a smug Quidditch goal keeper who has his eyes on Hermione only to fall for one of Harry's pranks. Jessie Cave is hilarious as Lavender Brown with her love declarations for Ron that is almost scary but not as funny as the name she gave Ron, Won-Won. Bonnie Wright is very good as Ginny Weasley, the girl who would become Harry's new object of desire as she becomes someone who can ground him while trying to deal with her feelings for him as well. Helen McCrory is pretty good in her brief scene as Narcissa Malfoy who comes to Snape for help though isn't sure that Draco is up to the task for the mission he's chosen. Helena Bohnam Carter is great as Bellatrix Lestrange, the crazed witch who is willing to go onto the attack for Voldemort as she is a loose cannon who is just fun to watch.

New to the franchise is Jim Broadbent who is amazing as Horace Slughorn, a charming professor who likes to collect students who he believes have great talent and stories they can share. Most of all, Harry whom he befriends while carrying a dark secret that he is trying to hide. Alan Rickman is phenomenal as Severus Snape where he brings a low-key, dark quality to the character whose loyalties are questionable while dealing with Draco Malfoy's problems with the mission. Tom Felton delivers what is truly the best performance of the film as Draco Malfoy. Felton truly sells the despair, anxiety, and angst of the young bully who is overwhelmed with what he's trying to do as he is forced to face the fact that if he doesn't do it, he and his family will die. Felton's performance really shows how the actor took the character and made it into something more real and complex.

Michael Gambon is excellent as Albus Dumbledore in providing a nice mix of humor with a bit of camp while playing the wise wizard who is providing Harry information of how to destroy Voldemort. Rupert Grint is really good as Ron Weasley in providing some funny moments when he's lovesick while showing his insecurities as a Quidditch player and his stupidity when it comes to girls. Emma Watson is also good as Hermione Granger as the intelligent bookworm comes to terms with her feelings for Ron while trying to help Harry in divulging the mystery of what is happening. Daniel Radcliffe is solid as Harry Potter in providing the complex struggles of a young man coming to terms with his role and losses while realizing what is up ahead. Radcliffe really sells Potter's complexity while dealing with his own feelings towards Ginny as he and Hermione become closer as if they were siblings. Radcliffe's scenes with Gambon and Broadbent shows that he is still growing as an actor and proving he can act with them.

Harry Potter & the Half-Blood Prince is an excellent, well-made, smart and witty film from David Yates and company featuring some standout performances from Jim Broadbent and most of all, Tom Felton. Fans of the franchise will be amazed at how well-told the story is while fans of the books will be relieved in its faithfulness and approach despite some flaws. While the next film will be two films instead of one, which isn't a popular idea with some. It's clear that the Harry Potter franchise hasn't lost its touch while continuing to provide audiences with lots of entertaining moments before it would go to the ultra-dark, sprawling tone of the final book. In the end, Harry Potter & the Half-Blood Prince is a solid yet well-made film for the franchise.

Harry Potter Reviews: The Novels: Harry Potter & the Sorcerer's Stone - Harry Potter & the Chamber of Secrets - Harry Potter & the Prisoner of Azkaban - Harry Potter & the Goblet of Fire - Harry Potter & the Order of the Phoenix - Harry Potter & the Half-Blood Prince - Harry Potter & the Deathly Hallows

The Films: Harry Potter & the Sorcerer's Stone - Harry Potter & the Chamber of Secrets - Harry Potter & the Prisoner of Azkaban - Harry Potter & the Goblet of Fire - Harry Potter & the Order of the Phoenix - Harry Potter & the Deathly Hallows Pt. 1 - Harry Potter & the Deathly Hallows Pt. 2

Related: Fantastic Beasts and Where to Find Them - Fantastic Beasts: The Crimes of Grindelwald

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