Sudden Impact

Directed and starring Clint Eastwood and screenplay by Joseph Stinton from a story by Earl E. Smith and Charles B. Pierce, Sudden Impact is the story of a detective who is investigating a series of murders of men who were part of a gang rape as one of the women who was raped is going after them. The fourth film in the Dirty Harry series has Eastwood reprise his role as Harry Callahan as he once again explore the world of vigilante justice as it involves a woman who is dealing with the trauma and injustice that was done to her. Also starring Sondra Locke, Bradford Dillman, Albert Popwell, and Pat Hingle. Sudden Impact is an evocative and gripping film from Clint Eastwood.

The film follows Harry Callahan who is assigned to a murder case at a small town in Southern California after angering his superiors, once again, while he’s unaware that the killer is a woman seeking revenge for a gang rape that she and her sister were victims of a decade before. It’s a film that explores not just vigilante justice which Callahan isn’t fond of but also know that his tactics in just bringing criminals down isn’t enough anymore due to the need for courts who unfortunately don’t do their job in putting criminals in their place. It’s something this woman in Jennifer Spencer (Sondra Locke) is aware of as she knows the men who raped her and her sister not only weren’t put into justice but were able to walk away free.

Joseph Stinton’s screenplay, with un-credited work from Dean Riesner, goes back and forth into Callahan dealing with his suspension due to his often troubling encounters with criminals going after him and Spencer killing off the men who raped her one-by-one by returning to the town of San Paulo, California. When Callahan is sent to the town from San Francisco to work a case, he has to contend with its local chief Lester Jannings (Pat Hingle) about Callahan’s tactics despite the fact that it worked once he arrived in stopping a bank robber. He would meet Spencer but is unaware of what she is doing yet does find a connection into the men who are killed and who could be the next victims. There is also a subplot involving those who were participants in that rape coming together led by a local figure in Ray Parkins (Audrie J. Neenan) in preparing for a showdown with Spencer but also realize the trouble that is Callahan.

Clint Eastwood’s direction is definitely stylish as it has elements of film noir in terms of some of the visuals he would create. Though some of it is shot on location in San Francisco, much of the film would be shot in Santa Cruz, California as it would mark a change of pace for the film series as much of it was set in San Francisco. While Eastwood would use some wide shots to establish some of the locations, he would go for more intimate shots in his approach to close-up and medium shots to play into the suspense and some of the drama. While there are moments in the film that are humorous which includes a pet bulldog Callahan receives from a friend as well as the moment he arrives at San Paulo where he stops a robber while driving a small bus for retirees. The film does remain serious as it relate to Spencer’s flashback about the gang rape she and her sister were victims of as it is quite brutal with Eastwood’s usage of handheld cameras and close-ups to play into the drama. The film is still quite violent in the way Spencer confronts her rapists while the film’s climax at an amusement park is definitely stylish where Eastwood’s approach compositions and building up the suspense is key to what makes the moment so thrilling. Overall, Eastwood creates an engrossing yet exhilarating film about a police inspector investigating a series of murders from a woman taking revenge for the rape she and her sister were victims of.

Cinematographer Bruce Surtees does brilliant work with the film’s cinematography as it has an element of style for many of the scenes at night with its usage of intricate lighting to help set a mood for some scenes including the film’s climax. Editor Joel Cox does excellent work with the editing as he would use some stylish jump-cuts for some of the action including the chase sequence in San Paulo as well as some rhythmic cuts to play into the suspense. Production designer Edward C. Carfango and set decorator Ernie Bishop do fantastic work with the look of the hotel room that Callahan stays at in San Paulo as well as some of the locations in the city including bits of the amusement park. Sound mixer Donald F. Johnson does nice work with the sound as it is quite straightforward with the exception of the film’s action scenes as well some of the scenes at the amusement park. The film’s music by Lalo Schifrin is wonderful for its jazz-funk score that play into the suspense and drama as it includes a song sung by Roberta Flack.

The casting by Marion Dougherty is amazing as it feature some notable small roles and appearances from Lisa Britt as Spencer’s catatonic and traumatized sister Elizabeth, Matthew Child as one of rapists in Alby, Nancy Parsons as the mother of one of the rapists who runs a fishing company, Mark Keyloun as a local San Paul police officer who helps out Callahan, Michael Currie as one of Callahan’s superiors in Lt. Donnelly, the trio of Paul Blake, Wendell Wellman, and George Wilburn as a trio of the more brutish rapists, and Michael V. Gazzo in a terrific small appearance as a mob boss Callahan confronts at his granddaughter’s wedding. Albert Popwell is superb as a fellow detective of Callahan who would give him a bulldog as a present to keep Callahan company while Bradford Dillman is fantastic as Captain Briggs who doesn’t like what Callahan does and wants him suspended.

Audrie J. Neenan is excellent as the tough local crime boss Ray Parkins as a woman that likes to do bad things to people while Jack Thibeau is brilliant as the most vicious criminal Kruger who is the most crazed of the group of people that raped Spencer and her sister. Pat Hingle is marvelous as San Paulo police chief Lester Jannings as a man who is suspicious about Callahan’s presence in his town but also know that Callahan is a persistent man that is willing to find answers as he also holds a secret about the case Callahan is on. Sondra Locke is remarkable as Jennifer Spencer as an artist who is trying to move on with her life until she sees one of the men who raped her as she goes on a journey for vengeance as it’s very calm yet eerie performance from Locke. Finally, there’s Clint Eastwood in a phenomenal performance as Harry Callahan as a police inspector with unconventional methods in taking down criminals as he is forced to take a case out of San Francisco where he makes some chilling discoveries but also be aware of what is really going on as it is Eastwood at his finest.

Sudden Impact is an incredible film from Clint Eastwood that features top-notch performances from Eastwood and Sondra Locke. Along with its great supporting cast, eerie visuals, and a chilling score, it’s a film that explore the world of vengeance and a cop trying to understand this woman’s motivation as well as her need for justice. In the end, Sudden Impact is a sensational film from Clint Eastwood.

Dirty Harry Films: Dirty Harry - Magnum Force - The Enforcer - The Dead Pool

Clint Eastwood Films: (Play Misty for Me) – High Plains Drifter - (Breezy) - (The Eiger Sanction) - (The Outlaw Josey Wales) - (The Gauntlet) - (Bronco Billy) - (Firefox) - (Honkytonk Man) - Pale Rider - (Heartbreak Ridge) - (Bird) - (White Hunter Black Heart) - (The Rookie) – Unforgiven - (A Perfect World) - (The Bridges of Madison County) - (Absolute Power) - (Midnight in the Garden of Good and Evil) - (True Crime) - (Space Cowboys) - (Blood Work) - (Mystic River) – Million Dollar Baby - Flags of Our Fathers - Letters from Iwo Jima - Changeling - (Gran Torino) – (Invictus) – (Hereafter) – (J. Edgar) – (Jersey Boys) – American Sniper - (Sully) -(The 15:17 to Paris) - (The Mule)

© thevoid99 2017

The Enforcer

Directed by James Fargo and screenplay by Stirling Silliphant and Dean Riesner from a story by Gail Morgan Hickman and S.W. Schurr, The Enforcer is the story of Harry Callahan teaming up with an inexperienced yet determined woman detective to take down a terrorist ring. The third film in the Dirty Harry series has the often-prejudiced and cynical Harry team up with a woman for the first time as he shows her the ropes in the world of homicide and crime as he’s once again played by Clint Eastwood. Also starring Tyne Daly, Harry Guardino, Bradford Dillman, and DeVeren Bookwalter. The Enforcer is an exhilarating and intense film from James Fargo.

The film revolves a terrorist plot in which a group of people claiming to be revolutionaries as they demand a huge ransom prompting the police to try and stop things with Harry Callahan trying to find their identity after one of his colleagues was killed during a theft. While it’s a revenge movie of sorts, it’s also a film that explore a cop trying to do what is right but know he’s dealing with something different as well as coping with some of the politics in the police force. Joining Callahan in his pursuit is his new partner in a female rookie in Kate Moore (Tyne Daly) who has been selected as part of a new affirmative action enforced by the mayor which makes Callahan uneasy due to Moore’s inexperience on the field as she spent much of her work in records.

The film’s screenplay doesn’t just explore Callahan’s reluctance in taking in someone inexperienced as his partner but also the fact that he’s dealing with a group of people who are just causing terror. When Callahan talks to a black militant leader in “Big” Ed Mustapha (Albert Popwell) who knows a former member of his group that is part of the organization. Things become complicated behind the scenes as it’s an election year where Callahan’s superiors want to make Callahan and Moore as poster-people for all that is good yet neither of them are proud. Especially the former who sees what he does is just a job and nothing else as commendations and such don’t mean anything other than see that justice is served.

James Fargo’s direction is quite simple in terms of the compositions he creates as it doesn’t have any kind of stylish angles though it begins in a darkly-comical manner in which two men from a gas company pick up a gorgeous woman wearing scantily-clad clothing. Of course, they are just pawns in the game of these individual who practically kill them and use their truck for other means as it establishes who the antagonists are and what they aim to do. Much of Fargo’s direction has him use medium shots and close-ups to focus on some of the action and interaction between characters while he would a lot of wide shots for the many locations in and around San Francisco where the film is set. Fargo’s approach to the action is intense as is some of the violence where there are moments that is quite graphic in how some people are killed which is something that Moore is being introduced to in such a big way. Even as the film include a bombing and a scene early in the film in which Callahan disrupts a robbery by giving them what they want as it shows his no-nonsense approach to getting the job done. The film’s climax at the island of Alcatraz prison where it is this big showdown between this gang of terrorists and the duo of Callahan and Moore as it’s all about trying to save San Francisco. Overall, Fargo creates a thrilling and gripping film about a cop and his new partner taking down a terrorist group wreaking havoc in San Francisco.

Cinematographer Charles W. Short does excellent work with the film’s cinematography as it is quite straightforward in the way the daytime scenes look as well as the usage of low-key lights for the scenes at night. Editors Joel Cox and Ferris Webster do nice work with the editing as it is straightforward for its approach to the action and suspense. Art director Allen E. Smith and set decorator Ira Bates do fantastic work with the look of some of the places the characters go into such as a church, a mysterious brothel, and a porno film set during a chase scene.

Costume designer Glenn Wright does terrific work with the costumes from the ragged hippie/army-like clothing of the terrorist group to the more straight-laced look of Callahan and Moore. The sound work of Bert Hallberg is superb for the presentation some of the action as well as way gunfire and rocket launchers sound. The film’s music by Jerry Fielding is amazing for its jazz-driven score that help play into the suspense and some of the film’s action scenes as it is a highlight of the film.

The casting by Mary Goldberg is brilliant as it feature some notable small roles from Joe Spano and Rudy Ramos as a couple of liquor store robbers that are taken down by Callahan, M.G. Kelly as a corrupt priest who is helping the terrorist group, Jocelyn Jones as the scantily-clad woman that is actually part of the terrorist group, Samantha Doane as another female member of the terrorist group named Wanda, Michael Cavanaugh as the terrorist group’s second-in-command, and John Mitchum as Callahan’s old friend and partner Frank “Fatso” DiGiorgio. John Crawford is terrific as the mayor who sees the pairing of Callahan and Moore as good publicity that he wants to use for his re-election while Albert Popwell is superb as the black militant leader “Big” Ed Mustapha who would help give Callahan some information as he sees Callahan as one of the few white people he can trust.

DeVeren Bookwalker is wonderful as the crazed terrorist leader Bobby Maxwell as someone who is just trying to pretend to use a cause for his actions when he is really just about money. Harry Guardino is excellent as Lt. Bressler as a superior of Callahan who is a man of reason as he’s trying to make sure Callahan doesn’t go overboard. Bradford Dillman is fantastic as Captain Jerome McKay as Callahan’s top superior who doesn’t like Callahan or his methods as he tries to make him the poster-boy for accepting this new wave of affirmative action as he’s more concerned with advancing his career prospects rather than do what is right. Tyne Daly is amazing as Inspector Kate Moore as a police officer who transferred from records to homicide in this new affirmative action initiative is someone who is determined to do her job and impress Callahan as well as get into the real aspects of her work in homicide. Finally, there’s Clint Eastwood in a marvelous performance as Harry Callahan as the no-nonsense police detective who knows how to get the job done as he’s trying to fulfill his duties for justice while being reluctant in taking in a new partner as he also copes with the loss of a friend and refusing to become some poster-boy for one’s political gain.

The Enforcer is a remarkable film from James Fargo that feature top-notch performances from Clint Eastwood and Tyne Daly. Along with some thrilling action and suspense scenes as well as a look into the world of homegrown terrorism and political ambition. It’s a film that explore a man dealing with changing times but also knowing that justice still matters. In the end, The Enforcer is an excellent film from James Fargo.

Dirty Harry Films: Dirty Harry - Magnum Force - Sudden Impact – The Dead Pool

© thevoid99 2017