Bohemian Rhapsody

Directed by Bryan Singer and screenplay by Anthony McCarten from a screen story by McCarten and Peter Morgan, Bohemian Rhapsody is the story about the life of Queen frontman Freddie Mercury from the formation of the band Queen to their legendary performance at Live Aid in July of 1985. The film is bio-pic that play into a man’s rise into becoming a star only for him and the band to become big while dealing with the many trappings of fame as Mercury is portrayed by Rami Malek. Also starring Lucy Boynton, Gwilym Lee, Ben Hardy, Joseph Mazzello, Aidan Gillen, Allen Leech, and Tom Hollander. Bohemian Rhapsody is a drab and un-exciting film about one of the greatest vocalists of the 20th Century told in such poor style by Bryan Singer.

The story of Queen is probably one of the finest stories ever told in the history of rock n’ roll as a band that featured a flamboyant vocalist in Freddie Mercury along with the soaring guitar work of Brian May (Gwilym Lee), the bass work of John Deacon (Joseph Mazzello) and the thunderous drumming of Roger Taylor (Ben Hardy) as they fused glam rock, hard rock, and progressive rock early in their career. Then in 1975, the band released A Night at the Opera that included the song Bohemian Rhapsody as they would become massive superstars in their native Britain and around the world while would spend the rest of the 70s and early 1980s reaching a worldwide audience and continue to do so until Mercury’s death in November 24, 1991 of bronchial pneumonia due to the cause of AIDS just 24 hours after he announced to the world he had AIDS. While the band’s story would be tailor made for a feature film to showcase the band’s early struggles and their many rise and falls that they would endure, this film unfortunately manages to play by the numbers and schematics expected into a bio-pic which is the opposite of what Queen are.

Anthony McCarten’s screenplay focuses mainly on Mercury from the time he was working as a baggage handler at Heathrow while following a band called Smile that would feature May and Taylor in 1970 to the band’s legendary performance at Live Aid in 1985. It plays into the traditional schematics of a wannabe singer with dreams of being a band, meet the people he would form the band, fall in love with a girl or a guy, they become successful, egos become inflated, one wants to make a solo record, break-up, everything goes to shit, and the eventual reunion/redemption. Queen doesn’t follow that formula but McCarten’s script not only relies on that schematic but would also make Mercury’s life story dull and take away some of the edges that he was known for in his personal life as many of sexual exploits are only hinted superficially and not any further. At the same time, McCarten’s script seems lost in what story to tell as it relates to Mercury’s personal life and the people whom he’s close with whether it’s longtime on/off girlfriend Mary Austin (Lucy Boynton) and Jim Hutton (Aaron McCusker) whom Mercury would meet at a party as he sees Mercury for who he really is.

Then there’s Paul Prenter (Allen Leech) who was Mercury’s personal manager/assistant as he is a figure that would be a source of conflict between Mercury, the band, and those close to Mercury though he is first presented as an assistant to the band’s first manager John Reid (Aiden Gillen). Prenter is someone who is an enabler to Mercury’s vices as he would also do things to drive the wedge between Mercury and the band whether it’s through creative issues or lifestyle issues. It’s a dramatic crutch that loses sight of the real story that relates to Queen’s continuous rise but the script doesn’t dwell on the early struggles while taking some dramatic liberties into the conflict within the band over creativity. There are also moments that are baffling as it relates to historical inaccuracies and a lot of anachronisms.

If the script is a mess in its inability to find a focus on what part of the story to tell, it is nothing compared to the chaos that is in Bryan Singer’s direction. Shot mainly in Britain, the film tries to capture the spirit of the band in terms of its flamboyance and over-the-top presentation which they were known for but in all of the wrong places. Notably in the fact that Singer doesn’t do enough to make the film be dangerous as he’s confined by the PG-13 rating which is too tame for a band like Queen while he also makes some bad visual choices and dramatic moments that never felt genuine. As great as those songs are, Singer unfortunately create moments of how they create this song or that song where it felt more like sketches rather than real scenes as an excuse for those songs to be played. Even in a sequence in the creation of the film’s titular song as it is played for humor that never felt funny and instead is portrayed as awkward.

Due the chaotic presentation of the film and its inability to be unconventional, the film would have some tonal issues in the presentation where it wants to be entertaining and dramatic. Part of the reason for its tonal inconsistencies is due to the fact that Bryan Singer was fired just weeks before principal photography was finished and was replaced by Dexter Fletcher who seemed to try and create a film that is at least engaging. Unfortunately, Fletcher couldn’t clean up much of the film’s stench in some of the compositions that Singer created that includes the sequence where Queen meets with John Reid for the first time with Prenter also at the meeting. The usage of medium shots, wide shots, and close-ups in that fast-cutting style is a key scene of how bad the presentation is as it is clear Singer is trying to create something fast and to the point but it felt so wrong. Especially for the fact that the scene is set in the early 1970s just as the band had released their first album when in reality, Queen wouldn’t meet Reid until 1975 around the time they were making A Night at the Opera while Mercury and Queen wouldn’t meet Prenter until 1977 as he was part of the band’s circle until 1986 when Mercury got rid of him for good.

It’s these historical inaccuracies that really irks anyone who is familiar with Queen as Singer, Fletcher, and those involved in the post-production definitely play it safe and suggest that Queen was a success in the early years following the release of their hit single Killer Queen in 1974. That’s not exactly true as Queen didn’t become a big deal in the U.S. until a year later due to the fact that their early U.S. appearances had them opening for Mott the Hoople which was cut short due to illnesses in the band. In that sequence of them playing in the U.S., the song Fat Bottomed Girls is being played even though the song wasn’t created until 1978. The anachronisms and historical inaccuracies, which includes claims that the band broke up in 1984 which was false though they took a hiatus the year before to do other projects, definitely kill the film’s enjoyment yet it’s nothing compared to the climatic performance in Live Aid as it is extremely underwhelming in its entire presentation.

Famous for its 20-minute set of six songs, a sea of arms filling out Wembley Stadium as they clap in unison to Radio Ga-Ga. Only four of the six songs are presented while the scene which is shot in an air force base, as Wembley Stadium is no more, feels very small. Plus, its emphasis to get the perspective of the audience in the stadium, pubs, and at the homes of several people including Mercury’s family makes it an awkward experience. Overall, Singer, Fletcher, producer Graham King, producer/Queen manager Jim Beach, and 20th Century Fox create a poor and inconsequential film about the life of one of the greatest singers of the 20th Century.

Cinematographer Newton Thomas Siegel does some fine work with the film’s cinematography in creating some of the lighting for some of the shows performed in arenas as well as some low-key lighting for a few dramatic scenes in the film. Editor/music composer John Ottman does terrible work with the film’s editing as it plays too much into chaotic editing styles where you get a few seconds of a shot rather than let a shot play out for more than 10-15 seconds including that scene of Queen meeting John Reid as it’s an example of what not to do while Ottman’s music score is mainly a collage of music from Queen as it is never memorable nor does it stick out. Production designer Aaron Haye, along with set decorators Anna Lynch-Robinson, Sarah White, and Sarah Whittle plus art directors David Hindle and Stuart Kearns, does excellent work with the look of the clubs and some of the places the characters go to including Mercury’s homes in London and Munich. Costume designer Julian Day does fantastic work with the design of some of the clothes that Mercury wear to sport his evolving fashion from the flamboyant to the leather look he would have in the early 80s.

Hair/makeup supervisor Rebecca Cole does terrific work with the evolving hairstyle and look of Mercury from the 1970s to the 1980s though the prosthetic overbite teeth that Malek has to wear as Mercury at times is visually distracting for the wrong reasons. Special effects supervisor Manex Efrem, along with visual effects supervisors Ana Grgic and Paul Norris, does some OK work with pyro for some of the stage performances though the visual effects for the crowd and the recreation of Wembley Stadium doesn’t feel right as it’s not as big to play into the magnitude of Queen’s legendary performance at Live Aid. Sound editor John Warhurst has some good moments in the sound in some of the non-musical scenes yet the way the music is mixed with the live audience never feels right nor does it feel like a live sound as it really hurts the film. Music supervisor Becky Bentham does decent work with the film’s soundtrack as it feature a bit of music from May/Taylor’s pre-Queen band Smile along with some of the music at the times though the usage of Rick James’ Super Freak at a party scene set during the late 70s when the song hadn’t even been made yet just adds to the jarring tone of the film.

The casting by Susie Figgis is wonderful in some spots as it feature some small appearances from Michelle Duncan as a journalist asking Mercury some personal questions during a press conference, Neil Fox-Roberts as Mary Austin’s deaf father, Max Bennett as Austin’s boyfriend late in the film, Jack Roth as Smile vocalist/bassist Tim Staffell, Dermot Murphy as Live Aid co-organizer Bob Geldof, Tim Plester as music producer Roy Thomas Baker, Dickie Beau as BBC radio DJ/future comedy legend Kenny Everett, Priya Blackburn as Mercury’s sister Kashmira Bulsara, Meneka Das and Ace Bhatti as in their respective roles as Mercury’s parents in Jer and Bomi Bulsara, and current Queen vocalist Adam Lambert in a lame cameo as an American trucker Mercury meets in the U.S. with all sorts of horrific beard, mustache, and trucker looker as he looks so unconvincing to play a trucker.

Mike Myers’ cameo as EMI music executive Ray Foster is one that is just distracting as he is just there to give Queen a lot of shit and be used as a plot device to motivate them to release Bohemian Rhapsody with a reference to the film Wayne’s World as it never works and only feels like useless cameo. Aaron McCusker is pretty good as Mercury’s life-partner in his final years in Jim Hutton though only appears in two scenes such as their lone meeting during the second act at the aftermath of the party and just before the film’s climax at Live Aid. Allen Leech is OK as Paul Prenter as an assistant to manager Jim Reid who would become Mercury’s personal assistant/lover who would also be Mercury’s enabler as he’s someone who is never really defined as a true person but rather a caricature that doesn’t have any redeeming qualities. Aiden Gillen is terrific as Queen’s first manager Jim Reid as someone who would help them be successful though he is underused. Tom Hollander is superb as Jim “Miami” Beech as the band’s second and permanent manager who started off handling the band’s financial, legal, and other business issues and later help them deal with conflicts and such.

Lucy Boynton is fantastic as Mary Austin as Mercury’s on-off girlfriend/muse as someone who was supportive of Mercury and helped him find himself through fashion while also being the one person to try and ground Mercury later in the film. Joseph Mazzello and Ben Hardy are excellent in their respective roles as bassist John Deacon and drummer Roger Taylor with Mazzello as the more reserved Deacon who shares Mercury in his love for funk while Hardy displays the energy of Taylor but also someone who isn’t afraid to show his opinions on things. Gwilym Lee is brilliant as guitarist Brian May who is shown as someone a bit reserved but also has some things to say as he also tries to maintain some order in the band despite some of the issues they have. Finally, there’s Rami Malek in an amazing performance as Freddie Mercury as the Queen vocalist who is a man of charisma and grandeur as Malek is able to capture all of those nuances of Mercury performance-wise but is hampered by the script in the way Mercury is presented behind the scenes at never gets the essence of who he is as it’s a flawed performance only because of the script and the shortcomings of the direction despite Malek’s effort to make Mercury interesting.

Despite some of the performances of the cast and the music of Queen that is presented, Bohemian Rhapsody is a film that is a total disservice and a major slap in the face to the legacy of Queen and its late singer in Freddie Mercury. It’s a film that plays way too by the book to create any standout moments while never doing enough to go into the edges and some of the funnier and seedier stories of the band. Plus, it’s a film that die-hard fans of Queen no question will be insulted by for its inaccuracies and dramatic liberties as it tries to do so many things only to end up being quite boring in some parts. In the end, Bohemian Rhapsody is just a tremendously horrible and insulting film from Bryan Singer and everyone else who had a hand in creating another lame bio-pic.

© thevoid99 2019

X-Men: Apocalypse

Based on the Marvel Comics series, X-Men: Apocalypse is about a group of mutants who deal with an ancient being who has been awaken for many years wanting to wipe out civilization prompting members of the original X-Men to band together with new students. Directed by Bryan Singer and screenplay by Simon Kinberg from a screen story by Singer, Kinberg, Michael Dougherty, and Dan Harris, the film is a continuation of the origins story of the X-Men in which Charles Xavier/Professor X, Erik Lehnsherr/Magneto, Raven Darkholme/Mystique, and old friends guide their newer students who would become part of the new generation of X-Men. Starring James McAvoy, Michael Fassbender, Jennifer Lawrence, Rose Byrne, Nicholas Hoult, Sophie Turner, Tye Sheridan, Kodi Smit-McPhee, Lucas Till, Evan Peters, Olivia Munn, Ben Hardy, Alexandra Shipp, and Oscar Isaac as Apocalypse. X-Men: Apocalypse is an extravagant though flawed film from Bryan Singer.

Set a decade after events where mutants would help save the world and prevent from the creation of sentinel robots, the film is about its aftermath where the founders of the X-Men each take on different paths once again only to unite by a new threat in a figure known as En Sabah Nur/Apocalypse is reawaken since the time of ancient Egypt where he had been betrayed by his followers. Upon his reawakening, Apocalypse sees what the world has become in 1983 as he decides to wipe out civilization and create a new one as he would take four powerful mutants including a grief-stricken Erik Lehnsherr as part of his new army. It’s a film that has a simple plot but with so much going on in Simon Kinberg’s screenplay where it is quite messy but does establish who the characters are and their part in this new adventure. Charles Xavier is still running with his school with friend Hank McCoy/Beast (Nicholas Hoult) while Raven Darkholme has gone into hiding due to events of the past as she would eventually discover a young mutant who can teleport in Kurt Wagner/Nightcrawler (Kodi Smit-McPhee) whom she would take him to Xavier’s school.

Kurt would be one of two new students arrive at the school as original X-Men Alex Summers/Havok (Lucas Till) would bring in his younger brother Scott/Cyclops (Tye Sheridan) who has just gotten his new powers of shooting optic beams from his eyes. The two would meet a young telepath/telekinetic student in Jean Grey (Sophie Turner) whom Scott falls for as well as Jubilee (Lana Candor) who can create psionic energy plasmoids. Yet, Raven’s arrival back to Xavier’s school isn’t just for Kurt but also about Erik who had been in hiding in Poland with a wife and daughter until an accident at work exposed him as things become tragic leading him to lose all hope and reluctantly join Apocalypse as part of the Four Horsemen of the Apocalypse. It is in CIA agent Moira Taggart is where Xavier learns about Apocalypse as she would join him in trying to stop Apocalypse and his army that would include Ororo Munroe/Storm (Alexandra Shipp), Angel (Ben Hardy), and Psylocke (Olivia Munn). While Kinberg’s script would give some introduction to characters like Scott, Jean, Storm, and Wagner, they’re not given more to do as Storm is just an orphan who reluctantly becomes part of the Four Horseman once she meets Apocalypse who would enhance her powers.

It’s not just that the script feature so many characters, including Peter Maximoff/Quicksilver (Evan Peters) who would reveal something about his own connection with Lehnsherr that makes the story hard to keep up with. It’s just that it tries to be so many things and have all of these subplots whether it’s Xavier reuniting with McTaggart who has no recollection of their previous meetings or Raven reluctantly wanting to get back home and be an idol to the students who look up to her as an inspiration. None of it are really fleshed out while the tone of the story often ranges from being very serious to comical at times where some of the humor feels forced.

Bryan Singer’s direction is quite extravagant as it’s expected to be as it opens with this sequence about Apocalypse and the betrayal that would put him into a long sleep for many centuries. Shot largely in Montreal, Canada, the film does play into this world of 1980s culture at the time when the Cold War was still raging and there is this obsession with pop culture for a scene where Scott, Jean, Kurt, and Jubilee go to the mall as it is Kurt’s introduction into American culture. Much of the direction is quite stylish at times in terms of some of the camera angles that Singer goes for in some of the action and dramatic sequence. Yet, he keep things very straightforward when it comes to focusing on the characters as he would use close-ups and medium shots for those scenes as well as some wide shots.

While there are moments in the film such as Quicksilver’s arrival to the school in this very spectacular and fun sequence as well as a few action scenes including an appearance from a legendary X-Men character. The rest of the film is an absolute mess as it’s about trying to do so many things with the results being very underwhelming. Notably the film’s climax which features a battle between the old and new members of the X-Men against the Four Horsemen of Apocalypse in this massive battle as it is over-the-top in terms of the visual effects and the attempts to make it extremely huge. Yet, it becomes a little too much as it has Xavier battle Apocalypse in a battle of the minds while the X-Men try to deal with Apocalypse and his minions in Cairo as it’s just a mess. Overall, Singer makes a worthwhile though very bloated film about a group of mutants who try to save the world once again and defeat an ancient being who claims to be their father.

Cinematographer Newton Thomas Siegel does excellent work with the cinematography from the colorful and sunnier look of the scenes in Westchester where Xavier’s mansion is to the very sunny world of Cairo and the usage of dark and colored lights for the scenes set in Eastern Europe. Editors John Ottman and Michael Louis Hill do some nice work with the editing as it is stylish in its usage of jump-cuts and other fast-cutting styles but also know when to slow down for the non-action scenes. Production designer Grant Major, with supervising art director Michele Laliberte plus set decorators Geoffroy Gosselin and Anne Kuljian, does fantastic work with the interior of Xavier’s home as well as his Cerebro machine plus the look of the pyramid where Apocalypse did some of his greatest work in the past. Costume designer Louise Mingenbach does terrific work with the costumes from the new X-Men suits that some of the students would wear as well as the clothes that Apocalypse and his Four Horsemen would wear.

The makeup work of Charles Carter, Rita Ciccozzi, and Rosalina Da Silva do brilliant work with the look of Nightcrawler as well as Raven’s look when she’s Mystique though it’s the look of Apocalypse that is just underwhelming. The visual effects work of John Dykstra, Tim Crosbie, and Dennis Jones is quite fine in the look of some of the powers of the characters including Quicksilver’s light-speed as well as the sequence where he arrives to Xavier’s school but the look of Apocalypse as well as the film’s climax is a bit clunky visually. Sound designers Craig Berkey, Lee Gilmore, and Chuck Michael, with sound editor John A. Larsen, do superb work with the sound in the way some of the machines and powers are presented by sound as well as some of the moments in the film’s climax. The film’s music by John Ottman is wonderful for its sense of orchestral bombast in some of the action and suspense while being low-key in the dramatic moments while the soundtrack feature a lot of the music of the 80s from acts such as the Eurythmics, Venom, and Metallica.

The casting by Roger Mussenden is marvelous as it feature some notable small roles from Zeljko Ivanek as a Pentagon scientist, Tomas Lemarquis as a mutant black markets dealer in Caliban, Ally Sheedy as Scott’s teacher before his powers emerged, Berdj Garabedian as the old Apocalypse before his attempt to transfer into another being, Carolina Bartczack as Erik’s wife Magda, T.J. McGibbon as their daughter Nina, Zehra Leverman as Quicksilver’s mother, Josh Helman as the evil military official Col. Stryker, and Lana Condor as one of Xavier’s students in Jubilee who befriends Kurt and gets him to fit in. Other noteworthy small roles include Lucas Till as Alex Summers who would take Scott to Xavier’s school in the hopes his younger brother finds a place to fit in while Ben Hardy is alright as Angel as a mutant with big wings who would join the Horsemen as he wants to go after Nightcrawler for nearly wounding him. Olivia Munn’s performance as Psylocke is bland where it’s not that she’s given much to do but she doesn’t really do anything to give a compelling performance other than say lines and wield a sword. Alexandra Shipp’s performance as Ororo Munroe/Storm is alright as someone who can control the weather though her African accent at times is quite spotty.

Kodi Smit-McPhee is superb as Kurt Wagner/Nightcrawler as a teleporting mutant who is the comic relief of the new students while Evan Peters is also funny as Peter Maximoff/Quicksilver as a young mutant who arrives to the school needing some answers as he would help out the team in dealing with Apocalypse. Sophie Turner is pretty good as the young Jean Grey as a telekinetic/telepathic student who is dealing with her powers as well as being afraid of them while Tye Sheridan is terrific as Scott Summer/Cyclops as a mutant who can shoot beams from his eyes as someone new to the school as he’s learning to control his powers as well as be a leader for the next generation of X-Men. Rose Byrne is wonderful as Moira McTaggert as a CIA agent who is an old ally of the original X-Men as she helps Xavier and McCoy in her discovery on Apocalypse. Nicholas Hoult is alright as Hank McCoy/Beast as one of the original X-Men who help run the school with Xavier as well as re-establish his friendship with Raven though he is kind of underwritten in his role.

Jennifer Lawrence is fantastic as Raven Darkholme/Mystique as a shape-shifting mutant who is dealing with her role as a heroine as she reluctantly returns home only to take control when she and Xavier’s students become threatened. Oscar Isaac’s performance as En Sabah Nur/Apocalypse is definitely one of the film’s lowlights as Isaac definitely suffered through the lackluster material he’s given as well as be covered up by makeup and visual effects as it’s really a terrible performance from Isaac. Michael Fassbender is excellent as Erik Lehnsherr/Magneto as a co-founder of the X-Men who tries to start over with a family only to succumb to tragedy as he becomes consume by grief and anger where he reluctantly helps out Apocalypse. Finally, there’s James McAvoy in a brilliant performance as Charles Xavier/Professor X as a powerful telepath who tries to run a school as well as deal with Apocalypse whom he sees as a false god that has done nothing but bring fear to the people prompting him to try and stop Apocalypse from taking over his body.

X-Men: Apocalypse is a good but very flawed film from Bryan Singer. While it does have an amazing cast and some exciting moments, it’s a film that falls short due to a bland antagonist as well as its over-emphasis on visual effects for the film’s very bloated climax. In the end, X-Men: Apocalypse is a fine but underwhelming film from Bryan Singer.

X-Men Films: X-Men - X2: X-Men United - X-Men 3: The Last Stand - X-Men Origins: Wolverine - X-Men: First Class - The Wolverine - X-Men: Days of Future Past - Deadpool - Logan (2017 film) - Deadpool 2 – (X-Men: Dark Phoenix) - (New Mutants)

© thevoid99 2017

X-Men: Days of Future Past

Based on the X-Men comic story by Chris Claremont and John Byrne, X-Men: Days of Future Past is the story where the surviving members of the X-Men led by Professor X and his longtime nemesis Magneto ask Wolverine to go back in time to 1973 to stop an assassination that led to an all-out war on mutants as Wolverine would meet the younger Professor X and Magneto. Directed by Bryan Singer and screenplay by Simon Kinberg from a story by Kinberg, Jane Goldman, and Matthew Vaughn, the film is a multi-layered story where Wolverine travels back in time in an attempt to save mutants as well as deal with what Magneto and Professor X were back then. Starring Hugh Jackman, Patrick Stewart, Ian McKellan, James McAvoy, Michael Fassbender, Jennifer Lawrence, Halle Berry, Ellen Page, Shawn Ashmore, Nicholas Hoult, Omar Sy, Evan Peters, and Peter Dinklage as Bolivar Trask. X-Men: Days of Future Past is a marvelous and sprawling film from Bryan Singer.

In a world where mutants are being exterminated by gigantic robots known as Sentinels, the film is about the small band of X-Men led by Charles Xavier/Professor X (Patrick Stewart) and Erik Leshnerr/Magneto (Ian McKellan) trying to survive the last days of the war. Upon learning that Kitty Pryde has the power to send people back in time through their consciousness, Logan/Wolverine (Hugh Jackman) volunteers since he is the only one that is strong enough to withstand the rigors of time travel. Wolverine travels back to 1973 in order to convince the younger Xavier (James McAvoy) and Erik (Michael Fassbender) to come together and stop Raven Darkholme/Mystique (Jennifer Lawrence) from assassinating the Sentinels designer Bolivar Trask. While the remaining X-Men wait for the army of Sentinels to attack while protecting Logan and Kitty, Logan would face an even bigger battle in convincing Xavier and Erik to come together despite their major differences.

The film’s screenplay by Simon Kinberg explores not just the fragile relationship between the young Xavier and Erik as they’re driven apart by their own differences but also in how much their falling out has hurt them. For the young Charles Xavier, he has become a despondent and bitter man that mourns those he lost and cared for as he becomes addicted to a serum that allows him to walk but not use his powers. For Erik, he becomes far more angrier as he is locked 100 feet below the Pentagon for killing John F. Kennedy, though Erik claims he was trying to save him, while becoming more determined to ensure the mutants desire as the number one species. Then there’s Mystique who is the lost woman who also endured the loss of many friends as she is torn between the two ideals of Erik and Charles as she would also be ultimately responsible for the Sentinels program to come ahead and set the wave for the end of mutants.

The antagonist in Bolivar Trask isn’t really a villain but someone who wants to ensure peace in the world as he admires mutants but also fears them as he would create the Sentinels in the hope that it would save the human race. Yet, he would be unaware of what his creation would do as his impending death would only mean more trouble which adds to the dramatic stakes of the film. Wolverine becomes a much more prominent character in the film as he is someone that does carry a lot of emotional baggage as he understands what the younger Xavier, Erik, and Raven are going through. Just as Xavier had helped guide him when he was lost, Wolverine realizes he must do the same thing to the younger Xavier who had lost so much hope over everything as Wolverine has to remind him of an even bleaker future where the young Xavier would meet his older version as the latter needs him to hope again. It would prompt Xavier to reach out to Raven and Erik in the third act to tell them what is at stake in this very spectacular climax.

Bryan Singer’s direction is very sprawling in terms of not just the set pieces and different time periods that is presented. It’s also a film where it is about the stakes of a small number of mutants trying to survive this dystopian and apocalyptic world. Much of the direction has Singer not only use a lot of wide shots to display the look of a bleak world where the X-Men are in China awaiting for the last stand against the Sentinels. There’s also some unique medium shots where the characters are placed in the frame while Kitty is sitting in a chair as she is taking Wolverine back in time through his consciousness. Singer’s direction for the scenes set in 1973 has a mixture of different aspect ratios and footage as it plays to a place in time where things are less complicated but it’s in a world that is on the brink of Armageddon.

While Singer would inject some humors such as a very powerful sequence where Xavier, the young Hank McCoy/Beast (Nicholas Hoult), and Wolverine help Leshnerr break out of prison with the help of a mutant known as Quicksilver (Evan Peters). It is still an action-suspense film where it takes place in various locations such as the U.S., France, China, and other places as it is a very worldly film where a lot is happening. Some of it would involve the fallout over the Vietnam War as well as this climax in Washington, D.C. where Xavier, Beast, and Logan have to stop Raven and Magneto in their separate pursuits to kill which is also showcase in parallel to the final battle between the X-Men and the Sentinels in the future. Overall, Singer crafts a very spectacular and engrossing film about a group of mutants trying to band together to stop their own extinction from happening.

Cinematographer Newton Thomas Sigel does incredible work with the film‘s cinematography from the bleak look of fortress where the X-Men makes their last stand with its low-key lights to the more vibrant and colorful look of the scenes in 1973. Editor/music composer John Ottman does fantastic work with the editing with its stylistic approach to rhythmic cutting to play into the action and suspense while his music score is filled with some bombastic orchestral arrangements to play into suspense and drama while the soundtrack features songs from Roberta Flack, Jim Croce, and other artists from the 70s. Production designer John Myhre, with set decorator Gordon Sim and supervising art director Michele Laliberte, does amazing work with the set pieces from the Chinese fortress where the X-Men make their last stand to the prison that Magneto lived in as well as the school that Xavier used to run as it becomes a place of ruins.

Costume designer Louise Mingenbach does wonderful work with the costumes from the 70s clothing the characters wear in the 1970s sequence to the leather-uniform of the X-Men as they make their final stand. Visual effects supervisor Richard Stammers does brilliant work with the visual effects from the design of the Sentinels to the look of the dystopian world where the X-Men are at. Sound designers Craig Berkey, Warren Hendricks, and Chuck Michael, with co-sound editor John A. Larsen, do superb work with the sound from the way the Sentinels sound when they use their weapons to the layers of sound effects that occur in the action sequences.

The casting by Roger Mussenden is great for the ensemble that is created as it features some notable small appearances from Lucas Till as Havok, Josh Helman as a young William Stryker, Mark Camacho as President Richard Nixon, and Michael Lerner as a senator concerned about the Sentinels program. Other noteworthy performances that are major standouts include Omar Sy as Bishop, Fan Bingbing as Blink, Daniel Cudmore as Colossus, Shawn Ashmore as Bobby/Ice Man, Adan Canto as Sunspot, Booboo Stewart as Warpath, and Halle Berry in a terrific performance as Storm as she helps lead the other mutants for the final stand. Evan Peters is fantastic as Quicksilver as a mutant who is known for his speed as helps out Wolverine, Hank, and Xavier retrieve Magneto while Nicholas Hoult is superb as the young Hank McCoy/Beast who watches the young Xavier while using his powers when he needed as he would often spar with Magneto.

Ellen Page is excellent as Kitty Pryde as the mutant who can walk and run through objects while having the ability to put mutants back in time through their consciousness as she deals with what she had to do. Peter Dinklage is pretty good as Bolivar Trask though his character is a bit underwritten as he’s not a full-fledge villain but one that is just simply afraid of mutants but also has admiration for them. Jennifer Lawrence is wonderful as Raven Darkholme/Mystique as a former companion of Xavier and Leshnerr who is torn between their respective ideals while eager to assassinate Trask unaware of what she will do and what will happen to her. Patrick Stewart and Ian McKellan are amazing in their respective roles as the older Xavier and Magneto as two men who try to maintain their survival while displaying their own regret over the schism that tore them apart.

Michael Fassbender is brilliant as the young Magneto as a man who still filled with a lot of rage and frustration as he wants to wipe out the human race over not trusting the mutants while also wanting to kill Raven in an attempt to stop the future from happening. James McAvoy is incredible as the young Xavier as a young man ravaged by grief and bitterness as he refuses to see what lays ahead for him as he realizes the fears he has to face in order to save the world. Finally, there’s Hugh Jackman in a remarkable performance as Logan/Wolverine as the mutant who can attack with his metallic claws and heal pretty fast as he is sent back in time to convince Xavier and Magneto to come together while being aware that he’s the last person that can convince them considering the emotional baggage that he carries.

X-Men: Days of Future Past is a phenomenal film from Bryan Singer. Thanks to its ensemble cast, unique concept, and sprawling visuals, it’s a film that has all of the tropes of a blockbuster film while also being a film that is smart and not wanting to take itself too seriously despite its grim tone. It’s also a film that manages to stand on its own in comparison to films of the franchise where it shows some clips from previous films but also allows enough ideas into what to expect from the characters and such. In the end, X-Men: Days of Future Past is a sensational film from Bryan Singer.

X-Men Films: X-Men - X2: X-Men United - X-Men III: The Last Stand - X-Men Origins: Wolverine - X-Men: First Class - The Wolverine - X-Men: Apocalypse - Logan (2017 film) - Deadpool 2 – (X-Men: Dark Phoenix) - (New Mutants)

© thevoid99 2014

X2: X-Men United

Originally Written and Posted at Epinions.com on 8/12/04 w/ Extensive Revision.

When the first X-Men film arrived in 2000, it was a hit in the box office as director Bryan Singer helped create a wave of comic-book superhero films that was followed by Sam Raimi's 2002 film Spider-Man. Realizing that a franchise could be made with the X-Men series, Singer went ahead to create a sequel that would improve some of the shortcomings of the first film but also broaden the story more. The result would be 2003's X2: X-Men United.

X2: X-Men United picks up where the first one was left as the story centers around Wolverine who is trying to find clues of his past and his transformation into becoming a mutant. At the same time, a failed assassination on the U.S. president by a mutant makes those in the X-Men team suspicious as they interrogate their nemesis Magneto while being in pursuit from an army colonel. Based on the comic book with the screen story co-written with director Singer before turning into a script by David Hayter, Dan Harris, and Michael Dougherty, X2 is a film that allows the X-Men series to go into bigger ideas along with themes of prejudice and chaos. With a cast that includes those from first film like Hugh Jackman, Patrick Stewart, Ian McKellan, Halle Berry, James Marsden, Anna Paquin, Famke Janssen, Rebecca Romijn-Stamos, Bruce Davison, and Shawn Ashmore with new actors to the franchise, Brian Cox, Kelly Hu, Alan Cumming, Cotter Smith, and Aaron Stanford. X2: X-Men United is one of the smartest and entertaining of Hollywood blockbusters.

Despite the repeal the Mutant Registration Act that was led by one of its original supporters in Senator Kelly (Bruce Davison), a teleporting mutant named Nightcrawler/Kurt Wagner (Alan Cumming) has made an attempted assassination on President McKenna (Cotter Smith). With suspicions arising that the attack was orchestrated by Magneto/Erik Lehnsherr (Ian McKellan) who is currently in a special prison. McKenna asks Col. William Stryker (Brian Cox) to investigate as Senator Kelly makes a visit asking about Lehnsherr's whereabouts. Meanwhile, Charles Xavier (Patrick Stewart), Storm (Halle Berry), Jean Grey (Famke Janssen), and Scott Summers (James Marsden) learn about the president's attack during a field trip with students as Xavier looks for Wagner's whereabouts. Logan/Wolverine returns to Xavier's school following a failed search for a base at Alkali Lake as he asks Xavier for help to search for lost memories. Xavier reluctantly refuses as he asks Logan to watch over the students as he and the rest of the X-Men investigate the attack.

With Jean and Storm trying to find Wagner to asks questions as it's revealed that he doesn't know what he's done. Xavier and Scott go to the compound to meet with Magneto. Magneto is under the influence of a drug as he reveals to Xavier he gave some information to Stryker leading to a trap as Xavier and Scott are captured by Stryker's assistant Yuriko Oyama/Lady Deathstrike (Kelly Hu). Back at Xavier's mansion, a raid led by Stryker happens as Logan helps many of the students escape only to be met with Stryker who knew Logan from many years ago. Haunted by Stryker's presence, he is saved by Rogue (Anna Paquin) and Bobby Drake/Iceman (Shawn Ashmore) to escape with their friend Pyro (Aaron Stanford) where they hide out at the home of Bobby's family.

At Stryker's secret hiding facilities, Xavier learns what Stryker is up to as he is forced to be under the control of Stryker's son Jason (Michael Reid McKay) who gets into Xavier's mind. After finding a device in a car that belonged to Scott, Logan makes contact with Jean and Storm as cops surround Bobby's family home after a call from Bobby's younger brother leading to Pyro to attack the cops that is stopped by Rogue. When Jean and Storm arrive with the X-Jet that includes Wagner, they try to evade the air force as they're eventually saved by the escaped Magneto and his henchwoman Mystique (Rebecca Romijn). Realizing what Stryker is up to, the X-Men realize they have to work with Magneto and Mystique in order to stop Stryker while Logan learns about what happened to him years ago in Stryker's hands. With the X-Men retrieving the students that were captured and trying to stop Stryker, one of them makes the ultimate sacrifice.

While the plot formula is similar to the likes of Spider-Man and other comic book stories, what sets X-Men apart is the fact that the X-Men are reluctant superheroes and in the second one, their reluctance is challenged more than ever. The story in the second one is far more superior, especially with the storyline of Wolverine trying to find his past that is the key story that moves the story. It allows that character to be more fragile as he yearns for the company of the X-Men and students that gives him a reason to fight. There's also more development in the characters along with themes of faith that is carried by Wagner who develops a relationship based on faith with Storm. The credit really should go to director Bryan Singer for tightening up the film's story and his eye-wielding direction that is crafty with fast camera angles and intense action and dramatic moments.

With cinematographer Thomas Newton Siegel, the film has this amazing, cold look in many of the scenes while its complemented with the work of production designer Guy H. Dyas, who helps brings an eerie, bleak look in many of the film's dark scenes in the Alkali Lake sequences. Helping with the film's spectacular visuals are the visual effects from supervisor Michael Fink who helps bring in intense, wondrous effects, notably for the Nightcrawler and Mystique characters who often do a lot of teleporting or in Mystique's case, change into other characters. With a film score by John Ottman, who also serves as an editor, the film plays up to what a comic-book action movie should be in style and substance as the score just helps move with the story and scenes.

Then you have the film's wonderful ensemble cast that includes some wonderful small performances from Bruce Davison, Cotter Smith, and Daniel Cudmore as Colossus who shines in the school raid scene with his powers while Ty Olsson stands out in his role as Magneto's prison guard Laurio is excellent, especially in a scene that involves him making with Rebecca Romijn-Stamos. Though Anna Paquin had a bigger role as Rogue in the first film, her role is cut down a bit though Rogue in this film seems a bit more comfortable despite her powers while she has nice scenes with Shawn Ashmore's Iceman, who really gets more time than the first since he's having trouble dealing with being a mutant while is the only person who uses his powers for good. Aaron Stanford is a bit more of the conflicted character as Pyro who seems cocky for his fiery power and when he meets with Magneto, you see how easily he can be seduced with power.

Rebecca Romijn does an excellent job as Mystique by just projecting a lot of movement and spark into her performance while Kelly Hu is excellent as the villainous Yuriko with her own powers despite rarely having any dialogue when she uses actions rather than words, notably in her fight scene with Wolverine. James Marsden is excellent in his role, despite not being scene for an hour in the film, as the more disciplined Cyclops who still has some tension with Wolverine, even for the affections of Dr. Jean Grey. Famke Janssen is really amazing in her more difficult role as Grey since she has trouble with her telepathy and her feelings over Wolverine while she becomes more and more reluctant about her own powers. Halle Berry meanwhile, is very good in her performance as Storm, especially by getting rid of a classy accent in the first film, where she has really wonderful scenes with Alan Cumming's Nightcrawler. Cumming is a notably standout as he is thought of a villain at first but then he comes out as a character of morality and goodwill, including in the jet crash scene where he risks his own life to save someone. Cumming brought a depth and conscious that is rarely seen in an action film.

Then you have four of the film's greatest performances starting off with the always-amazing Brian Cox as William Stryker. Cox brings a demeaning charm and intelligence to a villain who isn't just hell bent on destroying mutants but in his scenes with Hugh Jackman's Wolverine, we see how far he'll go to destroy Wolverine's mind. Cox is devious and just a great villain who isn't a stereotypical villain but one that is enjoyable and hateful at the same time. Ian McKellan is another enjoyable villain but in X2, he kind of plays a good guy for a bit since he knows that mutants are in trouble and wants to help battle Stryker despite his own intentions for humans. McKellan brings a sly wit and charisma that is seductive even though he's a villain but one that is smart and cares for his group of people.

Patrick Stewart is also amazing in his classy performance as Professor X as he tries to find clues to the president's assassination attempt while trying not to be manipulated by Stryker's methods as he himself, becomes reluctant in trying to help Wolverine. Hugh Jackman is the easily the film's star and his performance in X2 outdoes the first as he displays more dramatic textures with a balance of action. Jackman brings humanity to Wolverine who tries to find clues to his past and when he does, we see how anguished and troubled he's become where he is forced to accept the role he will take part in.

X2: X-Men United is a fantastic film from Bryan Singer and definitely the best film of the X-Men franchise so far. Featuring a great ensemble cast and amazing technical work, it's a film that surpasses the first film in terms of a stronger story and a broader vision. Fans of the franchise will no doubt see this as the best of the film as it has more action and more engaging characters for them to relate to. In the end, X2: X-Men United is a fantastic film from Bryan Singer.

Bryan Singer Films: (The Usual Suspects) - (Apt. Pupil) - X-Men - (Superman Returns) - (Valkyrie) - (Jack the Giant Slayer) - X-Men: Days of Future Past - X-Men Apocalypse - (Bohemian Rhapsody)

X-Men Films: X-Men III: The Last Stand - X-Men Origins: Wolverine - X-Men: First Class - The Wolverine - Logan (2017 film) - Deadpool 2 – (X-Men: Dark Phoenix) - (New Mutants)

© thevoid99 2011

X-Men

Originally Written and Posted at Epinions.com on 5/19/06 w/ Extensive Revisions.

The comic book from Marvel about a group of mutants who become superheroes known as X-Men arrived to the comic book world from the mind of Marvel's comic book main man Stan Lee (who also created Spider-Man) and Jack Kirby in 1963. The X-Men comic book became very popular among its fans with its array of characters in a battle between good and bad mutants over their survival as the good are known as X-Men who believe that humans and mutants can work together while running a school teaching young mutants. Throughout the years, the comic's popularity spawned cartoons and comic book spin-offs where finally in 2000, a movie about the X-Men was finally ready to be made.

To create the first X-Men film, producers and Stan Lee turned to screenwriter David Hayter to write a script with additional help from fan and Buffy the Vampire Slayer creator Joss Whedon. For their choice to direct the film, the turned to Bryan Singer who already created some buzz with his debut feature, 1995's The Usual Suspects and 1998's Apt Pupil which starred Ian McKellen. In the first X-Men movie, the plot revolves around a mutant named Magneto and his hatred for humans as he is in conflict with former friend named Charles Xavier. In the middle of this conflict, a young girl named Marie who has runaway from home and found refuge in a mysterious mutant named Logan (aka Wolverine) where they find themselves in the middle of a war. With a cast that included McKellen, Patrick Stewart, Halle Berry, Famke Janssen, Hugh Jackman, Anna Paquin, James Marsden, Ray Park, Tyler Mane, Rebecca Romijn, Bruce Davison, and Shawn Ashmore. The X-Men movie is a fun, entertaining film that is a bit faithful to the comic book.

Fear emerges with humans over the growth of mutant population as Dr. Jean Grey (Famke Janssen) tries to assure the U.S. government that mutants are a threat much to the chagrin of Senator Robert Kelly (Bruce Davison). One mutant who doesn't like humans is Erik Leshnsherr/Magneto (Ian McKellan) who used to be a friend of Grey's mentor Charles Xavier/Professor X (Patrick Stewart). Meanwhile, a young girl named Marie/Rogue (Anna Paquin) has ran away from home after accidentally kissing a boy that drains his powers where she ends up in Alaska meeting a strange man named Logan/Wolverine (Hugh Jackman). Logan fights humans for a living as an attempted attack has him taking Marie with her only to be attacked by huge mutant beast named Sabretooth (Tyler Mane) as they're saved by a couple of mutants named Scott Summers/Cyclops (James Marden) and Ororo Munroe/Storm (Halle Berry).

Logan and Marie arrive at Xavier's school for young mutants where Logan meets Jean who is revealed to be telepathic along with the more powerful yet wheelchair-bound Xavier who offers to help Logan recover lost memories. Meanwhile, Magneto makes plans of his own with his frog-like mutant Toad (Ray Park), Sabretooth, and the ever-changing Mystique (Rebecca Romijn) as she abducts Senator Kelly for an experiment. Back at Xavier's school, Logan learns about Marie's powers after a nightmare he has where she leaves as Xavier finds her through his Cerebro machine where Logan tries to convince her to go back to Xavier's as they're attacked by Magneto and his henchman with Scott and Ororo trying to help Logan.

Realizing what Magneto wants all along as well as information from an ill Senator Kelly, Xavier tries to figure out what Magneto is up to only to be poisoned by a trap set up by Mystique. With Jean using Cerebro to find Magneto's henchman, Logan teams up with the X-Men to battle Magneto and his team.

While the film does provide a lot of entertainment in terms of action, humor, and drama, it also carries some flaws. While David Hayter's script, that also featured work from Tom DeSanto and Singer, has problems in weaving out the development of some of the characters while hashing out lines that end up being uninspiring at times. Director Bryan Singer does manage to bring in a film that keeps the audience interested. Despite the flaws in its plot and presentation, Singer does create moments where everything does excite the audiences including the battle between the X-Men and Magneto's Brotherhood where it reveals the reluctance of the X-Men in playing the superhero character. They're not perfect yet they all have cool powers and wanting to do the right thing. While Singer does excel in telling the story, he still couldn't develop some of the characters due to the script's shortcomings. While there's full development from Logan, Magneto, Xavier, Jean Grey, and on a lesser extent, Rogue. The rest though are played as second fiddle where from the standpoint of purists, it's pretty upsetting despite the fact that they have some great moments.

Helping Singer with the visual department is cinematographer Newton Thomas Siegel for bringing some wonderful lighting, especially with the blue look for the film's early scenes in Alaska as well as the some of the battle for the atmosphere of the film's look. Production designer John Myhre and art directors Paul D. Austerberry and Tamara Deverell also do great work in creating the metallic look of the underground part of the school. The costumes by Louise Mingenbach also does great work in creating the costumes including the leather suits for the X-Men team. Visual effects supervisors Michael L. Fink and Theresa Ellis do great work in creating the film's visual effects. Steve Boeddeker also does great work on the sound design while editors Steven Rosenblum, Kevin Stitt, and John Wright do great work in capturing the action and intensity of the film. The film's music also plays to the intensity from the late Michael Kamen with his rich, bombast orchestral score with additional work from Matthew Ferraro and Klaus Badelt.

Finally, there's the film's cast where in many ways, it's just a starting point. While Tyler Mane is pretty cool as Sabretooth and Ray Park is funny as Toad, neither actor really have much to work with in their performances. Even then-newcomer Shawn Ashmore's part as Bobby Drake/Iceman doesn't have much but since it's a minor character, Ashmore got to bring a lot of charm where his role was expanded to greater use in the next feature. Rebecca Romijn brings a lot of interesting qualities and a unique presence to her role as Mystique with her wonderfully, curvy body while proving to be a real menace in an excellent performance. Bruce Davidson is great as Senator Kelly whose conservative, cynical take on mutants takes on a great development when he becomes mutated as he learns about their plight. James Marsden is fine in the role of Scott Summers though the subplot about his relationship with Jean Grey is weak as Marsden acts a bit whiny while his scenes with Hugh Jackman are filled with great tension and humor.

Halle Berry is a fine actress in her own right but whenever she’s not doing cool powers or any kind of fighting, her dramatic approach doesn't seem to work, especially with a very bad African accent. It seems throughout some of those moments, Berry seems uncomfortable in that accent where it really suffers in her performance. Anna Paquin also suffers from working with accent as she employs a Southern accent that doesn't help matters, even in some intense dramatic moments despite some nice chemistry with Hugh Jackman. Though Paquin is a very important character, it's pretty badly written in the way she's emphasized, especially among comic books purists who see Rogue as something much stronger. Famke Janssen is the best female performance of the entire cast as she reveals her own insecurities with the potential of her powers and her reluctance to be a field leader as Janssen has wonderful scenes with Stewart and Jackman.

Ian McKellen gives a great performance in the role of Magneto as a villain whose hatred against humans is understandable while his desire to rid of them is good enough to even kind of root for him. McKellen brings a complexity and superiority to his performance that stands out in every way. Patrick Stewart is also great in another complex, superior role as McKellen's opposite, Professor X. Though Stewart is more understated and optimistic, he brings a calmness and almost mentor-like quality to his role as he becomes the one person who can calm the often aggressive Wolverine. The film's real breakout performance is then-newcomer Hugh Jackman. The Australian actor brings a lot of qualities that makes the Wolverine character cool as hell. Jackman brings a wonderfully brooding yet aggressive approach to the character of Wolverine along with a sensitivity and humor to the role as he has great chemistry with his cast. In many ways, the film really belongs to Hugh Jackman.

X-Men is a very good from Bryan Singer that does create an engaging origin story despite some flaws in the script. While comic books will enjoy seeing these characters come to life including Wolverine. The film also serves as a real breakthrough for then-newcomer Hugh Jackman who makes Wolverine into his own as he's supported by a great supporting cast including Patrick Stewart and Ian McKellan. In the end, X-Men is a fun, entertaining film from Bryan Singer and company.

Bryan Singer Films: (The Usual Suspects) - (Apt Pupil) - X2: X-Men United - (Superman Returns) - (Valkyrie)

X-Men Films: X-Men III: The Last Stand - X-Men Origins: Wolverine - X-Men: First Class - The Wolverine - X-Men: Apocalypse - Logan (2017 film) - Deadpool 2 – (X-Men: Dark Phoenix) - (New Mutants)

© thevoid99 2011