Directed by Bong Joon-ho and written by Joon-ho, Song Ji-ho, and Derek Son Tae-woong, Barking Dogs Never Bite is the story of an unemployed professor who kidnaps dogs and abuse them while a young woman who lives in the same apartment building goes on the search to find them. The film is based on a famous folklore story in Europe that is very popular in Asia as it is a strange mix of black comedy and terror. Starring Lee Sung-Jae, Bae Doona, and Byun Hee-bong. Barking Dogs Never Bite is a strange yet whimsical film from Bong Joon-ho.
A series of mysterious disappearances from dogs caused by a graduate student eager to become a professor prompts a young woman, who lives in the same apartment building, to go on a search to find them. It’s a film that plays into a man driven to the edge in his own personal and professional life that he would do such a thing. Much of the film takes place in this apartment building where there’s a rule about not having dogs live there as Ko Yun-ju (Lee Sung-jae) is shocked that there are people who live with dogs. That irritation adds to the growing troubles as he is trying to get a job as a professor through some dishonest means. The film’s screenplay does portray Ko as a man with sympathy as he is married to a cruel pregnant wife in Eun-sil (Kim Ho-jung) as his acts to take it out on dogs play into someone that is just being pushed to the edge.
The disappearance of a dog prompts a lowly office worker in Park Hyun-nam (Bae Doona) to do something in the hopes of getting a hefty reward and some attention to get out of her dull life. The script plays into Park’s willingness to try and be on TV but it often comes into elements of humiliation as well as moments of some very dark yet offbeat humor. Even as Ko would encounter things in an attempt to find a dog as it plays to strange events and stories that goes inside the apartment. Some of it is played for laughs while other moments are just dark with elements that mixes both. All of which play into two people trying to deal with the chaos of their lives as well as the harsh realities they want to escape from.
Bong Joon-ho’s direction is very stylish not just in his use of tracking shots but also in the compositions he create. Especially in his usage of close-ups and medium shots that play into some of the drama as well as eerie scenes that play into Ko’s struggle. Even in moments where he tries to redeem himself but would often encounter certain things like a janitor (Byun Hee-bong) telling a tenant about a chilling story Joon-Ho creates this air of suspense that would loom throughout the film. Joon-ho also creates some dazzling usage of crane shots as well as chase scenes where Park would chase Ko, though she has no idea who she is chasing, in the apartment building where a lot of steadicams are used to capture the action as the apartment building itself is a character in the film. Some of which are comical but it also plays into moments that are very dark as Joon-ho also knows how to stage the drama for a moment where Ko would lose a dog as it would bring Ko and Park together to find it.
There’s also these dark moments as it relates to the struggles that Ko would endure as it relates to his own uncertain future as it includes this sequence about what Ko would have to do to get a job as a professor. It is a moment that is quite chilling as it plays into the added pressure that Ko is dealing with as he would take it out on dogs. The film’s third act would have Ko not only come to terms with his own actions but also in dealing with the unhappiness he is having in his life. Joon-ho’s approach to compositions become far more intriguing as he would mix elements of fantasy and reality for a few scenes as it relates to what Park wants for herself but there is still elements of reality that she is forced to accept. Especially for Ko who copes with some of the aspects of his own life but wonders if he is willing to move on from it. Overall, Joon-ho creates an engaging yet witty film about two people dealing with the dark aspects of reality.
Cinematographers Jo Yeong-gyu and Cho Yong-kyou do amazing work with the cinematography as it‘s very colorful for some of the daytime exteriors while using some low-key lights and such for some eerie interior/exterior scenes at night. Editor Lee Eun-soo does fantastic work with the editing to create some offbeat rhythms for the humor and action along with elements of jump-cuts and slow-motion cuts for some of the intense moments including the chase sequence. Production designer Hang Lee does excellent work with the look of the apartment rooms to present the personality of the characters as well as the places they go to.
Costume designer Choi Yun-jung does terrific work with the costumes from the yellow hoodie that Park wears to the casual look of Ko. Visual effects supervisor Jung Sung-jin does nice work with some of the minimal visual effects as it relates to a few key stunts and moments involving the dogs. Sound mixers Choi Tae-young and Oh Weon-chul do superb work with the sound to create elements of suspense as well as eerie moments that play into Ko‘s troubled state of mind including the sounds of barking dogs. The film’s music by Jo Seong-woo is brilliant as it is this lively mix of jazz with bits of classical as it plays into some of the film’s humor and dramatic moments as it’s one of the film’s highlights.
The film’s phenomenal cast includes some notable small roles from Kim Jin-goo as an old lady with a Chihuahua, Kim Roi-ha as a mysterious man who lives in the apartment basement, Go Soo-hee as Park’s friend Yoon, and Byun Hee-bong as the maintenance man who would cook food in the basement as he would tell a chilling story to a tenant that Ko would listen to. Kim Ho-jung is wonderful as Ko’s pregnant wife Eun-sil as she is quite cruel to him by making him break walnuts and spending money on things as there’s aspects about her that doesn’t make her a total bitch. Bae Doona is remarkable as Park Hyun-nam as this young and aimless woman who sees an opportunity to find dogs in the hopes to get some kind of reward as she also copes with the downside of the real world. Finally, there’s Lee Sung-jae in a riveting performance as Ko Yun-ju as this grad student who is desperate to become a professor as he becomes unhinged by all kinds of pressure as he would take it out on dogs as he becomes troubled by his actions and hopes to find some form of redemption.
Barking Dogs Never Bite is a sensational film from Bong Joon-ho. Armed with a fantastic cast and a story that is offbeat yet captivating, it’s a film that manages to be dark and weird. Yet, it’s also a film that plays into the world of humanity and the pressures they’re put upon to better themselves but in ways they’re unable to cope with. In the end, Barking Dogs Never Bite is a tremendously odd yet thrilling film from Bong Joon-ho.
Bong Joon-ho Films: Memories of Murder - The Host (2006 film)) - Tokyo!-Shaking Tokyo - Mother - Snowpiercer - Okja - Parasite - Mickey 17 - The Auteurs #44: Bong Joon-ho
© thevoid99 2015
Based on the play by Kim Kwang-rim, Memories of Murder is the story of two detectives who are trying to uncover the mystery of a series of real-life murders that occurred from 1986 to 1991 in South Korea. Directed by Bong Joon-ho and screenplay by Joon-ho and Shim Sung-bo, the film is a mystery that revolves around the real-life killings that gripped a nation as two men try to understand why these people are killed and who did. Starring Song Kang-ho, Kim Sang-kyung, Kim Roi-ha, Park Hae-il, and Byun Hee-bong. Memories of Murder is a gripping yet evocative film from Bong Joon-ho.
Based on the real-life murders that occurred in South Korea from 1986 to 1991 that gripped a nation into panic. The film revolves two very different detectives who work with each other to solve the case of these grisly murders that often occur on a rainy night where a young woman is wearing red as she is then seen dead and tied up. During the course of the investigation where false leads and incompetence lead to uncertainty, questions begin to arise about the motives as well as odd clues which then leads to a few breaks but also questionable tactics from these two very different detectives. It’s a film that isn’t just about an investigation but also two very different men who come from different backgrounds as they have to work together to do something right.
The film’s screenplay begins with this discovery in the middle of a very rural small town in South Korea as its local detective Park (Song Kang-ho) is trying to lead the investigation as his inability to really get anything going forces his leaders to bring in the more experienced Inspector Seo (Kim Sang-kyung) from Seoul to aid him and Park’s partner Cho (Kim Roi-ha). Though there’s tension between the more reasonable Seo and the more aggressive Park, the two do bond once it becomes clear that the crime is far more complex. It’s a script that is more about two men who come together in this investigation as both of them would use unconventional methods to try and get answers. Seo is a man who relies on documents, facts, and actual clues while Park is more about instinct as he and Cho are notorious for beating up suspects to get answers. Even as they target oddballs such as a mentally-challenged man (Park No-shik) which proves to be troubling as the media gets wind of these tactics.
Once the killings become more gruesome as it leads to various questions involving a major suspect (Park Hae-il) based on descriptions by a few witnesses. It plays into not just the film’s third act but also some major changes into the two detectives as they’re forced to deal with the impact of not just these killings but also in how some of their own methods can turn against them. Something that Seo would struggle with while Park would have a struggle of his own that becomes more existential as well as questions into what could’ve been.
Bong Joon-ho’s direction is truly mesmerizing for the way he opens the film in a very unconventional way. It starts off very innocently as it is shot in these plain fields in rural South Korea that looks like a very different and calm world until a group of kids run towards a police car where Park looks inside this drain where a body is inside. It sets the tone for what is to come as it also showcases Park as this very odd individual who is more driven by instinct rather than skills. Some of the direction involve some very dark yet comical moments involving Park and Cho who would often do things to get answers from suspects. Much of it plays into Park and Cho trying to be the badass cops that the media will love but their antics doesn’t produce results. Some of the compositions are straightforward yet have an ethereal quality in terms of the close-ups of the plain fields as well as some amazing wide shots with the use of crane cameras.
By setting it in this rural small town, Joon-ho creates something that is intimate not just in its police station but also in the small town while using some wide shots to create something that is also big. The moments of the killings are quite suspenseful where Joon-ho knows how to play with its rhythms and the impact of these scenes. Even as the film gets darker to the point that it becomes more about Park and Seo dealing with the consequences of these murders and their attempts to find answers. The film would then have this epilogue involving one of the men as it plays into many aspects about the real killings as well as the fact that some things don’t go away. Overall, Joon-ho creates a very captivating yet harrowing film about detectives trying to find a serial killer.
Cinematographer Kim Hyung-hu does brilliant work with the film‘s cinematography from the naturalistic yet beautiful look of the plain fields as well as some of the lighting for the scenes at night including the interrogation room and the pathway where some of the killings occur. Editor Kim Sun-min does amazing work with the editing as it plays to elements of styles from slow-motion cuts to offbeat rhythms for its element of suspense and its dark humor. Production designer Ryu Seong-hie does excellent work with the look of the police station as well as some of the homes of the characters.
Sound editor Lee Seung-yeop and sound mixer Lee Byung-Ha do fantastic work with the sound to play into the sense of terror as well as the drama which includes some chilling moments in the murder scenes. The film’s music by Taro Iwashiro is superb for its mixture of soaring yet brooding orchestral music and some eerie electronic pieces that plays into the drama and suspense as well as a Korean pop song that becomes a key aspect into the mystery.
The film’s cast features some notable small performances from Go Seo-Hee as female officer who finds a clue that proves crucial to the cast as she would also talk to a witness while Jeon Mi-seon is terrific as Park’s wife who would also give him suggestions to find something. Park No-shik is excellent as a mentally-challenged suspect who seems to know more than the detectives realize while Park Hae-il is fantastic as another suspect who fits some descriptions as he is a very ambiguous character. Song Jae-ho is superb as a chief sergeant who leads the case early one while Byun Hee-bong is amazing as the new chief who runs the investigation as he wonders why they couldn’t get any more results.
Kim Roi-ha is brilliant as the crazed cop Cho Yong-koo as a guy who is very aggressive as he is so eager to get answers as he is this wildcard that proves to be a little much for his partner at times. Kim Sang-kyung is incredible as Inspector Seo Tae-yoon as this educated-based detective from Seoul who aids in the investigation as his methods prove to be helpful early on despite tension with Park while coming to terms over the gruesomeness of the murders. Finally, there’s Song Kang-ho in a phenomenal performance as Detective Park Doo-man as this detective who leads by instinct as he tries to figure out what to do as he starts off as this incompetent and aggressive detective while proving to have methods that work as he later copes with the events around him as he deals with his own future as a cop.
Memories of Murder is a tremendously dark yet exhilarating film from Bong Joon-ho. Armed with a great cast as well as some spellbinding technical achievements, the film isn’t just one of Joon-ho’s finest films but also a key film in the Korean New Wave of the 2000s. Even as it manages to take the mystery-suspense genre and add ideas that feels new and exciting. In the end, Memories of Murder is an outstanding film from Bong Joon-ho.
Bong Joon-ho Films: Barking Dogs Never Bite - The Host - Tokyo!-Shaking Tokyo - Mother - Snowpiercer - Okja - Parasite - Mickey 17 - The Auteurs #44: Bong Joon-ho
© thevoid99 2014
