Directed by Edward Buzzell and written by Irving Brecher, Go West is the story of three men who travel to the American West to thwart some bad guys and help a couple in their relationship. The film is a western-comedy that stars the Marx Brothers in Groucho, Chico, and Harpo as they bring in their unique approach to chaos-based comedy. Also starring John Carroll, Diana Lewis, and Tully Marshall. Go West is a messy yet entertaining film from Edward Buzzell and the Marx Brothers.
The film revolves a group of three men who travel to the American West where two of them are given land which a young man wants to use for the railroad where a group of scheming businessmen want to get that land for themselves. It’s a film with a simple premise as it features many of the attributes that is expected from the Marx Brothers in their approach to chaos. Yet, the story does lose sight as it’s quite messy and a bit hard to follow because there’s so much that is going on. Even as the motivations of the supporting characters for the main story gets overwhelmed by the antics of the Marx Brothers.
Edward Buzzell’s direction does have some unique compositions as well as elaborate gags and set pieces. Especially in scenes involving the train where there’s a lot of chaos that goes one while some of the dialogue features a lot of anachronisms that are intentional. It adds to the sense of chaos in the film with its use of close-ups and medium shots to capture the sense of action as well as some of the musical numbers in the film. There is a lot of energy that occurs but once the story involving the leads and the other characters come together, it loses some of its luster only to pick things up in its third act that involves a train chase and a confrontation with its antagonists. Overall, Buzzell creates a very entertaining but uneven film about three guys trying to stop crooked businessman from stealing land in the American West.
Cinematographer Leonard Smith does excellent work with the film‘s cinematography with its usage of low-key lights for scenes set at night while using some stylish ones for some of the film‘s interior scenes. Editor Blanche Sewell does nice work with the editing as it‘s straightforward with a few rhythmic cuts for the comedic moments plus fade-outs and transition wipes. Art director Cedric Gibbons and set decorator Edwin B. Willis do fantastic work with the look of the saloon where some of the characters encounter each other as well as the small town where much of the film is set. Costume designers Gile Steele and Dolly Tree do terrific work with the costumes from the hats and clothes of the men designed by Steele to the women dresses created by Tree. Sound recordist Douglas Shearer does superb work with the sound to create some of the sound effects and capture the sense of chaos in some of the film‘s comical moments. Music director Georgie Stoll creates a wonderful soundtrack filled with original score music by Stoll plus a lot of original songs that are co-written by Gus Khan.
The film’s phenomenal cast includes some notable small roles from Mitchell Lewis as an Indian henchman, Joe Yule as the saloon bartender, Tully Marshall as the owner of the land who gives it away as he has no use for it, June MacCloy as a showgirl that is often flirted by Quayle, Robert Barratt as a devilish gunslinger named Baxter, and Walter Woolf King as the antagonist in the scheming John Beecher. Diana Lewis is wonderful as the land owner’s granddaughter Eve who is love with the man who is a family rival who wants to help the land. John Carroll is terrific as Terry Turner as Eve’s lover who wants to gain access to her grandfather’s land so he can use it as a railroad station and make money for the town and for her grandfather to settle a long-standing feud. Finally, there’s the Marx Brothers in brilliant performances with Chico as the smart-talking and cautious Joseph Panello while Harpo is hilarious as the silent but cunning Rusty Panello. Groucho is superb as S. Quentin Quayle as a schemer that wants to buy the land and help Turner and the Panello brothers make money while being very wry in his comments about everything.
Go West is a stellar and superb film from Edward Buzzell and the Marx Brothers. While it may not have a strong story that is often overshadowed by the antics of the Marx Brothers which makes it uneven and messy. It is still a film that is very enjoyable where they do bring in some fine laughs. In the end, Go West is a very good film from the Marx Brothers.
Marx Brothers Films: (Humor Risk) - (I’ll Say She Is) - (The Cocoanuts (1925)) - (Animal Crackers (1928 film)) - (The Cocoanuts (1929 film)) - (Animal Crackers (1930 film)) - (The House That Shadows Built) - (Monkey Business) - Horse Feathers - Duck Soup - A Night at the Opera - A Day at the Races - Room Service - At the Circus - (The Big Store) - (A Night in Casablanca) - (Love Happy) - (The Story of Mankind)
© thevoid99 2015
Directed by Edward Buzzell and written by Irving Brecher, At the Circus is the story of a lawyer and his two buddies who help try to save a circus from bankruptcy as they also deal with some goons. The film is a simple story that involves the Marx Brothers in Groucho, Chico, and Harpo who do whatever to save a circus and cause chaos along the way. Also starring Eve Arden, Margaret Dumont, and Kenny Baker. At the Circus is an exciting and fun film from Edward Buzzell and the Marx Brothers.
The film revolves a young man trying to save the circus that he runs as the money that was supposed to save the circus was stolen prompting a lawyer and his two friends to get it back and deal with the goons. It’s a simple story that is filled with lots of shenanigans as it’s all about saving a circus where the goons are a strongman, a midget, and a circus manager who want the money for devious reasons. The film’s screenplay doesn’t really do anything to make the story compelling other than make it more about the adventures and what is at stake. Especially as this character in the young man named Jeff Wilson (Kenny Baker) needs the money or else he loses everything including the chance to marry a top circus performer.
Edward Buzzell’s direction is quite lively for not just in his compositions and approach to comedy. It also includes some dazzling sequence that include a scene where the lawyer J. Cheever Loophole (Groucho Marx) is trying to flirt with a circus performer as it involve unique compositions as well as how to set up something that would be funny. Another scene involves Loophole and his buddies interrogating a midget (Jerry Maren) where it’s shot in a small set as it has all sorts of gags. The film also features some musical numbers and sequences that are quite lively as it adds elements to the story as well as what Wilson is trying to do as he is in need to make it on his own. Especially as its climax is lavish as well as filled with lots of hilarity and chaos. Overall, Buzzell creates a very thrilling and exhilarating film about a group of guys trying to save a circus.
Cinematographer Leonard M. Smith does excellent work with the film‘s black-and-white photography as it‘s very straightforward with a few key scenes set at night that includes some of its musical numbers. Editor William H. Terhune does nice work with the editing as it‘s straightforward with some rhythmic cuts for the humor and music sequences as well as fade-outs for the transitions. Art director Cedric Gibbons and set decorator Edwin B. Willis do brilliant work with the set pieces from the tent where Loophole tries to flirt with a performer to the scene where he and his buddies try to interrogate the midget. Costume designers Dolly Tree and Valles do superb work with the costumes with Tree creating the clothes for the women and Valles on the clothes the men wear. Sound recordist G.A. Burns does terrific work with the sound to create some moments in the gags as well as in the film‘s climax. The film’s music by Harold Arlen is fantastic for its playful score as well as songs co-written with Yip Hardburg that are just a delight to hear.
The film’s marvelous cast includes some notable small roles from Jerry Maren as the midget, Nate Pendleton as the strongman, Eve Arden as the beautiful circus performer Peerless Pauline, Charles Gemora as the circus gorilla Gibraltar who would witness the theft, and James Burke as the villainous circus manager James Burke. Margaret Dumont is wonderful as Jeff’s estranged aunt Mrs. Susanna Dukeburry who is often the foil for many jokes while Florence Rice is terrific as the circus performer Julie Randall whom Jeff wants to marry. Kenny Baker is excellent as Jeff Wilson as the circus owner who is trying to save the circus as he deals with being robbed and losing the chance to marry Julie. Finally, there’s the Marx Brothers in phenomenal performances with Chico as the helpful Tony who is very loyal to Jeff as he is very funny while Harpo is just hilarious as the silent circus performer Punchy who comes out with some great gags to keep the humor going. Groucho is a riot as J. Cheever Loophole with his witty banter and willingness to cause chaos.
At the Circus is a remarkable film from Edward Buzzell and the Marx Brothers. The film is definitely one of their finest comedies in terms of set pieces and gags as well as the willingness to bring in some anarchy into any kind of situation. In the end, At the Circus is a sensational from Edward Buzzell and the Marx Brothers.
Marx Brothers Films: (Humor Risk) - (I’ll Say She Is) - (The Cocoanuts (1925)) - (Animal Crackers (1928 film)) - (The Cocoanuts (1929 film)) - (Animal Crackers (1930 film)) - (The House That Shadows Built) - (Monkey Business) - Horse Feathers - Duck Soup - A Night at the Opera - A Day at the Races - Room Service - Go West - (The Big Store) - (A Night in Casablanca) - (Love Happy) - (The Story of Mankind)
© thevoid99 2015
Based on a play by Allen Boretz and John Murray, Room Service is the story of a Broadway producer trying to get a play produced while evading hotel bills. Directed by William A. Seiter, with additional work from James Anderson, and screenplay by Morrie Ryskind from a screen story by Glenn Tyron and Philip Loeb. The film is a comedy that plays into a man and his goons trying to stage a Broadway play as they create chaos as they’re played the Marx Brothers in Groucho, Chico, and Harpo. Also starring Lucille Ball, Ann Miller, Alexander Arso, and Frank Albertson. Room Service is a witty and entertaining film from William A. Seiter and the Marx Brothers.
The film revolves a Broadway producer and his cronies who are in town to stage a Broadway musical as they try to avoid paying the hotel bills much to the dismay of the hotel manager. It’s a story that is very simple as it plays to elements of chaos as well as a subplot involving a young writer who would be part of these shenanigans. Yet, it’s a story that isn’t originated for the Marx Brothers as the result has some of the humor and wit not feel as natural. Still, there are elements where there’s a lot at stake involving the principle characters and the antagonist involved. Especially as the script plays into these guys trying to get their play going while doing whatever to survive in a hotel.
William A. Seiter’s direction is unique for the fact that much of the film is set in a hotel room with a few scenes in hallways and outside of the hotel. Much of the direction involve some unique framing devices in its approach to wide and medium shots in order to get the actors in the frame as well as the gags that are created. Even as much of the action as Seiter creating scenes where there’s some camera movements to capture a lot of the humor that includes scenes where the three main characters try to fool people in order to not pay the bill. The direction also includes some scenes outside of the hotel that play into that humor that includes the climatic moment where the play is about to open where all of the gags and attempts to elude paying the bills come into play. Overall, Seiter creates a very engaging and lively film about a Broadway producer and his friends trying not to pay the hotel bill.
Cinematographer J. Roy Hunt does excellent work with the film‘s black-and-white photography to play into the action inside of the hotel rooms as well as using some unique lights for the film‘s third act on the night of the play‘s opening. Editor George Crone does nice work with the editing as it‘s straightforward with some unique cuts to play into the humor. Art director Van Nest Polglase does brilliant work with the look of the hotel rooms where much of the film‘s action occurs including some of the small details to play into the personality of the characters. Gown designer Rene does amazing work with the look of the dresses the female characters wear. Sound recorder John L. Cass does terrific work with the sound from some of the sound effects that is captured as well as the gags that come into play. The film’s music by Roy Webb is fantastic as it is filled with some upbeat orchestral music to play into the humor along with songs for the play that adds to the sense of chaos.
The film’s superb cast includes some notable small roles from Charles Halton as a hotel doctor, Alexander Arso as a waiter who wants to be in the play, Clifford Dunstan as the hotel manager who is the producer’s brother-in-law, and Donald MacBride as a hotel troubleshooter who is trying to figure out what is going as he makes demands for the bills to be paid. Ann Miller is wonderful as Hilda Manney as a friend of the producer who falls for the play’s new writer. Frank Albertson is terrific as the writer Leo Davis who copes with the antics of the producer and his friend while trying to find a place to live. Lucille Ball is excellent as the play’s leading actress Christine Marlowe who helps out in some of the gags as she provides some funny moments though being a straight woman of sorts for the men.
Finally, there’s the Marx Brothers in amazing performances with Harpo as the silent yet resourceful Faker Englund who creates chaos while Chico plays the play’s director Harry Binelli who tries to make sure things keep going while doing whatever to fool the troubleshooter. Groucho is brilliant as the producer Gordon Miller who always say something funny while doing whatever to keep things going despite having no money.
Room Service is a stellar and enjoyable film from William A. Seiter and the Marx Brothers. While it’s a film that is very funny though it is flawed, it is still very entertaining for its sense of mayhem that only the Marx Brothers could bring. In the end, Room Service is a fun and exciting film from William A. Seiter and the Marx Brothers.
Marx Brothers Films: (Humor Risk) - (I’ll Say She Is) - (The Cocoanuts (1925)) - (Animal Crackers (1928 film)) - (The Cocoanuts (1929 film)) - (Animal Crackers (1930 film)) - (The House That Shadows Built) - (Monkey Business) - Horse Feathers - Duck Soup - A Night at the Opera - A Day at the Races - At the Circus - Go West - (The Big Store) - (A Night in Casablanca) - (Love Happy) - (The Story of Mankind)
© thevoid99 2015
Directed by Sam Wood and written by George Oppenheimer, Robert Pirosh, and George Seaton, A Day at the Races is the story of a group of men who are asked to save a woman’s sanitarium by betting on a race horse for a big race. The film is a comedy where it involves betting and all sorts of things as the three men are played by the Marx Brothers in Groucho, Harpo, and Chico. Also starring Allan Jones, Maureen O’Sullivan, and Margaret Dumont. A Day at the Races is an uproarious and funny film from Sam Wood and the Marx Brothers.
When a woman’s sanitarium is to be foreclosed by the bank, a veterinarian comes in to woo a rich woman who is staying there while conspiring with two other men to bet on a horse for a big race so that the money could save the sanitarium. It’s a story that is very simple as it involves a group of men trying to help a woman while they’re friends with a singer who is in love with that woman as he spent his money on a race horse he hopes would win a big race. Along the way, these three men create havoc in their surroundings as they contend with a sheriff, a bank manager, and the sanitarium’s manager as it has elements of suspense as well as terror as it’s all presented in a very humorous manner. Especially as the story plays into these three men doing something noble for a woman as she has been handed the sanitarium from her family and wants to keep it.
Sam Wood’s direction is very lively not just in the elaborate gags that are created but also in the fact that it serves purpose to the story. Notably in Wood’s approach to framing and compositions where he allows some unique wide shots to play into the gags such as a chaotic sequence involving Dr. Hackenbush (Groucho Marx), a sanitarium worker named Tony (Chico Marx), and a jockey named Stuffy (Harpo Marx) as they pretend to examine a woman to prove that Dr. Hackenbush isn’t a quack. There’s also these very funny moments at a party where Dr. Hackenbush sees a beautiful woman as he would dance with her and the woman he is accompanying while Tony and Stuffy create their own brand of chaos. The usage of medium shots and wide shots are very unique in how Wood would slow things down to set up some sequences including some musical numbers such as the party where there’s ballet and singing plus an extended music piece by Tony and Stuffy.
One notable sequence that would top all of that is in the third act where the main characters encounter a group of African-Americans in a poor town as it leads to this extravagant music sequence led by Ivie Anderson and the Crinoline Choir. It’s among one of the finest pieces of singing and dancing that is captured with such energy through Wood’s direction as it would lead to the climatic race where it’s all about the gags at their most ambitious and what it would lead to in this race. Even as Dr. Hackenbush and Tony would create chaos at its most insane to the point that it would annoy many of the film’s antagonists to great delight. Overall, Wood creates a very sprawling yet exhilarating film about a doctor and his two buddies trying to save a sanitarium from some bad guys.
Cinematographer Joseph Ruttenberg does excellent work with the film‘s black-and-white photography for some of the film‘s elaborate sequences with its approach to lighting for some of the scenes at night which adds to a unique sense of style. Editor Frank E. Hull does superb work with the editing as it plays to the rhythm of the humor as well as use fade-outs to help structure the story from one scene to another. Art director Cedric Gibson does brilliant work with the look of the sanitarium as well as the lavish party that Dr. Hackenbush attends. Sound recordist Douglas Shearer does nice work with the sound to help create the sense of chaos that Dr. Hackenbush and his gang ensue. The film’s music by Walter Jerman, Bronislau Kaper, and Franz Waxman is fantastic for its mixture of classical and jazz music as it plays into the comedy along with original songs that help tell the story.
The film’s remarkable cast include some notable small roles from Vivien Fay as the ballet dancer, Ivie Anderson as the singer in the dance-and-song number in African-American farm sequence, Esther Muir as the beautiful blonde Dr. Hackenbush tries to woo, Sig Ruman as a renowned doctor Dr. Hackenbush mocks in order to not be revealed to be a quack, and Robert Middlemass as the local sheriff who wants to go after the three men and kill their horse. Leonard Creeley is terrific as the scheming sanitarium manager Whitmore who wants to expose Dr. Hackenbush and help in the sale of the sanitarium. Douglass Dumbrille is superb as the evil J.D. Morgan as a bank manager who wants to buy the sanitarium and turn it into a casino in the hopes to legalize gambling in Florida. Margaret Dumont is wonderful as Mrs. Upjohn as a rich woman living at the sanitarium who wants to be treated by Dr. Hackenbush as she is often the brunt of many jokes yet to great use as the straight woman.
Allan Jones is excellent as the singer Gil Stewart who buys the horse to help out Judy Standish as he gets help from Tony and Stuffy while making some major realizations into his purchase. Maureen O’Sullivan is fantastic as the sanitarium owner Judy Standish who copes with trying to save the place as well as deal with what Gil is trying to do unaware of the truth of what Dr. Hackenbush really is. Finally, there’s the Marx Brothers in phenomenal performances with Chico bringing a lot of energy as well as wit and sensitivity to Tony as someone who wants to help Judy as well as create chaos on the schemes of Morgan and Whitmore. Harpo is the funniest as his mute yet animated performance displays that sense of innocence and adventure as he just constantly brings in the laughs for his role as Stuffy. Finally, there’s Groucho in a brilliant performance as Dr. Hackenbush with his witty commentary on things while being a man who isn’t afraid to flirt with anyone while being a complete agent of chaos.
A Day at the Races is a marvelous film from Sam Wood and the Marx Brothers. With its sense of anarchy and willingness to create a story where the good guys try to wreak havoc on the bad guys. It’s a film that is truly entertaining as well as play into something that feels lively in its gags and musical numbers. In the end, A Day at the Races is a sensational film from Sam Wood and the Marx Brothers.
Marx Brothers Films: (Humor Risk) - (I’ll Say She Is) - (The Cocoanuts (1925)) - (Animal Crackers (1928 film)) - (The Cocoanuts (1929 film)) - (Animal Crackers (1930 film)) - (The House That Shadows Built) - (Monkey Business) - Horse Feathers - Duck Soup - A Night at the Opera - Room Service - At the Circus - Go West - (The Big Store) - (A Night in Casablanca) - (Love Happy) - (The Story of Mankind)
© thevoid99 2015
Directed by Sam Wood and screenplay by George S. Kaufman, Morrie Ryskind, and un-credited work from Al Boasberg from a story by James Kevin McGuinness, A Night at the Opera is the story of three men who create havoc at an opera house in an attempt to help a friend score with the opera’s leading lady. The film plays into the world of the opera as three men create all sorts of gags and craziness as they’re played by the Marx Brothers in their first film as a trio in Groucho, Harpo, and Chico. Also starring Kitty Carlisle, Allan Jones, and Margaret Dumont. A Night at the Opera is a raucous yet majestic film from Sam Wood and the Marx Brothers.
The film explores the world of opera where a business manager meets two men whose friend is a tenor singer that is in love with an opera house’s leading lady as they hope to get him to the big show in New York City. It’s a film that plays into the world of opera as this business manager tries to make it in the opera business while creating havoc around him with two men who stowaway with their singer on a cruise ship from Italy to New York. Even as they have to contend with a rich woman, an opera director, and an arrogant tenor singer as the film’s screenplay manages to create a very engaging and lively story that plays into the misadventures of three men. The script also explores the motivations of the protagonist in Otis B. Driftwood (Groucho Marx) who is trying to make it but on his own terms as well as a break way from the stuffy ideas of opera as high art.
Sam Wood’s direction definitely plays to the organized sense of chaos that is part of the Marx Brothers’ approach to comedy in terms of gags and set pieces. Yet, there’s also moments that are very intimate and touching such as a scene where Tomasso (Harpo Marx) is playing a harp piece for people on a cruise including children as Wood places the camera in a medium shot where Tomasso and the children are in the frame. There’s also moments where the gags definitely add something to the story such as the very small suite that Driftwood would stay in as it would become one of the film’s most famous sequences. It’s a sequence where a bunch of characters are stuck inside this room as there’s a lot that is happening which would lead to one of the greatest gags ever captured on film. There’s also a sequence in a hotel suite where Wood’s use of wide shots help play to the humor as it would include more gags as the film’s climax in the opera is filled with some unique camera angles and moments that capture the sense of mayhem. Overall, Wood creates a very thrilling and extremely entertaining film about men creating havoc in the world of opera.
Cinematographer Merritt B. Gerstad does excellent work with the film‘s black-and-white photography where it really comes into play for the film‘s climatic opera performance with its usage of lighting as it adds to the sense of chaos in that scene. Editor William LeVanway does fantastic work with the editing with its use of dissolves and rhythmic cuts to capture the energy of the film‘s humor. Art director Cedric Gibbons does brilliant work with the look of the small suite that Driftwood would stay in on the cruise as well as the opera scene where all of the backdrops are used for moments of hilarity. Sound editor Michael Steinore does nice work with the film‘s sound to capture the sound effects for the gags as it helps play into the film‘s humor. The film’s music by Herbert Stothart is amazing for its mixture of orchestral music and opera along with comical pieces driven by its orchestra while the original songs in the film play into the love affair between a leading lady and a young protégé of Driftwood.
The film’s superb cast includes some notable small roles from Purnell Pratt as a mayor, Robert Emmett O’Connor as a police sergeant who is a victim of Driftwood and his men’s gags, Walter Woolf King as the arrogant tenor Rodolfo Lassparri, Siegfried Rumann as Driftwood’s boss and opera director Herman Gottlieb, and Margaret Dumont in a wonderful performance as Mrs. Claypool as a rich woman Driftwood tries to woo in order to make her look dumb. Kitty Carlisle is terrific as the opera singer Rosa Cataldi who is in love with another singer as she fends off the advances of Lassparri whom she’s not impressed by. Allan Jones is fantastic as Ricardo Baroni as a young tenor looking for his break as he gets help from Driftwood and other men to get his chance while being part of their gags.
Finally, there’s the Marx Brothers as they’re in top form in terms of their comedic performances with Harpo being the funniest of the three as the mute Tomasso who starts off as Lassparri’s assistant and later works for Driftwood in carrying all kinds of dirty deeds. Chico is very funny as Tomasso’s friend Fiorello with his very dry commentary on everything while creating some crazy ideas about the concepts of contracts. Groucho is hilarious as Otis B. Driftwood as a sharp-tongue business manager who says some of the most insulting things while being a man who isn’t afraid to say what needs to be said and more.
A Night at the Opera is a sensational film from Sam Wood and the Marx Brothers. The film is definitely one of the Marx Brothers’ quintessential comedies as well as a comedy that manages to showcase how to do set pieces and create a sense of entertainment as well as inventive gags. In the end, A Night at the Opera is a phenomenal film from Sam Wood and the Marx Brothers.
Marx Brothers Films: (Humor Risk) - (I’ll Say She Is) - (The Cocoanuts (1925)) - (Animal Crackers (1928 film)) - (The Cocoanuts (1929 film)) - (Animal Crackers (1930 film)) - (The House That Shadows Built) - (Monkey Business) - Horse Feathers - Duck Soup - A Day at the Races - Room Service - At the Circus - Go West - (The Big Store) - (A Night in Casablanca) - (Love Happy) - (The Story of Mankind)
© thevoid99 2015
Directed by Norman Z. McLeod and written by Bert Kalmar, S.J. Perelman, Harry Ruby, and Will B. Johnstone, Horse Feathers is a film that revolves around a college football game where a college president decides to cheat in order to beat a rival school. The film is a farcical film that revolves around the world of college sports with references into the world of Prohibition as it stars the Marx Brothers in Groucho, Chico, Harpo, and Zeppo Marx. Also starring Thelma Todd and David Landau. Horse Feathers is a witty and crazy romp of a film from Norman Z. McLeod.
The film is set in a college where its new president decides to focus on beating a rival school by hiring ringers. Along the way, the president does whatever to buck the system as he woos a woman who is dating his son as well as having an affair with the president of the rival school. It’s all part of this strange world where it explores some of the corruption in colleges and how men are willing to defeat their rivals at any cost. The film’s screenplay makes no bones into that corruption while allowing the Marx Brothers to improvise in their gags which has them defying the ideas of the college system. Even as there’s a plot device where the school president enters a speakeasy to meet with two men he thinks are the ringers.
Norman Z. McLeod’s direction definitely plays into that spirit of anarchy where the improvisation feels very natural as well as some of the musical and dance numbers. Much of the direction involve a lot of medium shots to play into that spirit along with gags that keep on being inventive and lively. While some of those gags are presented with some botched cuts due to being out of print and some moments of the film were cut as some of those moments feel abrupt. Yet, it doesn’t deter from the sense of comedy as it includes this climatic showdown in the football game which is total anarchy at its finest. Even in scenes where the president and his men do whatever to romance the woman whom his son has been going out with. Overall, McLeod creates a wild and sensational film about a college professor trying to cheat in a football game against a rival school.
Cinematographer Ray June does excellent work with the film‘s black-and-white cinematography to play into the craziness of the comedy as well as a vibrant look for its interior and exterior settings. Sound mixer Gene Merritt does nice work with the sound to help play into some of the gags as well in some of the raucous moments in the football game. The film’s music by John Leipold is fantastic for its mixture of folk and classical as it includes a performance in the latter by Harpo while the songs by Bert Kalmar and Harry Ruby are very funny as it’s often full of anarchy as well as play into the personalities of the characters.
The film’s cast is brilliant as it features some notable small roles from Reginald Barlow as the retiring professor, Nate Pendleton and James Pierce as the original ringers, Walter Brennan as a football commentator, and Robert Greig as a biology professor who loses control of classroom due to the actions of the Marx Brothers. David Landau is terrific as the film’s antagonist Jennings who is a secret lover of Connie as he tries to get her to find out what the rival school is up to. Thelma Todd is amazing as Connie as Jennings’ mistress who is also having an affair with the rival president’s son Frank as she would get the attention of his father and his ringers.
Zeppo Marx is excellent as Frank as the president’s son who is wooed by this woman as he is supposed to get an education as Zeppo is the most straightforward character of the film. Chico Marx is superb as the talkative and smart-aleck Baravelli while Harpo Marx is great as the very silent but innocent mute Pinky who does many of the film’s hilarious gags. Finally, there’s Groucho Marx in a thrilling performance as President Quincy Adams Wagstaff as he maintains that spirit of complete anarchy while saying things that are very brash as it’s such a fun performance.
Horse Feathers is a marvelous film from Norman Z. McLeod and the Marx Brothers. Though it’s presented in a restored but slightly botched cut due to censors of the times, it is still a very funny and exciting film that pokes fun at the world of college athletics. In the end, Horse Feathers is a hilariously rich and wild film from Norman Z. McLeod and the Marx Brothers.
Marx Brothers Films: (Humor Risk) - (I’ll Say She Is) - (The Cocoanuts (1925)) - (Animal Crackers (1928 film)) - (The Cocoanuts (1929 film)) - (Animal Crackers (1930 film)) - (The House That Shadows Built) - (Monkey Business) - Duck Soup - A Night at the Opera - A Day at the Races - Room Service - At the Circus - Go West - (The Big Store) - (A Night in Casablanca) - (Love Happy) - (The Story of Mankind)
© thevoid99 2015
Directed by Leo McCarey and written and scored by Bert Kalmar and Harry Ruby with additional dialogue from Arthur Sheekman and Nat Perrin, Duck Soup is the story of a man is named a dictator to a poor country as he declares war on a neighboring country. The film is a comedy where it plays to absurdist humor as it stars the Marx Brothers in Groucho, Harpo, Chico, and Zeppo in roles that defy description. Also starring Margaret Dumont, Louis Calhern, Raquel Torres, and Edgar Kennedy. Duck Soup is an insane yet roaring film from Leo McCarey and the Marx Brothers.
The film is this odd yet farcical film where a man is asked by a rich woman to lead her country out of poverty as he deals with a neighboring country’s ambassador where a series of misunderstandings and insults lead to the man declaring war. A lot of it is told through some very unconventional humor where it’s about jokes and gags that continue throughout the film as screenwriters Bert Kalmar and Harry Ruby throw away the rule book of what is funny and go for something that has an air of satire about government and war.
Especially as the fate of the fictional country Freedonia is in the hands of someone as completely out-of-step and off-the-wall as Rufus T. Firefly (Groucho Marx) who often spouts insults and does things to piss off the Sylvanian ambassador Trentino (Louis Calhern). Trentino would hire Chicolini (Chico Marx) and his mute brother Pinky (Harpo Marx) to spy on Firefly but things don’t exactly go as planned as it involves more hilarity and gags. Especially as some of the dialogue features some insults and such that adds to the film’s anarchic tone.
The direction of Leo McCarey is just as chaotic as the film’s script where it is about not just gags but the physicality in the performances that goes on that add to the film’s off-the-wall humor. McCarey’s direction does have some simple shots yet some of the wide shots he creates for some of the film’s musical numbers are very vibrant as it adds to the looseness of the film’s humor. The original music and songs written by its screenwriters do play into the frenzy of war, with some traditional songs in the mix, as well as the personalities of the characters. Some of the gags in the film showcase not just the brilliance of the Marx Brothers as comedy performers but also in what McCarey does to keep the humor going such as the much-lauded mirror scene and the climatic battle scene as it just adds to the farcical tone of the film. Overall, McCarey creates a very witty and entertaining film about a man who declares war on another country and create anarchy in every move he makes.
Cinematographer Henry Sharp does excellent work with the black-and-white photography to create some nice lighting schemes for some of the exteriors as well as some vibrant lights for the interior scenes. Editor LeRoy Stone does nice work with the editing as it has some rhythmic cuts for its humor and musical numbers as well as some stylish transitional wipes. Art directors Hans Dreier and W.B. Inhen do fantastic work with the sets from the palace that Firefly lives and work at to the office of Trentino. Sound recording engineer H.M. Lindgren does terrific work with some of the sound effects to play into Pinky‘s gags as well as some of the aspects in some of the funnier moments of the film.
The film’s cast includes some small yet noteworthy performances from Edgar Kennedy as a lemonade vendor who would have unfortunate encounters with Pinky and Chicolini, Raquel Torres as a femme fatale working for Trentino who tries to woo Firefly, Margaret Dumont as the rich widow Mrs. Gloria Teasdale whom Trentino and Firefly compete for her affection and money, and Louis Calhern as the snobbish yet conniving Sylvanian ambassador Trentino as he serves as a great man who often falls for the jokes. Finally, there’s the Marx Brothers in absolutely amazing performances with Zeppo in a small yet very memorable performance as Firefly’s personal secretary Lt. Bob Roland as he plays it straight. Chico brings a lot of wit as the very talkative Chicolini while Harpo is the funniest of the bunch as Pinky as he never says anything while doing all sorts of crazy things. Groucho is great as Rufus T. Firefly as he brings in a lot of witty banter and physicality to his performance as it includes some amazing moments with his brothers as they’re the film’s highlight.
Duck Soup is a magnificent film from Leo McCarey and the Marx Brothers as it’s one of the finest comedies ever created. Particularly in its mix of pantomime, physical comedy, and irreverent humor to showcase a world that is becoming more out-of-step with humanity. Most notably as it makes fun of the idea of war and governments in grand style. In the end, Duck Soup is a spectacular film from Leo McCarey and the Marx Brothers.
Marx Brothers Films: (Humor Risk) - (I’ll Say She Is) - (The Cocoanuts (1925)) - (Animal Crackers (1928 film)) - (The Cocoanuts (1929 film)) - (Animal Crackers (1930 film)) - (The House That Shadows Built) - (Monkey Business) - Horse Feathers - A Night at the Opera - A Day at the Races - Room Service - At the Circus - Go West - (The Big Store) - (A Night in Casablanca) - (Love Happy) - (The Story of Mankind)
© thevoid99 2014
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