Directed by Danny Boyle and written by John Lodge, Shallow Grave is the story of three flat mates who take in a mysterious lodger who dies of an overdose and has a suitcase full of money as things get out of control due to money. The film is a dark comedy that play into three roommates from Edinburgh who deal with this suitcase full of money as well as succumb to the ideas of greed. Starring Christopher Eccleston, Kerry Fox, Ewan McGregor, Ken Stott, Keith Allen, and Peter Mullan. Shallow Grave is a witty yet eerie film from Danny Boyle.
Three flat mates in Edinburgh are looking for a fourth person to live with them as they accept a mysterious man who is later found dead of a drug overdose and a suitcase full of money leading to all sorts of trouble. It’s a film with a simple premise as it play into people who find this suitcase full of money and figure out what to do with it but also with the body of their dead flat mate as it would lead to trouble. John Lodge’s screenplay takes the simple premise of these three different people in the accountant David Stephens (Christopher Eccleston), the physician Juliet Miller (Kerry Fox), and a low-level journalist in Alex Law (Ewan McGregor) as they live together in this flat in Edinburgh as they’re looking for a fourth flat mate to share the rent as a mysterious man named Hugo (Keith Allen) is interviewed by Juliet and gets the room. When they find him dead and his suitcase of money, Alex and Juliet are eager to use that money but David is reluctant knowing that it has to be from somewhere.
Lodge’s script has a great structure that play into the evolution of these three characters who aren’t likeable people but at least do have some value with David becoming troubled by the idea of where the money came from as he becomes more introverted to the point that he would stay in the attic which adds to his increasing paranoia. Alex and Juliet are oblivious as they spend time having fun until reality appears in the form of two mysterious men where the tone of the film changes as it play into this sense of morality, guilt, and greed. Especially in the third act when a couple of detectives start to ask questions with Alex staring to get worried, Juliet becoming secretive, and David starting to take control of the situation as it would lead to this combustible climax.
Danny Boyle’s direction does have elements of style in the film’s opening sequence but also in the atmosphere he creates for much of the film. Shot on location in Glasgow as Edinburgh, the film uses its location as a character including the nearby forest and areas that would play into the secrecy of Alex, Juliet, and David once they get rid of Hugo’s body as it would also add to the film’s dark tone as well as this growing sense of dread that would emerge. Boyle would create some unique wide and medium shots to get a look into the apartment flat the trio share including the attic where David would stay as it would this eerie atmosphere that would match David’s increasingly paranoid mood with shots from above that add to the suspense. Notably as he watches both Alex and Juliet from the attic due to the holes he drilled as it adds to the sense of unsettlement in his behavior. Boyle’s direction also has some unique close-ups in the way he captures some of the humor and some of the dramatic moments in the film. Even as it play into Alex and Juliet’s growing attraction towards one another but also the fear they endure following an encounter with two mysterious men.
Boyle would also create these amazing tracking shots that add to the film’s unique tone that includes a speedy point-of-view shot driving through Edinburgh as well as moments that play into a character at work as they’re driven by an event they went through. Boyle also adds to the air of suspense in its third act as it play into David’s paranoia, Alex’s own frustration and growing fear, and Juliet becoming secretive and silent. Even to the point that they no longer trust each other as its climax is all about this suitcase full of money and three people who started off asking questions and making fun of potential tenants where they enjoy each other suddenly start to not like each other. Overall, Boyle crafts an intoxicating yet visceral film about three flat mates who succumbs to greed after finding a suitcase full of money from their newly-dead tenant.
Cinematographer Brian Tufano does brilliant work with the film’s cinematography as its usage of lighting schemes and shadows for the scenes in the attic as well as some of the stylish moods and colors he creates for scenes at night gives the film one of its major highlights. Editor Masahiro Hirakubo does excellent work with the editing as it has some nice usage of jump-cuts and rhythmic cuts to play into the film’s dark humor and suspense. Production designer Kave Quinn, with set decorator Karen Wakefield and art director Zoe MacLeod, does amazing work with the look of the flat Alex, David, and Juliet stay in as well as the attic and the bedrooms they sleep in.
Costume designer Kate Carin does fantastic work with the costumes as it help flesh out the personalities with Alex having a looser and modern look, David wearing suits and more straight-casual, and Juliet wearing a bit of both. Sound editor Nigel Galt does superb work with the sound as it help play into the suspense and in some of the film’s dark humor to play into the paranoia and chaos that would occur. The film’s music by Simon Boswell is incredible for its eerie yet somber piano-based orchestral score that help play into the drama as well as the suspenseful moments in the film while music supervisor Gemma Dempsey creates a soundtrack that a wide array of music from electronic pieces by Leftfield and a couple of songs from Nina Simone and Andy Williams.
The film’s casting by Sarah Trevis is wonderful as it feature some notable small roles from screenwriter John Lodge as Detective Constable Mitchell who often writes notes, Victoria Nairn and Gary Lewis as a couple of potential flat mates, Jean Marie Coffey as a Goth potential flat mate, and Colin McCredie as a potential flat mate that is interviewed as a source of humiliation by Alex whom he would see again at a party. Leonard O’Malley and Peter Mullan are terrific in their small roles as a couple of thugs who are looking for Hugo and the suitcase full of money as they use brutal tactics to get answers. Keith Allen is superb in his brief role as the mysterious Hugo who becomes a new flat mate while carrying a suitcase and is then found dead from a drug overdose. Ken Stott is fantastic as Detective Inspector McCall as key figure in the film’s third act as he investigates various disappearances where he also begins to believe that something isn’t right with Alex, David, and Juliet in their stories.
Ewan McGregor is excellent as Alex Law as a low-level journalist who spends much of his time not doing much and goofing around as he enjoys the idea of spending lots of money until some violent encounters forces him to see the reality of what is going on as he tries to get out of the situation. Christopher Eccleston is brilliant as David Stephens as an introverted accountant who is the most reluctant to want any involvement with the suitcase of money as he becomes unhinged and paranoid to the point that he would become violent as well take control of the situation. Finally, there’s Kerry Fox in an amazing performance as Juliet Miller as a physician who is often caught in the middle as she is excited by the prospects of spending lots of money but is also filled with dread following a violent encounter where she becomes more secretive and starts to think about herself.
Shallow Grave is a phenomenal film from Danny Boyle that features great performances from Christopher Eccleston, Kerry Fox, and Ewan McGregor. Along with Simon Boswell’s haunting score, Brian Tufano’s gorgeous photography, its study of greed and temptation, and inventive mixture of humor, suspense, and drama. The film is definitely an engaging yet witty dark-comedy that explore the idea of greed and how it changes people to the point that they will lose sight of what is important. In the end, Shallow Grave is a sensational film from Danny Boyle.
Danny Boyle Films: Trainspotting - A Life Less Ordinary - The Beach - 28 Days Later - Millions - Sunshine - Slumdog Millionaire - 127 Hours - Trance - Steve Jobs (2015 film) - T2 Trainspotting - (Yesterday (2019 film))
© thevoid99 2020
Based on novels Trainspotting and Porno by Irvine Welsh, T2 Trainspotting is the sequel to the 1996 film in which a former heroin addict returns to Edinburgh, Scotland to meet with old friends as they deal with changing times and attitudes as well as things from the past. Directed by Danny Boyle and screenplay by John Hodge, the film is an unconventional sequel that follows four men dealing with the new world as Ewan McGregor, Jonny Lee Miller, Robert Carlyle, and Ewen Bremner return playing their roles from the previous films with special appearances from Shirley Henderson and Kelly MacDonald in their old roles. Also starring Anjela Nedyalkova. T2 Trainspotting is an enthralling and exhilarating film from Danny Boyle.
The film follows four different men who have each gone separate paths in life more than 20 years after a deal that was supposed to make them rich only for one of them to leave with the money and bring ruin to their lives. Yet, Mark Renton (Ewan McGregor) returns to Edinburgh after his long 20-year exile where not only does he want to make amends but also deal with the fact that he’s returned to a world that has changed with some things that hasn’t changed. John Lodge’s screenplay doesn’t just explore Renton’s return to Edinburgh but also the fates and fortunes of his friends Simon “Sick Boy” Williamson (Jonny Lee Miller), Daniel “Spud” Murphy (Ewen Bremner), and Francis Begbie (Robert Carlyle). Sick Boy runs a failing pub while tries to blackmail top Scottish officials by filming their sexual encounters with a prostitute named Veronika (Anjela Nedyalkova) who is also Sick Boy’s girlfriend. Spud’s life is in a freefall after a failed marriage to Gail (Shirley Henderson) and being an absentee father to his son Fergus forcing him to return to heroin. Begbie is serving a 25-year prison sentence where he would escape prison.
Renton’s fortunes also haven’t gone well since he exiled himself in Amsterdam where he would also endure a fail marriage, an accounting firm that is forcing him out, and a heart attack. His return to Edinburgh forces him to deal with the fact that he not only fucked over Sick Boy and Begbie but also realize what is happening to Spud. Sick Boy decides to get revenge on Renton, despite getting back the share of the money they stole 20 years ago, with Veronika’s help but eventually realizes that there’s still some love towards his old friend as they also help out Spud. Begbie meanwhile, has a huge grudge towards Renton upon his escape from prison where the script also reveal that he has a family and does care about them despite being so brutal into everything he’s done. Renton and Sick Boy would work together to create a brothel with the involvement of Veronika and Spud but the two would know something would give as they’re bound to betray each other.
Danny Boyle’s direction is definitely stylish as it owes a lot to not just the 1996 film in terms of its visual style but also in showcasing how much Edinburgh has changed as it is a character in the film. Boyle’s usage of wide shots would capture how much the city has changed where Sick Boy lives next to a dump of destroyed cars as if a new housing development is about to emerge. Even in the usage of slanted angles where Boyle would showcase that sense of direction of where the characters are going as if their destined to go up or down. At the same time, Boyle would create compositions and shots of certain locations to match it with images of the previous film as it would evoke elements of nostalgia which is a key theme of the film visually and literally. Notably in a sequence where Renton has dinner with Veronika where he talks about the downsides of conformity and modernism in a dizzying montage where he talks about the idea of “choose life” in the 21st Century as it showcases why he, Spud, and Sick Boy are more fond of simpler times.
The film also play into the sense of melancholia as it relate to their late friend Tommy (Kevin McKidd via archival footage) in the same area where Tommy was trying to get his friends to walk to the Scottish Highlands. It’s a moment where Renton would accept the fact that he was responsible for Tommy’s descent as he would force Sick Boy to face his own tragedy and faults. It would culminate with Spud finally coming to terms with his addiction as he would channel his energy into something new as well as face Begbie who would see what Spud has created where it is this rare glimpse of humanity that seems to be lost in Begbie. Still, it does play into four men facing their own sins of the past as well as try to create something that does harken to simpler times and a balance of the past and present. Overall, Boyle crafts an evocative yet wild film about four men coming to terms with the past and their encounter with their modern environment in their search for nostalgia.
Cinematographer Anthony Dod Mantle does brilliant work with the film’s colorful cinematography with its stylish approach to scenes set in the day with its lighting and how Edinburgh would look on a sunny day as well as the scenes set at night where it play into a stylish look to emphasize the manic ride the characters would embark on. Editor Jon Harris does excellent work with the editing as its usage of jump-cuts, montages, match cuts with the original film, and other stylized cuts play into the sense of nostalgia as well as the characters dealing with the past. Production designer Patrick Rolfe and Mark Tildesley, with set decorators Orlin Grozdanov and Veronique Melery, do fantastic work with the look of Sick Boy’s apartment and pub as well as the apartment that Spud lives in to play into their lack of stability. Costume designers Rachel Fleming and Steven Noble do terrific work with the costumes as it play into the look of the characters including some of the more youthful clothes that Veronika wears.
Hair/makeup designer Ivana Primorac does nice work with the look of the characters from Sick Boy’s hair to the look of Veronika. Visual effects supervisor Adam Gascoyne does amazing work with the visual effects as it play into the air of nostalgia in the way some of the footage that the characters talk about are shown on objects and such. Sound designers Glenn Freemantle and Niv Adiri do incredible work with the sound in creating an array of sounds to play into the chaos that the characters endure in their environment as well as some of the locations they would go to. The film’s phenomenal soundtrack is a mixture of hip-hop, new wave, alternative rock, Brit-pop, ambient, drum n’ bass, rock, punk, and other types of music that features contributions from the Clash, Blondie, Underworld, Queen, Wolf Alice, Frankie Goes to Hollywood, Lou Reed, Brian Eno, Run-DMC vs. Jason Nevins, Fat White Family, Young Fathers, High Contrast, and Iggy Pop.
The casting by Gail Stevens is marvelous as it feature some notable small roles and appearances from Scot Greenan as Begbie’s son Frank Jr., Kyle Patrick as Spud’s teenage son Fergus, Charlie Hardie as the nine-year old Fergus, Pauline Turner as Begbie’s wife, Steve Robertson as a prison official who invokes Begbie’s wrath, Bradley Welsh as a rival brother owner in Doyle, Michael Shaw and Elijah Wolf in their respective roles as the 20-year old and nine-year old versions of Tommy, the trio of Christopher Mullen, Daniel Smith, and Daniel Jackson as younger versions of Begbie, James McElvar and Logan Gilles as the younger versions of Sick Boy, Aiden Haggarty and John Bell as the younger versions of Spud, the trio of Connor McIndoe, Ben Skelton, and Hamish Haggerty as the younger versions of Renton, and novelist Irvine Welsh reprising his role as Mikey Forrester who has become a black markets dealer. James Cosmo and Shirley Henderson are terrific in their brief appearances in their respective roles as Renton’s father and Spud’s former girlfriend Gail.
Kelly Macdonald is fantastic in her brief appearance as Renton’s former girlfriend Diane who has become a solicitor as she tries to help Renton and Veronika over Sick Boy’s legal and financial troubles while seeing what Renton had become. Anjela Nedyalkova is wonderful as Veronika as a Bulgarian prostitute who is Sick Boy’s girlfriend that becomes concerned with Sick Boy’s schemes while having an affair with Renton and befriending Spud whom she sees as someone that has a lot more to offer as a person in need of help. Robert Carlyle is brilliant as Francis Begbie as a psychopath who is hell-bent in getting out of prison to continue his life as a criminal where he also seeks revenge on Renton for putting him in prison where Carlyle also show a bit of vulnerability into the character as he would also briefly play a dual role as drunken man he met many years ago.
Ewan Bremner is amazing as Spud as a man who endured a lot of misfortune to the point that he’s hit bottom as he struggles to be clean and find a new outlet which he would eventually find as a way to come to terms with his faults and a new promise in his life. Jonny Lee Miller is remarkable as Sick Boy as a man who continuously schemes to get what he wants as well as deal with a cocaine addiction and his anger towards Renton where he tries to find a way to get even with him only to realize how much he needs Renton to get things done. Finally, there’s Ewan McGregor in an incredible performance as Mark Renton as a man who returns to Edinburgh following a 20-year exile where he deals with his own brush with death as he tries to figure out what to do with the remaining years of his life as well as make amends for his past sins in the hope he can redeem himself and find some idea of life he can live in.
T2 Trainspotting is a sensational film from Danny Boyle that features great performances from Ewan McGregor, Ewan Bremner, Jonny Lee Miller, and Robert Carlyle. Along with its supporting cast, dazzling visuals, approach to nostalgia, and a killer soundtrack, it’s a film that manages to capture the spirit of its predecessor while not being afraid to use that film as a reference point in order to explore its characters who are still hung on to the past. In the end, T2 Trainspotting is a phenomenal film from Danny Boyle.
Danny Boyle Films: Shallow Grave – Trainspotting - A Life Less Ordinary - The Beach - 28 Days Later - Millions - Sunshine (2007 film) - Slumdog Millionaire - 127 Hours - Trance (2013 film) - Steve Jobs (2015 film) - (Yesterday (2019 film)
Related: Trainspotting OST - Favorite Films #10: Trainspotting
© thevoid99 2017
Based on the novel by Alex Garland, The Beach is the story of an American college student who travels to Thailand to find a mysterious island with a couple of young French people as they find all of the splendor as well as danger about its secrecy. Directed by Danny Boyle and screenplay by John Hodge, the film is an exploration into the idea of paradise only for things to go wrong when there isn’t such a thing. Starring Leonardo diCaprio, Virginie Ledoyen, Robert Carlyle, Guillaume Canet, and Tilda Swinton. The Beach is a mesmerizing yet uneven film from Danny Boyle.
Set largely in Thailand, the film follows an American college student who is given a map to a mysterious island as he brings along a French couple to join him where they find paradise but have to take great risks to maintain its secrecy. It’s a film that isn’t about people trying to find something different from the many conventional ideas of being on vacation but also wanting something more. Yet, their discovery of a secret community who wants to maintain that sense of paradise eventually becomes uneasy where it is clear that its habitants are sharing the island with Thai cannabis farmers who aren’t so keen in letting anymore outsiders into the island. John Lodge’s screenplay is largely told from the perspective of its protagonist in Richard (Leonardo diCaprio) as this young American college student who goes to Thailand seeking adventure and something different from the banality of conventional society.
Lodge’s script succeeds in exploring the island and why it’s so secretive as well as establish the characters such as Richard, the French couple Etienne (Guillaume Canet) and Francoise (Virginie Ledoyen), one of the island community’s founder in Daffy (Robert Carlyle) who would give Richard the map to the island, and the community’s leader Sal (Tilda Swinton). Yet, it’s in the narrative and its tone where the script falters as the first half starts off as this adventure for paradise where everything seems fine. Then it darkens once it moves into the second half where a community resident’s death starts to shake things where it goes into bits of surrealism as well as some dark suspense about what some will do to maintain this place a secret. It becomes a different film as well as something very strange where Richard is forced to watch outsiders who have a copy of a map that Richard drew for these American stoners as it would lead to all sorts of trouble.
Danny Boyle’s direction is definitely stylish in terms of not just the setting of the locations but also in the surreal elements in the film. Shot on location in parts of Bangkok and at the Maya Bay at Ko Phi Phi Lee in Thailand, the film plays into a world that is in conflict with the chaos of modernism and the serenity of this beach that Richard, Etienne, and Francoise would discover and live at for a time. Boyle’s usage of the wide and medium shots would play into the beauty of the locations as well as the sense of community in the people who live near the beach. Boyle would also use close-ups and some gorgeous shots for some of the intimate moments yet he is faltered by the film’s uneven script. Notably in the second half where it gets dark as it does feel like a different movie as it includes this very weird video game sequence where Richard pretends to be in a video game as it also include some references to Apocalypse Now as its third act is a really messy one. Though it would have a strong conclusion as it play into the fallacy of paradise, it also shows some of the ugliness in humanity that is no different from the chaos that is happening in the modern world. Overall, Boyle creates a compelling yet flawed film about a young man finding a map leading to paradise only it isn’t what it really seems to be.
Cinematographer Darius Khondji does brilliant work with the film‘s colorful cinematography in capturing the beauty of the beach locations in the day as well as some of the scenes set at night along with some of the scenes set in Bangkok. Editor Masahiro Hirakubo does nice work with the editing as it has some stylish rhythmic cuts and jump-cuts to play into the frenetic energy as well as in some of the low-key dramatic moments. Production designer Andrew McAlpine, with set decorator Anna Pinnock and supervising art director Rod McLean, does fantastic work with the look of the hotel rooms in Bangkok as well as the little resort the residents of the beach live at. Costume designer Rachel Fleming does terrific work with the costumes as it is mostly casual with the exception of the clothes that Sal wears that emphasizes her role as a leader.
Special effects supervisor Clive Beard and digital visual effects supervisor Robert Duncan do some fine work with the minimal visual effects as it involve a sequence with sharks as well as a balloon ceremony. Sound designer Glenn Freemantle does superb work with the sound as it play into some of the sparse and intimate moments at the beach to the layers of sound in Bangkok as it‘s unruly. The film’s music by Angelo Badalamenti is wonderful for its ambient-based score to play into the serenity of the island while music supervisor Pete Tong provide a fun soundtrack that features a few score pieces from John Cale and Brian Eno plus contributions by New Order, Blur, Moby, Faithless, Barry Adamson, Sugar Ray, All Saints, the Chemical Brothers, Unkle with Richard Ashcroft, Orbital, Leftfield, Underworld, and Asian Dub Foundation.
The casting by Gail Stevens is marvelous as it feature some notable small roles from Peter Youngblood Hills and Jerry Swindall as a couple of American tourists Richard meet on the way to the mysterious beach, Saskia Mulder and Simone Huber as the German girlfriends of those American tourists, Staffan Kihlbom, Jukka Hiltunen, and Magnus Lindgren as a trio of Swedish residents of the beach, Daniel Caltagirone as the community’s chef Unhygienix who has an unhealthy obsession with being clean, and Lars Arentz-Hansen as Sal’s boyfriend/community carpenter Bugs who has a dislike towards Richard and vice versa. Paterson Joseph is superb as Keaty as a member of the community who is kind of the film’s conscience as he starts to see the community unravel following an incident as well as try to get Richard to see reason when he is tasked by Sal to do something about the unwelcome visitors. Abhijati “Meuk” Jasakul is terrific as the head cannabis farmer who doesn’t like outsiders as he has this very eerie presence as well as someone who has found a way to live outside of the modern world without compromise. Robert Carlyle is fantastic as Daffy as a founder of the beach whom Richard meets in Bangkok as a man who has become insane and displays his own disdain towards modern society as he would give Richard the map to the beach.
Tilda Swinton is brilliant as Sal as the beach community’s leader who allows Richard, Etienne, and Francoise to be part of the community as she is intent on keeping the secrecy of the beach by any means necessary. Guillaume Canet is excellent as Etienne as a young Frenchman who is the most helpful and skilled person of the trio as he also finds himself competing with Richard for Francoise’s affection. Virginie Ledoyen is amazing as Francoise as a young Frenchwoman who goes on the journey as she is the most artistic as she is charmed by Richard as well as become disenchanted with Sal’s refusal to accept the real consequences of some of the tragedies that occur. Finally, there’s Leonardo diCaprio in a remarkable performance as Richard as a young American college student seeking adventure only to find horror later on as he nearly loses it as it one of diCaprio’s more overlooked performances that has him be full of energy as well as display some eerie moments.
The Beach is a terrific yet flawed film from Danny Boyle. Despite its messy and inconsistent script, the film does feature an excellent soundtrack, beautiful locations, and a fantastic cast led by Leonardo diCaprio. In the end, The Beach is a stellar film from Danny Boyle.
Danny Boyle Films: Shallow Grave - Trainspotting - A Life Less Ordinary - 28 Days Later - Millions - Sunshine - Slumdog Millionare - 127 Hours - Trance - Steve Jobs - T2 Trainspotting - (Yesterday (2019 film))
© thevoid99 2016
Directed by Danny Boyle and written by Alex Garland, 28 Days Later is the story of a young man waking from the aftermath of a zombie apocalypse as he and other survivors try to find a way to survive and evade other zombies. The film is a zombie movie that is set in Britain where survivors of an apocalypse try to comprehend what had just happened as they deal with a new yet unruly world. Starring Cillian Murphy, Naomie Harris, Brendan Gleeson, Megan Burns, and Christopher Eccleston. 28 Days Later is a harrowing yet rapturous film from Danny Boyle.
A young man wakes up after being comatose for 28 days where he wakes up having missed a zombie apocalypse that has wreaked havoc all over Britain where he would meet a few survivors as they try to find civilization and evade the zombies. That is pretty much what the film is about as it revolves around those who survived an apocalypse caused by a bunch of idiotic animal activists who tried to release monkeys who were infected with rage as it leads to an outbreak that lasted nearly a month leaving Britain in a state of chaos with very little hope. Alex Garland’s screenplay begins with this incident caused by activists and then has the narrative shift to 28 days later where a young man wakes up in a hospital unaware of what had happened until he meets a few survivors. He would also get a glimpse of what is happening as there are some zombies still roaming around London as he and some survivors try to find a place where they can be protected. Yet, they would also have to deal with some dark aspects of humanity as well as revelations about the outbreak and what is going on outside of Britain.
It’s not just in the narrative and the severity of what is at stake that makes Garland’s script so interesting. It’s also in the characters as the protagonist Jim (Cillian Murphy) is someone that is taken aback by this new reality he’s encountered as well as what he has to do to survive. Upon meeting Selena (Naomie Harris) who saved him during an attack, he would be forced to accept this reality as Selena is someone who has been hardened by the zombie apocalypse. Yet, she isn’t sure if there is any kind of hope while isn’t eager to cling on to some kind of humanity until she and Jim meet Frank (Brendan Gleeson) and his teenage daughter Hannah (Megan Burns) where they’re both able to find a void that had been lost since the apocalypse. Once they find shelter in the form of a military blockade led by Major Henry West (Christopher Eccleston), the survivors would only see the dark aspects of humanity prompting Jim to do whatever to save himself and his new friends.
Danny Boyle’s direction is definitely stylish as it’s got a look that is very de-saturated in its digital-video photography as well as something that looks surreal. Shot on location in London as well as other parts of Britain as it play into a world that has collapsed where Britain is now abandoned with very little hope. The film’s opening sequence is quite chilling as it shows a chimpanzee watching images of violence and terror where a group of activists break in to try and free these chimps only for a scientist pleading for them to not as all hell breaks loose. Then the film goes into its main narrative following a montage over the zombie apocalypse as it play into Jim discovering this new world of abandonment and loss. Boyle’s usage of wide and medium shots play into the location as well as that sense of uncertainty where many of its locations are in ruins or abandoned while the rural settings seem more calm. Boyle’s usage of handheld cameras play into the close-ups as well as the immediacy of the action as the zombies are fast-moving and more vicious in their presentation.
While Boyle would put in some light-hearted moments as well as scenes that are funny such as a supermarket sequence where Jim, Selena, Hannah, and Frank go on a shopping spree inside an abandoned supermarket. It is still a suspense-horror film of sorts where the third act is very unsettling where the characters not only have to deal with Major West and his crew but what they want to do to ensure their future. It’s a part of humanity that Jim doesn’t like as well as some harsh truths about what has happened where it is clear that there are those who are trying to rebuild society on their own terms. For Jim, what he would do isn’t just providing some sense of hope but also do something about it in dealing with the fact that not all of humanity are just as bad as the zombies. Overall, Boyle creates a thrilling and evocative film about human survivors dealing with the aftermath of a zombie apocalypse.
Cinematographer Anthony Dodd Mantle does incredible work with the film‘s de-saturated digital video photography as it has this grimy look in the way many of the colors look and feel like as well as in the way some of the interiors and exteriors scenes at night look. Editor Chris Gill does brilliant work with the editing with its usage of jump-cuts as well as some of the playful rhythms to play into light-hearted moments and the scenes of horror. Production designer Mark Tildesley, with set decorator Fanny Taylor and supervising art director Mark Digby, does excellent work with the look of London in its ruined state as well as the mansion that Major West and his men live in. Costume designer Rachel Fleming does nice work with the costumes as it is mostly casual with the exception of the uniforms the soldiers wear.
Makeup designer Sallie Jaye does amazing work with the makeup design in the way the zombies look in their decayed state as it captures every bit of detail into how deadly they look. Sound designer Glenn Freemantle does fantastic work with the sound editing/design in creating some unique sound effects as well as the layered sounds of chaos and terror that play into some of the frenetic moments of the film. The film’s music by John Murphy is superb for its electronic-based score that feature some beat-driven pieces as well as some ambient cuts while the soundtrack features music from Brian Eno, Grandaddy, Godspeed You! Black Emperor, and Blue States as it plays to the mixture of serenity and terror.
The casting by Gail Stevens is wonderful as it feature some notable small roles from David Schneider as the scientist in the film’s opening sequence, Noah Huntley as a survivor named Mark that Jim meets early in the film, Stuart McQuarrie as the soldier Sgt. Farrell who is the most sensible soldier of the platoon, and Ricci Hartnett as Cpl. Mitchell who sees Hannah and Selena as objects he can impregnate for the future. Christopher Eccleston is superb as Major Henry West as a military leader who is trying to maintain some order for his troops and survivors while having his own ideas about what to do for the future. Brendan Gleeson is excellent as Frank as a cab driver who is kind of this fraternal figure of sorts as he has his own daughter to care for while being a source of comfort for both Jim and Selena who both lost their own families.
Megan Burns is fantastic as Hannah as Frank’s teenage daughter who is trying to cope with the situation as well as be someone that is able to get things done while becoming scared once she learns what the soldiers want from her. Naomie Harris is brilliant as Selena as a survivor who starts off as a cynical woman trying to survive for herself thinking there is no hope only to regain some compassion upon meeting Jim, Frank, and Hannah where she becomes a big sister of sorts for Hannah. Finally, there’s Cillian Murphy in a phenomenal performance as Jim as a bicycle courier who wakes up from a 28-day coma as he discovers what happened to the world where he copes with loss as well as try to hold on to some hope as it is a real breakthrough for Murphy.
28 Days Later is a spectacular film from Danny Boyle that features great performances from Cillian Murphy, Naomie Harris, and Brendan Gleeson. It’s a zombie film that isn’t just exhilarating and scary but also a film manages to showcase how humanity copes with the aftermath of an apocalypse and survive while trying to do some good. In the end, 28 Days Later is a tremendous film from Danny Boyle.
Danny Boyle Films: Shallow Grave - Trainspotting - A Life Less Ordinary - The Beach - Millions - Sunshine - Slumdog Millionare - 127 Hours - Trance - Steve Jobs - T2 Trainspotting - (Yesterday (2019 film))
© thevoid99 2016
Based on the biography by Walter Isaacson, Steve Jobs is the story about the man who co-founded Apple Computers as the film explores three different periods of his life. Directed by Danny Boyle and screenplay by Aaron Sorkin, the film is an unconventional story of Jobs’ life set in three different presentations of his three creations with behind-the-scenes moments where he deals with his own personal life as he’s played by Michael Fassbender. Also starring Kate Winslet, Seth Rogen, Katherine Waterston, Michael Stuhlbarg, Sarah Snook, and Jeff Daniels. Steve Jobs is an astonishing film from Danny Boyle.
Told in the span of 14 years from 1984 to 1998, the plays into the life of Apple Computers co-founder Steve Jobs as he is to launch three landmark products to the world in three different stage presentations. The film plays into Jobs on a day where he is to present a different product in a different year as he contends with colleagues, last-minute changes, glitches, and his own personal life as it relates to his illegitimate daughter Lisa Brennan. It’s a film told in three different periods in Jobs’ life and career as screenwriter Aaron Sorkin creates a unique structure that plays into Jobs’ life with some flashbacks of events that preceded the launches such as Jobs and Steve Wozniak (Seth Rogen) creating the Apple II computer and Jobs hiring John Sculley (Jeff Daniels) to be the CEO of Apple Computers.
The first act revolves around the launching of the Apple MacIntosh where Jobs and his right-hand woman Joanna Hoffman (Kate Winslet) fret over the computer in saying something to a packed house at an auditorium. The second act revolves around the NeXT personal computer four years after Jobs was fired from Apple in which he not only tries to deal with launching a computer that isn’t working on all cylinders but also his issues with Wozniak and Sculley. The third act is about the launch of the iMac just two years after Jobs has returned to Apple where he not only deals with other issues relating to his own ego but also his own personal demons. While Sorkin definitely shows not just how complicated Jobs is as a person where he was in denial over being the father of young girl but also in someone who likes to take all of the credit. It adds to the often contentious relationship with not just those who are close to him but also those who helped him in his ascent.
While Wozniak, Sculley, and Andy Hertzfield (Michael Stuhlbarg) each had their own issues with Jobs, they respected him though it is clear that they often feel slighted by him as Hertzfield is often pressured to meet deadlines and fix whatever technical issues a certain product has. Wozniak is just a guy that everyone likes as he was the brainchild of the Apple II computer which was Apple’s most successful product at that time as he just wants credit. Sculley meanwhile is the man that wanted to help Jobs and be cautious as there’s a key moment in the second act where the two talked about Jobs’ firing from Apple in 1985 where Sculley is called the scapegoat by everyone. Then there’s Joanna Hoffman as she is the film’s conscious as someone who knows Jobs left and right as well as the people in his life including Jobs’ former girlfriend Chrisann Brennan (Katherine Waterston) and their daughter Lisa. Adding to Sorkin’s approach to the narrative is his dialogue as it features lot of monologue and stylish dialogue which definitely says a lot to the characters in the film and their personalities.
Danny Boyle’s direction is very stylish not just in the intimacy he creates in these three different presentations in the life of Jobs but also in how they’re presented. The first act which revolves around the Apple MacIntosh presentation as it is shown in a grainy film stock to play into the look of the early 1980s as Boyle would use a lot of close-ups and handheld cameras to maintain that intimacy. Even in some of the wide shots of the many stage settings of each presentation has something to say where it is all set in different venues that play into the evolution of Jobs as a man and artist. Each segment would feature a montage of the events that occurred in between the different acts where the presentations in the second and third act would provide a much more polished film stock that doesn’t just play more in Jobs’ evolution but also him trying to prove himself even more.
Boyle’s direction would also use some unique tracking shots to play into many of the events that goes on behind-the-scenes Jobs and his crew are trying to get a presentation ready. Some of it is frenetic which plays into the demands that Jobs wants where the camera is often following him, Hoffman, and whoever but it also slows down for scenes set in the dressing rooms. Notably as it play into some of the private moments that occur between Jobs, Hoffman, Brennan, and Lisa while Boyle would also create some flashback scenes which play into Jobs on the rise and the fall he would suffer once he is fired from Apple. By the time the film reaches its third act with the upcoming launch of the iMac, the look is much brighter but the tension is still there as it plays into some of the dramatic elements of the film as well as how far Jobs has become where he is finally about to achieve some success. Overall, Boyle creates a compelling yet stylish film about one of the greatest figures in the world of computers.
Cinematographer Alwin H. Kuchler does amazing work with the film‘s cinematography as it each act and presentation has a different and distinctive look from the colorful yet grainy look of the first act, the more polished yet colorful look of the second act, and a much brighter and evocative look for the film‘s third act. Editor Elliot Graham does excellent work with the editing as it features some jump-cuts and other stylistic cuts including inserted montages as it help plays into Jobs‘ development as a character and the products he would create. Production designer Guy Hendrix Dyas, with set decorator Gene Serdena and supervising art director Luke Freeborn, does brilliant work with the set design for each of the presentation of the auditoriums where Jobs would present his new creations as it helps establish a mood for each sequence as well as the locations of these auditoriums.
Costume designer Suttriat Anne Larlab does nice work with the costumes as it is mostly casual though it does evolve over time as it includes some of the hippie-style clothes Chrisann wears. Makeup designer Ivana Primorac does fantastic work with the look of Jobs as well as Hoffman throughout the years as well as the other supporting characters. Visual effects supervisor Adam Gascoyne does terrific work with some of the visual effects as it‘s mostly minimal for some of the big presentations. Sound designer Glenn Freemantle does superb with the sound to play into frenzy of the crowd awaiting for the product unveilings as well as some key scenes in the conversations and backstage areas. The film’s music by Daniel Pemberton is wonderful for its orchestral-based score as it features an array of different themes for each act and presentation where some of it is operatic and some of it is low-key while the music soundtrack largely features music from Bob Dylan, the Macabees, and the Libertines.
The casting by Francine Maisler is incredible as it features a few notable small roles from John Ortiz as the journalist Joel Pforzheimer, Adam Shapiro as the software engineer Avie Tevanian for the film’s third act, and Sarah Snook as one of Jobs’ key collaborators in Andrea “Andy” Cunningham. In the dual of roles as the younger versions Lisa Brennan-Jobs, Makenzie Moss and Ripley Sobo both bring excellent performances in their respective roles as the five and nine-year old versions of Lisa where they provide the innocence of a young girl who wants to get to know her father. As the 19-year old Lisa, Perla Haney-Jardine is fantastic as the young woman who reluctantly wants to talk to her father as she deals with his attempts for a reconciliation. Michael Stuhlbarg is superb as the programmer/engineer Andy Hertzfield who was part of the Apple II team as he tries to help Jobs with some last minute things for the MacIntosh presentation as well as comment on some of the things in Jobs’ own life including Lisa.
Katherine Waterston is brilliant as Chrisann Brennan as Jobs’ former girlfriend who reluctantly shows up to the first two presentations asking for money as well as acknowledging that he’s Lisa’s father. Jeff Daniels is amazing as John Sculley as Apple’s CEO for the first two acts who deals with Jobs’ lavish presentation as well as being the scapegoat of getting Jobs out of Apple where he tries to get Jobs to admit his own wrongdoings that forced him out of Apple. Seth Rogen is remarkable as Steve Wozniak as the co-founder of Apple and the brainchild behind the Apple II as he tries to be Jobs’ friend but also want him to acknowledge the Apple II team for what they’ve done for the products Jobs would create for Apple in the coming years.
Kate Winslet is phenomenal as Joanna Hoffman as Jobs’ right-hand woman who is the film’s conscience as she tries to get everything ready while being the one person who tries to get Jobs to establish a relationship with Lisa as well as do what is right for him. Finally, there’s Michael Fassbender in a magnificent performance as the titular character as this man who sees himself as an artist in the world of personal computers as he tries to give the world the best product possible while dealing with his ego as well as his personal life as Fassbender isn’t afraid to make Jobs un-likeable as well as display some humanity into the character as it’s one of Fassbender’s finest performances to date.
Steve Jobs is a tremendous film from Danny Boyle that features an outstanding performance from Michael Fassbender in the titular role. Along with a great supporting cast as well as some beautiful imagery and Aaron Sorkin’s inventive screenplay. The film is a provocative yet ravishing portrait of one of the great figures of the 20th and 21st Century who changed the world with technology as well as someone who was also very complicated professionally and personally. In the end, Steve Jobs is a spectacular film from Danny Boyle.
Danny Boyle Films: Shallow Grave - Trainspotting - A Life Less Ordinary - The Beach - 28 Days Later - Millions - Sunshine - Slumdog Millionaire - 127 Hours - Trance - T2 Trainspotting - (Yesterday (2019 film))
© thevoid99 2015
A Lust for the Dangerous Life in the Shithole of the World that is Scotland
“Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose life...
But why would I want to do a thing like that? I chose not to choose life. I chose somethin' else. And the reasons? There are no reasons. Who needs reasons when you've got heroin?”
These opening lines in the monologue of the film’s protagonist Mark Renton set against the music of Iggy Pop’s Lust for Life where he and his friend Spud are running from the cops after a botched theft which then cuts to the many exploits of Renton, Spud, and Sick Boy all getting high on heroin with a few junkies and their supplier Swanney. It’s also shown in a montage in a small scene where Renton’s father berates his son for wasting his life away with that shit as the end of that opening sequence has Renton telling Swanney he’s off the junk in an attempt to get clean. Yet, why does he say those words in that monologue about not choosing life? Is it to defy the expectations of society or just give in the idea that there is no future in a place like Edinburgh, Scotland?
It’s among the many aspects into why Danny Boyle’s 1996 sophomore film Trainspotting is often cited as one of the best films from Great Britain. It’s a film that refuses to define itself into any genre as it’s a black-comedy with a bit of fantasy, horror, drama, and all sorts of things. Instead, it’s just a film about a group of guys living in Edinburgh where most of them are heroin addicts trying to cause trouble while one of their friends is a sociopath who isn’t addicted to drugs but rather addicted to violence. All of it is told from the perspective of Renton who is played by Ewan McGregor who lost 26 pounds and shaved his head for the part as he had previously appeared in Boyle’s debut film Shallow Grave two years earlier.
It was a film that came out in a very crucial period in Britain just as the age of British conservative rule was on its way out and would pave the way for the era of Tony Blair. It was also the same time that the world of British music was taking over through bands like Oasis, Blur, Supergrass, Pulp, and several others as there was this sense of nationalism that was emerging. Though the film represented a world that was disconnected from that new sense of excitement and still mired in a world where there hasn’t been much progress and are living off the scraps in the world of post-Thatcher conservatism. One notable scene that seems to represent that is where Kevin McKidd’s Tommy character is dragging Renton, Spud, and Sick Boy to the Scottish mountains after a bad moment with his girlfriend. Tommy tries to get everyone in a good mood by showing them the beauty of the landscape and asks, “isn’t it great to be Scottish?”
It is in that moment where Renton has this great monologue about the fallacies of being Scottish by saying, “It's SHITE being Scottish! We're the lowest of the low. The scum of the fucking Earth! The most wretched, miserable, servile, pathetic trash that was ever shat into civilization. Some hate the English. I don't. They're just wankers. We, on the other hand, are COLONIZED by wankers. Can't even find a decent culture to be colonized BY. We're ruled by effete arseholes. It's a SHITE state of affairs to be in, Tommy, and ALL the fresh air in the world won't make any fucking difference!”
It plays to that sense of hopelessness into why Renton, Spud, and Sick Boy go into heroin addiction and Tommy would eventually join them after his relationship with Lizzie falls apart due to the fact that Renton stole a sex tape featuring Tommy and Lizzie and switched it with a football video which Tommy never knew about. While some of the elements of the film early on are comical in a dark way, it does play into the fact that Renton is wasting his life away as he and his mates are high on heroin. Yet, that opening sequence ends with Renton telling Swanney that he’s going to make an attempt to be clean which then leads to a sequence through his narration of how he attempts to be clean in all sorts of ways. Of course, it leads to moments where Renton’s attempt to be clean doesn’t go well as he calls a guy named Mikey Forrester for one more hit only to be given suppositories.
It then would follow into one of the most disgusting moments in the film to show how desperate Renton is eager to get clean where he finds himself in the worst toilet in all of Scotland. Covered in shit and is unable to flush, Renton has no choice to use it as he is no longer constipated and then has to go through the toilet to retrieve the suppositories as it then plays into a very strange scene of him swimming underwater with background music from Brian Eno.
The man who played Mikey Forrester is Irvine Welsh who wrote the novel for Trainspotting which was published in 1993. The book was set in the late 1980s where Forrester explored the world of heroin addiction in the era of Margaret Thatcher as young men do destructive things to feed their addictions as it had a narrative that wasn’t very straightforward though it was mostly told from Renton’s perspective while it was also told through other characters. The book was discovered by producer Andrew MacDonald who showed the story to Danny Boyle and screenwriter John Hodge in early 1994 during post-production for Boyle’s first film Shallow Grave. Eventually, the trio would approach Welsh to do a film adaptation of his novel as the film would be very different from Welsh’s book as Welsh would also get a chance to play a small role for the film.
By making the film be about Renton and his struggles with heroin, screenwriter John Hodge would create a story that had similarities to some of the great films of the past like Stanley Kubrick’s controversial 1971 film A Clockwork Orange. Particularly as Renton’s voice-over narration was filled with great detail into Renton’s struggles with heroin addiction as well as what goes in the mind of a heroin addict where they breaking the law is just a small thing. Particularly in a montage where Renton and his gang do whatever to get money to feed their addiction whether it’s trading medications with old people and other patients suffering from various diseases or to steal which includes a scene where Begbie assaults an American tourist for a festival in Edinburgh.
While the story was about Renton, Boyle and Hodge chose to make the story be more than just one man’s struggle as the film took the time to focus on Renton’s other mates in Sick Boy, Spud, Tommy, and Begbie. Jonny Lee Miller’s portrayal as the very sly yet distrusting Sick Boy is full of charm where Miller exudes a man’s determination to make Renton feel like shit in their attempts to be clean just to show how degrading it is. One aspect of Miller’s role as Sick Boy that is fun is the way he spouts out theories on everything from Sean Connery to those who had it and lost it for good where he cites people like David Bowie and Lou Reed as examples.
Ewen Bremner’s performance as Spud is definitely just as interesting where even though he’s sort of a criminal that likes to steal. There’s an element of innocence in his character as a man that wants to do well in life as he blows a job interview as he’s on speed while there’s a very disgusting moment where he wakes up in his girlfriend’s bed all hungover and realized that he shit all over the bed. Bremner’s performance is definitely full of humor as a well-meaning individual but there’s also a sadness considering what happens to him in the opening moments of the film where it’s replayed again to showcase that he is sent to prison for a while adding to Renton’s guilt much later on in the film’s second act.
Kevin McKidd’s role as Tommy is another individual who would also play into the guilt that Renton would face in the film’s second act and later in the third as his character suffers a tragic fate. McKidd’s performance as Tommy is someone that has a unique development as a man that loves the music of Iggy Pop, works out a lot, and has a steady girlfriend. All of that changes when he loses a sex tape as his girlfriend dumps him as he goes to Renton to give him heroin to drown his sorrows. When Renton later visits him as Tommy is all alone and has succumbed to his addiction as he is also stricken with AIDS. It’s a moment that is sobering to see where Renton has cleaned up his act but is carrying the weight of guilt for his action as he starts to see his friend descend further where he would eventually die but not from AIDS nor heroin addiction but in a way that is strange but also disturbing.
Of the supporting characters that appear in the film, it’s Robert Carlyle’s Begbie that makes the biggest impression of the film. Begbie is a complete psychopath who doesn’t do drugs at all as his addiction is simply hurting people. A man who will pretty much hurt anyone if someone crosses him or annoys him in some little way. There’s an intensity in Carlyle’s performance as someone who is full of swagger and is definitely a guy where if he was in a battle royal. He’d be one of the last 10 men in that battle royal where he fights for survival as he brings fear to people including his own mates.
These people in Renton’s life would play into his decision in an attempt to try and kick his drug habit but various circumstances into the hopelessness that encounters Renton and his mates would eventually come with some dark moments. Notably the moment where one of their fellow addicts has found her baby dead as the one that was most affected by it was Sick Boy. After a botched theft that led to Renton and Spud’s arrest as the latter is sent to jail while the former goes to rehab. Renton is already consumed by guilt for his actions as he returns to Swanney, played with such charisma and care by Peter Mullan, for a fix that nearly becomes fatal as it’s accompanied by Lou Reed’s Perfect Day.
It’s a moment in the film where Danny Boyle creates this very mesmerizing moment where Renton’s near-death experience is presented from Renton’s point of view as if he’s nearly close to death. With the help of renowned cinematographer Brian Tufano and editor Masahiro Hirabuko, the scene has this feeling of death where it plays into that unique visual style that Boyle creates. Yet, he would top that scene with one of the scariest sequences involving Renton’s attempt to withdraw from heroin as all of his guilt comes to ahead in this disturbing dream sequence. With the music of Underworld throbbing in the background, Renton sees those like Tommy and Spud being put into their own fates while Begbie appears to warn him about using again while Sick Boy is sipping tea. Renton’s parents appear in a TV show yet it is the image of the dead baby crawling from the ceiling that is the most shocking moment.
In the lowest of lows where Renton has realized the damage he’s done with his addiction as well as the guilt he’s carrying over his actions. There would be one person that would steer him away into a new world in the form of an underage schoolgirl named Diane whom Renton met at a nightclub and later had sex with her only to realize the next morning that she’s underage. Played by Kelly McDonald in her film debut, Diane represents the sense of youth and newness that Renton needed. Though she’s only in a few scenes, she would be the one person in the film that finally told Renton that it’s time for a change as there’s a life outside of Scotland that is very different.
Taking Diane’s advice, the film’s third act is about Renton going to London where he reinvents himself as a man selling flats to people all over London. The tone of the film sort of changes but it is to emphasize this world where London is filled with a sense of excitement that is completely alien to the dreariness of Edinburgh. With a new home and a sense of purpose, Renton starts to enjoy this new life as well as the electronic music that is there as he feels like he’s part of something that is exciting. The only person he contacts from Scotland is Diane as she is happy about his new life as she also tells him about some of the changes that is happening at home where Spud has been released while Sick Boy has reinvented himself as a pimp and a drug pusher. Yet, the most startling news involves Begbie who had stolen jewels at a diamond store and is now a fugitive where Renton realizes that his past is coming back in all of the wrong ways.
Begbie’s arrival to London would trouble Renton as he is forced to get things for his mate like cigarettes and make bets for him as Sick Boy would also arrive to London taking advantage of Renton’s new life. It’s a moment in the film that is played for laughs but also to showcase that these two men in Renton’s life are trying to drag him down back to the pit of despair. Renton makes the decision to sell them an apartment just so he can have his home back but it’s only brief as he and his mates have to return to Scotland for Tommy’s funeral. Once again, that sense of dreariness occurs where Renton has already accepted his responsibility for what he’s done to Tommy yet Tommy’s death ended up being far more complicated and troubling as it involved toxoplasmosis from kitten shit. It is added with this brief moment of humor when the man telling Renton of Tommy’s death by telling “oh, the kitten is OK” as it plays to that warped sense of humor in the film.
Renton’s return to Scotland was only to attend Tommy’s funeral but Begbie and Sick Boy rope Renton back into the dark world of crime involving heroin that the two plan to sell in London but they need the money to buy it from Russian sailors. Renton wants no involvement but Begbie knows about Renton’s bank statement as Spud wants to be part of it only for the money as Renton reluctantly has to take heroin again to test its purity. It’s a moment in the film where that sense of darkness returns as the four travel back to London to make the biggest deal of their lives where they did succeed in getting 16,000 pounds for the sale of pure heroin.
Yet, greed would eventually come to play as it becomes a worse drug than anything else these characters have consumed as Renton knows that he can’t trust Begbie nor Sick Boy with the money as the former would kill all for that money while the latter would steal it for himself. The moment where Renton realizes that he can’t trust neither of them at all is at a pub where the four are celebrating where Begbie gets into a fight with a patron and accidentally cuts Spud’s hand as he demands Renton to give him the money. It’s a very chilling moment that is told in a great visual manner where the light blurs Begbie’s face a bit as he smokes a cigarette.
It would play into this ending where all four men are sleeping in a hotel room where they did the transaction as Renton steals the money as all of them but Spud are awake. Of course, Begbie’s reaction is unsurprising as he destroys the hotel room and is arrested while Spud and Sick Boy walk away and evade the police. For Renton, it’s a moment where he leaves behind the old life that he has. Though he says that he’s going to be like everyone else, is what he’s saying is true? Or is he going to be part of the new world in his own terms? At least someone in Renton’s old life will get something from Renton’s theft as Spud finds 2,000 pounds in Renton’s locker.
The film would make its premiere at the 1996 Cannes Film Festival where not only would it steal the show despite not playing in competition for the Palme d’Or. Yet, it’s approach to promoting the film with its stylish posters was definitely off-the-wall considering the dark subject matter that it carried while its after party still remains legendary as far as many Cannes after parties are concerned. The film’s appearance at the festival wasn’t just a big deal for Danny Boyle and his collaborators but also for PolyGram Films as the film would give them another big international hit as the year sort of represented a peak for the company.
Though Danny Boyle would go on to make a wide range of films from the zombie-horror film 28 Days Later, the family drama Millions, the sci-fi film Sunshine, his 2008 Oscar-award winning film Slumdog Millionaire, the drama 127 Hours, and his most recent film in 2013’s noir-inspired film Trance. Trainspotting remains his crowning achievement where Total Film magazine named the film the fourth best film from Britain in 2004 as it would continue to pop up lists in best British films ever.
Helping the film cement its legacy is it’s music soundtrack that ranged from the 70s rock of Iggy Pop and Lou Reed to the Brit-Pop music of the times from acts like Pulp, Elastica, Blur, and Sleeper. It’s a soundtrack that captures the energy and the dark vibe of the film as it featured the art rock of Primal Scream, the ambient music of Brian Eno and Leftfield, and the pulsating electronic music of Bedrock and Underworld. It was the soundtrack that didn’t capture all of the complexities of the film but it resonated with what was happening in British music as it was OK to like indie and electronic music where it became common to see Ewan McGregor hanging out with Oasis’ Noel Gallagher where McGregor would sing an Oasis B-side in Boyle’s next film in the underrated romantic comedy A Life Less Ordinary.
It’s been more than fifteen years since the release of Trainspotting yet it’s a film that still holds up in terms of shock value, it’s off-kilter humor, drama, and energy. Part of the reason it appeals to an audience isn’t just because of its dark subject matter. It’s a film about friends rebelling against the status quo. It’s about having a good time no matter how dangerous it is. It’s about listening to Iggy Pop and playing football (not American football). It’s about life no matter how fucked up or how horrific it can be. While there’s rumors that Boyle could be making a sequel with the cast of the original which will be loosely based on Irvine Welsh’s sequel Porno. It’s obvious that it will never match the brilliance of Trainspotting but maybe Danny Boyle can do something with it. After all, choose Trainspotting. It’s a drug that is still worth taking and always manages to hold up.
Trainspotting - Trainspotting OST - T2 Trainspotting
© thevoid99 2013
