Showing posts with label dave foley. Show all posts
Showing posts with label dave foley. Show all posts
Monday, November 17, 2014
Dick (1999 film)
Directed by Andrew Fleming and written by Fleming and Sheryl Longin, Dick is the story of two teenage girls who meet Richard Nixon as they become secret youth advisors only to reveal his secrets to Bob Woodward and Carl Bernstein as the mysterious Deep Throat. A fictional take on the Watergate scandal that led to Nixon’s resignation, the film is a comedic story about the ideas of who Deep Throat in the form of two sweet-natured but dim-witted girls. Starring Kirsten Dunst, Michelle Williams, Ana Gasteyer, Will Ferrell, Bruce McCullough, Jim Breuer, Saul Rubinek, Teri Garr, Dave Foley, Harry Shearer, and Dan Hedaya as Richard Nixon. Dick is a truly hilarious and entertaining film from Andrew Fleming.
The film is a fictional take on the Watergate scandal that destroyed the political career of President Richard Nixon who would resign in disgrace in August of 1974 after some revelations over what happened at the Watergate Hotel two years earlier by people in his administration. All of it revolves around two teenage girls where one of them was living in the Watergate hotel as they were mailing a letter to win a contest to meet Bobby Sherman where they run into G. Gordon Liddy (Harry Shearer) and led to the arrest of several men connected to the Nixon administration. Upon meeting Nixon during a school field trip by befriending his dog Checkers, they become secret youth advisors where they would influence Nixon to connect with the American public until they learn who he really is where they would reveal their information to Bob Woodward (Will Ferrell) and Carl Bernstein (Bruce McCullough).
The film’s screenplay definitely focuses on the antics of Betsy Jobs (Kirsten Dunst) and Arlene Lorenzo (Michelle Williams) as they’re just a couple of American teenage girls who love everything that was around in the 1970s. Yet, their encounter with Nixon is one of many accidents that occur as they would be involved in some of Nixon’s great achievements during his second term while be responsible for things such as the 18 ½ minute gap that was missing from one of the tapes Nixon recorded. Many of the people that are involved with the Watergate story are portrayed for laughs such as Nixon’s attorney John Dean (Jim Breuer) as a very innocent man who feels guilty while G. Gordon Liddy is seen as a buffoon. Woodward and Bernstein are also portrayed for laughs with Bernstein as this smallish ladies man while Woodward is seen as the desperate straight man. Even some of the dialogue maintains the sense of humor such as a scene where Arlene asks Betsy about the meaning of Deep Throat which Betsy whispers into Arlene’s ear as it shows how innocent they are.
Andrew Fleming’s direction is quite straightforward in terms of the world that is the 1970s in Washington D.C. as it plays into the lives of these two young girls. Some of which involves antics that are quite funny as it plays to how dim-witted the girls are at times yet they mean well. Even as it includes a very hilarious subplot where Arlene falls for Nixon as she would be the cause that would have Nixon erase 18 ½ minutes from tapes he had recorded. There’s also some dramatic liberties that Fleming takes advantage in order to keep things funny such as the Nixon-Leonid Brezhnev peace accord. Much of the compositions are simple in order to create something that feels naturalistic as well as in scenes to re-create important moments in history. Especially in the idea that a couple of young girls would be the one that would be the one to take Nixon down. Overall, Fleming creates a very witty and fun film about two girls taking down Richard Nixon.
Cinematographer Alex Gruszynski does excellent work with the film‘s cinematography as it‘s very colorful to play into much of the sunny look of Washington D.C. as well as some of the interiors and lighting such as the Watergate break-in. Editor Mia Goldman does terrific work with the editing as it‘s straightforward with some stylish jump-cuts and montages to play into the film‘s humor. Production designer Barbara Dunphy, with set decorator Donald Elmblad and art director Lucinda Zak, does brilliant work with the look of the Oval Office and some parts of the White House as well as Arlene‘s room and her wall that featured Bobby Sherman at one point only to be replaced by Nixon. Costume designer Deborah Everton does fantastic work with the costumes from the youthful clothes that the girls wear that expresses their love of fashion.
Visual effects supervisors Michael Lennick and Ray McMillan do nice work with some of the few visual effects such as backdrops for some scenes set in the White House exteriors. Sound editor Steve D. Williams does superb work with the sound from the way some of the police sirens sound to some of the things that occur inside the White House including the sound of the tape recordings. The film’s music by John Debney is pretty as it‘s mostly low-key which is just orchestral music to play into the suspense and humor while music supervisor Ralph Sall creates an absolutely delightful soundtrack that features music from the Jackson 5, Yes, Grand Funk Railroad, Elton John, ABBA, LaBelle, George McCrae, Harry Nilsson, Bread, Love Unlimited Orchestra, Redbone, David Essex, Carly Simon, and a couple of covers by Michelle Williams and Sixpence None the Richer.
The casting by Pam Dixon is incredible as it features one hell of an ensemble that includes small roles from Ryan Reynolds as a boy Betsy flirts with at Bob Haldeman’s house, Devon Gummersall as Betsy’s stoner brother Larry, French Stewart as a TV interviewer at the beginning of the film, G.D. Spradlin in one of his final performances as Washington Post editor Ben Bradlee, Ana Gasteyer as the President’s secretary Rose Mary Woods, Ted McGinley as Arlene’s mother’s new boyfriend, Karl Pruner and Shannon Lawson as Betsy’s parents, Len Doncheff as Leonid Brezhnev, and Teri Garr as Arlene’s lonely mother. Harry Shearer is terrific as the very threatening but buffoonish G. Gordon Liddy while Dave Foley is excellent as the White House Chief of Staff Bob Haldeman who is depicted as a total asshole. Jim Breuer is fantastic as Nixon’s lawyer John Dean who would feel guilty for working with Nixon while Saul Rubinek is wonderful as Henry Kissinger who often feels left out by Nixon while having a great duet of Hello Dolly with Brezhnev.
Will Ferrell and Bruce McCullough are hilarious in their respective roles as Bob Woodward and Carl Bernstein with Ferrell as the straight man who is trying to maintain his serious reputation while McCullough brings a more comical approach to the role of Bernstein in his attempt to be very good-looking. Dan Hedaya is phenomenal as the titular character as he brings a lot of humor to the role of Nixon while being a mean man who kicks his dog and is very prejudice as Hedaya puts a lot of gravitas as Richard Nixon. Finally, there’s Kirsten Dunst and Michelle Williams in sensational performances in their respective roles as Betsy and Arlene. Dunst is the more ditzy of the two as she has this charm that makes her so delightful to watch while Williams is the more introverted as she falls for Nixon. The two together have great chemistry together in the way they play out each other as well as admit the fact that they are dumb girls.
Dick is a remarkable film from Andrew Fleming that features amazing performances from Kirsten Dunst, Michelle Williams, and Dan Hedaya as Richard Nixon. It’s a film that manages to take a unique premise and make it very enjoyable while it is also oddly compelling for the fact that it does play with American history. Even to the point of subverting some facts and things that really happened and get away with it. In the end, Dick is an incredible film from Andrew Fleming.
© thevoid99 2014
Thursday, June 23, 2011
A Bug's Life
1995’s Toy Story ushered in a new era of cinema with the advent of computer-animated films as that film was the first feature-length computer-animated film ever made. The success of that film helped Pixar Animations studio as they were set to create various new projects that would help build the studio and their relationship with distributor in Walt Disney Studios. For their second feature film, the studios chose to create a film that mixes Aesop’s fable of The Ant and the Grasshopper and Akira Kurosawa’s legendary 1957 film The Seven Samurai into A Bug’s Life.
Directed by John Lasseter, with additional direction by Andrew Stanton, and scripted by Stanton, Donald McEnery, and Bob Shaw that was based on a story by Lasseter, Stanton, and Joe Ranft. A Bug’s Life tells the story of a worker ant who seeks help from other insects to fight off against grasshoppers whom they had been gathering food for. Unaware that the insects he hired are circus insects, he teams up with them to fight off the grasshoppers they had been slaving for. With an all-star voice cast that includes Dave Foley, Julia Louis-Dreyfus, Hayden Panettiere, Kevin Spacey, Denis Leary, David Hyde Pierce, Phyllis Diller, Madeline Kahn, Bonnie Hunt, Brad Garrett, Roddy McDowall, and John Ratzenberger. A Bug’s Life is a fun yet adventurous film John Lasseter and company.
With ants gathering food for grasshoppers before the harvest is to end, Flik (Dave Foley) is an inventive ant who tries to get things better only to cause trouble as his latest invention has him causing an accident. The accident has upset Hopper (Kevin Spacey) who demands that the ants work double-time before he and his group of grasshoppers return for harvest’s end. Wanting to find a way to keep things going and get rid of Flik, Flik suggests getting other insects to help rebel against Hopper and grasshoppers. Princess Atta (Julia Louis-Dreyfus) likes the idea thinking it will get rid of Flik as she lets him go. Upon his journey to the city, Flik encounters a group of fired circus performers he believes are warriors as he asks them for help.
The troupe takes the job thinking it’s a gig as they’re welcomed by the ants led by the queen (Phyllis Diller) as she along with many believe are the warriors that will help them. Yet, the troupe realizes through a celebration of what they’re asked to do as Flik learns that they’re really circus performers. When the queen’s youngest daughter Dot (Hayden Panettiere) is in danger from a bird, the troupe and Flik save her as they decide to stay. Realizing that Hopper is afraid of birds, Flik and the troupe create a bird with a group of ants to stop Hopper and his gang. With the plan working, everything seems to be in place until the arrival of the troupes’ former boss P.T. Flea (John Ratzenberger). With Hopper finally returning and the ants worried, it’s up to Flik and the troupe to remind the ants who are the stronger species.
The film is about an ant who rebels against a group of grasshoppers by hiring a group of circus performers to help him and the ants out. Yet, it’s a plot that is sort of similar to Akira Kurosawa’s 1957 epic The Seven Samurai that is about a group of villagers asking seven samurai warriors to fight against rebels. Still, John Lasseter and his team of writers do create a story where an ant is trying to make up for his mistakes while trying to win over the acceptance of a princess who is groomed to become the next queen.
Then there’s the circus troupe who are a very eccentric, lively bunch. There’s the intellectual stick-bug Slim (David Hyde Pierce), a male-centric ladybug named Francis (Denis Leary), a fat yet hungry caterpillar named Heimlich (Joe Ranft), a black widow named Rosie (Bonnie Hunt), the moth Gypsy (Madeline Khan), Manny the cricket (Jonathan Harris), Dim the beetle (Brad Garrett), and twin ticks who barely speak English (Michael McShane). They’re just a bunch of insects needing a job while using their talents to fight off against Hopper and his gang while being accepted by the ant colony. Yet, they become more than that as the script allows them to develop and forge an alliance with the ants. The grasshoppers may be villains but that’s only because their leader Hopper is a ruthless insect who is aware of how weak his species are and tries to use his wit and power against the ants.
The direction of John Lasseter and Andrew Stanton is definitely very broad as they shoot everything with wide angles to let the audience be enraptured by the locations the characters are at. Since this is the first film from Pixar to use the widescreen format, it allows Lasseter and Stanton to go for bigger compositions and to create more ants to help fill in the frame. The action sequences allows the directors to move the camera move and create some exciting sequences. The overall work is definitely phenomenal as John Lasseter, with additional help from Andrew Stanton, creates a lively yet magical film.
Cinematographer Sharon Calahan does some fantastic work with the lighting for many of the exteriors of the ant hill as well as its surroundings while the inside look is truly gorgeous. Editor Lee Unkrich does a great job with the editing by creating wonderful rhythmic cuts for the film’s action moments along with more relaxed cuts for the dramatic and funny moments. Production designer William Cone, along with art directors Tia W. Kratter and Bob Pauley does a wonderful job with the look of the ant hill and city that Flik goes to along with the interiors of the ant colony itself. Sound designer Gary Rydstrom and sound editor Tim Holland do amazing work with the sound from the grasshoppers breaking through to the circus event where P.T. Flea create a fiery stunt.
The film’s score by Randy Newman is definitely a highlight of the film as its orchestral score is thrilling with loads of pieces to complement the emotions and adventurous moments of the film. Even as it features another Newman original song in The Time Of Your Life to play up the joy and humor of the film.
The voice cast that is assembled by Mary Hidalgo and Ruth Lambert as it features various voices such as Frank Welker as the scary grasshopper Thumper along with the bird plus Edie McClurg as the young ants’ teacher Mrs. Flora and Roddy McDowall as one of the ants’ key top figures in Mr. Soil. Other notable small roles include John Ratzenberger as the greedy P.T. Flea, Jack Angel as a bunch of flies, and Richard Kind as Hopper’s dim-witted brother Molt. For the roles of the circus troupe, there’s standout performances from Michael McShane as the foreign-talking ticks Tuck and Roll, Brad Garrett as the sensitive beetle Dim, Madeline Kahn as the exotic moth Gypsy, and Jonathan Harris as the dramatic Manny.
Joe Ranft is hilarious as the overweight Heimlich who sports a German accent and has an insatiable appetite while Denis Leary is really funny as a tough ladybug who eventually gives in to his feminine side when he spends time with the little ants. David Hyde Pierce is really good as Slim, a stick-bug with a wonderful intellect who wishes he wasn’t just a prop while Phyllis Diller is great as the queen who is trying to maintain her colony’s safety while prepping Atta for her big role. Kevin Spacey is superb as the villainous Hopper who is smarter than a lot of his grasshopper minions while trying to realize that he has to be smart unless the ants realize how powerful they are.
Hayden Panettiere is wonderful as the queen’s youngest daughter Dot who is determined to fly while seeing Flik as a role model as someone who doesn’t quit. Julia Louis-Dreyfus is excellent as Atta, a princess who is trying to become a leader as she learns the importance of trust. Finally, there’s Dave Foley in a brilliant voice performance as the everyman Flik who tries to make a difference while being the one to stand up against Hopper.
A Bug’s Life is an extraordinary film from John Lasseter and Pixar studios proving that they have ambition and do big ideas. While it may not be up there with more revered films like the Toy Story trilogy, or the films that other Pixar directors like Andrew Stanton, Brad Bird, and Pete Docter has done. It is one of the essential films of their large collection of films as it help set the stage for the ambition that the studio would do in later films. In the end, A Bug’s Life is a glorious yet entertaining film from Pixar studios.
Pixar Films: Toy Story - Toy Story 2 - (Monsters, Inc.) - (Finding Nemo) - The Incredibles - Cars - Ratatouille - WALL-E - Up - Toy Story 3 - Cars 2 - Brave - Monsters University - Inside Out - The Good Dinosaur - (Finding Dory) - (Cars 3) - Coco - Incredibles 2 - Toy Story 4 - (Onward) - Soul (2020 film) - (Luca (2021 film)) - Turning Red - (Lightyear) - (Elemental (2023 film)) - Inside Out 2 - (Elio) – (Toy Story 5)
© thevoid99 2011
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