Based on the characters created by George Lucas, Solo: A Star Wars Story is the story of the early life of Han Solo and his journey to become a smuggler and how he would meet those who would impact his life. Directed by Ron Howard and screenplay by Jonathan and Lawrence Kasdan, the film is an origin story of sorts on the man who would become this famed smuggler in his early years as he takes part in a major heist as the character is played by Alden Ehrenreich. Also starring Woody Harrelson, Emilia Clarke, Donald Glover, Thandie Newton, Phoebe Waller-Bridge, Joonas Suotamo, and Paul Bettany. Solo: A Star Wars Story is an exhilarating and adventurous film from Ron Howard.
The film is about a young man who is known for being a thief where he meets a smuggler and learns the trade where they all take part in a big job that will give him a big payday as well as a new way of life. It is simply an origin story of sorts of this man who would become the famous smuggler as he would later meet a Wookie named Chewbacca (Joonas Suotamo) who would become his best friend as they would find a trade that would make the money as well as defy the Imperial Empire. The film’s screenplay by Jonathan and Lawrence Kasdan definitely play into Han Solo’s origin as he started out as a young thief living in a planet with his girlfriend Qi’ra (Emilia Clarke) as they steal the extremely-valuable hyper fuel coaxium that is the source for hyperdrive speed for many ships. Solo is able to escape a gang and its boss for refusing to give the coaxium yet he is unable to help Qi’ra get out of the planet where he would sign up with the Imperial navy hoping to be a pilot.
Instead, he ends up on an infantry line three years later where he would meet the famed smuggler Tobias Beckett (Woody Harrelson) posing as an Imperial officer as he and his team that include his wife Val (Thandie Newton) and an alien named Rio Durant (voice of Jon Favreau). Beckett would take in Solo in his team along with Chewbacca whom Solo meets at a prison as they would learn the art of smuggling as they also have to deal with a band of marauders known as the Cloud Riders. Solo would learn that Beckett works for a crime boss named Dryden Vos (Paul Bettany) who is part of a famed crime syndicate known as Crimson Dawn where Solo also learns that Qi’ra is Vos’ lieutenant. With the help of another smuggler in Lando Calrissian (Donald Glover) and his droid L3-37 (voice of Phoebe Waller-Bridge), Solo, Chewbacca, Qi’ra, and Beckett would take on a mission to retrieve a large shipment of unrefined coaxium in the mining planet of Kessel. There, Solo learns about not just the art of smuggling but also the lesson of not to trust anyone as well as what it means to survive.
Ron Howard’s direction is grand which is expected in a big space-operatic adventure as it play into a galaxy that is under the rule of the empire but also the emergence of a rebellion happening. Shot largely at Pinewood Studios in London, England along with additional locations in Italy and the Canary Islands, the film does play into this world that is dystopian and troubling where it begins with Han and Qi’ra both being thieves in an act of survival as they’re forced to work for a crime boss. Howard’s usage of wide shots capture the scope of the world that Han Solo is in as well as the rule of the Imperial Empire as it watches over so much of the galaxy. Howard’s usage of medium shots and close-ups play into some of the drama and humor as it relates to character interaction including the scene where Solo meets Chewbacca for the very first time as it is unveiled in a humorous manner. It’s among some of the scenes including the exchanges between Solo and Chewbacca that add to the many nuances that is expected in their growing friendship.
Some of the humor is likely from the film’s original filmmakers in Phil Lord and Christopher Miller who were later fired from production with Howard taking over and re-shooting much of the film. Still, Howard does maintain that air of humor throughout the film as well as a sense of adventure though the tone does change a bit in the third act as it relate to what is at stake. Largely due to the twists and turns as it relates to Solo learning about the art of smuggling and what he has to do to survive as there are lessons that had to be learned. The tonal shifts is awkward along with some major revelations of who is leading the Crimson Dawn syndicate as well as the fact that even smugglers and marauders both have to play a side in this major conflict between the Imperial Empire and the rebellion that is to emerge. Yet, it would show where Solo’s loyalties lie but also what he has to do to stay alive in this conflict that he doesn’t want to be a part of. Overall, Howard creates a fun and thrilling film about the early adventures of a young smuggler and his furry friend.
Cinematographer Bradford Young does excellent work with the film’s cinematography as it play into the blue-grey look of some of the planets in the exteriors as well as some interior shading and the brightness in some scenes set in the snow or in a sandy island. Editor Pietro Scalia does terrific work with the editing as it is largely straightforward as it also include some rhythmic cuts to play into humor and action. Production designer Neil Lamont and senior art director Gary Tomkins do amazing work with the look of the spaceships and some of the places the characters go to including the mining colony and the interiors of the ship that would become the Millennium Falcon. Costume designers David Crossman and Glyn Dillon do fantastic work with the look of the costumes including the stylish and posh look of Qi’ra for her work with the Crimson Dawn as well as the capes that Lando wears.
Makeup designer Amanda Knight does brilliant work with the look of the characters such as Vos with his facial scars as well as the look of a few human characters while special creature make-up effects supervisor Neal Scanlan does incredible work with the look of the some of the aliens and creatures in the film. Special effects supervisor Dominic Tuohy and visual effects supervisor Rob Bredow do superb work with the special effects with its mixture of visual effects and old-school practical effects to create elements of realism into the world of space including a major sequence that would play into Solo’s legend. Sound designer Tim Nielsen and co-sound editor Matthew Wood do phenomenal work with the sound in creating sound effects in the ships and weapons as well as the atmosphere of the locations that the characters go to. The film’s music by John Powell is wonderful for its bombastic orchestral score that includes pieces by John Williams from the Star Wars films as it help play into the sense of adventure that the characters embark.
The casting by Nicole Abellera, Nina Gold, and Jeanne McCarthy do remarkable work with the casting as it include some notable small roles and performances from Anthony Daniels as a Wookie Chewbacca meets at the mining planet of Kessel, Clint Howard as a robot fight referee, Warwick Davis as a marauder, Linda Hunt as the voice of a known crime boss in Lady Proxima, Erin Kellyman as the marauders leader Enfys Nest, and Jon Favreau as the voice of Beckett’s alien pilot Rio Durant. Phoebe Waller-Bridge is terrific as the voice of Lando’s droid L3-37 as this droid that is very opinionated as well as being a skilled navigator while Joonas Suotamo is fantastic as the Wookie Chewbacca as this tall furry creature that would become Han Solo’s best friend as well as a creature of great strength. Thandie Newton is superb as Beckett’s wife Val as a smuggler who isn’t initially fond of Solo as she later realizes his value. Paul Bettany is excellent as Dryden Vos as crime lord who works for the Crimson Dawn syndicate that is in charge of the planned heist that Beckett is a part of as well as hoping to profit from this heist without doing much.
Donald Glover is brilliant as Lando Calrissian as Glover imbues many of the traits of the character as a smooth and charismatic smuggler that owns the Millennium Falcon as he also knows how to hustle and get things done. Emilia Clarke is wonderful as Qi’ra as Solo’s lover from the past as she has become Vos’ lieutenant as Clarke does some fine work though her character isn’t fully realized into her motivations as it’s one of the film’s weaker points. Woody Harrelson is amazing as Tobias Beckett as a famed smuggler who takes Solo into his team and show him the trade as well as what to do as a smuggler as it’s one of Harrelson’s finest performances as this grizzled man that has seen a lot but also reveals that the smuggling game is a devious game. Finally, there’s Alden Ehrenreich in an incredible performance as Han Solo as the younger version of the famed smuggler who learns the rope in being a smuggler as his motivation was to reunite with his lover as he later deals with the many attributes of survival while also being arrogant in what he can do where Ehrenreich imbues many of the qualities that the character is known for.
Solo: A Star Wars Story is a marvelous film from Ron Howard that features top-notch performances from Alden Ehrenreich, Woody Harrelson, Joonas Suotamo, and Donald Glover. Along with its supporting cast, dazzling visuals, John Powell’s score, and moments that are exciting and thrilling. It’s a film that manages to provide enough ideas of being entertaining as well as provide some ideas about one of cinema’s most beloved characters was doing before he became this legendary figure that audiences love. In the end, Solo: A Star Wars Film is a remarkable film from Ron Howard.
Star Wars Films: Star Wars - The Empire Strikes Back - Return of the Jedi - The Phantom Menace - Attack of the Clones - Revenge of the Sith - The Force Awakens - The Last Jedi - The Rise of Skywalker
Anthology Series: Rogue One: A Star Wars Story - (Untitled Star Wars Anthology Film)
Related: The Star Wars Holiday Special - Caravan of Courage - The Battle for Endor - The Clone Wars - Fanboys - The People vs. George Lucas - Rush (2013 film)
George Lucas Films: THX 1138 – (American Graffiti)
© thevoid99 2018
Based on the Marvel comics series by Stan Lee and Steve Ditko, Spider-Man: Homecoming is the story of Peter Parker dealing with his life in high school as he’s part of a decathlon team while trying to learn the ropes in being a superhero as he faces off against a mysterious enemy who has a grudge against towards Tony Stark. Directed by Jon Watts and screenplay by Watts, Jonathan Goldstein, John Francis Daley, Christopher Ford, Chris McKenna, and Erik Sommers from a screen story by Goldstein and Daley. The film is an exploration of Peter Parker trying to be Spider-Man due to the new suit he’s given created by Tony Stark as he also deal with the bad guys as Parker/Spider-Man is played by Tom Holland and Stark/Iron Man is played by Robert Downey Jr. Also starring Zendaya, Marisa Tomei, Jacob Batalon, Laura Harrier, Angourie Rice, Tony Revolori, Tyne Daly, Donald Glover, Jon Favreau, and Michael Keaton as Adrian Toomes/Vulture. Spider-Man: Homecoming is an exhilarating yet whimsical film from Jon Watts.
Set two months after working with Tony Stark in dealing with Captain America, Peter Parker deals with a new enemy while trying to be a regular kid as he struggles to balance his role as himself and Spider-Man. It’s a film with a simple story as it shows Parker adjusting to the new suit he’s given created by Stark as he wants to be part of Stark’s inner circle and hopefully become part of the Avengers. Yet, he would encounter a series of strange events involving a man named Adrian Toomes who lost his job in collecting scraps for money as he seeks revenge on Stark by stealing the Chitauri technology that happened during the Avengers’ first battle with them some years ago. The film’s screenplay doesn’t just explore Parker trying to maintain his identity a secret but also wanting to find out more about these arm deals as he tries to contact Stark and Stark’s longtime assistant Happy Hogan (Jon Favreau) about his discoveries.
The screenplay doesn’t just explore Parker trying to balance that life of superhero and as a normal teenager being part of the school’s decathlon team. It’s a script that also explore growing pains as Parker is eager to prove to Stark that he can be part of the Avengers but he’s only a 15-year old sophomore that is dealing with all of the things in high school. The only other person that knows his identity as Spider-Man via accident is his best friend Ned (Jacob Batalon) who would keep asking questions but also would make some discoveries of the suit. Much of the film’s first act is about Parker trying to prove his worth in his discovery of the weapons deal and his first encounter with Toomes’ secret identity in Vulture. There are also these little moments of Parker dealing with high school life as he’s falling for the popular senior Liz (Laura Harrier) as well as bearing the verbal humiliations of the popular nerd Flash Thompson (Tony Revolori) and witty comments of Michelle (Zendaya). At the same time, Parker is trying to keep his identity a secret from his aunt May (Marisa Tomei) whom he really cares for and doesn’t want to stress her out.
The film’s second act involves Parker learning more about the Chitauri technology he found during an encounter with some of Toomes’ henchmen as well as Parker attending the national decathlon in Washington D.C. These moments in the second act play into Parker’s development as a character as someone who is very eager to get into these dangerous moments as it can be overwhelming as Stark is constantly watching him in the hope that Parker does better. The film’s antagonist in Toomes isn’t a conventional villain but someone who feels slighted by the system during a prologue where he loses his job as he makes his own discoveries of the Chitauri technology for his own usage. All of what he does is to provide for his own family and he sees Spider-Man and Stark as threats that need to be eliminated.
Jon Watts’ direction definitely has some elements of style as it owe a lot to some of the cinematic style and humor of John Hughes but it also play into the ideas of modern-day society. Shot mainly in Atlanta as the Queens borough in New York City with some shots set in New York City, Washington D.C., and Berlin. The film does play into Parker’s own excitement into being a superhero which starts with this opening sequence of him documenting everything including the events before he was to face Captain America. Yet, Watts would keep the film grounded in reality as it has Parker just trying to explore his new powers through the suit Stark has designed for him as Watts explore the mistakes that Parker would do as it has this very natural approach to the humor. While Watts would use some wide shots for some of the locations, he would favor more intimate shots in the close-ups and medium shots to play into Parker trying to be just a regular kid as it include some comical moments as well as a few dramatic moments.
The direction has Watts create some intense moments involving the action that includes this massive set piece in a ferry where Spider-Man battles the Vulture and gets himself into trouble where it is an ode to films of the past but also become this key moment that would make Parker realize how over his head he’s in. It has Watts maintain some grounding into the growing pains that Parker is dealing with where as much as he wants to be a superhero, save the world, and do good. He’s still a young kid with so much going for him as he also needs time to be a kid as it’s something he needs to fight for against someone like Toomes/Vulture who has his own reasons to fight which is for the well-being of his family. Overall, Watts creates a fun yet engaging film about a young kid becoming a superhero and learn what it means to be one.
Cinematographer Salvatore Tino does excellent work with the film’s cinematography as it has a lot of gorgeous colors for many of the locations in the daytime with unique lighting moods for the scenes at Toomes’ workshop. Editors Dan Lebental and Debbie Berman do fantastic work with the editing with its usage of jump-cuts, montages, and other stylish cuts to play into the action and humor. Production designer Oliver Scholl, with supervising art director Brad Ricker plus set decorators Lauri Gaffin and Gene Serdena, does superb work with the look of Toomes’ workshop as well as the interior of the schools and some of the places Parker goes to. Costume designer Louise Frogley does brilliant work with the look of the Spider-Man suit as well as the clothes Parker wears casually as well as the clothes of his classmates.
Visual effects supervisors Theodore Bialek, Doug Spilatro, and Dominik Zimmerle do amazing work with the visual effects from the way Spider-Man would use his webs to move around or the way some of his tech would appear as well as some of the scenes involving Vulture. Sound editor Steve Ticknor, with sound designers Tony Lamberti and Eric A. Norris, does terrific work with the sound in capturing some of the atmosphere of the few parties that Parker goes to as well as some of the massive action sequences at the Washington monument and in the film’s climax. The film’s music by Michael Giacchino is great as it features this soaring orchestral score that plays into the action and humor with some very melodic themes while music supervisor Dave Jordan provides a fun soundtrack with music from the Rolling Stones, Spoon, the Ramones, the English Beat, Yello, A Flock of Seagulls, Traffic, and a few other tracks from hip-hop, EDM, and indie artists.
The casting by Sarah Finn is incredible as it feature some notable small roles and appearances from Kerry Condon as the voice of Iron Man’s AI F.R.I.D.A.Y., Jennifer Connelly as the voice of the A.I. in Spider-Man’s suit, Garcelle Beauvais as Liz’s mother, Hemky Madera as a local bodega owner that Parker knows, Logan Marshall-Green as a henchman of Toomes, Martin Starr as the decathlon coach/teacher, Hannibal Burress as the school gym teacher, Kenneth Choi as the school principal, Angourie Rice as the school news reporter Betty Brant, Tiffany Espensen as one of Parker’s decathlon teammates in Tiffany, Bokeem Woodbine as a henchman of Toomes in Herman Schultz who would also be known as Shocker, and Tyne Daly as a U.S. department head for damage control who would ruin Toomes’ life. Tony Revolori is terrific as Parker’s high-school nemesis Flash Thompson as he’s this rich nerd that likes to verbally humiliate Parker as he is quite funny while Laura Harrier is wonderful in a somewhat underwritten role as Parker’s love interest Liz who is baffled by why Parker never shows up for things.
Donald Glover is superb as the criminal Aaron Davis as a guy trying to buy the weapons Toomes is selling as he realizes something isn’t right where he would provide some information to Spider-Man later on. Zendaya is fantastic as Michelle as a classmate of Parker who is this quiet observer that makes some very snarky comments as she provides a lot of the film’s funnier moments. Jacob Batalon is excellent as Ned as Parker’s best friend who is one of the few people that knows about Parker’s identity as Spider-Man as he provides some funny moments as well as be useful for the film’s third act. Jon Favreau is brilliant as Happy Hogan as Stark’s bodyguard who watches over Parker as he is annoyed by Parker calling him for any special assignments. Marisa Tomei is amazing as May Parker as Peter’s aunt who is wondering what her nephew is doing as well as helping him with some of his growing pains.
Robert Downey Jr. is marvelous as Tony Stark/Iron Man as Parker’s mentor who is trying to make sure that Parker is being responsible as he’s dealing with his own things as he knows when he has to step to lecture Parker. Michael Keaton is remarkable as Adrian Toomes/Vulture as a scrap-metal collector who loses his job due to Stark as he would steal and use Chitauri technology to create weapons as a way to give himself and his family the life they wanted as it’s a role with some charm as Keaton doesn’t make him a total villain but someone that is determined to do whatever to protect his family. Finally, there’s Tom Holland in a phenomenal role as Peter Parker/Spider-Man as a 15-year old kid that is trying to deal with the gifts he’s given as well as try to be a normal kid as Holland has this air of exuberance and humility that provides the right balance to play both Parker and Spider-Man in making him vulnerable but also provide the maturity he would gain later on in becoming the superhero.
Spider-Man: Homecoming is a sensational film from Jon Watts that features great performances from Tom Holland, Michael Keaton, and Robert Downey Jr. Along with its amazing ensemble supporting cast, thrilling action sequences, and the need to not take itself seriously or rehash anything previous films about the character that audiences already knew. It’s a film that knows what it needed to do while providing something fresh to the beloved character in a setting that isn’t explored and have fun with it. In the end, Spider-Man: Homecoming is an incredible film from Jon Watts.
Jon Watts Films: (Clown (2014 film)) – Cop Car
Spider-Man Films: Spider-Man - Spider-Man 2 - Spider-Man 3 - The Amazing Spider-Man - The Amazing Spider-Man 2 - Spider-Man: Into the Spider-Verse - Spider-Man: Across the Spider-Verse - (Spider-Man: Beyond the Spider-Verse)
Marvel Cinematic Universe: Infinity Saga: Phase One: Iron Man - The Incredible Hulk - Iron Man 2 - Thor - Captain America: The First Avenger - The Avengers
Phase Two: Iron Man 3 - Thor: The Dark World - Thor: The Dark World - Guardians of the Galaxy - The Avengers: Age of Ultron - Ant-Man
Phase Three: Captain America: Civil War - Doctor Strange - Guardians of the Galaxy Vol. 2 - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man & the Wasp - Captain Marvel - Avengers: Endgame - Captain Marvel - Spider-Man: Far from Home
Multiverse Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special
Phase Five: Ant-Man & the Wasp: Quantumania - Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)
Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)
Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World
© thevoid99 2017
Directed by Gregory Jacobs and written by Reid Carolin, Magic Mike XXL is the sequel to 2012’s Magic Mike in which a former male stripper reunites with old friends for a stripping convention in Myrtle Beach, South Carolina as he copes with some of the choices he’s made as well as helping out his old friends. The film is partially a road trip but also an exploration into debauchery and camaraderie between men trying to take the next step of their lives. Starring Channing Tatum, Joe Manganiello, Kevin Nash, Adam Rodriguez, Matt Bomer, Gabriel Iglesias, Amber Heard, Donald Glover, Andie MacDowell, Jada Pinkett Smith, and Elizabeth Banks. Magic Mike XXL is an entertaining and wild film from Gregory Jacobs.
Set three years after the events of the first film, the film revolves around a former male stripper who is trying to run his own furniture business as he is coaxed to reunite with his fellow strippers who have been let go by their boss as they want to go on one last hurrah at a convention in Myrtle Beach. It’s a film that explores a man trying to be an adult as he reluctantly returns to what made him a big deal as well as a lot of money where he also realizes he has to smooth out issues he has with his former friends in order to do this. At the same time, the journey would force Mike (Channing Tatum) and his friends to think of new ideas for their show as they would turn to an old friend of Mike’s for help for the show in Myrtle Beach.
Reid Carolin’s script doesn’t just explore Mike’s reluctance to return to stripping but also the friends he had left behind as they’re all struggling to figure out what to do after this road trip. Especially as they also deal with the fact that their boss Dallas had abandoned them and never really give them anything to do creatively as entertainers. The script also reveals Mike’s own struggles to keep his business afloat as well as his own personal setback in his life where he rallies his buddies to really go out on one last hurrah. All of which is told in a traditional three-act structure where the first act is about Mike joining the boys on the road while the second act largely consists of him meeting his old friend/boss in Rome (Jada Pinkett Smith) and entertain some housewives. The third act is set in Myrtle Beach where it is the film’s climax where Mike, the Kings of Tampa, and a couple of Rome’s boys would create the ultimate show.
Gregory Jacobs’ direction is quite simple while it also has a flair for style in the way many of the stripping performances and staging are presented. Shot on location in Tampa as well as parts of Florida, Georgia, South Carolina, and its climax at Myrtle Beach. Jacobs does create moments that are simple in its approach to the compositions while displaying a flair for style in a few tracking shots and some long shots. Even as he maintains an intimacy in the medium shots and close-ups for Mike’s solo dance early in the film as well as very enjoyable moment when Richie (Joe Manganiello) does an impromptu dance at a convenience store. The latter of which is a key plot-point that would serve as a major catalyst for what Mike and the boys want to do as entertainers as it has an element of liveliness in the direction. Jacobs would also use a few wide shots to establish some of the locations along with some of the large group conversations as it plays into this world of debauchery and excess. The film’s climax at the convention doesn’t just have this air of excitement but also displays different styles of performances as it has an air of class but also raunchiness that is about making women happy. Overall, Jacobs creates a fun and exhilarating film about male strippers going to a convention for one last show.
Cinematographer/editor Steven Soderbergh does brilliant work with both the film‘s cinematography and editing where he infuses a lot of unique visual styles in the lighting for the scenes at night in the former in his Peter Andrews alias while doing a lot of stylish cutting with its jump-cuts and some straightforward cuts in his Mary Ann Bernard alias. Production designer Howard Cummings, with set decorator Barbara Munch and art director Eric R. Johnson, does fantastic work with the look of the home that Rome lives and works at as well as the staging on the convention. Costume designer Christopher Peterson does nice work with the costumes as it is largely casual with the exception of the clothes the guys would wear for the ultimate show.
Visual effects supervisor John Bair does terrific work with some of the minimal visual effects as it relates to the ending but also a few moments of set dressing. Sound editor Larry Blake is superb for the natural approach to the sound in how music is heard as well as the reaction of the crowd at the convention. Music supervisor Season Kent does amazing work with the film’s soundtrack with its mix of pop, R&B, electronic music, rock, and dance as it plays into the kind of stuff the guys strip to as it is a plethora of music from Ginuwine, 112, 50 Cent, Bruno Mars, Nine Inch Nails, the Backstreet Boys, D’Angelo, Ozzy Osbourne, Donna Summer, R. Kelly, Jodeci, and many others.
The casting by Carmen Cuba is great as it features some notable small roles from Michael Strahan as a stripper at Rome’s house, Stephen “tWitch” Boss as another stripper of Rome’s that would do his performance with Mike, and Donald Glover as another stripper of Rome’s club as he is also a singer that befriends Ken. Amber Heard is wonderful as a photographer named Zoe that Mike would run into often as they become friends as she would attend the convention out of curiosity. Andie MacDowell is terrific as Nancy as a housewife who lets Mike and the guys stay at her place as she has a great interest towards Richie. Elizabeth Banks is amazing as Paris as the convention’s organizer who knows Mike as she isn’t sure if she can get a spot for him and his friends only to reunite with an old friend she loves. Jada Pinkett Smith is fantastic as Rome as an old friend/boss of Mike who still has some resentment about how Mike left her as she is reluctant to help him and his friends.
Kevin Nash is excellent as Tarzan as the big and muscular guy who is also very good at making art as he is the one who missed Mike the most as he is happy Mike came along for the trip. Gabriel Iglesias is superb as Tobias as the gang’s DJ/MC who is trying to start a yogurt business with Tito as he would get sick early in the film forcing him to not join the boys for the rest of the trip. Adam Rodriguez is brilliant as Tito as the stripper who wants to create yogurt that is healthy as he turns to Mike for business advice. Matt Bomer is marvelous as Ken as the model who has some issues with Mike as he tries to maintain a positive attitude as he eventually turns to Mike about getting help for his acting career. Joe Manganiello is incredible as Richie as the guy with the big dick who is more uncertain about what to do after the gig as well as realizing he’s got a lot more to offer where Manganiello displays a lot of charisma to his role. Finally, there’s Channing Tatum in an incredible performance as Magic Mike as a former stripper who is coaxed to get back in the game as he smooth out some issues he has with friends as well as deal with the fact that he is who he is and be able to accept that.
Magic Mike XXL is a marvelous film from Gregory Jacobs. Featuring a great cast led by Channing Tatum, some wild and entertaining moments, and a fun soundtrack. It’s a film that is all about having a good time and guys taking off their clothes to entertain the ladies. In the end, Magic Mike XXL is an awesome film from Gregory Jacobs.
Related: Magic Mike
© thevoid99 2016
Based on the novel by Andy Weir, The Martian is the story of an astronaut who is accidentally left for dead on Mars during a manned mission where he struggles to survive in the planet while the people at NASA discover he’s alive as they try to figure out how to get him back home with the man’s crew dealing with guilt of leaving him behind. Directed by Ridley Scott and screenplay by Drew Goddard, the film explores the world of science where people on Earth find a way to try and bring this astronaut home as the man himself would try to find ways to survive on the planet using what he has in his head. Starring Matt Damon, Jessica Chastain, Chiwetel Ejiofor, Kristen Wiig, Benedict Wong, Michael Pena, Sebastian Stan, Kate Mara, Mackenzie Davis, Askel Hennie, Sean Bean, Donald Glover, Eddy Ko, Chen Shu, and Jeff Daniels. The Martian is an adventurous and engaging film from Ridley Scott.
During a manned mission to Mars where an attempt to leave during a strong dust wind where an astronaut is struck by debris and is unfortunately left for dead by his crew. The film revolves around this astronaut who finds himself stuck on Mars aware that it is likely that it will take four years for another spaceship to come in and rescue him with the little rations he has where he is forced to find ways to survive. Meanwhile back on Earth, NASA who for two months believed the man to be dead make a discovery that he is alive through satellite photos as they try to find a way to get him back home but a lot of things are happening where they don’t even tell his crew for months. It’s a film that isn’t just about survival but also the need to rescue a man stranded on Mars where he is forced to left to his own devices yet would unveil what he is able to do to try and survive for the next few years.
Drew Goddard’s screenplay has a very unique narrative that moves back and forth in not just what astronaut Mark Watney (Matt Damon) does to survive on Mars where he would grow potatoes and make water in the planet thanks to his skills as a botanist. It also showcases what is happening in NASA where they try to figure out how long he can survive as well as how to create a rescue mission. The Earth portion of the narrative also play into the world of politics as NASA’s director Teddy Sanders (Jeff Daniels) ponders the financial cost as well as the risks while he also has to tell the truth to the public that Watney is alive after declaring him dead during the botched mission months earlier. For NASA, the news of Watney being alive has become a public relations nightmare for the company where it also shows what is happening behind the scenes where they also need to get help from other sources including rival space exploration companies.
At the space vessel Hermes, there is a subplot that involves Watney’s crew led by Commander Melissa Lewis (Jessica Chastain) who, along with the crew, are consumed with guilt as they’re returning home to Earth where they play a key part in the film’s third act as it relates to the rescue. While they’re aware that the journey back to Mars will take another 18 months with a special booster created by this rival company. Commander Lewis and the crew prefer to take that risk knowing that if it goes wrong, they will all die. Especially as their mission director Mitch Henderson (Sean Bean) gave them the option as he is aware of the risks not just in space but also the financial risks where he finds himself sparring with Sanders since Henderson wanted to tell Lewis and the crew about Watney once the news broke. It all play into that world of politics and when Watney who would finally communicate with NASA’s Mars mission director Vincent Kapoor (Chiwetel Ejiofor) who revealed what has been going on. Not surprisingly as there’s frustration where Kapoor and several other scientists try to find solutions where it would be a young astrodynamicist in Rich Purnell (Donald Glover) who would create what the Commander Lewis and her crew have to do as does Watney.
Ridley Scott’s direction is definitely quite vast for the world he creates not just in Mars but also outer space while also maintain a sense of ground for the fact that the film is also set on Earth. With many of the exterior scenes on Mars shot at Wadi Rum in Jordan with several interiors shot in Hungary, the film plays into a world that is quite large where Scott used a lot of wide shots for these exteriors in Mars as it has this air of mystique. Even in the some of the interiors in the base where Watney would have to live in and grow crops as Scott would also use small video cameras such as the Go-pro cameras to document everything Watney is going through. It has this air of the documentary in the film where it plays into what happens if a man is stranded alone in Mars having to survive by what he knows.
The direction is also intimate not just for the scenes inside the Hermes vessel but also on Earth where there’s a lot of discussion and squabbling going on about what to do. Scott chooses to keep things simple throughout the film by not going for anything flashy though he would utilize bits of style in some tracking and dolly shots but keep it to a minimum. The scenes at the Hermes vessel are quite entrancing to play into the world of this space vessel but also to show everyone trying to move on despite carrying this weight of guilt. While Scott is aware that it’s a sci-fi adventure film with a lot of drama, he knows that it’s a film that shouldn’t take itself too seriously by displaying the fact that Watney is kind of goofy. Even as there’s a recurring gag to the fact that the only thing playing at the base on Mars is 70s disco music that Watney hates yet it was chosen by Commander Lewis. All of which plays into a film that is about doing what is right no matter how complicated it can be. Overall, Scott crafts a riveting yet sprawling film about a man accidentally stuck on Mars and trying to survive as he awaits rescue.
Cinematographer Dariusz Wolski does brilliant work with the film‘s cinematography in creating some filters for the exterior scenes set on Mars as well as providing distinctive looks for the scenes at the Hermes space vessel and on Earth. Editor Pietro Scalia does excellent work with the editing as it‘s mostly straightforward with a few stylistic cuts for the big action sequences as well as a stylish montage sequence about the rescue planning. Production designer Arthur Max, with supervising art director Marc Homes and set decorators Celia Bobak and Zoltan Horvath, does amazing work with the look of the moon base and many of the interiors in that base as well as the space vessel interiors and rooms at NASA. Costume designer Janty Yates does nice work with the costumes in the way the astronaut suits look as well as the clothes of the people on Earth. Hair/makeup designer Tina Earnshaw and hair/makeup supervisor Csilla Blake-Horvath does terrific work with the look of Watney late in the film as he struggles to survive with the limited resources he had.
The visual effects work of Chris Lawrence, Anders Langlands, Richard Stammers, and Steve Warner is fantastic for the look of outer space as well as the Hermes space vessel along with some set dressing for the Mars exteriors. Sound designers Michael Fentum and Oliver Tarney do superb work with the sound in the way the dust winds sound in and out of the base as well as some of the computers and such along with the sparse and more natural sounds for the scenes in Earth. The film’s music by Harry Gregson-Williams is wonderful for its orchestral-based score that has some bombast in some of its intense moments while being low-key in its somber moments. The film’s soundtrack is definitely a joy to listen to not just in the fact that it consists a lot of classic 70s pop and disco music from the likes of ABBA, the Hues Corporation, Donna Summers, Thelma Houston, the O’Jays, Gloria Gaynor, and Vickie Robinson as well as inspired usage of David Bowie’s Starman.
The casting by Carmen Cuba and Nina Gold is incredible as it features some notable small roles from Eddy Ko and Chen Su as key officials from the Chinese Space program, Donald Glover as the astrodynamicisist Rich Purnell who comes up with an idea for the Hermes to travel back to Mars, Benedict Wong as a Jet Propulsion Laboratory director who tries to come up with ideas in saving Watney, and Mackenzie Davis as the NASA satellite planner Mindy Park who would be the one to discover that Watney is alive through satellite photos. Other notable small roles as members of the Ares III team includes Askel Hennie as the team’s navigator/chemist Dr. Alex Vogel, Sebastian Stan as flight surgeon Dr. Chris Beck, Kate Mara as the system operator Beth Johanssen, and Michael Pena as the team’s pilot Rick Martinez who is Watney’s closest friend.
Chiwetel Ejiofor is superb as the Mars mission director Vincent Kapoor who would be the first to communicate with Watney as he realizes with the severity of what is happening as he tries to figure out what to do to save him. Sean Bean is fantastic as the Ares III mission director Mitch Henderson who wanted to tell his crew that Watney is alive as he spars with Sanders about what to do. Kristen Wiig is terrific as NASA’s media relations director Annie Montrose who tries to smooth over all of the bad publicity NASA is facing as well as figure out how to save face for NASA. Jeff Daniels is excellent as NASA’s director Teddy Sanders who is trying to see anyway NASA can save money but also wanting to do what is right with caution. Jessica Chastain is amazing as Commander Melissa Lewis as the Ares III leader who deals with guilt of leaving Watney behind as she would later try to figure out every scenario into getting him back as a way to do what is right. Finally, there’s Matt Damon in a phenomenal performance as Mark Watney as the astronaut who is accidentally stranded on Mars following a freak accident where he manages to find a way to survive with his expertise on botany and wit while also providing some charm, humor, and humility to his role as it’s one of Damon’s finest performances.
The Martian is a spectacular film from Ridley Scott that features an incredible performance from Matt Damon. Along with a strong ensemble supporting cast, dazzling visuals, compelling themes on science, and a fun music soundtrack. The film isn’t just a sci-fi adventure film that doesn’t play dumb as well as reveal what might happen on a manned mission to Mars. It also showcases how someone is willing to survive with a positive attitude despite his hatred for disco. In the end, The Martian is a magnificent film from Ridley Scott.
Ridley Scott Films: (The Duellists) - Alien - Blade Runner - (Legend) - (Someone to Watch Over Me) - (Black Rain) - (Thelma & Louise) - (1492: Conquest of Paradise) - (White Squall) - (G.I. Jane) - (Gladiator) - (Hannibal) - (Black Hawk Down) - (Matchstick Men) - (Kingdom of Heaven) - (A Good Year) - (American Gangster) - (Body of Lies) - (Robin Hood) - Prometheus - (The Counselor) - (Exodus) - (Alien: Covenant) -All the Money in the World
© thevoid99 2016
