Directed by Ry Russo-Young and written by Russo-Young and Lena Dunham, Nobody Walks is the story of a young woman who moves into the guest home of a wealthy family to complete an art project where she unknowingly disrupt their life. The film is an exploration into a family whose quaint and idealistic life is shattered by an innocent outsider who has no clue what she had gotten herself into. Starring Olivia Thirlby, John Krasinski, Rosemarie DeWitt, India Ennenga, Dylan McDermott, and Justin Kirk. Nobody Walks is an intriguing yet mesmerizing film from Ry Russo-Young.
The film revolves around a 23-year old filmmaker who moves into the guest home of another filmmaker who will help her with the project she’s making as she finds herself getting involved in the life of this wealthy family. It’s a film that plays into a woman whose arrival doesn’t just create a bit of chaos in the life of this family but does it so without meaning to as she just needed help with her film. The film’s screenplay doesn’t just play into the ideas of a woman finding herself interfering a bit with the life of a family but also how things just happen amidst this chaos. Yet, the script doesn’t judge Martine (Olivia Thirlby) for her actions as she is just a young woman that needed help but she is also kind of flirtatious as she charms her host Peter (John Krasinski) where the two have a secret affair. Yet, things in Peter’s life become troubling when his therapist-wife Julie is dealing with a patient who reveals to have feelings for her while her daughter Kolt (India Ennenga) is dealing with growing pains and a creeping Italian tutor (Emanuele Secci).
Ry Russo-Young’s direction is very simple as she shoots the film largely on location in the Silver Lake area in Los Angeles. Russo-Young’s approach to hand-held cameras and the usage of close-ups and medium shots help play into the intimacy that looms throughout the film. Much of it is very loose in terms of how the actors are shown in the frame or in a scene such as a dinner sequence where Julie’s ex-husband Leroy (Dylan McDermott) shows up for a visit where it does make things a bit uncomfortable. The direction also feature some low-key humor but it’s mostly dramatic since it plays into this young woman needing help for her experimental film. The film-within-a-film is an experimental feature involving bugs where Martine just needed some sound as it plays like many experimental/art-driven films which play into Martine’s own personality. Even as she is someone that is in need of a home or companionship but manages to make a mess of things as she tries to fix them. Overall, Russo-Young creates an engaging yet low-key film about a young artist whose presence nearly causes trouble for a family.
Cinematographer Christopher Blauvet does brilliant work with the film‘s cinematography in capturing the sunny look of the locations as well as creating some low-key lights for many of the film‘s nighttime interior/exterior scenes as well as Peter‘s sound room. Editor John Walter does nice work with the editing as it is mostly straightforward with some stylish jump-cuts to play into some of the dramatic moments into the film. Production designer Linda Sena and art director Mando Lopez do excellent work with the look of the home that Peter and Julie live in as well as Martine‘s guest home and the design of Julie‘s office.
Costume designer Kim Wilcox does terrific work with the costumes as it is largely casual with the exception of some of the stylish clothes that Martine wears. Sound designer Rich Bologna does fantastic work with the sound to create the many textures and sound effects that Martine needed for her film as well as capture some of the moments in the places the characters go to. The film’s music by Will Bates and the indie band Fall on Your Sword is wonderful for its mixture of dreamy and ambient music that plays into the Californian landscape while music supervisor Tiffany Anders brings in a mixture of folk and electronic music for the film’s party scene.
The casting by Kerry Barden and Paul Schnee is superb as it features some notable small roles from Jane Levy as Kolt’s classmate Caroline, Sam Lerner as another of Kolt’s classmate in Avi, Mason Welch as Peter and Julie’s son Dusty, Emanuele Secci as Kolt’s creepy Italian tutor, Rhys Wakefield as Peter’s assistant David whom Kolt has a crush on despite flirting with Martine, and Dylan McDermott in a terrific role as Julie’s ex-husband/Kolt’s father Leroy who arrives for dinner as he would create some discomfort for Martine and Peter. Justin Kirk is excellent as Julie’s patient Billy who reveals to her that he had dreams of having sex with her where a later encounter at the party makes Julie really uncomfortable. India Ennenga is fantastic as Kolt as Julie’s teenage daughter who deals with growing pains as she has a crush on step dad’s assistant while dealing with the strange teachings of her Italian tutor.
Rosemarie DeWitt is brilliant as Julie as a therapist who deals with Martine’s presence as well as her own issues as it’s a very low-key yet charming performance from DeWitt. John Krasinski is amazing as Peter as a filmmaker and stay-at-home dad who helps Martine do sound work on her film as he would fall for her only to deal with the implications of their tryst. Finally, there’s Olivia Thirlby in a phenomenal performance as Martine as this young artist who is seeking help to finish her experimental film as she is grateful for the help only to be flirtatious at times as it’s a very complex and charismatic performance from Thirlby.
Nobody Walks is a brilliant film from Ry Russo-Young that features incredible performances from Olivia Thirlby, John Krasinski, and Rosemarie DeWitt. With a captivating script and subtle themes on family, trysts, and art, it’s a film that doesn’t try to be or say anything but showcase the idea of needing to help and how someone can unknowingly screw things up. In the end, Nobody Walks is an amazing film from Ry Russo-Young.
© thevoid99 2016
Written and directed by Stephen Chbosky that is based on his own novel, The Perks of Being a Wallflower is the story of a troubled high school freshman who befriends two seniors who are outsiders as they help him deal with his growing pains. The film is a coming-of-age film set in high school where a young man tries to deal with death and all sorts of things as he finds new friends in the most unlikely people. Starring Logan Lerman, Emma Watson, Ezra Miller, Mae Whitman, Joan Cusack, Nina Dobrev, Dylan McDermott, Kate Walsh, Melanie Lynskey, and Paul Rudd. The Perks of Being a Wallflower is a majestic yet mesmerizing film from Stephen Chbosky.
The film explores a year in the life of a young high school freshman who arrives as this very introverted and fragile kid still reeling from the suicide of his best friend. Unable to fit in and feeling left out, he finds himself befriending two seniors who don’t play by the rules or fit in with anyone as they take him to be part of their group. Throughout the course of the film, Charlie Kelmeckis (Logan Lerman) writes letters to an imaginary friend about his year as a freshman where he also endures some repressed memories as well as trying to figure out the world of high school as he befriends Sam (Emma Watson) and Patrick (Ezra Miller) who are step-siblings that prefer the beat of their own drum. For Charlie, he finds a place where he can belong and not worry about fitting in though he realizes that Sam and Patrick are just as messed up as he is.
The film’s screenplay by Stephen Chbosky, that features some contributions from a draft written by the late John Hughes, takes it time to explore the year in the life of Charlie Kelmeckis as his first day as a high school freshman is a terrible one. He is treated with indifference by his older sister Candace (Nina Dobrev) at school while the only person who seems to take notice of Charlie in school is his English professor Mr. Anderson (Paul Rudd) who is impressed with Charlie’s knowledge of literature as he gives him copies of classic books for him to read. Upon meeting Sam and Patrick, Charlie realizes that he isn’t alone though there’s still a lot to learn about life as Patrick is gay who is secretly in a relationship with a popular football player named Brad (Johnny Simmons).
Sam meanwhile, is in a relationship with a college student named Craig (Reece Thompson) where Charlie falls for her though he finds himself in a relationship with her friend Mary Elizabeth (Mae Whitman). When things become complicated in its second half where Charlie finds himself not happy in his relationship with Mary Elizabeth. He also starts to deal with some memories about his late aunt Helen (Melanie Lynskey) whom he adored as he also has blackouts where he wouldn’t remember what he did. Even as he would do something that would bring all of his friends back together despite the fact that he’s a freshman and they’re seniors that are about to leave for college. That sense of reality does come ahead in the third act for Charlie but also something more that plays into his role as a young man coming of age as he tries to comprehend his role in the world and what has been troubling him all these years.
Chbosky’s direction is quite simple in its framing and such as he sets the film in early 1990s Pittsburgh where Sam and Patrick listen to college rock and retro music including the Smiths that Charlie loves. Pittsburgh is a character in the film where it plays to that sense of adventure where it’s a city that is very exciting but it’s also near places in the suburbs where it was OK for kids to come home and feel safe. Chbosky’s direction also creates a sense of realism of the way high school was like in the early 1990s where there are a group of cliques from the jocks, the popular kids, and such that all sit in their own table and all play into their ideas of cool with the exception of Sam, Patrick, and their small group of friends. Especially as Chbosky also plays that sense of awkwardness in Charlie as he is mocked by a classmate for having a Trapper Keeper while always looking uncool though Mr. Anderson thinks there’s more to Charlie.
The direction also has Chbosky showcase what these outsiders would do where Charlie does get his first experience with the use of drugs though it is played for laughs. Yet, it also helps move the story forward in the way Chbosky would set up these dramatic moments where Charlie has no idea what he’s doing where he would reveal things that Sam nor Patrick needed to know which plays into the repressed memories he’s having. All of which play into a dramatic third act that reveals not just the source of repression but also into why he had been so introverted early in the film and why it’s start to come back to him. The overall result is Chbosky creating a truly engaging and tender coming-of-age film about a young teenager’s first year as a high school freshman where he finds friendship in other outsiders.
Cinematographer Andrew Dunn does excellent work with the film‘s cinematography where it is mostly straightforward in its daytime interior and exterior scenes while using some lights for the scenes at night including some shots at the Fort Pitt Tunnel which is a crucial moment in the film. Editor Mary Jo Markey does terrific work with the editing as it‘s mostly straightforward while it does delve into some style for the flashbacks as well as the scenes of Charlie blacking out. Production designer Inbal Weinberg, with set decorator Merissa Lombardo and art director Gregory A. Weimerskirch, does amazing work with the set pieces from the look of Charlie‘s home as well as the home of the other characters as well as the hangouts as it maintains that sense of early 90s look.
Costume designer David C. Robinson does wonderful work with the costumes where some of it stylish to play into the personalities of Sam and Patrick as well as the costumes they wear for the Rocky Horror Picture Show screenings. Visual effects supervisors Christian Cardona and Rocco Passionino do nice work with some of the film‘s minimal visual effects such as Charlie‘s first marijuana-induced haze as well as a chilling scene in the film‘s third act. Sound editors Perry Robertson and Scott Sanders do superb work with the sound such as the school dances and the atmosphere at the school halls. The film’s music by Michael Brook is fantastic as it features some low-key guitar-based music to play into Charlie‘s emotions while music supervisor Alexandra Patsavas creates a fun soundtrack that features music like Dexy’s Midnight Runners, Cocteau Twins, Galaxie 500, the Smiths, New Order, Cracker, and other 80s/90s alternative rock as well as David Bowie’s Heroes which is a prominent piece of the film’s soundtrack.
The casting by Mary Vernieu and Venus Kanani is brilliant for the ensemble that is created as it features some notable small roles from Nicholas Braun as Candace’s boyfriend Ponytail Derek, Zane Holtz as Charlie and Candace’s older brother Chris, Tom Savini as the shop class teacher Mr. Callahan, Dylan McDermott and Kate Walsh as Charlie’s parents, and Joan Cusack in a small yet terrific performance as a doctor who tries to find the source of Charlie’s blackouts. Adam Hagenbuch and Erin Wilhelmi are excellent in their respective roles as the stoner Bob and the Goth girl Alice who are part of the small group of friends Sam and Patrick hang out with. Reece Thompson is pretty good in a small role as Sam’s college boyfriend Craig while Jonny Simmons is superb as the popular jock Brad who is secretly Patrick’s lover.
Mae Whitman is fantastic as the very outspoken Buddhist Mary Elizabeth who falls for Charlie as she overwhelms him with everything. Paul Rudd is amazing as Mr. Anderson as the one teacher Charlie likes as he realizes Charlie’s passion for books as he encourages him to become a writer. Melanie Lynskey is wonderful as Charlie’s late aunt Helen as this very troubled woman who only appears in flashbacks as she is someone that Charlie adored. Nina Dobrev is amazing as Charlie’s older sister Candace who ignores him at school while dealing with her own issues that includes something where she tries to make Charlie keep something secretive.
The film’s best performances are the trio of Ezra Miller, Emma Watson, and Logan Lerman as they give astounding performances in their roles. As the very flamboyant Patrick, Miller brings a lot of enthusiasm to his character as well as lot of charm that plays into the fact that he’s also a bit of a mess when he has trouble dealing with reality. In the role of Sam, Watson has this energy to her role as she has this alluring presence that makes her very interesting as well as someone who is also quite fragile. Lerman is phenomenal as Charlie as this troubled, introverted young boy just trying to figure himself out where Lerman brings a lot of weight to the role in not just his physicality and reactions but also in the way he conveys a boy growing up as it’s definitely a real breakthrough for the young actor.
The Perks of Being a Wallflower is an extraordinarily rich film from Stephen Chbosky that features remarkable performances from Logan Lerman, Emma Watson, and Ezra Miller. The film isn’t just a touching yet poignant coming-of-age tale that is engaging but also showcasing a world where there is a place for those that feel like they don’t belong anywhere. In the end, The Perks of Being a Wallflower is a sensational film from Stephen Chbosky.
© thevoid99 2013
