Showing posts with label jordan ladd. Show all posts
Showing posts with label jordan ladd. Show all posts

Tuesday, December 01, 2015

The Short Films of David Lynch Part 2 (2002-2013)




Part 2 (2002-2013)

Darkened Room


Shot as an eight-minute experimental film with digital cameras that was seen on his website, the film plays into a young woman (Jordan Ladd) crying in a sofa as a Japanese woman (Etsuko Shikata) is in Tokyo talking about bananas. It’s a film that doesn’t have much plot as it would feature a brunette woman (Cerina Vincent) coming in to the room for the short’s second half. It’s a short that is quite dramatic but also has this sense of the unknown where it’s not trying to explain itself or be anything other than an experiment.

DumbLand


In a return of sorts to the world of animation, Lynch creates eight episodes where its entire series run at nearly 30 minutes which plays into the life of a dim-witted white-trash man named Randy. Set to crudely-drawn hand-made animation, the short series present Lynch at his most absurd in terms of just off-the-wall stupidity and low-brow humor. Yet, it is so goddamn funny into the situations Randy and his family go into involving a neighbor, a doctor, a treadmill, a clothesline, a man with a stick inside his mouth, Randy’s son having a toothache, his uncle Bob, and ants. All of which involves Randy reacting to these situations in the most idiotic way as it’s one of Lynch’s most entertaining shorts.

Out Yonder (Neighbor Boy)


In another experimental short of sorts that Lynch would make for his website, it has him and his son Austin sitting on lawn chairs observing a young neighbor who is creating a racket. It’s a short that has the two Lynches talking in squeaky voices about this gigantic neighbor who just wants milk as all sorts of craziness occurs. It’s a short that is quite simple yet it also shows Lynch’s knack for low-brow and offbeat humor as it showcases that he can find humor in not just the absurd but also in the surreal.

Rabbits


In a four-episode series where it’s shot entirely in a single room with only three characters, the short is a strange mix of horror, comedy, drama, and avant-garde where Scott Coffey, Naomi Watts, and Laura Elena Harring all play rabbits who converge in a single room in a wide static shot. Through some very strange dialogue, the short uses some laugh-tracks and other sound effects to play off the idea of a sitcom yet many of the things said are very dark. It’s definitely Lynch at his darkest and most surreal but certainly one of the most intriguing projects he ever did.

Boat



Made as part of the Dynamic No. 1 DVD film collection of shorts Lynch did for his website, the short is a simple story of a young woman talking about a boat as she goes on a trip with a man on this boat. Featuring the voice of Emily Stofle, the film features Lynch driving the boat himself as it has this air of hypnotic textures in the voiceover with Lynch providing pristine yet intoxicating images through the digital camera.

Bug Crawls


A digital video/animated short is a simple story that revolves around a bug crawling on top of a house just as a blimp passes by. It’s a simple 4 minute short that reveals what happens when a bug crawls over the house as it’s a short that harkens back to Lynch’s early work. Especially in what happens when a door is revealed as it’s a short with only two simple cuts and that is it making it one of Lynch’s finest works.

Lamp


Lamp - David Lynch from Félix Al-karaz Al-wazir on Vimeo.


The thirty-minute short film is essentially David Lynch making a lamp where he reveals not just his meticulous approach into making the appliance but also in the craft and dedication into making the stand with the help of a tree. It’s also a short that looks into the workshop Lynch has where he does things outside of films while he would film himself doing everything that is happening. Even as he would take breaks during the making of this lamp stand.

Industrial Soundscape


This ten-minute animated short is essentially a loop where machines do the same thing to create sound textures as it is shot in an entire static shot where the only thing that changes is the sound to play into this mix of ambient and industrial music. It’s Lynch using film to display his love for music as it play into not just his own dark sensibilities but also his willingness to try different things.

Intervalometer Experiments




A trio of short films where Lynch would shoot simple things through the digital camera showcases the filmmaker once again trying to do something simple and find something entrancing. Whether it’s a room, some steps, or the sunset, it’s all shot in time-lapse presentation which allows the ordinary to become extraordinary. Even as it plays into these simple events being told in the span of a day.

More Things That Happened


Featuring 75 minutes of material that didn’t make the final cut of INLAND EMPIRE, the short is essentially a collection of scenes and outtakes that is turned into a project that is entirely its own. The material included additional subplots that related to the film as it involve Laura Dern’s Sue character and her marriage as well as insights the lives of prostitutes in Hollywood, the work of the Phantom in the film, and other aspects that relate to Sue. The scenes are interesting while as a whole film, it’s an odd and dense one that won’t be for everyone. Yet, it is still one of the most fascinating things that Lynch has ever done.

Ballerina


The 12-minute short film is essentially a ballerina dancing to music though the soundtrack is largely dark-ambient music that is reminiscent of the music in many of Lynch’s films. Yet, it is presented with images that are very cloudy as it dissolves over the ballerina dancing where it has this dream-like quality to the short. It is one of Lynch’s most beautiful short films as well as one of his essentials that proves he can find beauty in dark places.

Absurda


A three-minute short made specifically for the anthology film Chacun son Cinema that celebrates the 60th Anniversary of the Cannes Film Festival, Lynch’s short segment plays into a group of teens going into a movie theater. An old man would present them the film that is filled with horrifying images that comes to life as it plays into not just Lynch’s own take on horror and surrealism. While it is a very short segment, it is definitely one Lynch’s best works.

Blue Green


Made as a music video collaboration with David Vegara, the short is a simple yet offbeat short that has a child skipping around a factory while a young woman wanders around in the street and buildings. It is a short that isn’t trying to say anything yet doesn’t need any kind of explanation as it’s just Lynch being himself and having fun making a short inside a factory.

Dream #7


This 10-15 second short plays into not just Lynch’s own ideas of surrealism but also in the fact that he is willing to strange things no matter how long or how short the film is. A digital animation short involves an egg and an eye and what does it all mean? Well, does it need to mean anything? Still, it is one inventive short.

Lady Blue Shanghai


A 15-minute short made for Dior which stars Marion Cotillard as well as Emily Stofle, Gong Tao, Cheng Hong, Lu Yong, and Nie Fei. It’s a short that revolves a woman who returns to her hotel in Shanghai where she finds a mysterious blue purse not knowing where it came from as she starts to see things believing that she’s been to Shanghai before. Shot in digital video, the short has this air of beauty that Lynch is often not known for yet he manages to do so much with the film as well as flesh out a mesmerizing performance from Marion Cotillard. The short itself is truly one of Lynch’s best works.

The 3 Rs


This 65-second short that Lynch made for the 2011 Venice Film Festival is a simple short which revolves around surreal images shot mostly in black-and-white where Lynch has a man holding two rocks though people are really wondering how many rocks he’s really holding. It’s definitely in line as an avant-garde short but it offers so much more where it ranges from being scary to being comical.

Idem Paris


The 8-minute documentary short has Lynch go into the Idem Paris fine art studio print which reveals the art in making lithographic processing. Shot on high-definition digital video in black-and-white, the film is essentially a documentary with no dialogue or anything strange but rather something very straightforward about what these people do at Idem Paris. Even as these are people who work very hard at what they do and be dedicated to an art form that doesn’t require new technology as they often try to fix or refine the machines they’re using. It’s definitely one of Lynch’s best films that showcases his love for the world of art.

No matter what form David Lynch is doing, his work in short films definitely adds to his already legendary status as an artist. Whether it’s in musical performances, commercials, animation, or just something straightforward. Lynch always find something to say no matter how small or how short these films are as it is an indication of his power as a filmmaker. Even if it plays into the absurd, the fear, or just being absolutely comical as it shows why people love David Lynch.

David Lynch Films: Eraserhead - The Elephant Man - Dune - Blue Velvet - Wild at Heart - Twin Peaks: Fire Walk with Me - Lost Highway - The Straight Story - Mulholland Dr. - INLAND EMPIRE - The Short Films of David Lynch Pt. 1 - The Music Videos of David Lynch

The Auteurs #50: David Lynch: Pt. 1 - Pt. 2 - Pt. 3 - Pt. 4

© thevoid99 2015

Thursday, October 16, 2014

Club Dread




Written by and starring the Broken Lizard troupe, that consists of Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske, and directed by Chandrasekhar, Club Dread is a slasher comedy set in a tropical island where a mysterious killer is killing guests and staff members prompting its owner and surviving staff members to find out who the killer is. The film is a spoof of sorts on the slasher films as well as comedies based on paradise retreats. Also starring Brittany Daniel, M.C. Gainey, Jordan Ladd, Lindsay Price, and Bill Paxton as Coconut Pete. Club Dread is an enjoyable yet flawed film from the Broken Lizard troupe.

Set in an island near Costa Rica, the film explores about a series of mysterious deaths that occur in an island owned by the famous musician Coconut Pete as several staff members try to find out who the killer is. Along the way, a fan/masseuse named Lars (Kevin Heffernan) takes part in the investigation as he becomes one of several suspects where a lot of trust issues occur. Even as the number of victims begin to pile up as well as motives into why the killer is killing people. While it does play into the formula of various slasher films, the film’s script does manage to create ideas where it sort of makes fun of the formulas as well as an array of characters who could be the killer as they all have some kind of motive. Though the story does try to balance a lot of comedy where it plays into a sense of distrust as well as staff members trying to entertain the staff. Some of the aspects of the script in being a horror-comedy ends up making it uneven.

Jay Chandrasekhar’s direction does play into many of the tropes that are typical of slasher films but also infuses it with a lot of humor. Notably where there’s some scenes where a character tries to flee from the killer but ends up being a victim in the most comical way. Shot on location in Mexico, Chandrasekhar does take advantage of the location’s beautiful location with its use of wide shots plus some medium shots and close-ups to play into the humor and terror. While some of the funny moments are inspired as well as its approach to the slasher genre. Chandrasekhar isn’t able to find a balance between the two as it reaches its third act where it does begin to suffer in its pacing as characters get killed off until the reveal starts to emerge which is sort of a let down. Overall, Chandrasekhar creates a very entertaining but messy film about a series of murders on a tropical island.

Cinematographer Lawrence Sher does excellent work with the film‘s colorful cinematography with its highlights being the scenes at night with its approach to lighting as it would set the mood of terror in the film. Editor Ryan Folsey does nice work in the editing by creating some offbeat rhythms as well as stylish cuts to play into its suspense and humor. Production designer Ben Conable, with set decorator Melo Hinojosa and art director Theresa Wachter, does fantastic work with the look of the paradise retreat which is a mix of island architecture with modern aesthetics. Costume designer Melissa Bruning does terrific work with the costumes as it‘s mostly casual with some Hawaiian shirts as well as the look of the Coconut Pete character. Sound designer Stephen P. Robinson, with sound editors Andrew DeCristofaro and Kim Secrist, does superb work with the sound to create some sound effects as well as capture the atmosphere of the parties. The film’s music by Nathan Barr is wonderful as it plays this unique mix of orchestral music for its suspense and some island music plus some original material for Coconut Pete while music supervisors Barry Cole and Christopher Covert bring in a soundtrack of electronic music, reggae, and dance music.

The casting by John Papsidera is amazing as it features some notable small roles from Nat Faxon, Dan Montgomery Jr., Julio Bekhor, Elena Lyons, and Tanja Reichart as some unfortunate staff members, Samm Levine as a tourist who likes to mock the tennis instructor Putman, Lindsay Price as a worried staff member in Yu, and M.C. Gainey as a former FBI agent named Hank who tries to find the killer. Jordan Ladd is wonderful as a young tourist named Penelope in whom Juan has a thing for while Brittany Daniel is terrific as the fitness instructor Jenny who is often the smartest person of the pack as she tries to deal with the chaos of the murders. Bill Paxton is great in a hilarious role as Coconut Pete as this musician inspired by Jimmy Buffett who often gets stoned as he tries to deal with the chaos of the murders as he starts to lose his mind.

Finally there’s the Broken Lizard troupe as Erik Stolhanske is excellent as the Fun Police Sam who takes an immediate dislike towards Lars whom he suspects. Paul Soter is fantastic as the DJ/party host Dave who always does drugs and try to run things. Steve Lemme is superb as Juan as he sports a very bad Latin accent as he likes to get laid and do all sorts of things while having a thing for Penelope. Jay Chandrasekhar is hilarious as the British tennis instructor Putnam who doesn’t like Lars very much as he sports some bad dreadlocks while having a thing for Jenny. Finally, there’s Kevin Heffernan in a brilliant performance as Lars as this hardcore fan of Coconut Pete who becomes the retreat’s masseuse as he is also a skilled ninja as he tries to find out who the killer is while knowing he is a suspect.

Club Dread is a good but messy film from Jay Chandrasekhar and the Broken Lizard troupe. While it does have some funny moments in the way it pokes fun at the slasher films, it’s a film that tries to do a lot but ends up being underwhelming at times. In the end, Club Dread is an entertaining film from Jay Chandrasekhar and the Broken Lizard troupe.

Broken Lizard Films: (Puddle Cruiser) - Super Troopers - Beerfest - (The Slammin’ Salmon) - (The Broken Lizards Stands Up) - (Freeloaders (2012 film)) - Super Troopers 2

© thevoid99 2014