It's Kind of a Funny Story

Based on the novel by Ned Vizzini, It’s Kind of a Funny Story is about a teenage boy who checks into a hospital following an attempted suicide jump where he is hospitalized for depression as he meet other individuals struggling with their own mental illnesses. Written for the screen and directed by Anna Boden and Ryan Fleck, the film is an exploration of a teenage boy dealing with the pressures of society and his own shortcomings as he would try to understand himself as well as those suffering from anxieties. Starring Keir Gilchrist, Emma Roberts, Lauren Graham, Jim Gaffigan, Jeremy Davies, Zoe Kravitz, Thomas Mann, Aasif Mandvi, Bernard White, Laverne Cox, Viola Davis, and Zach Galifianakis. It’s Kind of a Funny Story is a witty and engrossing film from Anna Boden and Ryan Fleck.

With the pressure to succeed both in school and in life just before it’s really about to start, the film is about a teenage boy who checks into a hospital following a suicide attempt where he would stay for nearly a week as he meets various people with similar struggles as well as other forms of mental illness. It’s a film that explores the anxieties of a sixteen-year old kid where he would meet people around his age who also deal with problems as well as adults who are also coping with some form of illness. The film’s screenplay by Anna Boden and Ryan Fleck is told mainly by its protagonist Craig Gilner (Keir Gilchrist) who attends a prestigious high school in Brooklyn as he’s due to finish an application for a prestigious summer school as his father George (Jim Gaffigan) expects him to do so while he is also in the shadow of his friend Aaron Fitzcarraldo (Thomas Mann) who is dating his longtime crush Nia (Zoe Kravitz). After imagining the idea of jumping off the Brooklyn Bridge where he would think about how his family would think, it would force Gilner to check into a hospital thinking he would stay for a short period of time.

Yet, the stay would be for a week for observation and therapy where Gilner meets an adult patient in Bobby (Zach Galifianakis) who is dealing with his own issues as well as trying to get a home to stay after he gets discharged. Gilner would also befriend another teenage patient in Noelle (Emma Roberts) as all of the teenage patients are staying at the adult ward due to renovations for the teenage ward. Noelle is there for self-harm as Gilner deals with the fact that he’s got a lot going for him but the pressure to succeed eventually got to him where he is able to gain sympathy from the other patients and the hospital’s therapist Dr. Minerva (Viola Davis) who is aware of his troubled thoughts.

The direction of Boden and Fleck is largely straightforward in terms of its compositions and setting while it does have some stylistic elements in the film as it relates to the drawings that Gilner would create. Shot on location in Brooklyn as well as parts of New York City, Boden and Fleck would use some wide shots but maintain an intimacy into the hospital setting such as its hallways, rooms, and common rooms for patients to socialize at. The usage of close-ups and medium shots as well as stylish moments of fantasy help play into the film’s quirky and offbeat tone while Boden and Fleck would know when to keep the film grounded in reality. Even in the group therapy sessions, simple conversations between Gilner, Bobby, and Noelle, and other moments where Gilner has to deal with elements of reality including small meetings with his family.

With Boden also serving as the film’s editor, she and Fleck would also create some stylish montages that play into the anxieties in Gilner’s life as well as some surreal sequences about the idea of what his future might be. Much of Boden’s editing would have some stylistic flair in the montages and in some jump-cuts that include a dream sequence of Gilner and other patients playing Under Pressure by Queen and David Bowie. With the aid of animation director Brian Drucker, the animated backgrounds would play into this idea of fantasy but also hope for Gilner. The sense of realism does occur for its third act but there is also this element of hope as it relates to the time Gilner spent as well as realize that there’s nothing to be ashamed of when it comes to depression and mental illness. Overall, Boden and Fleck craft a touching and heartfelt film about a teenage boy seeking help at hospital where he learns about those that are also in need of help.

Cinematographer Andrij Parekh does excellent work with the film’s cinematography as it is largely straightforward for many of the interior scenes at the hospital and at Gilner’s school while there’s some low-key lighting for a few interior/exterior scenes set at night. Production designer Beth Mickle, with set decorator Carrie Stewart and art director Michael Ahern, does fantastic work with the look of the rooms, common rooms, and hallways at the hospital as well as the homes of Gilner’s family and friends. Costume designers Kurt and Bart do nice work with the costumes as it is largely straightforward with the exception of the glam-inspired costumes for the fantasy sequence.

Special effects makeup artist Michael Marino does terrific work with the makeup for the fantasy sequence as well as the look of the scars that Noelle is sporting on her body. Visual effects supervisor Anthony Luigi Santoro does brilliant work with the visual effects in bringing the animation to life as well as be used as an element of hope in the real world. Sound editor Paul Hsu does superb work with the sound as it play into the atmosphere of the hospital and some of the sparse sounds that are made throughout the film. The film’s music by Broken Social Scene is wonderful for its indie-folk approach with melodic guitars and offbeat rhythms while music supervisor Andrea von Foerster provide a mixture of different musical genres from indie, punk, rock, hip-hop, and pop as it includes some songs by Broken Social Scene as well as the xx, Drum, Queen and David Bowie, the Damned, the Wowz, Pink Mountaintops, White Hinterland, Kurtis Blow, the Tom Robinson Band, Pharoah Sanders, Method Man and Redman, Common, Rachid Taha, and Black Sabbath.

The casting by Cindy Tolan is amazing as it feature some notable small roles and appearances from novelist Ned Vizzini as the hospital’s music teacher, Laverne Cox as a transgender patient, Ethan Herschenfeld as a Hasidic Jewish patient named Solomon, Mary Birdsong as Bobby’s ex-wife, Aasif Mandvi as Dr. Mahmoud who would be the first to analyze Gilner’s problems, Matthew Maher and Adrian Martinez as a couple of adult patients in their respective roles as Humble and Johnny, Morgan Murphy as a young patient in Joanie, Dana DeVestern as Gilner’s young sister Alissa, Bernard White as an Egyptian patient named Muqtada, and Jeremy Davies as a hospital monitor named Smitty who watches over everyone as he makes sure everyone is fine.

Thomas Mann and Zoe Kravitz are terrific in their respective roles as Gilner’s friends Aaron Fitzcarraldo and Nia with Mann as an overachiever who always get what he wants and Kravitz as Gilner’s crush who becomes interested in him during his time at the hospital. Lauren Graham and Jim Gaffigan are fantastic in their respective roles as Gilner’s parents in Lynn and George with the former being more concerned about her son’s well-being while the latter is hoping his son will get better and get back on track unaware of the pressure he’s putting towards his son. Viola Davis is excellent as Dr. Minerva as the hospital’s therapist who analyzes Gilner as well as be someone who is understanding and willing to listen as it’s a low-key yet somber performance from Davis.

Emma Roberts is brilliant as Noelle as a teenage patient with issues of self-harm as someone who is intrigued by Gilner as well as being also witty and aware of her own situation. Zach Galifianakis is incredible as Bobby as an adult patient who is going through issues of his own but also offers a lot of wisdom to Gilner about life as well as the fact that things do get more complicated in adulthood but there’s also hope. Finally, there’s Keir Gilchrist in a remarkable performance as Craig Gilner as a teenage boy with a lot going for him as he copes with the pressure to succeed as well as a lot of the anxieties where he learns how to cope as well as not be afraid of seeking help.

It’s Kind of a Funny Story is a marvelous film from Anna Boden and Ryan Fleck. Featuring a great ensemble cast, a superb music soundtrack, touching study of mental illness and depression, and the desire for hope in a complicated world. It’s a film that manages to showcase a young man trying to deal with his own anxieties and demands of the world where he finds solace through people who are also going through similar struggles. In the end, It’s Kind of a Funny Story is an exhilaratingly rich film from Anna Boden and Ryan Fleck.

Anna Boden and Ryan Fleck Films: Half Nelson - Sugar (2008 film) - Mississippi Grind – Captain Marvel - The Auteurs #71: Anna Boden and Ryan Fleck

© thevoid99 2019

It Follows

Written and directed by David Robert Mitchell, It Follows is the story of a young woman who encounters a supernatural being following a sexual encounter with another man. The film plays into the idea of sex being something dangerous as that concept is being reinvented for a new world of horror. Starring Maika Monroe, Keir Gilchrist, Daniel Zovatto, Jake Weary, Olivia Luccardi, and Lili Sepe. It Follows is a chilling yet gripping film from David Robert Mitchell.

What happens when a young woman is passed on a mysterious sexually transmitted disease as she is stalked around dead people? That is pretty much the premise of the film which plays into not just some of the dangers of promiscuous sex. It’s also a film where sex is the basis for everything that is wrong yet writer/director David Robert Mitchell doesn’t go for anything heavy-handed about the wrongs of promiscuous sex. Instead, he takes on this idea and puts into a setting where a young woman is being stalked by the dead as they’re often seen following her where some of them are in the nude or just naked as they want to fuck that person to death. The film begins with a young woman running around in her underwear and heels in the morning as she is being chased as it plays to exactly the dangers of what is ahead.

Mitchell’s direction is definitely mesmerizing for the way he plays into a world where things seem normal in some aspects but one that is uneasy as it plays into a sense of innocence loss. It begins with this sequence of this young woman who is running around her neighborhood in her underwear and heels as it’s shot in one entire take that last for minutes. Mitchell’s approach to the direction is to keep things simple and to the point as he shoots on location in Detroit and nearby areas to play into a world where things that were simple aren’t what they seem to be. Mitchell’s compositions are very entrancing in his approach to close-ups and medium shots as well as some unique movements with the camera to play into the action.

Mitchell’s approach to suspense and horror not only play to traditional schematics but also in knowing when not go for the big scares as well as build it up for the big moments. Some of these moments not only produce some major scares but also in the idea that it doesn’t play by some of the rules of conventional horror. Mitchell also knows that the element of shock has to be big where it’s not going for the usual amount of gore or anything but in simpler ideas as it is very effective in its approach to horror. Most notably in the film’s climax where the characters confront the beings that is going after this young woman. Overall, Mitchell creates a very smart and terrifying film about a woman haunted by mysterious beings after gaining a strange sexually-transmitted disease.

Cinematographer Mike Gioulakis does brilliant work with the film‘s cinematography to play into the rich look of the locations in the day and night as well as some unique interior lighting to give the film a very dream-like look. Editor Julio C. Perez IV does fantastic work with the editing as it is quite straightforward while going for some offbeat rhythms to play into the suspense without the need to do any kind of conventional fast-cutting. Production designer Michael Perry and art director Joey Ostrander do excellent work with the look of the homes of the characters as well as the ruined homes they would stay in while they hide from the mysterious beings. Costume designer Kimberly Leitz-McCauley does nice work with the clothes as it‘s mostly casual with the exception of the pink dress and underwear that the Jay character wears.

Special effects makeup artist Tom Luhtala does amazing work with the look of the dead who stalk the characters in the film as they look like horny zombies who are out to kill. Visual effects supervisor Greg Strasz does terrific work with some of the visual effects which play into the horror as well as the sense of what these characters are encountering. Sound editor Christian Dwiggins does superb work with the sound to play into the suspense while using sparse sound textures to play up the horror without the need for something big. The film’s music by Rich Vreeland, in his Disasterpiece alias, is incredible as it’s eerie electronic score play into the sense of terror and suspense as it’s one of the film’s major highlights.

The casting by Mark Bennett and Carrie Ray is marvelous as it features notable small roles from Bailey Spry as the young woman being chased in the film’s opening sequence, Debbie Williams as Jay and Kelly’s mother, and as the strange dead, there’s Alexyss Spradlin, Mike Lanier, Ingrid Mortimer, and Don Hails as these scary beings. Jake Weary is terrific as Jay’s date Hugh who was the carrier of this mysterious disease as he later tells her and her friends exactly what they’re dealing with. Daniel Zovatto is excellent as Jay’s neighbor Greg whom she used to go out with as he helps her and her friends in dealing with this mysterious entity.

Olivia Luccardi is superb as the nerdy Yara who is a friend of Jay’s sister Kelly as she helps out with the chaos of what is happening. Lili Sepe is fantastic as Jay’s younger sister Kelly who is trying to comprehend the situation regarding her sister. Keir Gilchrist is brilliant as Jay’s longtime childhood friend Paul who is also trying to deal with the situation as well as his own feelings for Jay. Finally, there’s Maika Monroe in a remarkable performance as Jay as this young college student whose innocent night with a young man goes wrong as she copes with her situation and the fear that is surrounding her as she tries to survive and find someone to pass this disease to.

It Follows is a phenomenal film from David Robert Mitchell that features a break-out performance from Maika Monroe. The film isn’t just one of the smartest horror films in recent years but a film that manages to follow many of its schematics and find new ways to use them without the need of gore or multiple big scares that had hurt the genre. In the end, It Follows is a spectacular film from David Robert Mitchell.

© thevoid99 2015