Directed by Steve Binder and David Acomba and written by Bruce Vilanch, Pat Proft, Leonard Ripps, Rod Warren, and Mitzie Welch, The Star Wars Holiday Special is 1978 variety show program in which Han Solo is trying to take Chewbacca to his home planet for the Christmas holidays while other things happened. Featuring people from the Star Wars film in Mark Hamill, Harrison Ford, Carrie Fisher, Peter Mayhew, Kenny Baker, Anthony Daniels, and the voice of James Earl Jones as Darth Vader. The special also features appearances from Diahann Carroll, Bea Arthur, Harvey Korman, Art Carney, and a performance from Jefferson Starship. The result is essentially one of the most horrific things to ever exist in the history of entertainment.
In the 1970s, variety shows were the thing as it had people do singing and dancing on television and do all sorts of things. Due to the popularity of George Lucas’ 1977 film Star Wars, a variety show was made where it’s main storyline involves Han Solo and Chewbacca trying to return to Chewbacca’s home planet to spend the holidays with Chewbacca’s family in this day known as Life Day. Along the way, there’s performances and all sorts of things that happen in the story where Harvey Korman plays three characters and a lot of things occur. It is clear that those involved in the creation of this abomination were probably under the influence of some nose candy and what they created is one of the worst things ever.
Through its writers, it is clear that they wanted to include everything that is indicative of the variety shows in the U.S. during those times but also include elements that made Star Wars interesting. Unfortunately, the story that involves Chewbacca’s family where they talk in a language that no one understands isn’t just boring but some of the things they do is pretty stupid. The stuff involving the characters like Luke Skywalker, Princess Leia, and Han Solo is a total waste as they are put into awfully comical situations where Leia would sing a song at the end of the special about Life Day.
The special under the direction of Steve Binder is typical of these programs yet it involves a lot of cheesy and very dated special effects involving acrobats, dancers, and some special performances from Diahann Carroll and the Jefferson Starship which are just a pain to watch. Notably as they’re in ridiculous costumes and surrounded by cheesy special effects that tries to make it weird but comes across as horrifying. The songs that are used that are written by its score composers Ian Fraser, Ken Welch, and Mitzie Welch that Carroll and Leia would sing are terrible. Even their electronic-based score that is based on John Williams’ score from the film is pretty bad.
Some of the comedy that involves Art Carney and Bea Arthur not only has the two feel like they don’t belong but it never works. The scenes with Harvey Korman as a cook, an Imperial officer, and a robot are not only unfunny but it has Korman look ridiculous to the point that it feels forced. Then there’s the animated sequence that would introduce a major character to the series in the bounty hunter Boba Fett. It has some interesting animation and it is actually sort of the highlight of the special but it doesn’t really much of an interesting story which only serves as a major plot-point for the main story. Then there’s the people in the special where Harrison Ford as Han Solo looks very uncomfortable while Mark Hamill as Luke Skywalker looks like a fucking Ken doll with all of the makeup he is given. Then there’s Carrie Fisher as Princess Leia where it is clear she was on cocaine from the look of her face where she tries to look professional but is also high under the influence.
The Star Wars Holiday Special is a fucking travesty. If there’s any reason into why George Lucas and those involved with the franchise deny the existence of this special. This special is a big reason where it’s only for Star Wars completists to see this though it really should have no part with the main series. In the end, The Star Wars Holiday Special is a TV special that lives up to its infamy as one of the worst things ever presented in the history of television.
Star Wars Films: Star Wars - The Empire Strikes Back - Return of the Jedi - The Phantom Menace - Attack of the Clones - Revenge of the Sith - The Force Awakens - The Last Jedi - The Rise of Skywalker
Related: Caravan of Courage - The Battle for Endor - The Clone Wars - Fanboys - The People vs. George Lucas
Star Wars Anthology Films: Rogue One - Solo - (Untitled Star Wars Anthology Film)
George Lucas Films: THX 1138 - (American Graffiti)
© thevoid99 2015
Written and directed by George Lucas, Revenge of the Sith (Star Wars: Episode III) is the third and final film of the prequels trilogy in which Anakin Skywalker is tasked to watch over Chancellor Palpatine during the final days of the Clone Wars where he would descend further into the dark side of the Force. The film plays into the events where the Jedi would finally learn the identity of the Sith Lord but also cope with his new apprentice which would change everything including the galaxy. Starring Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Anthony Daniels, Kenny Baker, Peter Mayhew, Jimmy Smits, Samuel L. Jackson, Christopher Lee, and the voice of Frank Oz. Revenge of the Sith is a stellar yet flawed film from George Lucas.
Set during the final days of the Clone Wars between the Galactic Republic and a separatist movement where the Republic is on its way to victory. The film revolves around Anakin Skywalker (Hayden Christensen) and his growth as a respected Jedi but certain events relating to his own personal life, his sense of fear, and not being granted the rank of Jedi master would force him into a descent of darkness. Adding to this growing list of problems is when he is assigned by the Jedi council to watch over Chancellor Palpatine (Ian McDiarmid) who has raised suspicion of the Jedi for his growing power. Once Anakin learns who Palpatine really is, he becomes conflicted until Palpatine claims that he can be the one to give him the powers to prevent death where things would unravel. It’s a film that does play to a classic rise-and-fall scenario but it is more about a young man whose good intentions to save those he loves from death only to descend further into fear and anguish.
George Lucas’ screenplay does start out on high note where Anakin and Obi-Wan Kenobi (Ewan McGregor) go on a mission to save Palpatine from Count Dooku (Christopher Lee) in a confrontation that would have a lot of foreshadowing while its aftermath would reveal some big news for Anakin and his secret wife Padme Amidala (Natalie Portman) which would only drive Anakin’s fear of Padme dying. While the script does have a more linear storyline with a few subplots that relates to Kenobi chasing after one of the separatists’ generals in a droid named Grievous (the voice of Matthew Wood) while Yoda (the voice of Frank Oz) goes to another planet to aid the Wookies in a battle. Yet, the focus is on Anakin’s descent towards the dark side of the Force where it is his friendship with Palpatine that would become the catalyst into the decisions he made. All of which were driven by fear and desperation to save those he loves as its third act would force Anakin to be confronted by those who care for him.
Lucas’ direction is quite vast from the opening sequence where it features this unbroken shot that goes on for a few minutes to play into a battle in space where a lot is happening as the camera would follow two little spaceships flying through the battle. It’s a moment that does kick the film off in a high note where Lucas’ approach to wide and medium shots are thrilling as well some of the close-ups. There are also moments where the action and adventure are always engaging and thrilling though much of it is presented through visual effects which is overwhelming at times. Still, Lucas is able to keep things in focus while adding some suspense and intrigue as it relates to Anakin’s friendship with Palpatine with its usage of wide and medium shots to play into Anakin’s descent. Many of the scenes are very exciting and engaging which is a total contrast to the scenes involving Anakin and Padme as it’s not just that the love story between the two is bad but its horrific dialogue just makes it very uninteresting.
The direction would also include a lot of political commentary where some of it is handled very heavy-handedly such as a piece of dialogue that Padme says in response to the end of the Galactic Republic during a Senate meeting. It’s another of the flaws that is laid upon the film along with Anakin and Obi-Wan’s eventual confrontation as it is also hampered by some of its dialogue. Though it’s ending is sort of grim, it is filled with a bit of hope where Lucas is able to create something that is ambiguous that would set up the stories for the original trilogy. Overall, Lucas creates a thrilling though very messy film about a young man’s descent into darkness.
Cinematographer David Tattersal does excellent work with the cinematography to play into the looks of the different places along with some unique lighting schemes and moods to play into those worlds. Editors Ben Burtt and Roger Barton do brilliant work with the editing to capture the sense of energy in the action scenes while providing some stylish transition wipes that are actually fun to watch. Production designer Gavin Bocquet, with supervising art director Peter Russell and set decorators Piero Di Giovanni and Richard Roberts, does fantastic work with the design of some of the sets including Palpatine‘s office and the room where he was in during being captured by Count Dooku. Costume designer Trisha Biggar does nice work with the costumes from the lavish clothes of Padme to the robes of the men.
Makeup designers Dave Elsey and Nikki Gooley do superb work with the look of some of the alien characters as well as Palpatine in the film‘s second half. Visual effects supervisors Roger Guyett and John Knoll does incredible work with the visual effects to play into the look of the planets and its different locations along with the design of the creatures and droids. Sound designer Ben Burtt and sound editor Matthew Wood do superb work with the sound from the sound effects the droids make to the layer of sounds in the battle scenes along with eerie moments in other intense moments of conflict. The film’s music by John Williams is wonderful for not just its orchestral score with soaring strings and operatic choir arrangements but also in low-key moments to play into the drama and bombast of the story.
The casting by Christine King is very good as it features notable small roles from Silas Carson in a dual role as the voice of separatist leader Nute Gunray and Jedi master Ki-Adi-Mundi, Temuera Morrison as Clone leader Commander Cody and various clones, Matthew Wood as the voice of General Grievous, Joel Edgerton and Bonnie Piesse in their respective roles as Owen and Beru Lars, Christopher Lee as the Sith lord Count Dooku, Peter Mayhew as the Wookie Chewbacca whom Yoda is friendly with, and Jimmy Smits as Senator Bail Organa as a friend of the Jedi who would witness the death of a young Padawan as he would rescue Yoda and Obi-Wan. Anthony Daniels and Kenny Baker are fantastic in their respective roles as the droids C-3P0 and R2-D2 with the former providing some funny lines while the latter gets to do some scenes where he manages to take care of a few droids. Frank Oz is superb as the voice of Yoda as a Jedi master who is concerned with Palpatine’s growing power as well as its eventual outcome where he would eventually confront the man who is the leader of the Sith.
Samuel L. Jackson is excellent as Jedi master Mace Windu who becomes uneasy about the role Anakin is in with Palpatine where he would have a confrontation with Palpatine. Ian McDiarmid is brilliant as Palpatine as the Galactic Republic’s chancellor who is given more power as his meetings with Anakin show a much darker side to the man as it relates to his real identity. Natalie Portman is wonderful as Padme Amidala as Naboo’s representative who deals with her pregnancy as well as Anakin’s strange moods as she realizes what is happening to him. Hayden Christensen has some decent and good moments as Anakin Skywalker whenever the character is restrained but becomes very annoying and overwrought once he emotes as it’s a very messy performance. Finally, there’s Ewan McGregor in an amazing as Obi-Wan Kenobi who would be assigned to target General Grievous as he tries to help Anakin with issues over the Jedi council while later having to confront him for his actions.
Revenge of the Sith is a very good yet flawed film from George Lucas. While it does feature an excellent cast and some amazing visual effects, it’s a film that has a lot of moments that are good but elements that keep it from being great. Most notably in its writing as it is clear that Lucas should never involve himself with romance or politics. In the end, Revenge of the Sith is a terrific film from George Lucas.
Star Wars Films: Star Wars - The Empire Strikes Back - Return of the Jedi - The Phantom Menace - Attack of the Clones - The Force Awakens - The Last Jedi - The Rise of Skywalker
Related: Holiday Special - Caravan of Courage - The Battle for Endor - The Clone Wars - Fanboys - The People vs. George Lucas
Star Wars Anthology Films: Rogue One - Solo - (Untitled Star Wars Anthology Film)
George Lucas Films: THX 1138 - (American Graffiti)
© thevoid99 2015
Directed by George Lucas and written by Lucas and Jonathan Hale, Attack of the Clones (Star Wars: Episode II) is the story of a growing dissension between many galaxies breaking away from the Galactic Republic as the Jedis cope with a growing conflict as it marks the beginning of the Clone Wars. The film would also explore Anakin Skywalker’s growth as a Jedi knight as well as the beginning of his own descent where he copes with his emotions and duty. Starring Ewan McGregor, Natalie Portman, Hayden Christensen, Samuel L. Jackson, Anthony Daniels, Kenny Baker, Temura Morrison, Ian McDiarmid, and the voice of Frank Oz as Yoda. Attack of the Clones is an enthralling but very sappy and bloated film from George Lucas.
A decade after a dispute between the trade federation and the planet of Naboo, the Galactic Republic learns that members of the trade federation and other star systems are seceding from the Republic. The government asks the Jedi to step in following an assassination attempt on Naboo’s former queen Padme Amidala (Natalie Portman) where Obi-Wan Kenobi (Ewan McGregor) and his apprentice Anakin Skywalker (Hayden Christensen) are given the job where Kenobi would follow the trail of a mysterious assassin while Skywalker accompanies Padme home where the two fall for each other. Just as the Galactic Senate is to vote on whether or not it should build an army to respond to this separatist movement, Skywalker would also begin his own descent as he starts to have nightmares about his own mother Shmi (Pernilla August) who is captured in Tatooine by Tusken raiders.
While the premise is intriguing, the problem is that George Lucas and Jonathan Hale have no idea what story it wants to tell as there’s this sense of mystery into the identity of the assassins trying to kill Amidala and who they’re working for but there’s also this story of political turmoil and a love story. It is clear that Lucas and Hale want to put in so much there’s no consistency into what it wants to do which would eventually culminate into this battle between separatist robot forces and an army full of clones. The narrative would often move back and forth for much of its second half that plays into Obi-Wan’s discovery of a bounty hunter named Jango Fett (Temura Morrison) and who is he working for while the other narrative would follow Anakin and Padme in their relationship while they travel to Tatooine to find Anakin’s mother.
Though its third act would have a strong outcome which would start the Clone Wars, there are still some issues as it relates to some of the dialogue as it is often very poor. The characterization of Anakin is intended as someone who is quite arrogant and immature in his own powers but some of the issues with that isn’t just due to the dialogue but also in the development of who he is and his struggle to find good in a world that is very complicated. It’s a characterization that has promise but it’s execution however isn’t very good as Lucas wants to play into his descent in a major way but it comes off as annoying and childish. Even characters like Obi-Wan and Padme are stifled by the dialogue while the script’s attempt at ambiguity is mishandled in not just the way Chancellor Palpatine (Ian McDiarmid) is portrayed but also in the main antagonist in a former Jedi-turned-Sith lord in Count Dooku (Christopher Lee) as the latter would recite dialogue about something that the audience seem to already know but that the Jedi doesn’t know. It’s just a bad attempt at baiting while a lot of the film’s discussions on politics comes across as very heavy-handed and overly liberal.
Lucas’ direction is quite vast as it is expected to be in the world that he create where it set in multiple planets to play into a galaxy coming undone by a conflict that is happening. Most notably in sequences that play into a world where things are complicated and the only resolution for this is war as the film’s climax is quite spectacular to play into not just an old world order in the Jedi fighting against the machines but also the new world order they have to be part of with the clones that they unknowingly had ordered against this separatist threat. Lucas does manage to keep some of the elements of suspense under control with some unique compositions and camera angles though much of it is presented with everyone acting behind a green screen surrounded by visual effects which does become overkill at times.
With some of the film shot on location in Spain and Lake Como, Italy for scenes set in Naboo and parts of Tunisia as Tatooine, Lucas does manage to show a world that is interesting but the visuals don’t help some of the drawbacks in the scenes involving the growing yet forbidden romance between Anakin and Padme. Lucas clearly has no idea in how to flesh out some of the dramatic elements where it sometimes comes off as very sappy and forced while having some of the dialogue in the film just makes things worse. Even much of the film’s politics is poorly handled where Lucas’ attempt at ambiguity isn’t very good as it is obvious into who the real villain is. Though things do pick up in its third act that includes a long-awaited moment where the Jedi master Yoda (the voice of Frank Oz) finally showcases his full skills in the Force. Overall, Lucas creates a visually-exciting but very messy film about a group of peacekeepers dealing with a conflict that had been building for years.
Cinematographer David Tattersall does excellent work with the cinematography to play into some of the interior lights in some of the settings including the interior in the caves at the desert planet of Geneosis as well as the look of the planet of Coruscant at night. Editor/sound designer Ben Burtt and sound editor Matthew Wood, with additional editing by George Lucas, do superb work with the editing with its approach to fast-paced rhythmic cuts for the action though some of the transition wipes do get overused while the sound work is amazing to play into the sense of chaos and the sound effects that are used in the film. Production designer Gavin Bocquet, with set decorator Peter Walpole and supervising art director Peter Russell, does brilliant work with the set design from the interior look of the Jedi council room to the secret home where Padme and Anakin would live in at Naboo.
Costume designer Trisha Biggar does fantastic work with the costumes from some of the lavish clothes that Padme wears to the robes of the Jedi. Makeup supervisor Lesley Vanderwalt does terrific work with the makeup of some of the alien characters including a few of the Jedis along with the look of Naboo‘s new queen. Visual effects supervisors Pablo Helman, John Knoll, and Dennis Muren do some spectacular with the visual effects from the film‘s climatic battle scene as well as the design of some of the planets though much of it is overkill in terms of the fact that it feels like it‘s more artificial rather than something that is supposed to look real. The film’s music by John Williams is great as it features some very bombastic themes to play into its sense of adventure along with scenes that play into its suspense though the romantic themes aren’t very memorable.
The casting by Robin Gurland is wonderful as it features some notable small appearances from Jay Laga’aia as Padme’s security chief, Veronica Segura as Padme’s decoy, Leeanna Walsman as the assassin Zam Wesell, Oliver Ford Davies as Naboo governor Sio Bibble, Ayesha Dharker as the new queen of Naboo, Pernilla August as Shmi Skywalker, Jack Thompson as Shmi’s husband Cliegg Lars, Joel Edgerton as Cliegg’s son Owen, Bonnie Piesse as Owen’s girlfriend Beru, and Rose Byrne as Padme’s handmaiden Dorme. Other notable performances in the voice department feature Silas Carson in a dual role as trade federation leader Nute Gunray and as the Jedi master Ki-Adi-Mundi in full makeup, Ron Falk as an old friend of Obi-Wan in Dexter, Anthony Phelan as Kamino’s prime minister, and Frank Oz in a phenomenal performance as Yoda who would be the film’s real scene-stealer.
Then there’s Jar-Jar Binks, as the character who annoyed everyone in the previous film, is thankfully used to a minimum where he would provide a key moment that would set the stage for the Clone Wars as Ahmed Best was able to make him tolerable despite being an idiot. Anthony Daniels and Kenny Baker are fantastic in the respective roles as the droids C-3P0 and R2-D2 where the former is presented in finished form while he finds himself in a droid battle while Baker provides some humor for the latter. Daniel Logan is terrible as Jango Fett’s young son Boba as he spends much of the film pouting and making stink faces while Temura Morrison is pretty good as the bounty hunter Jango Fett who provided the people of Kamino his blood to make the clone army. Christopher Lee is brilliant as Count Dooku as a former Jedi who has become a Sith lord as he helped organize the separatist movement against the Republic.
Ian McDiarmid is excellent as Chancellor Palpatine as the Republic’s leader who is trying to deal with separatist movement where he is later given emergency powers that would give him more control of what he wants to do as well as behind the scenes into his true identity. Samuel L. Jackson is fantastic as Jedi master Mace Windu who aids Yoda in what is happening with the Jedi as he would finally showcase his skills against Windu and the droid army. Natalie Portman is quite good as Padme Amidala despite some of the awful dialogue she had to recite while giving Padme a bit of an edge in dealing with the droids while looking very sexy in that tight, white thing she is wearing. Hayden Christensen is fucking atrocious as Anakin Skywalker where much of Christensen’s acting has him trying to emote as if he’s about to fart while being very whiny and wooden as it is clear that it’s not just the dialogue that hurts him but it’s also the fact that he just plainly fucking sucks. Finally, there’s Ewan McGregor in a superb performance as Obi-Wan Kenobi as the Jedi master who is tasked to track down Jango Fett where he would make a discovery that would set the course for the Clone Wars.
Attack of the Clones is a decent but very messy film from George Lucas. While it does feature some amazing visual effects and some good performances from its cast. It is a film that showcases what happens when visual effects would overwhelm the story to a point while the film is also hindered by its poor writing and some horrific acting. In the end, Attack of the Clones is a terrible film from George Lucas.
Star Wars Films: Star Wars - The Empire Strikes Back - Return of the Jedi - The Phantom Menace - Revenge of the Sith - The Force Awakens - The Last Jedi - The Rise of Skywalker
Related: Holiday Special - Caravan of Courage - The Battle for Endor - The Clone Wars - Fanboys - The People vs. George Lucas
Star Wars Anthology Films: Rogue One - Solo - (Untitled Star Wars Anthology Film)
George Lucas Films: THX 1138 - (American Graffiti)
© thevoid99 2015
Written and directed by George Lucas, The Phantom Menace (Star Wars: Episode I) is the story of two Jedi knights who are asked by the Galactic Republic and a queen to settle a tax dispute where things go wrong as they land on a planet where they would meet a young boy who might be part of a prophecy to bring balance to the Force. The film is a prequel to the original Star Wars trilogy back in the late 1970s and early 80s where Lucas explore the origins of Anakin Skywalker and his eventual descent. Starring Liam Neeson, Ewan McGregor, Natalie Portman, Ian McDiarmid, Ahmed Best, the voice of Frank Oz, Anthony Daniels, Kenny Baker, Jake Lloyd, Ray Park, Pernilla August, and Samuel L. Jackson. The Phantom Menace is a visually-thrilling but extremely messy film from George Lucas.
The film revolves around two Jedi knights who are asked by Galactic Republic and its senate to negotiate a treaty involving a trade federation who refuses to bring shipment to small planet called Naboo. There, things go wrong where they meet an alien creature and help a queen escape while landing on a planet where they meet a young slave boy whom one of the Jedi knights believes is the one person that can bring balance to the Force as darkness looms. It’s a plot that is interesting but the fact that the story begins with a tax dispute is a pretty dumb way to open a story. It would set the tone for a story that doesn’t become uneven in its involvement of politics but also in the myth of the Jedi where there’s a lot of expositions that occur where it definitely raise more baffling questions than answers.
George Lucas’ screenplay does play into a traditional structure where it’s first act involves the Jedi master Qui-Gon Jinn (Liam Neeson) and his apprentice Obi-Wan Kenobi (Ewan McGregor) trying to negotiate terms with the trade federation led by Nute Gunray (Silas Carson) where things fall apart. Upon landing on Naboo, they meet an exiled Gungan named Jar-Jar Binks (Ahmed Best) who would aid them in saving Queen Amidala (Natalie Portman) as they try to go to Coruscant to talk with the Senate. Its second act is set in Tatooine where Qui-Gon, Jar-Jar, an astromech droid named R2-D2 (Kenny Baker), and the queen’s handmaiden Padme (Natalie Portman) try to find parts for their ship where they would meet the young slave boy Anakin Skywalker (Jake Lloyd) where Qui-Gon senses a strong surge of the Force in Anakin as he hopes to free him. Lucas’ scenario does try to keep things forward but there’s too many things as the character of Jar-Jar is this unnecessary comic relief that doesn’t really do anything for the story.
Instead, he’s a buffoon that is made to entertain kids except that he’s not funny nor is he engaging. It is among some of the problems with the script as well as the dialogue as Lucas is notoriously known for writing poor dialogue. Especially in the second act where the story moves to Coruscant as it plays into the world of politics and corruption where it does drag the story immensely to the realm of boredom. When its third act returns to Naboo where Obi-Wan and Qui-Gon confront a Sith lord named Darth Maul (Ray Parks, with the voice of Peter Serafinowicz) while Jar-Jar leads the battle against the trade federation’s army of robots where Anakin is in the action during a star fight between the forces of Naboo and a trade federation’s spaceship that controls the robots. It’s a moment where a lot goes on yet it is never meshes coherently since Lucas wants to really go for something that is intense. The result only works somewhat but it is handled very clumsily.
Lucas’ direction is quite sprawling in terms of the visual language that he creates to establish a world that is very diverse but is on the verge of becoming tumultuous due to greed and corruption. Shot on various locations such as Tunisia as Tatooine and Watford, Hertfordshire in Great Britain as Naboo with much of the production shot in studios in Britain, the film does play into something that is very diverse but it has elements of racial profiling in the way some of the alien characters are depicted. It’s among the negative aspects of the film that really shows how Lucas perceive the alien creatures as either bumbling idiots or greedy creatures with very little complexity into who they are. At the same time, Lucas’ direction also tries to create elements of foreshadowing and irony as it relates to the character of Senator Palpatine (Ian McDiarmid) who would talk about the greed and corruption of politics to get Queen Amidala to get a new Supreme Chancellor to head the Galactic Senate.
It is among some of the issues in the way Lucas directs his actors where he definitely states the obvious as it relates to Palpatine while it sort of kills the suspense for anyone that hadn’t seen the original trilogy. While Lucas’ approach to some of the scenes involving the pod race in Tatooine where Qui-Gon would make a gamble to free Anakin from slavery as well as the lightsaber and battle scenes are engaging to watch in terms of his compositions and the shooting styles he uses. He’s really unable to do the same to other scenes such as the moments of suspense as well as the scenes involving the political issues in the film which comes across as very boring. Overall, Lucas creates a very uneven yet nonsensical film about a dispute between two factions in the galaxy.
Cinematographer David Tattersall does excellent work with the film‘s cinematography to capture the hot and sunny look of Tatooine to the lavish lights of the city planet of Coruscant to play into the different worlds of the galaxy. Editors Ben Burtt and Paul Martin Smith do nice work with the editing to capture some of the action in the film though its usage of transition wipes does get overused very quickly. Production designer Gavin Bocquet, along with set decorator Peter Wapole and supervising art director Peter Russell, does brilliant work with the look of the different places from the palaces of Naboo and the Gungan palaces underwater as well as the look of Coruscant and the Jedi temple. Costume designer Trisha Biggar does terrific work with the costumes from the lavish clothes that Queen Amidala wears to the robes of the Senate along with the clothes of the Jedi knights.
Makeup artist Paul Engelen does fantastic work with the look of Queen Amidala in her fully-realized regalia along with the look of some of the aliens who are part of the Jedi council. Visual effects supervisors Dennis Muren, John Knoll, and Scott Squires do amazing work with the visual effects for some of the sequences in space and some of the battles though the design of some of the creatures aren‘t so great since many of them aren‘t engaging to care for. Sound designer Ben Burtt, along with sound editors Tom Bellfort and Matthew Wood, does superb work with the sound to play into the sound effects for some of the droids along with the laser cannons and other sound textures. The film’s music by John Williams is phenomenal for not just the usage of old themes but also some new ones with its approach to bombastic orchestral music for the pod races and the lightsaber battles along with some low-key pieces for the dramatic moments.
The casting by Robin Gurland is pretty good as it features notable appearances from Warwick Davis as a pod-racer spectator, Ralph Brown as the Queen’s starship pilot, Keira Knightley as the queen’s decoy, Oliver Ford Davies as Naboo’s governor who is forced to deal with the trade federation, Hugh Quarie as the queen’s security chief Captain Panaka, Pernilla August as Anakin’s mother Shmi, and Terence Stamp in a superb performance as Supreme Chancellor Valorum who tries to settle things between Naboo and the trade federation which shows how weak he is at his job. The voice performances of Anthony Daniels as an early version of C-3P0 and Frank Oz as the Jedi master Yoda are terrific for what they provide for the story. Other voice roles from Andy Secombe as the junk dealer Watto and Lewis McLeod as the villainous pod racer Sebulba are quite good despite the dialogue their given while Silas Carson as trade federation leader Nute Gunray and Brian Blessed as the Gungan leader Boss Nass aren’t given strong material to work with for their characters.
Kenny Baker is excellent as R2-D2 as the droid who would help the Queen’s starship during an escape as he becomes a close friend to the major characters. Ray Park is fantastic as the Sith lord Darth Maul as someone who is very skilled in the dark side of the Force with Peter Serafinowicz provides a brooding voice for the character. Ian McDiarmid is brilliant as Senator Palpatine as a Naboo government official who tries to deal with the Senate while being very shady in his dealings as he conceals a much darker identity. Samuel L. Jackson is wonderful in a small but crucial role as the Jedi master Mace Windu who, like Yoda, is suspicious about taking Anakin to be trained as a Jedi as it relates to Anakin’s own upbringing and feelings for his mother. The film’s worst performance is Ahmed Best in the voice performance as Jar-Jar Binks as this clumsy and idiotic Gungan who does nothing but make a full of himself and cause trouble as he is really one of the most atrocious characters ever created in the history of cinema.
Jake Lloyd is OK as the young Anakin Skywalker as a young slave boy who is very talented in making things and being a great pod racer as he copes with the new world he is to face where Lloyd shows a lot of energy but some of his line delivery isn’t very good. Natalie Portman is decent as Queen Padme Amidala as a queen who disguises herself as a handmaiden while dealing with the chaos in her homeland where Portman has some good moments but also suffers from the script’s weakness and poor dialogue. Ewan McGregor is amazing as a young Obi-Wan Kenobi as a Jedi apprentice who is in the final stages of his own training as he tries to reason with his master about taking Anakin as he speaks for the Jedi council while dealing with his development as a Jedi. Finally, there’s Liam Neeson in a remarkable performance as Qui-Gon Jin as a Jedi master who is wise while being a bit reckless where he believes that Anakin is the chosen one and hopes to train with or without the approval of the Jedi council while coping with the presence of the Sith.
Despite all of its amazing visuals, top-notch technical work, and some thrilling sequences, The Phantom Menace is a terrible film from George Lucas. Though it does have moments that are worth watching, it is hampered by a poor script as well as characters that serve no purpose to the film at all. Even as it features elements of political allegory and things that has no business being in a sci-fi adventure film. In the end, The Phantom Menace is mess of a film from George Lucas.
Star Wars Films: Star Wars - The Empire Strikes Back - Return of the Jedi - Attack of the Clones - Revenge of the Sith - The Force Awakens - The Last Jedi - The Rise of Skywalker
Related: Holiday Special - Caravan of Courage - The Battle for Endor - The Clone Wars - Fanboys - The People vs. George Lucas
Star Wars Anthology Films: Rogue One - Solo - (Untitled Star Wars Anthology Film)
George Lucas Films: THX 1138 - (American Graffiti)
© thevoid99 2015
Directed by Richard Marquand and screenplay by Lawrence Kasdan and George Lucas from a story by Lucas, Return of the Jedi (Star Wars: Episode VI) is the third and final film of the original trilogy in which the Imperial Empire and the rebellion go out for one final battle in space as Luke Skywalker copes with the identity of the man who is Darth Vader. The film isn’t just another sci-fi adventure film where many of the characters of the previous film get ready for one final battle but also do whatever it takes to save the galaxy from this evil empire. Starring Mark Hamill, Harrison Ford, Carrie Fisher, Peter Mayhew, Billy Dee Williams, David Prowse with the voice of James Earl Jones, Kenny Baker, Anthony Daniels, Alec Guinness, the voice of Frank Oz, Sebastian Shaw, and Ian McDiarmid as Emperor Palpatine. Return of the Jedi is a thrilling and exhilarating film from Richard Marquand.
The film revolves the final showdown between the Galatic Empire led by Emperor Palpatine and Darth Vader (David Prowse, with the voice of James Earl Jones), and the rebellion representing the former Galactic Republic as its heroes Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford), Chewbacca (Peter Mayhew), and Princess Leia (Carrie Fisher) get ready for the final battle. Yet, things become very tense as Palpatine arrives in a newly-constructed Death Star in which he personally oversees its completion while he and Vader both seek Skywalker. The film also plays into Skywalker’s own discovery of who Darth Vader is as he turns to a dying Yoda (the voice of Frank Oz) and the spirit of Obi-Wan Kenobi (Alec Guinness) for the truth where another revelation is unveiled.
The film’s screenplay by Lawrence Kasdan and George Lucas does have a more traditional structure than the previous films as its first act involves Vader arriving to the Death Star telling his officers that the Emperor is coming while Luke, Leia, Chewbacca, C-3P0 (Anthony Daniels), R2-D2 (Kenny Baker), and Lando Calrissian (Billy Dee Williams) go on a personal mission to retrieve Han from the clutches of the reputed gangster Jabba the Hutt (voice of Larry Ward) and the bounty hunter Boba Fett (Jeremy Bulloch) at the planet of Tatooine. Its second act is set in Dagobah where Luke meets with Yoda while joining in the plan to destroy the Death Star’s shield in the nearby moon of Endor where the rebels are aided by a tribe of creatures known as Ewoks. The structure doesn’t just play into the development of the characters but also into Luke’s own understanding about Darth Vader’s identity and realize who the man used to be.
It’s not just Luke, Leia, and Han that become more realized in their development but also Darth Vader as it is clear that he is the good cop for the Imperial officers while it’s Palpatine that is far less forgiving. There is also tension that looms in the film between Palpatine and Vader where the latter does sense Luke’s presence while the former doesn’t where it plays into an internal conflict with Vader who has no choice but to follow his master. It would force Luke to find the good in Vader where the two would have another battle with light sabers as it is clear that they’re really pawns into the game that Palpatine wants. That conflict would parallel the battles that Han, Leia, Chewbacca, R2-D2, and C-3P0 would have against the Empire in Endor with the aid of the Ewoks while Lando Calrissian would lead the attack on the Death Star. It is there where the film’s third act and climax does come to ahead as something has to happen where it’s everything or nothing.
Richard Marquand’s direction doesn’t really do anything new in comparison to the previous films but he does manage to maintain some visuals and compositions that are very engaging. Shot partially on location in Tunisia as Tatooine and at the Redwood Forest in California as Endor, the film definitely goes for a mixture of not just a darker tone but also something that is light as it plays to the conflict over the two sides of the Force. The usage of wide and medium shots do play into the vastness of the story not just in the locations of its planets but also in space that includes some very entrancing shots of the Death Star in its final construction phase. Marquand’s close-ups do play into Luke Skywalker’s own realization about who Darth Vader is but also into the revelations that he would discover which added bigger stakes into what he has to fight for.
The scenes set in Endor are quite playful as it does bring in some humor as well as something that is more accessible to children in the form of the Ewoks. While it’s not everyone’s cup of tea, the Ewoks do serve a purpose as it plays into their own brand of fighting which is primitive yet effective. The mixture of playfulness and adventure does give the film a liveliness in its third act where Han, Leia, Chewbacca, C-3P0, and R2-D2 would square off against the Empire in Endor with their own soldiers and the Ewoks. It is in sharp contrast to the more thrilling sequence in space where Lando is leading the rebellion in an all-out assault on the Death Star while Luke and Vader would have their own battle. Yet, their battle would really play more into what Palpatine wants as it would force one of these two men to do something to save the galaxy. Overall, Marquand creates a phenomenal and exhilarating film about a group of rebels going into one final battle against an evil empire.
Cinematographer Alan Hume, with additional work by Alec Mills, does excellent work with the look of many of the exteriors from the naturalistic look in the scenes at Endor as well as some of the interior lighting for the scenes inside the Death Star and in the rebel ships. Editors Sean Barton, Duwayne Dunham, and Marcia Lucas, with additional work by George Lucas, do amazing work with the editing with its stylish approach to transition wipes and rhythmic cuts to play into the action and suspense. Production designer Norman Reynolds, with set designers Michael Ford and Harry Lange and art directors Fred Hole and James L. Schappe, does fantastic work with the look of Palpatine‘s main room in the Death Star as well as the room in the rebel ship where the plan of attack occurs as well as the home of Jabba the Hutt. Costume designers Aggie Guerard Rodgers and Nilo Rodis-Jamero do terrific work with the costumes from the slave bikini that Leia would wear at Jabba’s home but also the black suit that Luke would wear to express his sense of loss.
Makeup designers Stuart Freeborn and Phil Tippett do brilliant work with the look of some of the alien creatures including the Ewoks and some of that characters at Jabba the Hutt‘s palace including some puppetry for the Jabba character. Visual effects supervisors Richard Edlund, Dennis Muren, Ken Ralston, and Phil Tippett do incredible work with the visual effects look for the scenes in space as well as the designs for scenes in Tatooine and in Endor such as the Imperial walkers with its usage of stop-motion animation. Sound designer Ben Burtt does superb work with the sound from the layering of sound effects for the battle scenes as well as in some of the sound that occurs for the droids. The film’s music by John Williams is wonderful for its thrilling and soaring orchestral score that plays into its sense of adventure and humor along with some of its brooding and melancholic moments.
The casting by Mary Selway is great as it features notable small performances from Denis Lawson as the rebel pilot Wedge, Jeremy Bulloch as the bounty hunter Boba Fett, Timothy M. Rose as the rebel military leader Admiral Akbar, Caroline Blakiston as the rebel alliance co-founder and leader Mon Mothma, Larry Ward as the voice of Jabba the Hutt, Michael Pennington as the Death Star commander who oversees the Death Star’s construction, Kenneth Colley as the Imperial Admiral Piett, Warwick Davis as the young Ewok Wicket that Leia befriends, and Sebastian Shaw as the unmasked Darth Vader. Frank Oz is superb as the voice of the great Jedi master Yoda who would tell Luke some startling news and some revelations while Alec Guinness is fantastic as the late Obi-Wan Kenobi who would also provide some revelations to Luke about Darth Vader.
Ian McDiarmid is great as Emperor Palpatine as the Galactic Empire’s leader who tries to steer Luke to join the dark side of the Force in the hopes he can gain another apprentice. David Prowse, with voice of James Earl Jones, is amazing as Darth Vader as the Empire’s great warrior who would also try to steer Luke into the dark side while displaying the sense of conflict from within him as it relates to whom he once was. Billy Dee Williams is brilliant as Lando Calrissian as an old friend of Han who would help free him from Jabba the Hutt while leading the attack on the Empire and the Death Star. Kenny Baker and Anthony Daniels are excellent in their respective roles as the droids R2-D2 and C-3P0 as the former would provide some key moments in the film’s first act and its climax while the latter would be responsible for forging an alliance between the Ewoks and the rebels.
Peter Mayhew is marvelous as Chewbacca as the Wookie who helps rescue Han Solo as well as provide a key role in battling the Empire in Endor. Carrie Fisher is sensational as Princess Leia Organa as a rebel leader who gets more hands-on in the fighting while making a major discovery about who she is as well as a bigger role she has to play for the rebellion. Harrison Ford is remarkable as Han Solo as the former smuggler who was imprisoned by Jabba the Hutt as he later leads an attack on the Empire in Endor with the help of the Ewoks where Ford brings some humor to his role. Finally, there’s Mark Hamill in an incredible performance as Luke Skywalker where Hamill brings a more reserved performance to display Skywalker’s grief and maturity as he copes with Darth Vader’s identity while knowing what he has to do to save the galaxy as it’s a dark but engaging performance from Hamill.
***The Following is Based on the 1997 Special Edition and its Subsequent Revised Editions***
Of the versions that George Lucas would get involved in, it is in this film where there’s a lot of changes with the aid of editor T.M. Christopher, sound designer Ben Burtt, and various visual effects people that would change things from the original. Among them is the pit of Sarlacc scene where there’s more arms added via computer-based visual effects as well as additional scenes near the film’s ending. Most notably scenes where other planets celebrated that featured the voice of a much-maligned character from the prequels. There’s also some changes in the visual effects in the battle scenes that are distracting yet the biggest change from its 2004 DVD release is one of the most controversial. It relates to its ending where Sebastian Shaw’s appearance in the end would be replaced by Hayden Christensen who would play Anakin Skywalker in the prequels. It’s an ending that is very disrespectful to Shaw as well as the series itself. While Lucas claims he’s trying to make the film better, it just shows how out of touch he is with his audience.
***End of Special Edition Tidbits***
Return of the Jedi is a phenomenal film from Richard Marquand. Featuring a great cast, sprawling visual effects, and an offbeat yet effective tone. The film isn’t just a worthy end to the original trilogy but it’s also an adventurous and fun film that manages to do a lot and more. In the end, Return of the Jedi is a remarkable film from Richard Marquand.
Star Wars Films: Star Wars - The Empire Strikes Back - The Phantom Menace - Attack of the Clones - Revenge of the Sith - The Force Awakens - The Last Jedi - The Rise of Skywalker
Related: Holiday Special - Caravan of Courage - The Battle for Endor - The Clone Wars - Fanboys - The People vs. George Lucas
Star Wars Anthology Films: Rogue One - Solo - (Untitled Star Wars Anthology Film)
George Lucas Films: THX 1138 - (American Graffiti)
© thevoid99 2015
Directed by Irvin Kershner and screenplay by Lawrence Kasdan and Leigh Brackett from a story by George Lucas, The Empire Strikes Back (Star Wars: Episode V) is the story where the Empire tries to find the small band of rebels who had destroyed their most powerful weapon as the group of rebels each go into different journeys where one of them would seek his destiny to become a Jedi. The second part of a trilogy about a civil war between an evil empire and a resistance group, the film plays into characters trying to evade the Empire as its evil leader is trying to pursue the young man who could destroy that empire. Starring Mark Hamill, Harrison Ford, Carrie Fisher, Peter Mayhew, Anthony Daniels, Kenny Baker, David Prowse with the voice of James Earl Jones, the voice of Frank Oz, Billy Dee Williams, and Alec Guinness as Obi-Wan Kenobi. The Empire Strikes Back is a riveting and intense film from Irvin Kershner.
Set three years after the events of the previous film, the film is a vengeance story of sorts from the point of view of its antagonists in the Imperial Empire led by Darth Vader (David Prowse with the voice of James Earl Jones) as he is trying to hunt down the group of rebels that had managed to defeat them in a big way. Most notably in Luke Skywalker (Mark Hamill) who has become a top pilot for the rebellion while having the abilities to become a Jedi where his journey would lead him to be trained under one of the Jedi’s great masters in Yoda (voice of Frank Oz). Meanwhile, Han Solo (Harrison Ford) tries to leave the rebellion in order to pay some long-standing debts to a criminal as he is chased by the Empire along with Princess Leia (Carrie Fisher), his sidekick Chewbacca (Peter Mayhew), and the protocol droid C-3P0 (Anthony Daniels). It’s a film that has a lot that is happening as it shows exactly how angry the Empire is in their pursuit to crush the rebellion. At the same time, it also plays into the sense of hope that the former Republic longs for in the hands of a young man who needs to learn the ways of the Force.
The film’s screenplay not only explores the complexity of what the Empire is trying to do in the aftermath of their major defeat but also into who is really running things where Vader is revealed to be under the orders of its leader in Emperor Palpatine (Elaine Baker with the voice of Clive Revill). While Darth Vader is still a very dangerous and cunning antagonist, the script allows to reveal much more into who he is as he’s not a man that is totally evil as he’s willing to give those who work for him second chances. Even in the film’s climax where he and Luke Skywalker have a battle with lightsabers where Vader offers Luke the chance to join him where it reveals an ambiguity into Vader. The character of Luke Skywalker also becomes more layered in the film but as someone who is more unsure about the ways of being a Jedi as he travels to the swampy planet of Dagobah to meet Yoda with the astromech droid R2-D2 (Kenny Baker). Upon learning who Yoda is and Yoda’s reluctance to train him because of Luke’s lack of patience.
Luke would go through a rigorous training as he would also learn about the dark side of the force where a vision he would have would become the catalyst for the film’s climax. A climax that would involve Han and Leia where their storyline involves the two finally realizing their attraction for one another after years of tension where they seek shelter in a friend of Han in Lando Calrissian (Billy Dee Williams) who is an ambassador in a planetary city known as Cloud City. Calrissian is a unique character who is someone that is loyal to Han but is forced to reveal that his city had been taken by the Empire as he becomes consumed with guilt into what Vader is doing. The climax at Cloud City wouldn’t just be a moment where many of its protagonists would come together but also would create a resolution which would bring more motivation to destroy the Empire.
Irvin Kershner’s direction maintains the vast tone of its predecessor by not just setting it into different worlds but also create something that is very dark as it relates to Darth Vader’s pursuit of Luke Skywalker. Shot partially on location in Norway with much of it shot in studios in London, the film has a very broader look in terms of how diverse the galaxy is. The film would begin in a snowy and icy planet where the rebels are in hiding where Luke’s encounter with a monster would play into his evolving powers with the Force. Kershner’s usage of wide shots not only plays into the ground battle between the rebels and the Empire but also in some medium shots and close-ups that add to the sense of suspense and drama. Even in the action where many of the scenes set in space such as the chase between the Star Destroyers and the Millennium Falcon through asteroid fields and such do play into the vast tone of the story.
There’s also some humor in the film as one of the running jokes involves the Millennium Falcon’s attempt to jump into hyperdrive where it is this great attempt at dark humor. The scenes set in the planet of Dagobah where there’s all of these creatures and such play into Luke Skywalker not just being out of his comfort zone but also in a land that is quite damp and desolate which is the last place he would expect to find someone like Yoda. Some of the visual effects that are used aren’t just miniatures and puppets but also in stop-motion animation for the battle scenes in Hoth as it adds a realism to the film. The film’s climax as this sky-based city known as Cloud City isn’t just one of the most chilling moments in the film but it would also feature a moment that is very shocking. Overall, Kershner creates a gripping and exhilarating film that explores a group of rebels trying to escape and defy an evil empire.
Cinematographer Peter Suschitzky does brilliant work with the film‘s cinematography with the damp look of the scenes set in Dagobah as well as the usage of orange lights for some of the exteriors in Cloud City as it creates something that is gorgeous as well as eerie. Editor Paul Hirsch, with additional work by George and Marcia Lucas, does amazing work with the editing with its usage of dissolves, transition wipes, and other stylish cuts to play into the action and suspense. Production designer Norman Reynolds, along with set decorator Michael Ford and art directors Leslie Dilley, Harry Lange, and Alan Tomkins, does fantastic work with the look of the rebel base at Hoth as well as the bridge inside the Star Destroyer Excelsior Class and the rooms inside Cloud City. Costume designer John Mollo does nice work with the clothes from the look of the Imperial uniforms as well as the clothes the main protagonists wear in their journey.
Makeup designer Stuart Freeborn does excellent work with the look of Emperor Palpatine as well as some of the alien creatures that appear in the film. Visual effects supervisors Richard Edlund, Brian Johnson, Dennis Muren, and Bruce Nicholson do phenomenal work with the visual effects from the look of the AT-AT Walkers with its usage of stop-motion animation to the design of the scenes in space. Sound designer Ben Burtt does superb work with the sound in not just the sound of the droids but also in the creatures and other aspects in the sound. The film’s music by John Williams is incredible for its bombastic orchestral score that includes some lush and soaring string arrangement pieces as well as some low-key orchestral moments to play into the drama.
The casting by Bob Edmiston, Irene Lamb, and Terry Liebling is marvelous as it features notable small roles from John Ratzenberger and Bruce Boa as a couple of rebel military leaders, Julian Glover as General Veers who leads the attack at Hoth, Michael Culver as Captain Needa who tries to capture the Millennium Falcon, John Morton as Luke’s gunner at Hoth, Michael Sheard as the Imperial Admiral Ozzel who would make a fatal mistake at Hoth that angers Vader, Kenneth Colley as Ozzel’s replacement Admiral Piett who would be the one to find the rebels at Hoth, Denis Lawson as rebel pilot Wedge, and Jeremy Bulloch, with the voice of Jason Wingreen, as the bounty hunter Boba Fett who is tasked to capture Han Solo for a major reward. Clive Revill is terrific as the voice of Emperor Palpatine with Elaine Baker as the character in physical form as it displays a figure that is truly evil.
Alec Guinness is superb as the late Obi-Wan Kenobi who appears as a spiritual guide of Luke through the Force while Frank Oz is fantastic as the voice of Yoda that is an alien figure who would teach Luke the ways of the Force and show him that nothing is impossible. Anthony Daniels and Kenny Baker are excellent in their respective roles as C-3P0 and R2-D2 as the two droids who both endure separate adventures with Daniels being the comical protocol droid who complains about what is happening to him while Baker brings a more whimsical yet low-key approach to his role as he would play a crucial part for the film’s ending. David Prowse is great as Darth Vader as he maintains a dangerous presence with James Earl Jones providing the voice that would show glimpse of the humanity that makes Vader a very interesting antagonist. Peter Mayhew is amazing as Chewbacca as Han Solo’s Wookie sidekick who often brings some comical commentary to Han’s attempt to woo Leia while being the guy that everyone can count on.
Billy Dee Williams is brilliant as the smooth-talking Lando Calrissian as an ambassador of Cloud City who is an old friend of Han while being forced to work with the Empire over Han’s capture. Carrie Fisher is remarkable as Princess Leia Organa as a top rebel leader who copes with her feelings for Han while dealing with the chaos that is surrounding her as she tries to keep things calm. Harrison Ford is incredible as Han Solo where he brings in some charm and humility into his anti-hero character that is being chased by the Empire while dealing with his feelings for Leia. Finally, there’s Mark Hamill in a sensational performance as Luke Skywalker as he displays not just an immaturity and naiveté in his training as a Jedi but also a determination to prove himself to become a Jedi.
***The Following is Based on the 1997 Special Edition and its Subsequent Revised Editions***
The 1997 Special Edition and its subsequent revised versions of the film not only featured new visual effects and remastered sound design by Ben Burtt along with additional edits by T.M. Christopher. What George Lucas does in this edition aren’t a lot of new things as it’s only a few subtle changes with new effects for the scenes in Cloud City as well as a fully-realized look of the monster that would attack Luke early in the film. The one big change that is most evident in the film that would emerge in later editions is the Emperor Palpatine character as he would be played by Ian McDiarmid in a 2004 revised version as McDiarmid would play the character in Return of the Jedi and its prequels. Another change is in the character of Boba Fett as the 2004 revised version would feature a new voice by Temura Morrison who would play the role of Jango Fett in 2002’s Attack of the Clones and the many storm troopers in 2005’s Revenge of the Sith. While it is a different version than the original film, the revised versions is able to at least maintain some of the heart of the film’s original story and its dark tone.
***End of Special Edition/Revised Versions Tidbits***
The Empire Strikes Back is a magnificent film from Irvin Kershner. Armed with a great cast, sprawling visual effects, and a thrilling story that is dark as well as raising the stakes. It’s not just one of the best sci-fi adventure films ever made but also a standard into what blockbuster cinema is and more. Even as it’s revised editions don’t do much to deter some of the elements of the original films. In the end, The Empire Strikes Back is an incredible film from Irvin Kershner.
Star Wars Films: Star Wars - Return of the Jedi - The Phantom Menace - Attack of the Clones - Revenge of the Sith - The Force Awakens - The Last Jedi - The Rise of Skywalker
Related: Holiday Special - Caravan of Courage - The Battle for Endor - The Clone Wars - Fanboys - The People vs. George Lucas
Star Wars Anthology Films: Rogue One - Solo - (Untitled Star Wars Anthology Film)
George Lucas Films: THX 1138 - (American Graffiti)
© thevoid99 2015
Written and directed by George Lucas, Star Wars (Episode IV: A New Hope) is the story of a young farmhand from a distant planet who finds two robotic droids that is carrying a secret plan as they seek the help of two smugglers and an old knight to save a princess from the evil empire and aid the rebellion to destroy its secret weapon. The film is a space opera that is set in planets far away in the galaxy where a young man learns about who he is and the powers he would have to help save the galaxy from the darkness. Starring Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, David Prowse with the voice of James Earl Jones, Anthony Daniels, Kenny Baker, Peter Mayhew, and Alec Guinness. Star Wars is an enthralling yet rapturous film from George Lucas.
Set in a galaxy far away during a civil war between the Galactic Empire and a group of rebels representing the old Galactic Republic. The film revolves around a young farmhand who encounters two robotic droids as one of them carries a message as well as secret plans that would help the rebellion destroy the Empire’s newest weapon in a large space station known as the Death Star. With the aid of an old knight who was part of an elite group of peacekeepers known as Jedis, the two get the help of a smuggler and his alien first mate to not only save the princess but also give the plans to the rebel forces to stop the Empire. It’s a story that is very simple where it’s not just an entire galaxy at stake but also a world of good that has been covered by darkness for so many years.
While there are flaws in George Lucas’ screenplay as it relates to his dialogue, Lucas is able to create characters that are engaging such as the droids in the protocol droid C-3PO (Anthony Daniels) and the astromech droid R2-D2 (Kenny Baker with sound effects by Ben Burtt) as the latter is carrying a message from Princess Leia Organa (Carrie Fisher) to an old Jedi Night in Obi-Wan Kenobi (Alec Guinness) and secret plans that might help destroy the Death Star. Upon landing on this desert-planet called Tatooine where Kenobi was supposedly last seen, the droids are bought by a farmer named Owen Lars (Phil Brown) and his nephew Luke Skywalker (Mark Hamill). The latter of which would discover Princess Leia’s message as he knows someone named Kenobi as he would eventually learn that a man named Ben is actually whom Princess Leia is asking for. At the same time, Luke would learn about his father who was a Jedi knight that was killed by one of Kenobi’s old pupils in Darth Vader (David Prowse with the voice of James Earl Jones).
The characterization of Luke is an interesting one as he is this young man that is eager to get out of Tatooine and become a fighter as he is an accomplished pilot. Yet, circumstances would finally realize that he does have a destiny to fulfill in not just wanting to help rebellion but also become a Jedi like his father. With Kenobi’s help, the two team up with a couple of smugglers named Han Solo (Harrison Ford) and a large dog-like creature named Chewbacca (Peter Mayhew) who would take them to a planet for a price. Solo is an unusual character as he is modeled after many Western archetypes as he has no qualms killing people if it helps him such as a scene where he kills a smuggler who wants to collect a bounty on Solo’s head. Though Solo is reluctant to save Princess Leia, he only decides to help her once he realizes how much money he can get which shows an ambiguity to who he is. Princess Leia herself is anything but a damsel-in-distress as she is quite adept in shooting with a blaster while being very opinionated and knowing what to do in tense situations. Especially where is confronted by a member of the Imperial government in Grand Moff Tarkin (Peter Cushing) to find the whereabouts of a secret base.
The character of Darth Vader is an interesting antagonist as someone who is seen wearing black with a helmet and breathes through a mask. He is someone that can pretty much get the job done and get some answers but he is also very intelligent in knowing that not everyone will be swayed easily. Like Kenobi, he is also a trained Jedi knight but leans towards the dark side and knows when to use the Force to do things. He and Kenobi would have a confrontation in the middle of the film as it would play into exactly what Kenobi would do in order for Luke to learn the ways of the Force for the film’s climax.
Lucas’ direction is quite vast for a sci-fi film in terms of not just the world that he creates but also in how he would introduce it starting with this chase between a small space cruiser and this large Imperial ship called the Star Destroyer as it comes in from above the frame. It sets the tone for what is to come though the film actually opens with some exposition about this civil war between the Empire and the rebellion. With some of the locations shot in Tunisia for the scenes in Tatooine and other locations in Guatemala, much of the film is set in space as it plays into a galaxy where it’s very diverse and very different. Tatooine is seen as this desert world where it’s sort of unruly and desolate but it is a place where things can happen. Even for someone like Luke Skywalker who feels like he doesn’t belong as he is among the small group of humans who wound interact with all sorts of aliens in the world.
The world of outer space is also quite big in terms of the way it is presented with Lucas using a lot of wide and medium shots as well as the look of the Death Star that looks like a large moon that can shoot a giant laser to destroy a planet. The way Darth Vader is first presented is among these rich compositions that Lucas creates to establish what kind of man he is. The light saber battle between Vader and Kenobi plays into the world of traditional sword fighting but involving and old man and a tall one where there aren’t a lot of big movements but rather on instinct. Many of the battles in space are presented with these very intense visual effects that mixes miniatures and optical effects to make it feel as realistic as it can. Especially for the film’s climatic battle against the Empire at the Death Star where it has a lot of thrills and moments that are just gripping. Overall, Lucas creates a spectacular yet engaging film about a group of people trying to save the galaxy from an evil empire.
Cinematographer Gilbert Taylor does brilliant work with the film‘s cinematography from capturing the sunny look of the scenes set in Tatooine as well as some of the interior lighting for some of the ships in space including Solo‘s spaceship the Millennium Falcon. Editors Richard Chew, Paul Hirsch, and Marcia Lucas, with additional work by George Lucas, do amazing work with the editing as it includes some unique rhythmic cuts for some of the film‘s action scenes along with a few dissolves and some stylish transition wipe that play into the film‘s mixture of adventure and action. Production designer John Barry, with set decorator Roger Christian and art directors Leslie Dilley and Norman Reynolds, does fantastic work with the design of the Death Star and some of its interiors along with the Millennium Falcon and its interiors plus some of the places in Tatooine such as the Mos Eisley Cantina.
Costume designer John Mollo does nice work with the look of Darth Vader as well as the Imperial officer uniforms and the look of the its soldiers in the Stormtroopers. Makeup designers Rick Baker and Stuart Freeborn do excellent work with the look and design of the creatures in Tatooine including the little Jawas and some of the aliens at the Mos Eisley Cantina. Special visual effects supervisors John Dykstra and John Stears do phenomenal work with the special effects in the way the lightsabers look and the way lasers are presented as well the battle scenes set in space.
Sound designer Ben Burtt and sound editor Sam F. Shaw do incredible work with the film‘s sound work from the way R2-D2 and other droids sound as well as some of the sound effects of how TIE Fighters sound in space as well as other aspects in the film‘s sound work. The film’s music by John Williams is great as it is one of the defining film scores with its orchestral bombast filled with lush string arrangements and vast brass section to play into its many themes along with a few playful pieces.
The casting by Diane Crittenden, Irene Lamb, and Victor Ramos do wonderful work with the film’s casting as it includes notable small roles from Phil Brown and Shelagh Fraser in their respective roles as Luke’s uncle Owen and aunt Beru, Denis Lawson as the rebel X-wing pilot Wedge Antilles, Garrick Hagon as Luke’s friend/rebel X-wing pilot Biggs Darklighter, and Jack Purvis as a chief Jawa. Peter Cushing is superb as the Death Star commander Grand Moff Tarkin as an Imperial governor who tries to get Princess Leia to reveal vital information into the rebel base as well as keep Vader in line.
Anthony Daniels and Kenny Baker are fantastic in their respective roles as C-3P0 and R2-D2 with Daniels providing some unique movements and dialogue that makes the character a fun and sometimes annoying persona while Baker provides just movements that makes R2 such a loveable droid. Peter Mayhew is excellent as the Wookie named Chewbacca as Mayhew brings a unique physicality to the role as well as creating some of his own language that makes him sort of a moral compass for Han Solo. David Prowse is brilliant in bringing the sense of physicality and presence that is Darth Vader that is added by the phenomenal voice work of James Earl Jones who adds a lot of eerie textures to the role of Vader. Alec Guinness is amazing as Obi-Wan Kenobi as a former Jedi knight who helps Luke in saving Princess Leia and carry out the Death Star plans to the rebels as he would also teach Luke the ways of the Force.
Carrie Fisher is incredible as Princess Leia Organa as a princess who is captured by the Empire as she refuses to give information while being a badass with a blaster that makes her a far more compelling character. Harrison Ford is remarkable as Han Solo as this anti-hero who takes part in the journey for money to pay a debt while being someone that is reckless and funny. Finally, there’s Mark Hamill in a marvelous performance as Luke Skywalker as a young farmhand who dreams of flying and being part of the rebellion as he learns about his father and the destiny he is to take part in.
***The Following is Based on the 1997 Special Edition and its Subsequent Revised Editions of the Film***
The film’s 1997 special edition and its subsequent versions not only would feature some new scenes under Lucas’ direction with the contributions of editor T.M. Christopher and sound designer Ben Burtt, along with visual effects supervisors Dave Carson, John Knoll, Joe Letteri, Bruce Nicholson, Alex Seiden, and Stephen Williams,. The changes and added scenes aren’t just controversial but also play into the debate of film revisionism. One notable change that is controversial is a scene where Han shoots Gredo in cold blood as it plays into his anti-hero persona. In the special edition and later versions to follow, it would have Gredo shooting first and Han firing afterwards. It is a change that isn’t very good and certainly messes with Han’s development from anti-hero to hero.
While some of the visual effects do help polish the film as well as new sound effects and design by Ben Burtt to add more layers. There’s elements in the film that don’t work such as the Jabba the Hutt character who would be seen in Return of the Jedi as he appears in a computer-animated format in a scene with Han Solo that was originally deleted from the original film. In this special edition, the scene is restored but with Jabba the Hutt as this creature who is trying to get Solo to pay the debt that he owes him. There’s other scenes that are restored such as a brief conversation between Luke and Biggs before the climatic battle which is a good scene that was added. Then there’s the explosion of Alderaan in the scene where the Death Star displays its power as the original explosion was big but primitive in its 1977 release. In its revised and subsequent versions, it is much bigger with a force field that actually makes it look ridiculous.
***End of Special Editions Tidbits***
Stars Wars is a tremendous film from George Lucas. Armed with a great cast, amazing visual effects, a phenomenal score, and a thrilling story. It is a film that isn’t just one of the finest sci-fi adventure films ever made but it’s also cinema that manages to appeal to audiences of all ages. While the 1997 special edition and its following revised versions are a mixed bag, the original version is still a fascinating yet engrossing film that still holds up and proves to be just as fun to watch as it did back in 1977. In the end, Star Wars is a glorious and sensational film from George Lucas.
Star Wars Films: The Empire Strikes Back - Return of the Jedi - The Phantom Menace - Attack of the Clones - Revenge of the Sith - The Force Awakens - The Last Jedi - The Rise of Skywalker
Related: The Hidden Fortress - Holiday Special - Caravan of Courage - The Battle for Endor - The Clone Wars - Fanboys - The People vs. George Lucas
Star Wars Anthology Films: Rogue One - Solo - (Untitled Star Wars Anthology Film)
George Lucas Films: THX 1138 - (American Graffiti)
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