The Paperboy

Based on the novel by Pete Dexter, The Paperboy is the story about a reporter and his younger brother trying to investigate the murder of a sheriff by trying to free a man accused of the murders. Yet, things become complicated when the young man finds himself being attracted to the incarcerated man’s lover as it leads to all sorts of trouble. Directed by Lee Daniels and screenplay by Daniels and Dexter, the film is an exploration into the world of the American South as it reveals the motives of people as well as those who are unaware of what they’re in for. Starring Matthew McConaughey, Zac Efron, Nicole Kidman, John Cusack, David Oyelowo, Macy Gray, and Scott Glenn. The Paperboy is a dark yet disturbing film from Lee Daniels.

The film is the story about this idealistic reporter and his younger brother trying to see whether this man had killed a sheriff some years ago. In order to get answers, the reporter brings his British associate for help along with a woman who had been writing letters to this incarcerated man claiming she’s in love with him. Eventually, things become complicated as the reporter is trying to find the truth in the hopes he can unveil the mystery while his younger brother is attracted to this woman who is quite messed up herself as she desires this man she’s been writing letters to. It’s a film that is filled with lots of ambiguity not just in the characters but the situations that occur where the story is told largely by this maid whom the brothers adore though she’s not present in a lot of what happens in the film.

The screenplay by Lee Daniels and its novelist Pete Dexter is quite unique for the fact that it’s a story about a group of people investigating a murder that happened a few years ago as it’s set in the late 1960s. Through the narration of the maid Anita (Macy Gray), she reveals a lot about what happened as it begins with the mysterious murder of this feared sheriff as a man named Hillary Van Wetter (John Cusack) was accused of the murder. For the reporter Ward Jensen (Matthew McConaughey) and his associate Yardley Acheman (David Oyelowo), they return to Ward’s hometown to investigate the murder to see if what Van Wetter is really innocent. With the help of Ward’s younger brother Jack (Zac Efron) as their driver, they also bring in Van Wetter’s lover Charlotte Bless (Nicole Kidman) into the mix though they had never met.

During the course of the investigation, a lot happens as Jack finds himself attracted towards Charlotte as he also to deal with other things in his home life as he often antagonizes the more clean-cut and ambitious Yardley. Jack is also bewildered by his brother as there’s also something about him that is ambiguous yet his intentions as a reporter is still clear as he’s hoping to find the truth and do what is right rather than what sells stories. While the story is really about Jack and all that he encounters during this investigation. The fact that it’s told by Anita does make it strange since she is really a minor character in the film and she does give a lot of exposition that is unnecessary. Particularly since the stuff she reveals is something the audience can already figure out.

Lee Daniels’ direction is quite stylish in the way he presents a typical period time set in the summer of 1969 in a small town in Florida. Notably as he makes sure that it’s not clean-cut where he utilizes moments that are definitely shocking and tawdry. Even as it’s an environment where there’s an element of racism where African-Americans aren’t treated fairly and people do say racial slurs towards them. Even towards someone as refined as Yardley who is this British man that has no idea of what life is like in America where he describes Ward’s hometown as a shit-hole. Even Ward doesn’t want to come back to place but reluctantly does so since the crime happened near his home. While the film is a melodrama of sorts, there’s also elements of camp in some of the things that happen.

Notably a scene where Charlotte and Hillary first meet where it’s completely off-the-wall in terms of its presentation. It’s a film that isn’t afraid to not be shocking though it does go overboard at times. Still, Daniels is intrigued by the world that the characters venture into where it does get darker in the third act as lots of revelations are unveiled. Particularly about certain characters as some of them aren’t exactly as they seem to be. Notably for Jack and Charlotte as they’re definitely the most clear-cut characters of the film who are aware of their complications and don’t carry a lot of secrets. That is probably one of the reasons why Jack is so attracted to her though he has to deal with the fact that she is devoted to Hillary where it does lead to a powerful climax. Overall, Daniels creates a compelling film that is messy at times but still engaging for the sense of style that he brings to this very grimy story.

Cinematographer Roberto Schaefer does brilliant work with the film‘s colorful yet gritty look to capture the beauty and ugliness of 1969 Florida with its small town look and sunny beaches as well as the chilling scenes in the swamps. Editor Joe Klotz does great work with the editing with its use of jump-cuts and multiple split screens to add an element of style to the film. Production designer Daniel T. Dorrance, along with set decorator Tim Cohn and art director Wright McFarland does excellent work with the set pieces from the garage that Ward and Yardley work at to the decayed look of the swamp home that the Jensen brothers encounter.

Costume designer Caroline Eselin does wonderful work with the costumes from the trashy look of Charlotte with her stylish clothes to the more straight-laced clothes the men wear. Sound mixer Jay Meagher does terrific work with the sound to capture the atmosphere of the swamps as well as some of the places the characters go to. The film’s music by Mario Grigorov is superb for some of themes created ranging from melancholic piano pieces to brooding electronic cuts where the latter adds an element of suspense. Music supervisor Lynn Fainchtein creates a fantastic soundtrack that features a lot of the soul and pop music of the late 1960s to complement the times.

The casting by Leah Daniels and Billy Hopkins is phenomenal for the ensemble that is created as it features notable small roles from Scott Glenn as Jack and Ward’s father W.W., Nikolette Noel as W.W.’s new girlfriend Nancy whom the boys dislike, and Ned Bellamy as Hillary’s disturbing uncle Tyree. Macy Gray is OK as the Jensen’s maid Anita whom the boys adore though Gray doesn’t really do much to make her character more interesting as she’s also the film’s narrator. John Cusack is unfortunately miscast as Hillary Van Wetten as this very repulsive man who is in love with Charlotte as there’s a seediness to him where it seems like Cusack is trying to do his impression of Nicolas Cage at times. David Oyelowo is very good as the snobbish Yardley who is a man with refined tastes as he doesn’t like Jack very much at all while he has an agenda of his own that would conflict with Ward’s intentions for the story.

Nicole Kidman is amazing as the very tawdry and trashy Charlotte as a woman who is so intent on meeting Hillary as she finds herself fascinated by Jack while reluctantly helping him and Ward out in the investigation where she finds herself in big trouble. Matthew McConaughey is incredible as Ward Jensen as he is this man with an idealism to help spread the truth where he goes into conflict with his estranged father while getting the kind of help he can from Ward while he is carrying a secret of his own. Finally, there’s Zac Efron in a remarkable performance as Jack Jensen as this former swimmer turned paperboy who deals with the events that are surrounding him as well as his attraction towards Charlotte where Efron finally gets to show his chops as a serious actor as he can be confrontational as well as being un-likeable at times.

While it is a film that does have some flaws, The Paperboy is still an interesting yet unsettling film from Lee Daniels. Thanks to the top-notch performances from Zac Efron, Nicole Kidman, and Matthew McConaughey, it’s a film that explores a period in time where things are secretive as well as being nothing as it seems to be including people. It’s also a film that isn’t afraid to not take itself so seriously though it does make the film a mess at times. In the end, The Paperboy is a pretty good film from Lee Daniels.

Lee Daniels Film: (Shadowboxer) - Precious - (The Butler)

© thevoid99 2013

2012 Cannes Marathon: Precious

(Played at the Un Certain Regard Section at the 2009 Cannes Film Festival)

Based on the novel Push by Sapphire, Precious is the story of 16-year old obese and illiterate young woman who is dealing with her sudden pregnancy and the abuse of her mother. When she seeks help to go to a different school and find a new life, she also deals with some of the harsh realities of her circumstances. Directed by Lee Daniels and screenplay by Geoffrey S. Fletcher, the film is an exploration into the troubled life of a young woman and her abusive mother. Starring Gabourey Sidibe, Mo’Nique, Mariah Carey, Paula Patton, Lenny Kravitz, and Sherri Shepherd. Precious is a harrowing yet truly powerful film from Lee Daniels.

Claireece “Precious” Jones (Gabourey Sidibe) is a 16-year old girl who lives in Harlem with her abusive mother Mary (Mo’Nique) as she is pregnant with a second child and is struggling to do well in school due to illiteracy. When the school’s principal learns of Precious’ pregnancy, she decides to have her move to an alternative school where Precious goes to a small class taught by the very kind Blu Rain (Paula Patton) who helps Precious improve on her reading. Despite having a safer environment at Rain’s classes, Precious still has to deal with issues at home where she also has another child named Mongo (Quishay Powell) who is suffering from Down’s Syndrome as Precious reluctantly goes to a social worker named Ms. Weiss (Mariah Carey) for more welfare only to reveal things about her home life.

When Precious goes into labor and gains a second child in Abdul, Precious tries to figure out what to do as she is surrounded by her classmates, Rain, and a nurse aide named John McFadden (Lenny Kravitz) who visit her and the baby. When Precious returns home to her mother, the result becomes bad forcing her to flee home and seek shelter in the home of Rain and her classmates. Despite finding a sense of security for her son, Precious later receives a visit from her mother with some startling news about her father that puts Precious into a state of shock about herself. With the help of Rain and her classmates, Precious decides to forge ahead to create a new life for herself and her children. Still, Precious has to deal with her mother as Ms. Weiss helps to mediate in which horrible revelations are revealed about Precious’ mother.

The film is an exploration of the life of a young 16-year old obese girl who is trying to find hope in her dreary life. Yet, she is also someone who often fantasizes about having a great life and feel loved by various people. Still, she has to contend with the abuse of her mother who often berates her for not bringing any welfare checks or to cook properly making this young girl feel awful about herself. Then comes the chance to attend an alternative school where Precious would meet classmates who are just as complicated and troubled as she is as they become a family of sorts led by this very sympathetic teacher. It would give Precious hope despite having to deal with her mother whom she wonders why this woman despises her?

Screenwriter Geoffrey S. Fletcher does a brilliant job in exploring the life of this young girl living in late-1980s Harlem as she is just trying to live this dreary life despite all of the awful circumstances she’s dealing with. The narrative is told from her perspective as her narration reveals a lot of what she’s feeling and the thing she fantasizes about. Notably as she is someone who wants to be beautiful like some of the white women she sees as there’s a scene where she looks at herself in the mirror as a white woman. It adds to the complexity of who Precious is while Fletcher also creates interesting characters in people like Blu Rain, Ms. Weiss, and some of the classmates that Precious has.

Then there’s the character of Mary who is probably just as interesting as some of the supporting characters. Throughout the story, Precious wonders what happened to her mother as she looks at pictures of Mary in earlier years. While Mary would put on a nice face in dealing with social workers, she would turn into this very monstrous woman who really despises her daughter and would abuse her in all sorts of ways for not getting what she wants or needs. The source of this hatred is eventually revealed but in one of the most devastating moments where she gains pity but it doesn’t make less of the monster that she is though she is human.

Lee Daniels’ direction is truly stylish for the way he plays out the fantasy scenes but also for the way he captures the realism of Precious’ dreary world. While the bulk of the film revels more in realism where Daniels shoots the film in a loose, hand-held style. It is to have the audience see what is going on where he knows something could go bad while he’s also interested to see how Precious would interact with people who are just as troubled including those who have a heart to help her. Daniels knows how to make create suspense but it’s the aftermath where it’s all about the emotion of these characters. For Precious, she would go back to these fantasies where the look is more stylized as if they’re videos but they would often clash with these harsh realities.

Part of Daniels’ uniqueness to fuse reality and fiction are scenes such as Precious looking at herself in the mirror where she sees herself as a beautiful white woman. Another is when she and her mother are watching Vittorio de Sica’s Two Women where Precious imagines herself and her mother in that scene repeating the same dialogue they had previously spoken but in a calm Italian setting. It’s among one of the film’s major highlights as is the calm intensity in the scenes between Precious and Mary including their climatic meeting at Ms. Weiss’ office. There’s melodrama in some of these emotional scenes including that meeting but Daniels knows when not to go overboard as he pulls out the right punches to find something the audience can connect with. Overall, Daniels creates a very tough yet heart-wrenching drama that explores a young girl’s journey to find hope in her dreary world.

Cinematographers Andrew Dunn and Darren Lew do excellent work with the film‘s very stylized cinematography from some of the lush colorful shading of the scenes in Rain‘s classroom to the hyper-stylized fantasy scenes with its array of colors and lights. Editor Joe Klotz does amazing work with the editing to play out the drama that occurs through some chilling montages and stylized cuts ranging from jump-cuts to dissolves to establish Precious‘ struggle. Production designer Roshelle Berliner, along with art director Matteo De Cosmo and set decorators Kelley Burney and Paul Weathered, does nice work with the set pieces created such as the apartment that Precious and Mary lives in to the small but peaceful classroom Rain has to teach her students.

Costume designer Marina Draghici does very good work with the costumes where a lot of it is casual in tune with the late 80s while there‘s more stylish clothing for the fantasy scenes. Visual effects supervisor Dan Schrecker does superb work with the visual effects to create transitions from the fantasy scenes to reality as well as few pieces such as a dream sequence filled with numerous historical pieces that surrounds Precious. Sound editor Robert Hein does a fantastic job with the sound to capture the tense atmosphere of the apartment scenes as well as the raucous world of Harlem.

The film’s score by Mario Grigorov is quite good for its low-key score to play out the drama with small orchestral flourishes. Yet the film’s music is dominated largely by its R&B-inspired soundtrack. Assembled by music supervisor Lynn Fainchtein, the soundtrack includes music by Robin Thicke, Bobby Brown, LaBelle, Mary J. Blige, Queen Latifah, Nona Hendryx, and some gospel pieces by Mahalia Jackson and Donna Allen that truly captures the spirit of the film.

The casting by Billy Hopkins and Jessica Kelly is phenomenal for the ensemble that is created as it features small but notable performances from Sherri Shepherd as the school receptionist Cornrows, Grace Hightower as a social worker who visits Precious and Mary in a flashback scene, Bill Sage as a math teacher Precious adores early in the film, Quishay Powell as Precious’ Downs Syndrome-affected daughter Mongo, and Lenny Kravitz as the kind and humorous nurse aide John McFadden. In the roles of Precious’ classmates, there’s Amina Robinson as the low-key Jermaine, Chyna Lane as the flamboyant Rhonda, Stephanie Andujar as the mouthy Rita, Angelic Zambrana as shy Consuelo, and Xosha Roquemore as calm Jamaican Jo Ann as they all give very memorable and lively performances.

Mariah Carey is excellent in a small role as the social worker Ms. Weiss who tries to help Precious with her situation while Paula Patton is great as the very sympathetic teacher Blu Rain who shows Precious a life that can be good. Mo’Nique gives a truly magnificent as the monstrous Mary where Mo’Nique displays a fierce sense of intimidation to a character that is full of resentment and anger while also displaying a bit of warmth in the fantasy scenes plus sadness in the film’s climatic meeting with Ms. Weiss. Finally, there’s Gabourery Sidibe in marvelous performance as the titular character where Sidibe provides a sense of realism to a character lost in a dreary, abusive world. The fantasy scenes including some of the realistic scenes show Sidibe in places where she seems relaxed and full of life while also someone who seems lost in the world where she is unsure how to vent her anger. It’s a truly remarkable debut performance for the newcomer as Sidibe rises to the occasion and more.

Precious is an extraordinary although very grim film from Lee Daniels that features towering performances from Gabourey Sidibe and Mo’Nique. It’s a film that is definitely not easy to watch due to its very provocative subject matter and harsh reality. Yet, the film is a story of hope that is quite inspiring to watch for the way a young girl can rise up against abuse. In the end, Precious is a film that truly lives up to its namesake and more that is told in an engaging fashion from Lee Daniels.

Lee Daniels Films: (Shadowboxer) - The Paperboy - (The Butler)

© thevoid99 2012