The film revolves around the titular character who gets abducted by a biker gang from her idyllic yet remote home as she becomes a prisoner to a warlord and later traded to another one where she later seeks vengeance on the man who had taken her away from her home and killed her mother. It is a revenge film set years after a global apocalypse where this young girl lives in an idyllic, yet remote area known as the Green Place where she encounters a group of bikers who would kidnap her prompting her mother Mary (Charlee Fraser) to go retrieve her. Unfortunately, Mary meets the warlord Dr. Dementus (Chris Hemsworth) who wants to rule the wasteland as he takes Furiosa for himself and is later traded to another warlord in Immortan Joe in an act of peace. The film’s screenplay by George Miller and Nico Lathoruis is straightforward in its narrative as it is told in five acts with the first two acts revolves around the young Furiosa who must endure so much torment as a prisoner and later become a slave for Joe where she would later disguise herself as a mute boy for its third act. Part of the film’s narrative feature some narration from a prisoner of Dr. Dementus in the History Man (George Shevtsov) who would provide some insight into the world and what had happened.
Furiosa would help create a massive supply tanker that would be armed with weapons and such as it would be driven by Praetorian Jack (Tom Burke) who would take Furiosa under his wing as they would work for Immortan Joe who becomes restless over the deal he made with Dr. Dementus who had turned his fortress of Gastown into ruin. Jack would not just be a mentor for Furiosa but also give Furiosa another person to really care about as there’s hints of love between them. Even as Burke is willing to help Furiosa return home as they later deal with Dr. Dementus who has become unruly in his pursuit of dominance as he goes to war against Immortan Joe over the latter’s land known as the Citadel.
Miller’s direction is grand in terms of the scale that he creates as he would shoot the film on location in New South Wales in the towns of Hay and Silverton with the desert in the region being its main location. Miller’s usage of wide and medium shots does not just play into the vastness of these locations with such diligence in the caves and dunes in the deserts along with these sandstorms that would often emerge in the film. There are also a lot of worlds building that Miller goes into as it relates to the territories of Immortan Joe such as the fortresses he has including his main home at the Citadel where there are plants available though it is under Joe’s control. Miller does maintain a sense of intensity and suspense that plays into what Furiosa would encounter as a young girl and later as a woman. Even as he uses close-ups to play into her reaction as well as her silent demeanor when she is a woman disguised as a boy where she can observe her surroundings and situations.
With the aid of action designer Guy Norris as a co-director and a stunt coordinator, Miller creates these amazing set pieces for some of the film’s action sequences where this so much diligence in what is happening. Notably a scene in the second act where Furiosa works at the war rig as she would fix things under the truck and kill some rogue bikers while Jack is driving the war rig. The different camera angles as well as the different compositions that Miller creates do add to the sense of danger in these stunts and action set pieces. Notably in the film’s climax as it plays into this conflict of two warlords with Furiosa intent on killing Dr. Dementus herself following an encounter that revealed how she lost a part of her left arm. Miller also plays into the idea of vengeance as it relates to Furiosa but also in what she is taught about Dr. Dementus who had lost everything during the apocalypse as he is eventually pushed to the limit when his back is against the wall. Overall, Miller crafts an epic and exhilarating film about a woman who goes on a journey for vengeance.
Cinematographer Simon Duggan does incredible work with the film’s cinematography with its usage of natural photography for many of the daytime exterior/interior scenes along with some stylish filters for some scenes at night. Editors Margaret Sixel and Eliot Knapman do excellent work with editing with its usage of jump-cuts and fast-cutting as it help play into the action and suspense without deviating towards chaotic cutting as shots are allowed to linger for more than a few seconds Production designer Colin Gibson, along with set decorator Katie Sharrock and supervising art director Sophie Nash, does brilliant work with the look of some of the places in the film such as Gastown and the Citadel as well as the design of the war rig. Costume designer Jenny Beaven does amazing work with the costume designs in the usage of leather for what Dr. Dementus and his gang wear as well as some of the unique clothing of Immortan Joe and his associates along with the many different clothes that Furiosa wears throughout her time.
Hair and makeup designer Lesley Vanderwalt does fantastic work with the design of some of the hairstyles of some of the characters as well as the prosthetic nose that Dr. Dementus has as well as the makeup of some of the people in Dr. Demtentus’ gang. Special effects supervisors Lloyd Finnemore and Andy Williams, along with visual effects supervisors Xavier Matia Bernasconi, Dan Bethall, Paul Butterworth, Andrew Jackson, and Jo Plaete, do marvelous work with the visual effects with its mixture of practical effects that gives the film a sense of realism into the stunt work and action with some computer-based visual effects for some of the scenery and small bits to play into its sense of terror.
Sound designers James Ashton and Robert Mackenzie do superb work with the sound as it is a highlight of the film for how massive an engine sounds from afar or up close as well as the way things sound on location as is top-tier work from Ashton and Mackenzie. The film’s music by Tom Holkenborg is phenomenal for its bombastic mixture of orchestral music and electronic music that plays into the intensity of the action as well as the suspense as it is a major highlight of the film.
The casting by Nikki Barrett is remarkable as it features some notable small roles and appearances from Dylan Adonis as Furiosa’s younger sister Little Valkyrie, Quaden Bayles as a war pup who is a warrior in the war rig, Daniel Webber and Sean Millis as a couple of war boys, Peter Stephens as the main guardian of Gastown until he meets Dr. Dementus, George Shevtsov as a prisoner of Dr. Dementus in the History Man who is also the film’s narrator, Angus Sampson as a doctor who worked for Dr. Dementus and later for Immortan Joe, and Jacob Tomuri as a mysterious man who finds Furiosa in the desert in the film’s third act. Josh Helman and Nathan Jones are terrific in their respective roles as Immortan Joe’s sons Scrotus and Rictus Erectus as two men who are trying to run things for their father as well as deal with the chaos that is Dr. Dementus and his forces. John Howard is superb as the People Eater as Joe’s advisor who is also a military strategist who is trying to deal with the chaos of Dr. Dementus.
Charlee Fraser is fantastic as Furiosa’s mother Mary Jabassa as a woman from the Green Place who is a cunning warrior that tries to retrieve Furiosa only to deal with Dr. Dementus and his horde of bikers. Elsa Pataky is excellent in a dual role as a Vuvalini general who helps Mary in her pursuit and as a deformed biker known as Mr. Norton. Lachy Hulme is amazing in a dual role as a lieutenant of Dr. Dementus in Rizzdale Pell and as the warlord Immortan Joe as this monstrous figure who sports a mask that runs the Citadel and much of the Wasteland where he finds himself challenged by Dr. Dementus only to later feel betrayed and conned by him prompting him to go to war. Alyla Browne is brilliant as the young Furiosa as a child from the Green Place who is kidnapped by Dr. Dementus’ horde of bikers as she later becomes his prisoner as she reminds him of what he once had and later trade her to Immortan Joe as a possible future wife where she deals with having to do things herself. Tom Burke is great as Praetorian Jack as the driver of the war rig who becomes Furiosa’s mentor as well as a life partner as he teaches her how to survive while also hoping to help her return home.
Chris Hemsworth is phenomenal as Dr. Dementus as a warlord who likes to ride a chariot of motorcycles as he is hoping to create havoc and rule the Wasteland where he is eager to find vegetation and such from the Citadel only to later rule Gastown into absolute disarray. It is a performance filled with humor but also a lot of terror as Hemsworth really provides this air of cruelty of a man who had lost everything and wants people to feel his pain including Furiosa. Finally, there’s Anya Taylor-Joy in a performance for the ages as Furiosa as this young woman who had endured a lot as she is also cunning in her pursuit of vengeance while also not saying very much as she only has thirty lines in the entire film. Taylor-Joy also has a way in the way she reacts to things as well as an icy stare that expresses so much by having her do so little as this is truly an iconic performance from Taylor-Joy.
Furiosa: A Mad Max Saga is an outstanding film from George Miller that features a tremendous leading performance from Anya Taylor-Joy in the titular role. Along with its ensemble cast, ravishing visuals, high-octane action set pieces, immense sound design, a riveting music score, and a gripping screenplay in its exploration of vengeance and loss. The film is an example of what an action film should be while also giving audiences a look into the life of a beloved character with her own story that proves to be as thrilling as another of one of Miller’s great characters in Mad Max. In the end, Furiosa: A Mad Max Saga is a magnificent film from George Miller.
George Miller Films: Mad Max - Mad Max 2: The Road Warrior - (Twilight Zone: Nightmare at 20,000 Feet) – (Mad Max Beyond Thunderdome) – (The Witches of Eastwick) – (Lorenzo’s Oil) – (40,000 Years of Dreaming) – (Babe: Pig in the City) – (Happy Feet) – (Happy Feet Two) – Mad Max: Fury Road - (Three Thousand Years of Longing) - (Mad Max: The Wasteland)
© thevoid99 2024
Directed by George Miller and written by Miller, Brendan McCarthy, and Nico Lathouris, Mad Max: Fury Road is the story of a drifter in a desert wasteland as he helps a woman flee from a cult leader who is trying to retrieve his wives. The film is another post-apocalyptic film where it is set in a desert world as Max Rockatansky is in another adventure as he is joined by a mysterious woman in a world that is completely chaotic. Starring Tom Hardy, Charlize Theron, Nicholas Hoult, Rosie Huntington-Whiteley, Riley Keough, Zoe Kravitz, Abbey Lee Kershaw, Courtney Eaton, and Hugh Keays-Byrne. Mad Max: Fury Road is an astonishing grand and enthralling film from George Miller.
Set in a post-apocalyptic wasteland where civilization is on the bring of extinction, the film revolves around a survivor who is captured by a cult as he finds himself in a chase after a truck driver steals a cult leader’s group of wives as he would later help them find freedom. It’s a film that where the character of Max Rockatansky (Tom Hardy) is once again trying to find something in his life as he remains haunted by failures and loss. All of that sense of encounter of terror and chaos forces him to fend for himself and go on his own where he eventually finds a reason to do something in helping this rogue truck driver named Imperator Furiosa (Charlize Theron) who is trying to drive to her old homeland with the wives of the cult leader Immortan Joe (Hugh Keays-Byrne).
The film’s screenplay doesn’t carry a lot of exposition nor does it have a lot of dialogue though it does open with some bits of exposition of where Max had been through for so many years as he is just a survivor. He is constantly haunted by the image of a child he was unable to save as he is first seen captured by a sickly group of young men in white known as War Boys who are part of Joe’s cult. Since Max has blood that can help some of these boys, he is attached to one of them in Nux (Nicholas Hoult) who wants to impress Joe as he joins them on the chase with Max in tow. Yet, the screenplay showcases exactly what the world has come to where Joe has complete control of the water where the people could only get as little as possible while gasoline and milk. Joe also treats people as slaves including women which is a big reason why his five brides are fleeing him and ask Furiosa to drive them away from Joe. Once Max learns what Furiosa is doing, he isn’t sure if he should trust her but realizes what is at stake.
Part of the script’s success isn’t in the fact that there’s an element of feminism that isn’t heavy handed but also reveals that these five wives of Joe are real characters that all have something to say as they’re sick and tired of being objectified and used as slaves. Most notably in a shot where one of the brides is trying to get a chastity underwear out as another one is using bolt-cutters to unchain her. During this chase where Max and Furiosa are taking turns in driving this massive war rig, the script allows these women to be fleshed out as they all want something where they are able to live good lives. The film’s third act isn’t just about these characters trying to reach the destination but also wonder if there is a world where there is hope as Max would be the one to give Furiosa an idea and help her as if they are partners without the need to make out or have sex.
George Miller’s direction is very grand not just for the setting he creates for the film but also in the way he stages the chase scenes and the sense of chaos that surrounds it. Shot on location in Namibia as well as parts of Australia, the locations set in the deserts, swamps, canyons, and mountains do serve a purpose as it establishes a world that is very unforgiving and with a sense of the unknown. Since it is largely a chase film that goes throughout the desert, Miller does use a lot of wide shots to capture the vast look of the locations where it does play into something that feels like a post-apocalyptic world where civilization doesn’t exist. Even as Miller knows how to put his actors in a frame and be part of this vast location where they feel like they’re lost and trying to find something.
The direction also has an element of realism in the way the chase scenes are presented as well as the cars and trucks that are used where Miller definitely goes for an old-school approach of using actual effects rather than heavily rely on computer-based visual effects with the exception of a few scenes. Miller’s usage of close-ups and medium shots do play into the sense of a community trying to come together and help each other as well as stand up for something in a world where order has ceased to exist. Even as it would lead into this extravagant climax where so much is at stake while it is not afraid to delve into moments that are scary but also engaging. Overall, Miller creates an intense yet monstrous film about a drifter who aid a group of women to find hope in a post-apocalyptic wasteland.
Cinematographer John Seale does brilliant work with the film‘s very exotic and vibrant cinematography with its emphasis on the sunny desert look to play into its location along with some usage of blue-filters for some scenes at night with some inspiring lighting cues in the film as it among one of the film‘s technical highlights. Editor Margaret Sixel does amazing work with the editing by not just playing into the sense of chaos that occurs with some fast-cutting but also know when to slow it down for the non-action scenes and using fade-outs to help structure the story. Production designer Colin Gibson, with art directors Shira Hockman and Jacinta Leong and set decorators Katie Sharrock, Lisa Thompson, and Gena Vazquez, does incredible work with the set design from the look of the Citadel canyons where Joe runs his cult as well as the design of the trucks and cars that occurs through the chases.
Costume designer Jenny Beaven does excellent work with the clothes from the look of Joe and his gang as well as the other cults to the bridal-look of Joe’s wives. Hair/makeup designer Lesley Vanderwalt does fantastic work with the look of the characters from the war boys to the look of Joe as well as the hair and makeup of their cult. Visual effects supervisors Andrew Jackson and David Nelson do superb work with the look of the grand winds and tornados along with creatures as they keep things to a minimum in order to play into more practical effects. Sound designers Christopher S. Aud, Julian Slater, and David White, along with sound editors Scott Hecker, Mark A. Mangini, and Wayne Pashley, do phenomenal work with the sound to play into the sense of terror that looms over the film as well as some of the music that is played on location from Joe‘s cult including a guitarist with a guitar that is also a flamethrower. The film’s music by Junkie XL is spectacular with its mix of bombastic beats and orchestral flourishes along with elements of guitars and electronics to play into the chaos and thrill of the chases.
The casting by Nikki Barrett and Ronna Kress is wonderful as it features some notable small roles from Joy Smithers, Gillian Jones, Megan Gale, and Jennifer Hagan as a group of women Furiosa knows, Melissa Jaffer as a woman who has provided a source for the future that one of the wives befriends, John Howard and Richard Carter as a couple of ruthless gang leaders, Nathan Jones as Joe’s strongman son Rictus Erectus, and Josh Helman as Nux’s fellow war boy Slit. In the roles of the five wives, Courtney Eaton is terrific as the more scared Cheedo the Fragile who often thinks about going back to Joe for safety while Abbey Lee Kershaw is superb as the Dag who connects with one of the old women in its third act as she would also start to yearn for something that might bring some hope.
Zoe Kravitz is excellent as Toast the Knowing as a wife who aids Max in reloading the weapons and often observes everything Riley Keough is fantastic as Capable who would befriend Nux while being the one who can help fix the truck. Rosie Huntington-Whiteley is amazing as The Splendid Angharad as a wife of Joe who is pregnant as she is the one in most danger as she is eager to not have a child that would become a slave or a warlord like her husband. Hugh Keays-Byrne is brilliant as Immortan Joe as this cult leader who rules the wasteland as he goes on a chase to retrieve his wives and ensure his legacy.
Nicholas Hoult is marvelous as a sick war boy named Nux who is trying to prove his loyalty to Joe as he endures many situations where he proves to be a reliable person for Max and Furiosa. Charlize Theron is phenomenal as Imperator Furiosa as this rig truck driver with a prosthetic left arm that decides to defy Joe and do what is right without the need to explain herself as it’s a very chilling yet enthralling performance that has Theron be a full-on badass. Finally, there’s Tom Hardy in a remarkable performance as Max Rockatansky as a drifter who finds himself in a troubling situation as he struggles to find some good and meaning in his life as Hardy largely gives a silent performance with few words while not afraid to be overshadowed as he and Theron act as total equals that deliver and more.
Mad Max: Fury Road is an outstanding film from George Miller that features top-of-the-line performances from Tom Hardy and Charlize Theron. Along with a great supporting cast, spectacular stunts and special effects, enthralling music, and dazzling visual effects. It is a film that doesn’t just act as a full-on action blockbuster that entertains but does so much more as it manages to be a feminist film without the need to say anything big. In the end, Mad Max: Fury Road is an astounding and rapturous film from George Miller.
George Miller Films: Mad Max - Mad Max 2: The Road Warrior - (Twilight Zone: The Movie-Nightmare at 20,000 Feet) - (Mad Max Beyond Thunderdome) - (The Witches of Eastwick) - (Lorenzo’s Oil) - (40,000 Years of Dreaming) - (Babe: Pig in the City) - (Happy Feet) - (Happy Feet Two) - (Three Thousand Years of Longing) - Furiosa: A Mad Max Saga - (Mad Max: The Wasteland)
© thevoid99 2015
