Blind Spot 2013: Mona Lisa

Directed by Neil Jordan and written by Jordan and David Leland, Mona Lisa is the story of a small-time criminal who becomes a driver for a high-class prostitute only to be entangled into a dark underworld involving the sex trade. The film is an exploration into a man trying to do the right thing when he realizes he is a new world as he tries to help a prostitute find someone. Starring Bob Hoskins, Cathy Tyson, Robbie Coltrane, and Michael Caine. Mona Lisa is a gripping yet evocative film from Neil Jordan.

What happens to a former criminal who takes a job as a driver for a high-class prostitute for his boss only to enter this dark underworld involving the sex trade? That is the premise of the film as it revolves around this man named George (Bob Hoskins) who returns from a seven-year prison stay seeking redemption as well as compensation for doing his time for his former mob boss Denny Mortwell (Michael Caine). Mortwell gives him this job as a driver for a hooker named Simone (Cathy Tyson) where the two become friends as she asks George to help find a friend of hers whom she believes has gotten herself into serious trouble. George does what Simone asks only to go very deep into this dark underworld where it involves Mortwell trying to legitimize himself through the sex trade that also involves drugs forcing George to do what he feels is right.

The screenplay by Neil Jordan and David Leland is quite complex in not just the exploration of prostitution and this underworld that includes that along with other aspects of the sex trade. It goes very deep into that world where it is controlled by this mob boss who is seeking legitimacy by using prostitutes to service men who have power. Men like politicians or movers-and-shakers that Mortwell wants to take part in so he can have money, power, and respectability so he wouldn’t be in trouble with the police. For a man like George, it’s a world he doesn’t know very much about as he is more interested in making a living and not get in trouble while trying to re-establish a relationship with his daughter Jeannie (Zoe Nathenson) whom he hadn’t seen since going to prison. Upon working for Simone, George learns what he has to do as a chauffer as well as dressing like one where he learns about what kind of work Simone does.

Simone is an interesting individual who is a prostitute that is willing to service men of power for lots of money but there are things that she does that do become questionable as Mortwell asks George to find out the things she’s doing. Yet, she knows about the sex underworld that is prevalent in London as they always drive through the bridge above King’s Cross that is filled with young hookers and all sorts of seedy people. By asking George to find one of her friends whom she believes is dealing with the worst sort of people, George goes inside as he makes some unsettling discoveries. Yet, he finds himself drawn to Simone as he tries to ensure her a world of hope but things eventually become more complicated as Mortwell gets involved.

Neil Jordan’s direction is very engaging for the way he explores the world of London’s sex shops and its connection to the world of the rich-and-powerful. Notably as he shoots it on location in London where it is a world that is unique but also very seedy in some of the areas like the King’s Cross bridge or some of the streets in London. The direction is also filled with these array of mesmerizing images of the way some of the hotels that George and Simone frequent to or other locations such as Brighton late in the film. The camera is often moving in several scenes such as a montage of George walking through the sex shops, peep shows, and other places in London trying to find this mysterious young woman.

The direction also has a moment of intimacy in some of the scenes between George and Simone where Jordan uses some close-ups and medium shots to express their growing friendship that also has a hint of romance. Jordan infuses a lot of genres into this story though it’s mainly a suspense-drama with bits of humor and adventure. Yet, he also tries to create something that is unsettling where George and Simone are aware they’re in trouble as it does involve some chilling moments of violence. Even as it features this climax involving Mortwell where a lot of revelations occur but also some moments that would prove to disheartening for George. Overall, Jordan crafts a very powerful yet fascinating film about a man’s willingness to do the right thing and find redemption.

Cinematographer Roger Pratt does brilliant work with the film‘s photography from the look of many of the film‘s daytime exteriors and interiors in London to some of the stylish lighting schemes for scenes at night or at the garage owned by George‘s friend Thomas. Editor Lesley Walker does excellent work with the editing by creating a wonderful montage of George trekking through the sex underworld as well some stylish cuts in some of the film‘s suspenseful moments. Production designer Jamie Leonard and art director Gemma Jackson do terrific work with the look of some of the peep shows and sex shops that George treks through as well as the garage that Thomas lives in.

Costume designer Louise Frogley does wonderful work with the costumes from the classy dresses and lingerie that Simone wears to the suits that George wears that allows him to fit in with the world of the rich. Sound editor Jonathan Bates does nice work with the sound from the way some of the sex shops sound like to the more intimate yet layered work in the posh hotels as well as the crazier moments in the London streets.

The film’s music by Michael Kamen is superb as it is a mixture of serene orchestration along with some suspense in the strings as well as some eerie electronic cuts to play out some of the dark elements of the film. The rest of the music is largely based on the works of two artists in Nat “King” Cole and Genesis. The former has two songs that play to George’s yearning for the old ways as well as his attraction towards Simone in When I Fall in Love and the title track. In the latter, the Genesis ballad In Too Deep is featured in a montage of George trekking into the sex underworld as it plays to his own emotions and loneliness as the music is a major highlight of the film.

The casting by Susie Figgis is amazing as it features a brilliant ensemble cast that includes some notable small roles from Joe Brown as an associate of Mortwell in Dudley, Sammi Davis as a young hooker named May, Katie Hardie as the woman George is trying to find for Simone, Clarke Peters as a brutish pimp named Anderson, and Zoe Nathenson as George’s daughter Jeannie whom George is trying to reconnect with. Robbie Coltrane is great as George’s friend Thomas who tries to piece out all of the things George is going through while helping him out a bit. Michael Caine is brilliant as the devious Denny Mortwell as a man who wants to ensure that George is doing well though the things he does are very seedy as it is one of Caine’s finest performances.

Cathy Tyson is excellent as Simone as she displays an air of class to her role as well as a grittiness that is just captivating to watch as a woman who knows how to navigate to the scenes while being very troubled by some of the circumstances that occur. Finally, there’s Bob Hoskins in a magnificent performance as George. Hoskins display that sense of working class ethics and naivete while becoming more refined in his choice of clothes while showing a sensitivity to his role as a man who is really determined to find Simone’s friend while being a friend to Simone as it’s one of Hoskin’s greatest performances.

Mona Lisa is an outstanding film from Neil Jordan that features a riveting performance from Bob Hoskins. Along with brilliant supporting work from Cathy Tyson, Robbie Coltrane, and Michael Caine. The film is definitely one of the great films of British cinema as well as one of Neil Jordan’s finest works. It’s also an intriguing study of a man trying to help someone and seek redemption for some of his past actions. In the end, Mona Lisa is a tremendous film from Neil Jordan.

Neil Jordan Films: (Angel (1982 film)) - (The Company of Wolves) - (High Spirits) - (We’re No Angels) - (The Miracle (1991 film)) - (The Crying Game) - (Interview with the Vampire: The Vampire Chronicles) - (Michael Collins) - (The Butcher Boy) - (In Dreams) - (The End of the Affair) - (The Good Thief) - (Breakfast on Pluto) - (The Brave One) - (Ondine) - (Byzantium)

© thevoid99 2013

The Brothers Bloom

Originally Written and Posted at Epinions.com on 6/20/09 w/ Additional Edits.

Written and directed by Rian Johnson, The Brothers Bloom tells the story of two brothers reuniting for one last con game on a heiress to steal some money. Instead, one of the brothers fall for the heiress who takes part in the con with help from a Japanese explosion artist. A traditional con film of sorts, The Brothers Bloom is more about characters than the actual con as Johnson also chooses to play tricks on everyone including the audience. Starring Adrien Brody, Mark Ruffalo, Rachel Weisz, Rinko Kikuchi, Robbie Coltrane, Maximilian Schell, and narration by Ricky Jay. The Brothers Bloom is a witty, character-driven con film from Rian Johnson and company.

Ever since they were orphans going from house to house, the Bloom brothers in 13-year old Stephen (Max Records) and 10-year old Bloom (Zachary Gordon) were just kids who didn't fit in until Stephen found a way to make a scheme out of the wonderment and innocence of other kids. Therefore, a con was executed as it would be the first of many for the Bloom brothers. 20 years later in Berlin, another successful con was executed as Stephen (Mark Ruffalo), Bloom (Adrien Brody), and their Japanese explosion technician Bang-Bang (Rinko Kikuchi). A party was thrown in the honor of the brothers where a young woman named Rose (Nora Zehetner) tried to flirt with Bloom but Bloom believes it's another con as he could no longer distinguish with what's real and what's a con.

Leaving the con business for good, Bloom disappears to Montenegro where three-months later, he's found by Stephen. Stephen asks him for one last con in New Jersey which involves a rich, eccentric heiress named Penelope (Rachel Weisz). Bloom takes a liking to her as he reluctantly joins the con with Stephen and Bang-Bang. Yet, after a plan to be hit by her car on his bike that went well. It also doesn't go well after Penelope crashes her car near a cliff where she survived. Bloom masquerades as an antique dealer where he befriends Penelope who likes to collect hobbies and do weird things. Bloom reveals that his brother are going to Prague to retrieve an old book as he asks if she would want to go. Bloom isn't sure if she would go but she does in style as she befriends the quiet Bang-Bang while she also meets a mysterious antiques curator (Robbie Coltrane).

While the curator claims that the Bloom brothers are smugglers, Penelope gets excited as they land in Greece on their way to Prague. With an elaborate plan to steal the book, the presence of their old mentor Diamond Dog (Maximilian Schell) troubles the Bloom brothers because of an incident where Stephen wounded Dog's left eye. After a con where the curator ends up getting a huge sum of money from Penelope, the Bloom brothers seemed to have succeed but Penelope wants to go for the book. The brothers and Bang-Bang don't believe she could do it but through some improvisation and sweet talk, Penelope succeeds. Bloom and Penelope start to fall for each other as they go to Mexico for their final destination of the con as Bloom becomes unsure if he wants to con Penelope as Stephen realizes that his brother is about to ruin the entire plan. Instead, another con in St. Petersburg occurs that Bloom reluctantly joins in but with some unexpected help.

Con films are often about a plan for a big con and such. Yet, it's always approached with a level of cleverness and wit as it's about the big scheme and such. What makes this film a bit different is the fact that it is more about characters and how they're invested into playing a con with one of them becoming less enthused as he falls for his mark. The first seven-minutes of the film is narrated by Ricky Jay that explores the history of the brothers and how they managed to score their first con scheme. Now that first seven minutes along with aspects of the films in its look might have audiences thinking that writer-director Rian Johnson is channeling the work of Wes Anderson. Well, there's a major difference between Anderson and Johnson in their approach to visuals and storytelling.

Anderson is an artist who shoots films in certain angles and has his own quirks and shooting styles with a look that is very colorful. At the same time, Anderson is known for creating characters that are very eccentric though they're relatable. Yet, part of the flaw with Anderson's films is that sometimes, the characters are eccentric for their own good while Anderson also has a tendency to employ gimmicks whether it's some kind of pop music or the slow-motion edits to end the films. Though it's an interesting style that has worked for Anderson. It often works too well.

Johnson is very different where he doesn't go for that kind of cinematic style. Instead, he's more invested in characters and their flaws. In Bloom, he's the reluctant player who will fake his death for the con and be the guy who will dig deep into a con where he has trouble distinguishing between fiction and reality. The Bloom character is a character filled with conflict as he falls for his mark while has a hard time doing the job with his brother. Stephen, is the organizer and brains of the con as he's all about the big payday and not really into the emotional aspects of hurting people. Still, Stephen is just as interesting as Bloom in reveling the idea of the con while being impressed by his mark Penelope for just going along with it.

Penelope is really the heart of the film as she is just a woman looking for some kind of adventure. Living in a house by herself, the arrival of Bloom, Stephen, and Bang-Bang gets her to interact with people she wouldn't have interacted in her dull, lonely life. Money doesn't mean anything to her as her relationship with Bloom becomes more romantic while finding a close friend in Bang-Bang. Though the Bang-Bang character only has a couple of lines, she is truly the film's most quirky and enjoyable character of the film. She is the balance of the three main characters where she is Stephen's close ally while grounding Bloom and being the friend to Penelope.

Johnson's exploration of characters is what makes the film different in its screenplay while he also goes into the organization of the con. While audiences might be baffled by its approach in the deconstruction of the con film. It allows Johnson to be invested in the relationship of the characters and the organization of the con. For the direction of the film itself. Johnson does go for a style that includes hand-drawn drawings of locations and bubbles of the cons to structure the story. Yet, he does it in a subtle way while does give the audience insight into various locations including Prague, Montenegro, and St. Petersburg as it's all shot in Europe.

There's a richness to the location though its not all filled with flashy colors like some of Wes Anderson's films which are very colorful in its set designs and cinematography. Johnson is more engaging into the characters where there's a great shot of Penelope playing cards as her mouth is being reflected through some form of silverware. Johnson's long shots of the locations are very beautiful as it relates to Bloom's state of mind where the compositions and shots are more about what is going on in the con and such. While it's not a perfect film, what Rian Johnson does with his sophomore feature is phenomenal as he is truly becoming a director to keep an eye.

Johnson's regular cinematographer Steve Yedlin does excellent work with the film's camera work with beautiful shots of the locations including sunset shots of the scenes on the sea. Yedlin's best work in the film are scenes in the wood with lights striking towards the woods which is reminiscent of the legendary work that Vittorio Storaro did in Bernardo Bertolucci's 1970 film Il Conformista. Editor Gabriel Wyre does some fantastic work with the film's editing which is a balance between straightforward transitions, jump-cuts, rhythmic timing, and other stylized transitions including wipes and such to give the film a nice pacing that truly works.

Production designer Jim Clay plus set decorator Sophie Newman and art director Paul Kirby do some very good work in the look of Penelope's home and other objects plus the boat and the party that the Bloom brothers celebrate at Berlin. Costume designer Beatrix Aruna Pasztor brings a lot of amazing costumes to the set, notably the clothes that Rinko Kikuchi wear from her fur coat, airplane goggles, and hat while Rachel Weisz manages to look great with a green coat, some shoes, and most of all, the bowler hat that complements the suits the men wear in the film. Sound editor Jonathan Miller does some fantastic work with the film's sound in its location settings, explosions, gun shots, and other things that add to the film's exciting, quirky humor, notably Bang-Bang's love for explosions.

The film's soundtrack supervised by Brian Reitzell features a collection of music including cuts by Cat Stevens and from Nashville Skyline, the song Tell Me That It Isn't True by Bob Dylan that is in a great scene with Adrien Brody and Rachel Weisz talking. Yet, it's the score by Rian's cousin Nathan Johnson that is really one of the film's technical highlights. Filled with wonderful arrangements from orchestral, folk, and blues. It plays up to the film's quirky sense of humor as well as its drama with acoustic pieces that are truly memorable and with lots of hook. Whereas Nathan Johnson's score in Brick had a unique feel to the film, his score for this film is just as potent which marks the arrival of fantastic music composer in film.

The casting by Shannon Makhanian is excellent with Esme Tyler as a young girl the young Bloom falls for, Andy Nyman as a man conned in Berlin, and as the young Bloom brothers, Zachary Gordon as the young Bloom and Max Records as the young Stephen, both of whom deliver fantastic performances. Making cameos from the film Brick are Noah Segan as a Duke, Nora Zehetner as a girl trying to flirt with Bloom named Rose, and a one-second cameo from its star Joseph Gordon-Levitt. Maximilian Schell is excellent as Diamond Dog, a former mentor wanting to seek some kind of vengeance against the brothers for destroying his left eye while wanting to make deals with them. Robbie Coltrane is great as the curator, a man who knows what the brothers are while trying to be charming towards Penelope as Coltrane does some solid work in his brief appearances.

Stealing the film from practically all of her co-stars is young Japanese actress Rinko Kikuchi of Babel fame as the explosive technician Bang-Bang. Though she only has a couple of lines and the performance is mostly silent, Kikuchi steals the show with her quirky sense of humor in making faces, hand gestures, and her ability to do explosives. There's something that is quite adorable about Kikuchi where in every scene she's in, there's something that brings a smile to the face of the viewer as it's truly a role that is extremely memorable. This performance really tops her Oscar-nominated performance in Babel. Mark Ruffalo is brilliant as Stephen, the organizer of the con who tries to get his brother into it while maintaining its integrity and hopes for the pay-day. Ruffalo is a bit understated but also witty as he is also engaging and complex in his emotions in his scenes with Adrien Brody as the two have great banter together.

Rachel Weisz is phenomenal in what is truly the best role of her career. Playing the eccentric heiress Penelope, there's something exciting about her performance as she is someone that does many things. Weisz actually does the skateboarding, rapping, juggling, and all sorts of things while showing depth of a woman who is lonely and in need of some kind of connection. For the famed British actress, this is easily the most accessible and entertaining performance of her career. Adrien Brody is truly in top form as Bloom, the melancholic protagonist in need of change after being in one too many cons. Brody hits all of the right notes while not delving into melodrama while showing that he can also bring humor as it's definitely the most fulfilling performance he gave since his 2002 Oscar-winning performance in Roman Polanski's The Pianist. Brody's chemistry with Weisz is truly engaging as it's based on two people who feel out of place only to realize how they enjoy each other.

While it may not have the atmospheric, dark tone of Brick, The Brothers Bloom is truly a smart, funny, and thrilling film from Rian Johnson. Fans of Brick will rejoice that Johnson can deliver another hit as he is clearly a director that will be one to watch. Fans of con films might be put off by its unconventional approach though will be invested in its emphasis on character study instead of clever plot devices. With top-notch performances from Adrien Brody, Rachel Weisz, Mark Ruffalo, and Rinko Kikuchi. The Brothers Bloom is definitely a fun, witty con-comedy film from Rian Johnson.

Rian Johnson Films: Brick - Looper - The Last Jedi - Knives Out - Glass Onion: A Knives Out Mystery - (Knives Out 3)

© thevoid99 2012

007 James Bond Marathon: The World is Not Enough

Based on Ian Fleming’s James Bond character, The World is Not Enough is the story of James Bond trying to protect a billionaire’s daughter from a madman who plans to create chaos through a nuclear meltdown as Bond gets help from a nuclear physicist to stop it from happening. Directed by Michael Apted and screenplay by Bruce Fierstein, Neal Purvis, and Robert Wade from a story by Purvis and Wade. The film has Bond taking on new foes that includes this madman terrorist who is impervious to pain as Pierce Brosnan plays Bond for the third time. Also starring Robert Carlyle, Sophie Marceau, Denise Richards, Robbie Coltrane, John Cleese, Samantha Bond, Desmond Llewelyn, and Judi Dench as M. The World is Not Enough is a decent and fun film from Michael Apted.

After the assassination of Sir Robert King (David Calder) as James Bond tries to catch the assassin (Maria Grazia Cucinotta) that left her taking her own life. Bond learns that the money he retrieved for King was a trap as he and M believe that King’s daughter Elektra (Sophie Marceau) is the next target as she had just survived a kidnapping which her father was to pay the ransom. After getting assigned to project Elektra as she is trying to finish her father’s project to build an oil pipeline all across Asia and Europe. Bond learns that the person that is trying to go after Elektra is a former KGB agent who has turned into a terrorist as he wonders what Renard wants. After some encounter with men going after Elektra, Bond talks to Russian mafia boss Valentin Zukovsky (Robbie Coltrane) about what he knows as Elektra also meets him at Zukovsky’s casino.

When Bond learns that Elektra’s security head Davidoff (Ulrich Thomsen) is in cahoots with Renard, Bond gets rid of him to board a plan to a Russian base in Kazakhstan where he meets American nuclear physicist Christmas Jones (Denise Richards) to investigate what is going on. Bond finally meets Renard who was stealing some plutonium as things get into trouble only for Bond and Jones to escape. After the incident, Bond becomes suspicious about what Renard is up to as he and M learn that a bomb is attached to one of the King pipelines as Bond and Jones try to defuse it. Inside the pipeline, the two makes a horrifying discovery as Bond realizes what is going on. With M suddenly captured, Bond asks Zukovsky for help as Zukovsky also learns what is really going on. This would force Bond to stop Renard from blowing up Istanbul in order to create chaos.

When James Bond is assigned to protect the daughter of a friend that M personally knows, Bond realizes that something is up about a man’s assassination as it involves a terrorist who wants to create chaos in the world. This would then lead to Bond realizing that things are much more complicated as it involves complete control of the oil refineries for Europe and Asia with everyone being played for fools. With the help of a nuclear physicist, Bond would do whatever he can to save the world and his boss.

It’s a premise that is interesting and does play into what is expected in a James Bond story. The problem is that there’s a twist that is revealed in the middle of the second that would change things as a lot of the intrigue and suspense is suddenly gone. It creates a story that becomes uneven as it loses some momentum in the second half where it doesn’t do enough for Bond to really go out there and save the day. While characters like Elektra King and Renard are interesting, the one character that ends up being a nuisance is Christmas Jones as she doesn’t really do much but help Bond out a bit and be involved in whatever nuclear catastrophe that is out there.

Michael Apted’s direction does start out with a bang as it involves a meeting where Bond fights his way out and later a boat chase on the Thames river. Notably in the way the whole action sequence is presented as he does a solid job in keeping up with the momentum of the action. The film’s first half is strong due to the intrigue and suspense that would eventually lead to Bond’s first confrontation with Renard. By its second half once the twist is revealed, the momentum gets lost as it becomes a different film of sorts where Bond has to save M and save the world. Apted does maintain in creating some interesting compositions that includes a climatic battle inside a submarine. Yet, he doesn’t really do anything new that hasn’t been seen before in Bond films. Overall, Apted does a fine job in creating a film that is thrilling and exciting but loses steam in its more action-driven second half.

Cinematographer Adrian Biddle does some excellent work with the cinematography for many of the film‘s interiors in the King estate as well as the island where Renard stages his big plan along with some nice exteriors of the locations in London and Istanbul. Editor Jim Clark does terrific work with the editing by using a lot of stylish cuts including dissolves for the transitions along with rhythmic cuts to play up the film‘s action. Production designer Peter Lamont, with set decorator Simon Wakefield and art director Neil Lamont, does nice work with the set pieces such as the King estate as well as the submarine that Renard takes. Costume designer Lindy Hemming does some fine work with the costumes such as the glamorous dresses that Elektra wears to establish her heiress persona.

Special effects supervisor Chris Corbould and visual effects supervisors Steve Broughton and Mara Bryan do some superb work with special effects for some scenes including a meeting scene where M and Bond are briefed about Renard. Sound editor Martin Evans does wonderful work with the sound to capture the hollow sounds of the pipeline bomb scene to the array of layered sounds in some of the film‘s action sequences. The film’s music by David Arnold is brilliant for its thrilling score that plays up to the bombast of the action scenes as well as creating nice uses for the famed Bond theme. The title song performed by Garbage is a pretty decent track that mixes alt-rock with lush strings as it’s sung adequately by Shirley Manson.

The casting by Debbie McWilliams is stellar for the ensemble that is created as it includes some small appearances from Maria Grazia Cucinotta as King’s assassin, jungle music star Goldie as Zukovsky’s bodyguard, Ulrich Thomsen as Elektra’s security head Davidoff, Serena Scott Thomas as a physician Bond seduces, Colin Salmon as MI6 chief of staff Charles Robinson, and David Calder as Elektra’s father Sir Robert King. John Cleese is very good in a funny role as Q’s successor R while Samantha Bond is wonderful as Miss Moneypenny. In his final appearance as Q, Desmond Llewelyn gives a very delightful performance as the inventor as he goes out in grand style. Robbie Coltrane is excellent as Russian mafia boss Valentine Zukovsky who aids Bond in finding out what Renard is up to. Judi Dench is superb as M as she takes on personal interest to help Elektra only to realize what is really going on as she finds herself taken.

Denise Richards is absolutely awful as Dr. Christmas Jones as she says some really bad lines while exhibiting clothing that baffles people into thinking that she is a nuclear physicist as she does live up to the title as the worst Bond girl ever. Sophie Marceau is very good as Elektra King by displaying a great sense of sensuality as well as complexity about what she wants. Robert Carlyle is quite fine as the villainous Renard in his motivations and the fact that he’s impervious to pain although Carlyle doesn’t really get to do enough to make Renard more memorable. Finally, there’s Pierce Brosnan in a remarkable role as James Bond where he displays his sense of charm and wit to the role while also being the badass although the script doesn’t really give anything new to do despite the fact that he makes Bond a fun character to watch.

The World is Not Enough is a pretty good film from Michael Apted that features Pierce Brosnan as James Bond. While it does have a lot of moments that keeps fan excited and such, it does get hampered by an underwhelming second half that loses its intrigue due to a twist in the story. While it is one of the weaker films of the James Bond franchise, it is still better than most action-adventure films that are out there. In the end, The World is Not Enough is an enjoyable film from Michael Apted.

James Bond Files: The EON Films: Dr. No - From Russia with Love - Goldfinger - Thunderball - You Only Live Twice - On Her Majesty's Secret Service - Diamonds are Forever - Live and Let Die - The Man with the Golden Gun - The Spy Who Loved Me - Moonraker - For Your Eyes Only - Octopussy - A View to a Kill - The Living Daylights - Licence to Kill - GoldenEye - Tomorrow Never Dies - Die Another Day - Casino Royale (2006 film) - Quantum of Solace - Skyfall - SPECTRE - No Time to Die

Non-EON Films: Casino Royale (Climax! TV Episode) - Casino Royale (1967 film) - Never Say Never Again

Bond Documentaries: Bond Girls Are Forever - True Bond - Everything or Nothing: The Untold Story of 007

© thevoid99 2012

007 James Bond Marathon: GoldenEye

Based on the stories of Ian Fleming, GoldenEye is the story of James Bond going up against an old 00 agent from destroying London with a satellite weapon. Directed by Martin Campbell and screenplay by Michael France, Jeffrey Caine, Kevin Wade, and Bruce Feirstein from a story by France. The film marks James Bond return to the big screen following a six-year hiatus due to legal disputes as playing the role of Bond is Irish actor Pierce Brosnan. Also starring Sean Bean, Izabella Scorupo, Famke Janssen, Robbie Coltrane, Alan Cumming, Tcheky Kayro, Joe Don Baker, Desmond Llewnlyn, Samantha Bond, and Judi Dench as M. GoldenEye is an exhilarating yet fun film from Martin Campbell.

On a trip to Monte Carlo, James Bond follows a mysterious woman named Xenia Onatopp (Famke Janssen) who is rumored to be part of a secret crime syndicate called Janus. Bond tracks her down as she had just killed an admiral to steal a helicopter that can withstand electromagnetic pulse. The helicopter arrives at a Russian bunker where Onatopp and General Ourumov (Gottfried John) kill the people at a satellite command station to take control of a satellite known as GoldenEye that can destroy locations with an electromagnetic pulse. Witnessing this is a computer programmer named Natalya Simonova (Izabella Scorupo) as she hides from the massacre and manages to survive the collapse of the building. Bond is asked by M to investigate the matter as he travels to St. Petersburg to find out more about Janus.

With the help of CIA agent Jack Wade, Bond meets an old adversary in Russian mafia head Valentin Zukovsky (Robbie Coltrane) who decides to help Bond by setting up a meeting between Bond and Janus. After an encounter with Onatopp, Bond finally gets to meet the head of Janus as it’s revealed to be former 00 agent Alec Trevelyan (Sean Bean) who Bond thought was killed in a mission they took part in nine years ago. Trevelyan with help of Onatopp and Ourumov trap Bond in the helicopter that was stolen as Bond and Simonova manage to escape as they’re eventually captured by Russian authorities as they meet Russian defense minister Dimitri Mishkin (Tcheky Kayro) where Bond reveals what’s going on.

Ourumov would end up causing trouble as he takes Simonova leading to a chase as Bond boards Trevelyan’s train where Bond has another confrontation with Trevelyan. After another escape with Simonova, the two travel to Cuba to stop Trevelyan from using the GoldenEye satellite as Bond learns what Trevelyan is planning to do.

The film is essentially another story of James Bond trying to save the world but this time around, he faces up against someone who was a friend and ally who knows Bond better than anyone else. It’s also a film where Bond has to deal with changing times as the Cold War is over and he has a new M that is very different from her predecessors who isn‘t fond of Bond and his antics. This would allow Bond to face hard facts about himself and his company as he discovers that the man who was once his ally has now become the enemy whose motivation is simply vengeance in the most extreme way.

The screenplay explores this new post-Cold War world where it’s clear that people like Ourumov is still trying to uphold the old prestige of the Soviet Union as he plans to threaten the new, fragile peace that Russia wants. Yet, it’s the Alec Trevelyan character that is the most interesting as he is the brains behind the scheme as he wants to destroy London for what they did to his parents. With Ourumov’s help as well as Xenia Onatopp and a computer programmer named Boris Grishenko (Alan Cumming), Trevelyan would not only get his revenge but also something more as he also wants to humiliate Bond. Still, the script allows Bond to re-think his strategies as he gets help from another computer programmer in Natalya Simonova who knows what the Janus crime group are up to and can stop the GoldenEye satellite from creating chaos.

Martin Campbell’s direction is definitely big in the way he presents the film as he is aware that this is a James Bond film and it has to be big. The film opens with this amazing prologue of Bond and Trevelyan teaming up to stop Ourumov at a Soviet chemical plant where it establishes Bond’s friendship with Trevelyan and the unexpected betrayal that would follow nine years later. With the locations set in Russia, London, Monte Carlo, and Puerto Rico, the direction establishes that the world is far grander in this post-Cold War period as computers also play a part in the scheme where Trevelyan and Grishenko would do things to control this deadly satellite.

With these spectacular action sequences that includes a few chase scenes, Campbell does manage to create a film that is thrilling while taking its time to establish what is going on. Campbell also balances the action with bits of humor as well as a lot of suspense as he makes sure that is about Bond doing his job to investigate where he would uncover many secrets about what he’s facing. Even as it would lead to a climatic face-off between Bond and Trevelyan in a grand sequence that pits 00 against 00. Overall, Campbell creates a truly solid yet exciting film that lives up to the James Bond name.

Cinematographer Phil Meheux does excellent work with the film‘s photography from the lighting schemes in the spa fight scene to some of the day and nighttime exteriors of the locations in the film. Editor Terry Rawlings does nice work with the editing by creating some rhythmic cuts for the film‘s action scenes along with some more methodical cuts for the film‘s suspense. Production designer Peter Lamont, with set decorator Michael Ford and art director Neil Lamont, does fantastic work with the set pieces such as MI6 base, the train car that Trevelyan chills out at, and the main base for the film’s climatic confrontation. Costume designer Lindy Hemming does superb work with the costumes such as the lavish dresses and clothes that Xenia Onatopp wears.

Special effects supervisor Chris Corbould does brilliant work with the special effects created for the action scenes along with visual effects miniatures made by Derek Meddings, whom the film is dedicated to. Sound editor Jim Shields does terrific work with the sound to capture the atmosphere of action scenes to the more intimate moments in the meetings Bond would have. The film’s music by Eric Serra is wonderful for its mix of orchestral flourishes and electronic music to create an air of suspense as well as utilizing the Bond themes to play out the action scenes. The title song by U2’s Bono and the Edge that is sung by Tina Turner is among one of the most fascinating songs of the Bond catalog.

The casting by Debbie McWilliams is amazing for the ensemble that is created as it features appearances from Minnie Driver as Zukovsky’s mistress, Serena Gordon as Bond’s Monte Carlo evaluator, Robbie Coltrane as Russian gangster Valentin Zukovsky, Joe Don Baker as CIA agent Jack Wade, and Tcheky Kayro as Russian defense minister Dmitri Mishkin. Alan Cumming is very funny as the cocky computer programmer Boris Grishenko while Gottfried John is very good as the villainous General Ourumov. In her first appearance as Miss Moneypenny, Samantha Bond is wonderful as M’s personal secretary who revels in her dating life while Desmond Llewelyn is fantastic as the very witty inventor Q who provides Bond some amazing gadgets.

Famke Janssen is superb as the villainous Xenia Onatopp as she has this great presence that is alluring while being very dangerous in the way she deals with men physically. Judi Dench is great as Bond’s superior M where Dench provides a very different approach to the character in her disdain towards Bond’s antics while making sure he maintains his professionalism in his mission. Izabella Scorupo is excellent as computer programmer Natalya Simonova who helps Bond to deal with the Janus crime syndicate as she is also a very smart individual who can deal with Grishenko. Sean Bean is phenomenal as Alec Trevelyan who organizes a plan to destroy London while trying to defeat Bond in every game while anticipating everything else Bond does as Bean does solid work.

Finally, there’s Pierce Brosnan in his first of four outings as James Bond. Brosnan brings a sense of wit and charm to the character that is very engaging as well as a physicality that is also startling to watch as he makes Bond a guy who isn’t afraid to throw down. Brosnan also manages to make Bond more human by having show a bit of humility for the fact that he’s facing an old friend adding a bit of new edge to the character as Brosnan definitely gives a very memorable portrayal of Agent 007.

GoldenEye is a marvelous film from Martin Campbell that features Pierce Brosnan in a remarkable performance as James Bond. Along with wonderful supporting work from Sean Bean, Famke Janssen, Izabella Scorupo, and Judi Dench. It’s a film that lives up to a lot of elements of the Bond films of the past while bringing something new to make Bond fresh and exciting. In the end, GoldenEye is a mesmerizing and spectacular film from Martin Campbell.

James Bond Files: The EON Films: Dr. No - From Russia with Love - Goldfinger - Thunderball - You Only Live Twice - On Her Majesty's Secret Service - Diamonds are Forever - Live and Let Die - The Man with the Golden Gun - The Spy Who Loved Me - Moonraker - For Your Eyes Only - Octopussy - A View to a Kill - The Living Daylights - Licence to Kill - Tomorrow Never Dies - The World is Not Enough - Die Another Day - Casino Royale (2006 film) - Quantum of Solace - Skyfall - SPECTRE - No Time to Die

Non-EON Films: Casino Royale (Climax! TV Episode) - Casino Royale (1967 film) - Never Say Never Again

Bond Documentaries: Bond Girls Are Forever - True Bond - Everything or Nothing: The Untold Story of 007

© thevoid99 2012

Brave (2012 film)/La Luna (short)

Directed by Mark Andrews, Brenda Chapman, and Steve Purcell with a screenplay by Andrews, Chapman, Purcell, and Irene Mecchi from a story by Chapman, Brave is the story of a Scottish princess who rebels against her mother over her duties as she turns to a witch for help only to cause problems. The film marks a departure of sorts from Pixar studios as the story is driven by a female heroine who tries to deal with her role as well as family as explores the complex relationship between mother and daughter. Featuring the voice cast of Kelly MacDonald, Emma Thompson, Billy Connolly, Julie Walters, Kevin McKidd, Craig Ferguson, Robbie Coltrane, and Pixar regular John Ratzenberger. Brave is a heartwarming film from Pixar Animation Studios.

La Luna

Written and directed by Enrico Casarosa, La Luna is a short film about a boy who goes on a journey with his father and grandfather where he discovers what they do. In his discovery, he finds a way to help them in their job as he would live up to the tradition of their work. It’s a true little gem that explores the dynamics between three different generations of men told from a young boy’s perspective. Featuring a wonderfully melodic score by Michael Giacchino, Enrico Casarosa’s La Luna is definitely among one of Pixar’s great shorts.

Brave

It’s 10th Century Scotland as Princess Merida (Kelly MacDonald) is being groomed to be heir to the throne as she is taught endlessly by her mother Queen Elinor (Emma Thompson). Merida however is unhappy with the on-going lessons to be a proper princess as she has already become a skilled archer ever since her father King Fergus (Billy Connolly) has given her a bow at a young age on the same day he lost his left leg to a bear named Mor’du. When Fergus and Elinor receive word that three clan leaders are willing to present their sons to marry Merida, Merida isn’t happy by the news as the clan leaders arrive hoping to discuss something where Elinor and Merida suggest that the three sons should compete in a contest to win Merida’s hand in marriage.

Instead, the contest has Merida taking control of what she wants to leading a huge argument between herself and her mother where Merida tears a part of Elinor’s tapestry family portrait. Running away with her horse Angus, Merida encounters a trail of Will O’ the Wisps where she finds a mysterious home that belongs to a witch (Julie Walters). After discovering what she is, Merida asks the witch to make a spell that will change her mother as the witch does. What happens would have Merida realizing that she is causing a lot of trouble as she returns to the witch’s home with a cryptic message on how to break the spell. Eventually, Merida realizes that the spell had to do with a legend her mother had told her years ago as she would try to find a way to break the spell before her father discovers what happened to his wife.

The film is essentially a story about young princess who defies her mother’s strict rules about how to be a princess by going to a witch to create a spell only to realize how much her mother really cares about her. It’s a film that explores the dynamic between mother and daughters where all a mother wants to do is prepare her daughter for the role she is set to play. Yet, she has to deal with the fact that her daughter isn’t ready to marry someone nor is she willing to do a lot of the things that is set for her as she tries to rebel against her mother. It’s a relationship that drives the film where it is all up to this young woman to discover the true meaning of bravery as she is someone who has to accept her fate as well as respect her mother.

The screenplay does play to a lot of the schematics of fairy tales as the story is quite conventional though the screenwriters do a lot more in fleshing out the characters such as Merida, Elinor, and King Fergus. There’s also an additional subplot of sorts that involves a story that Merida often has to be reminded of as it would reveal a lot of what would happen if the spell that she accidentally called for doesn’t break. It would add to the stakes that is raised up in the film’s second half where Merida has to play both princess and warrior in order to keep her mother’s secret hidden as well as deal with something far more sinister that relates to the legend that she knew as a child.

The direction of Mark Andrews, Brenda Chapman, and Steve Purcell is truly a feast for the eyes for the way they recreated the Scottish landscape with its mountains, hills, and various locations to play true to the world of 10th Century Scottish warriors. With some amazing scenery for those locations, the directors managed to infuse something that does play to the world of fairy tales while balancing the story with warmth and humor. The latter of which shows Pixar willing to be a bit raunchy but in a restrained, childish manner.

Through some amazing compositions and close-up of the characters, the direction of the film does exactly what is needed as well as setting up elements of suspense and humor that culminates into a real showdown between Merida and the curse that had been created. Overall, the team of Andrews, Chapman, and Purcell do a spectacular job in creating what is a truly enjoyable but also engaging for creating a story about mothers and daughters.

The editing by Nicholas C. Smith is excellent for creating elements of suspense as well as playing to the rhythm of the humor and the dramatic scenes of the film. Sound designers Gary Rydstrom and E.J. Holowicki, along with sound editor Gwendolyn Yates Whittle, do great work with the sound from the way arrows are shot to the clanging of swords as well as the growl of the Mor‘du bear in the film‘s opening prologue. The film’s music by Patrick Doyle is brilliant for its mixture of orchestral flourishes and traditional Scottish music that plays to the world of Scotland. Even as the film’s soundtrack includes amazing contributions from Mumford & Sons with Birdy, Julie Fowlis, Emma Thompson, Peigi Barker, and Billy Connolly.

The voice-casting for the film is extraordinary for the people that is assemble as it includes longtime Pixar regular John Ratzenberger and Patrick Doyle as a couple of guards, Sally Klinghorn and Eilidh Fraser as the voice of the family maid Maudie, Callum O’Neill and Steven Cree as a couple of Merida’s suitors, Peigi Barker as the young Merida, and Steve Purcell as the witch’s pet crow. Robbie Coltrane, Craig Ferguson, and Kevin McKidd are very funny in their roles as the clan leaders who offer their sons to marry Merida while McKidd also voices one of the suitors. There’s also some great non-speaking parts such as the horse Angus and Merida’s young triplet brothers in Harris, Hubert, and Hamish where they provide a lot of hilarious moments for the film.

Julie Walters is wonderful as a secretive witch who provides Merida a dangerous spell as it’s a very charming character that is filled with humor and intrigue. Billy Connolly is great as the boisterous King Fergus who tries to understand both his wife and daughter while dealing with the clan leaders as Connolly provides a lot of funny moments for his character. Emma Thompson is brilliant as the stern Queen Elinor who tries to deal with her daughter’s rebelliousness while trying to understand her as it’s truly Thompson in one of her best roles. Finally there’s Kelly MacDonald in a fantastic voice performance as Merida. MacDonald provides all of the right notes to display Merida’s angst as well as her humility to create a truly engaging character that lives up to the many great characters from Pixar.

Brave is an enchanting and dazzling film from the team of Mark Andrews, Brenda Chapman, and Steve Purcell. Thanks to an amazing soundtrack, an outstanding ensemble voice cast, and a heartwarming story, it is a film that definitely carries a lot of what is expected from Pixar in terms of storytelling and great visuals. Although it might live up to some of the great films from the studio, it does at least provide a female heroine who does live up to a lot of the great characters that Pixar has created. In the end, Brave is a touching yet incredible film from Pixar Animation Studios.

Pixar Films: Toy Story - A Bug's Life - Toy Story 2 - (Monsters Inc.) - (Finding Nemo) - The Incredibles - Cars - Ratatouille - WALL-E - Up - Toy Story 3 - Cars 2 - Monsters University - Inside Out - The Good Dinosaur - (Finding Dory) - (Cars 3) - Coco - Incredibles 2 - Toy Story 4 - (Onward) - Soul (2020 film) - (Luca (2021 film)) - Turning Red - (Lightyear) - (Elemental (2023 film)) - Inside Out 2 - (Elio) – (Toy Story 5)

© thevoid99 2012

Harry Potter & the Order of the Phoenix (film)

Originally Written and Posted at Epinions.com on 7/13/07 w/ Additional Edits.

Directed by David Yates of the TV film The Girl in the Cafe` and screenplay by Michael Goldenberg based on J.K. Rowling's book.  Harry Potter & the Order of the Phoenix tells the story of Harry Potter battling the recently resurrected Lord Voldemort as Harry and Dumbledore find themselves ostracized by the Ministry of Magic.  With Dumbledore isolating himself from Harry, the boy also finds himself out of favor with most of the wizarding world as the Ministry of Magic hires Dolores Jane Umbridge to make some changes at Hogwarts.  The new changes marks an era of rebellion as Harry, Ron Weasley, Hermione Granger, and other students decide to teach themselves on defensive magic while Harry finds romance with Cho Chang and an unlikely father figure in his godfather Sirius Black. Through it all, Harry has to face more tragedy and his own role into why Voldemort tried to kill as a baby.

Starring young franchise players Daniel Radcliffe as Harry Potter along with Rupert Grint, Emma Watson, Bonnie Wright, Matthew Lewis, James & Oliver Phelps, Tom Felton, Jamie Waylett, Joshua Herdman, Harry Melling, Chris Rankin, Katie Leung, and in her film debut as Luna Lovegood, Evanna Lynch. The film also includes returning adult cast members Michael Gambon, Maggie Smith, Alan Rickman, Gary Oldman, David Thewlis, Julie Walters, Mark Williams, David Bradley, Robbie Coltrane, Brendan Gleeson, Fiona Shaw, Richard Griffiths, Emma Thompson, Warwick Davis, Jason Issacs, Robert Hardy, and Ralph Fiennes as Lord Voldemort. Joining the franchise for this dark installment are Helena Bohnam Carter, Natalia Tena, George Harris, Sian Thomas, Jim McManus, and Imelda Staunton as Dolores Jane Umbridge.

After getting into trouble in saving his cousin's life from dementors, Harry Potter is forced to go to court to discuss his possible expulsion from Hogwarts. After being accompanied by the Order of the Phoenix to Grimmauld Place, he meets his friends Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson) about what's happening. After meeting his godfather Sirius Black (Gary Oldman) and family friend Remus Lupin (David Thewlis), they discuss about Voldemort's plans to build up an army. Following his trial, in which he's acquitted thanks to Albus Dumbledore (Michael Gambon) and the testimony of Harry's neighbor Arabella Figg (Kathryn Hunter). Harry returns to Hogwarts but is immediately alienated by everyone who thinks he’s a liar while Dolores Umbridge has been sent by the Ministry of Magic as the new Defense Against the Dark Arts teacher and High Inquisitor.

Umbridge's new plans for Hogwarts only causes problems as Harry's claim of Voldemort's return forces him to serve detention in the most punishing ways. Hermione however, is upset over not learning defense lessons as she along with fellow students to organize Dumbledore's Army. Harry reluctantly becomes the teacher as they learn defense spells secretly from Dolores Umbridge. Things go well at first until the visions in Harry's head only troubles him as he wonders why Dumbledore is alienating him. Returning to Grimmauld place, Harry finds comfort in Sirius Black as Harry dreads of returning to Hogwarts. Under Dumbledore's request, Professor Snape (Alan Rickman) teaches Harry Occlumency in order to get Voldemort out of his mind that doesn't go well for either.

Following the bad visions in his head and the return of Hagrid (Robbie Coltrane) following a failed mission to send envoy to the giants. Dumbledore's Army is suddenly ratted out by one of its participants as plans to expel Harry is thwarted again by Dumbledore. With O.W.L.s exams coming, Harry's mad visions occur as he is forced into another confrontation with Umbridge while getting unlikely help from Hagrid's half-brother giant Grawp (Tony Maudsley) and centaurs. For his mission against the Death Eaters including those from the recent Azkaban breakout, Harry goes on a mission with Ron, Hermione, Ginny Weasley (Bonnie Wright), Neville Longbottom (Matthew Lewis), and Luna Lovegood. It is there Harry would realize his connection to Voldemort and face tragedy.

While the book of Order of the Phoenix remains the longest of the series. It's pretty clear that to fans that it's got to be the one book in terms of its adaptation that has to be the most difficult to translate into film. Yet, David Yates and screenwriter Michael Goldenberg do succeed in some cases. However, several subplots didn't make it to the final cut. One involves Ron's Quidditch skills that explores his character development. Another is more to do with the character of Kreacher (voiced by Timothy Bateson) who is seen in the film only twice in brief appearances. Yet, his character is a lot bigger due to the fact that he ends up playing a role involving Harry's mission to the Ministry. Despite those missing subplots, the film is very faithful to the book by going to the core story of Harry’s newfound alienation and his quest to try to fight evil when few are with him.

Much of the credit really goes to screenwriter Michael Goldenberg, who replaces screenwriter Steve Kloves who takes a break from the series. Goldenberg's focus on the film's politics and Harry's alienation is by far the best script of the series. Even as he replaces the character of Dobby with Neville into finding the Room of Requirement. There, it makes sense as well as the way it introduces creatures like the threstals as well as places like the Ministry and Grimmauld Place.

The script, like all the other adapted scripts before, is also flawed. There are plot holes involved with the script on who sent the dementors to Privet Drive. How did Fred and George get the money to do their Weasley Wizard Wheezes tricks?  Yet, there's also some decisions into why aren’t there bigger parts for people like Professor Trelawney, Draco Malfoy, or even Ginny (who is featured in the film a lot but doesn't get many lines)? Why does Harry have to stay in Privet Drive? That along with several sequences that audiences will feel might be rushed. Still, the story is there as well as the characters people love.

It's always the problems of the script though the direction of David Yates is superb. Notably the way he presents the film's political contents like the huge poster of Fudge, the use of the Daily Prophet, and the school feels very totalitarian. It's in the images where the film has an adult feel of sorts but only furthers to drive Harry into alienation. That's a theme that was prominent in not just the book but also the film, Harry's own isolation. Whether it's people not believing him or him just trying to cut himself off from his friends. The heart of the film in terms of its relationship is the relationship Harry has with Sirius. Despite Sirius' flaws as a person who is trapped in his own home, that he hated. Sirius is the one person that Harry often confides to.

It's Yates experience in TV drama that helps with the film's dramatic tone while the action sequences, notably the battle at the Department of Mystery definitely lives up to the imagination of the book. Even the duel between Dumbledore and Voldemort is brilliant. It's clear that David Yates has done a fantastic job in what he had to use. Yet, there is rumor that he has a longer version of the film. Let's make sure that those scenes will be on the DVD.

Cinematographer Slawomir Idziak, famous for his work with the late Krzysztof Kieslowski, does some amazing work to the film's imagery. Bringing a sharper look to what Michael Seresin brought in the Prisoner of Azkaban. The film has a wonderful natural look in some of the exterior daylight scenes while using some stylish colors of blue, blue-green lights in some scenes as well the darker colors that goes on for the big battle scene. Production designer Stuart Craig and his team of art directors really do a fantastic job with the look of the Ministry of Magic. From the design of the statues in the fountain to the decayed look at Grimmauld Place including the Black family tree (that might feature a clue to who might be R.A.B. in the final book). Even Hogwarts manages to look amazing that includes the Room of Requirement and Umbridge's office. Costume designer Jany Temime definitely works her magic in not just the Goth-like clothing of Bellatrix Lestrange but also the pink clothes of Dolores Umbridge which will now, make probably everyone hate that color.

Visual effects supervisor Tim Burke and his team do great work with the film's creature designs that included a new make over for the dementors that look way more menacing as is the centaurs. The character of Kreacher looks very different in the way Dobby looked in The Chamber of Secrets. The threstals look amazing as is the character of Grawp who definitely looks like a baby giant and more innocent that he seems in the original book. Editor Mark Day definitely creates some magic with the editing in the sequence-to-sequence cut as well as the use of scenes from older film to convey Harry's madness. Sound editor James Mather along with sound designers James Boyle and Arthur Kennedy definitely create a tense atmosphere with the way the Death Eaters arrive and fly to the spells being thrown back and forth.

Composer Nicholas Hooper who continues to use the themes of John Williams, brings a very bombastic score that conveys the film's political tone as well as some of its dramatic elements. The sprawling arrangements and melodic tone really adds to the magic. The film also includes some stuff that is played on the radio that could be possibly stuff from some wizard-rock bands.

Finally, we have the film's sprawling cast. Younger actors with people like Devon Murray as Seamus Finnigan, Alfred Enoch as Dean Thomas, Shefali Chowdhury as Parvati Patil, Afshan Azad as Padma Patil, Harry Melling as Dudley Dursley, William Melling (who is playing a variation of the Creevey brothers) as Nigel, Joshua Herdman as Crabbe, and Jamie Waylett as Goyle are good. In the flashback scenes, we see some fine but very brief performances from Alec Hopkins as the young Snape, Robbie Jarvis as the young James Potter, and James Walter as the young Sirius Black. Sian Thomas as Amelia Bones, Tony Maudsley, and Kathryn Hunter have nice, brief appearances in their roles including Jim McManus in a cameo as the barman at the Hog's Head who is Dumbledore's brother Aberforth.

Other performances like Chris Rankin as Percy Weasley isn't really worth mentioning since he doesn’t have a line nor does Richard Leaf as Dawlish (who is a favorite of Pottercast's John Noe). Even the adult Dursleys in Richard Griffiths as Uncle Vernon and Fiona Shaw as Aunt Petunia don't have much to due, which is a shame in a way since Shaw's character is a bit bigger in the book.

Noted actors like Maggie Smith as Professor McGonagall, David Thewlis, Brendan Gleeson as Mad-Eye Moody, Emma Thompson as Professor Trelawney, and Warwick Davis as Professor Flitwick don't really have a lot of scenes which is kind of sad. Notably Thompson, whose character is very important to the book in relation to its ending. Robbie Coltrane only appears in two scenes in the film's second half, which might upset Hagrid fans but it's only because of what he's doing for the plot. David Bradley gets a lot of great screen time as Mr. Filch where he pretty much has a lot of hilarious scenes. Natalia Tena and George Harris are wonderful additions to the film's franchise as they play two loveable characters though aren't in the film as much. Especially Tena, who is very funny as Tonks while Harris as Kingsley Shacklebot has a great one-liner about Dumbledore's escape.

Jason Issacs is great in his role as Lucius Malfoy with his devilish presence while Helena Bohnam Carter rules as the psychotic Bellatrix Lestrange with all of her demented persona and catcalls. Julie Walters is wonderful as Mrs. Weasley as she tries to play the lost maternal figure for Harry while Mark Williams is excellent as Mr. Weasley. Robert Hardy is in excellent form as Minister Cornelius Fudge, who used to play this warm character to Harry in previous series, has now becomes this power-hungry leader in denial. Alan Rickman is great as usual as Severus Snape in his scenes with Harry during the Occlumency lessons where we see Snape in a darker way concerning Harry's father. Michael Gambon, who was criticized for his eccentric performance as Dumbledore in previous films, finally brings that wise, powerful persona to the fullest. Gambon definitely gives Dumbledore the sense of someone who cares about Harry while trying to deal with the tension against the Ministry over Voldemort's return.

Ralph Fiennes, who made his appearance as Lord Voldemort in the last film, is just as menacing and as evil as it could be. Fiennes is perfect as Lord Voldemort in how he tries to control Harry's mind.  Gary Oldman is phenomenal as Sirius Black, Harry's godfather who helps deal with Harry's troubled emotions while showing him some secrets about his family as well as stories about Harry's father.  It's Oldman finally getting the chance to play a fraternal figure as he would also be the source for the things that Harry would have to face later in his life.

The film's best performance without a doubt really goes to Imelda Staunton as Dolores Umbridge. Never in a single performance where a character that people love to hate comes to life in a way that would make her a lot less likeable. Staunton brings that annoying, girlish glee that people know of Umbridge that will get on audiences nerve that is very comical while being this completely awful thing that rhymes with witch. Staunton is perfect in playing Umbridge as she deserves full praise, even making the color of pink revolting. Tom Felton, who is great as Draco Malfoy, only has a few lines which sucks since his character is a bit bigger, even with the upcoming story in The Half-Blood Prince.

Katie Leung is good as Harry's crush Cho Chang who falls for Harry but feeling guilty over the death of boyfriend Cedric Diggory (Robert Pattison via flashback). Bonnie Wright is great as Ginny Weasley. Though she doesn't get many lines, she does prove to be a powerful witch and ally to Harry while hardcore fans will get to notices the look she has about Harry when Cho is involved. Matthew Lewis is amazing as Neville Longbottom, who started out as a loveable klutz who couldn't perform spells, that now becomes this young powerful wizard who is driven by the tragedy over what happened to his parents in the hands of Bellatrix Lestrange. James and Oliver Phelps are always great as Fred and George Weasley in how they sell their products to being the comic relief in the film as they leave Hogwarts with a bang. In her film debut as Luna Lovegood, Evanna Lynch is just awesome as the spacey, loopy Luna with her light sense of humor and eccentric persona that just makes her loveable while being a kick-butt witch.

Rupert Grint, who was often the comic relief in the series, shows more serious chops as Ron Weasley by being one of the few who supports Harry. Grint does get a few funny lines but acts more serious in just being a supporting role. Emma Watson is also good as the more serious Hermione Granger while she does get the chance to be funny with some one-liners and acting rebellious. Daniel Radcliffe, who always gets better with each film, finally pushes the limits into what the Harry Potter can do. While not giving in to the raging screams of Harry in the book version of OOTP, he does reveal the angst and troubles that people go through at 15. It's Radcliffe that really shines as he shows more of his physical capabilities as well as his emotional scenes in relation to where his character is going and such. It's just jaw-dropping to see that he’s getting better.

While it's not the best Harry Potter film of the series (that honor goes to Alfonso Cuaron's adaptation of The Prisoner of Azkaban), Harry Potter & the Order of the Phoenix is still a magnificent film in the franchise. With great, standout performances from Daniel Radcliffe as the title character plus Evanna Lynch, Gary Oldman, Ralph Fiennes, and Imelda Staunton. The film has something to offer for Potter fans and those new to the series.  In the end, Harry Potter & the Order of the Phoenix is one of the series finest films.

Harry Potter Reviews: The Novels: Harry Potter & the Sorcerer's Stone - Harry Potter & the Chamber of Secrets - Harry Potter & the Prisoner of Azkaban - Harry Potter & the Goblet of Fire - Harry Potter & the Order of the Phoenix - Harry Potter & the Half-Blood Prince - Harry Potter & the Deathly Hallows

The Films: Harry Potter & the Sorcerer's Stone - Harry Potter & the Chamber of Secrets - Harry Potter & the Prisoner of Azkaban - Harry Potter & the Goblet of Fire - Harry Potter & the Half-Blood Prince - Harry Potter & the Deathly Hallows Pt. 1 - Harry Potter & the Deathly Hallows Pt. 2

Related: Fantastic Beasts and Where to Find Them - Fantastic Beasts: The Crimes of Grindelwald

© thevoid99 2010

Harry Potter & the Chamber of Secrets (film)

Originally Written and Posted at Epinions.com on 11/29/02 w/ Additional Edits.

When Harry Potter & the Sorcerer's Stone came out in the fall of 2001, the Harry Potter film franchise officially begins with a bang.  Excellent reviews and huge box office exceeded expectations.  The film also gave attention to its young cast in Daniel Radcliffe, Rupert Grint, and Emma Watson as they all became stars.  While Chris Columbus succeeded with the first film, he was already getting ready to start work on the second film of the seven-part film series where Harry explores a dark chamber with a creature that is attack Muggle-born students called Harry Potter & the Chamber of Secrets.

In The Chamber of Secrets, the film picks up where it’s left off as Harry now lives in a room (instead of a closet in the previous film) in the Dursley’s home but Uncle Vernon (Richard Griffiths), Aunt Petunia (Fiona Shaw), and cousin Dudley (Harry Melling) still treat him like an outsider, especially in a deal for Vernon where Harry is forced to be in the room pretending he doesn’t exist. Harry ponders why his friends haven’t send him any letters until he learned that a slave elf (a CGI-creation voiced by Toby Jones) named Dobby who tells Harry not to return to Hogwarts because of some terrible danger behind the school. Harry wants to return to Hogwarts but Dobby gets him in trouble with Dursleys that forced Uncle Vernon to put bars in Harry’s window. Later that night, Harry gets an unexpected visit from a floating car driven none other than his best friend Ron and his brothers Fred & George Weasley (James & Oliver Phelps) where they break the bars of the window as Harry packs his clothes and his pet owl Hedwig as they escape the Dursleys.

Harry arrives at the Weasley home where he meets with elder brother Percy (Chris Rankin), little sister and first-year Hogwarts student Ginny (Bonnie Wright), and the parents, Arthur and Molly Weasley (Mark Williams and Julie Walters). There, Harry and the Weasley clan take another way to Diagon Alley but Harry gets a first sign of trouble as he says the magic words and lands him at the wrong side of the town. After catching up with Weasleys, he meets up with friend Hermione as the gang goes to the bookstore to buy some books. There, they meet a popular and pompous wizard named Gilderoy Lockhart (Kenneth Branagh) who is adored by many female wizards and students, particularly Mrs. Weasley and Hermione but disgusted by all the male students who thinks he’s an egotistical wizard. Lockhart sees Harry and uses him to help boost sales of his recent book by taking a photograph with him. Harry wasn’t very pleased taking a picture with Lockhart and he then runs into his nemesis Draco Malfoy. Accompanying Draco is his father Lucius Malfoy (Jason Issacs) who seems to enjoy belittling Harry as well as the Weasleys since he always considered them a weak clan of wizards particularly Mr. Weasley. Lucius also takes shot at Hermione because her parents are Muggles (non-magic folk) and she isn’t a pureblood wizard like the Weasleys, Potter, or the Malfoys.

After the confrontation with Malfoys, Harry and the Weasleys enter the secret wall through the Hogwarts Express train where Harry’s feeling that something in Hogwarts that didn’t want him came back as he couldn’t get through the secret wall, thus leaving him and Ron to miss the train. Ron and Harry decides to take the Weasleys floating car to catch up with Hogwarts train but they have trouble along when the train is behind them and as they arrive at Hogwarts, they encounter a big tree that damages the Weasleys’ car and Ron’s magic wand. The duo gets an unwelcoming reception from Snape who had a paper of the floating car that was seen by some Muggles and wanted them to be expelled but since they don’t live in the Slytherin house that he runs, he couldn’t do anything since they live in the Gryffindor house run by McGonagall who decides to give the two detention.

School goes underway for the second-year students of Hogwarts as Herbology professor Sprout (Miriam Margoyles) teaches them to pull exotic plants that reveal screaming roots. Harry then meets up with Gryffindorff team captain Oliver Wood (Sean Biggerstaff) for team practice of the next Quidditch game with the rival team Slytherin where they learn that the Slytherin team has a practice spot as well with a new seeker, Draco. Thus begins one of several battles between Potter and Malfoy and believe me; those two don’t like each other. Even when Draco calls Hermione a “mudblood” that leads to Ron to try and curse Draco with a spell that backfired due to his damaged wand. They go to Hagrid for help where he tells them that the Malfoys were always a bad clan because they think they’re better than everyone and don’t like non-, pureblood wizards at Hogwarts. Harry meanwhile, is starting to feel something strange has arose as voices started to talk in his head and he sees a message written in blood about the Chamber of Secrets being opened and Finch’s cat who looked like she’d been hang but was petrified by some evil force.

Harry is suspected of wrongdoing but Hermione and Ron along with some of the professors don’t think so. The Hogwarts staff picks Lockhart for some investigation surrounding the Chamber of Secrets while he becomes the new teacher for the Defense Against the Dark Arts. Lockhart and his ego comes in with a painting of himself painting him as he teaches the students how to stop tiny, little elves but has problems until Hermione stops them with a spell that begins the suspicion for Ron and Harry about Lockhart’s credibility. Harry then goes into a Quidditch match against Slytherin where he goes head-to-head with Draco over the Golden Snitch but he is followed by a ball that seems to go after him. After the match, the ball is trying to kill as Hermione stops it that leads to Lockhart trying to repair Harry’s arm but left again, Lockhart’s credibility comes in question as Harry’s arm isn’t repaired.

More eerie messages and voices come for Harry as he, Ron, and Hermione begin to read about the Chamber of Secrets. The Chamber was created by Slytherin as a way for him to create more spells but was rejected by the other founders of Hogwarts School. The chamber could be open by an heir of Slytherin, which made the trio suspect the Malfoys that could be the heirs. In order to get something from Draco, they decided to make a potion in an abandoned section of the girl’s bathroom haunted by a ghost named Moaning Myrtle (Shirley Henderson). More students hit with the same spell Finch’s cat got were sent to the hospital that were later followed by a trail of small spiders coming out after the students were petrified as Lockhart decided to create a lesson where students can defend themselves with their wands. Helping Lockhart was Snape who again made Harry and Ron question whether Lockhart is really the great wizard he claims to be. There, another battle between Harry and Draco comes in that forced Lockhart to make some spell that turned out to be the wrong one as a snake comes in and scares the students until Harry speaks to the snake in a secret language that made Harry to question if he’s the real heir of Slytherin.

Then the film takes a dark turn as Harry discovers about a story of the Chamber being opened by Tom Riddle (Christian Coulson) that led to the death of a non-pureblood student fifty years ago and learned that all the victims of the spell were non-pureblood that spells trouble for Hermione. Harry and Ron discover more about the Chamber and learn some horrible stories surrounding close colleagues, spiders, and snakes. There, they have to discover what’s behind the Chamber of Secrets or else Hogwarts School will be closed for good as Potter.

The Chamber of Secrets is definitely a much darker and more intense film than the first. With its plot twists and simplistic storytelling, it’s an enjoyable film from start to finish. The action scenes in the movie, particularly the Quidditch match is more fun than ever. The performances from the young actors are more relaxed as each of them get more in touch with their characters while the additions of Margoyles and Branagh are refreshing and add more humor to the film while Jason Issacs does an excellent job as the malicious Lucius Malfoy. The rest of the supporting cast, although their roles were brief, were very excellent including Richard Harris in his final film performance (shortly before the film was completed) that served as an example of his great talent

Steve Kloves' script does dwell into some of the darker territory that would set the course for the film as it takes in what is needed for the story to move forward.  Chris Columbus' direction however, isn't as wondrous in comparison to the first film as it's mostly by-the-book in what is expected for a fantasy/adventure film.  Even as he approaches some of the darker aspects of the story by just making it adventurous and intense but not exactly getting his hands dirty.  Despite that cautious approach, Columbus does succeed in maintaining that world of Harry Potter and presenting the story in a faithful manner.

Overall, Harry Potter & The Chamber of Secrets is an excellent sequel that doesn't exactly surpass its predecessor.  Though it's so far, the weakest of the film series, it does contain some memorable performances from its young cast including one-timer Kenneth Branagh and then-series newcomer Jason Issacs.  While it's definitely an entertaining film, it's one that doesn't go far into the dark tone that would come yet it is still a worthy film of the series.  In the end, Harry Potter & the Chamber of Secrets is a solid film for the franchise.

Harry Potter Reviews: The Films: Harry Potter & the Sorcerer's Stone - Harry Potter & the Prisoner of Azkaban - Harry Potter & the Goblet of Fire - Harry Potter & the Order of the Phoenix - Harry Potter & the Half-Blood Prince - Harry Potter & the Deathly Hallows Pt. 1 - Harry Potter & the Deathly Hallows Pt. 2

The Novel: Harry Potter & the Sorcerer's Stone - Harry Potter & the Chamber of Secrets - Harry Potter & the Prisoner of Azkaban - Harry Potter & the Goblet of Fire - Harry Potter & the Order of the Phoenix - Harry Potter & the Half-Blood Prince - Harry Potter & the Deathly Hallow

Related: Fantastic Beasts and Where to Find Them - Fantastic Beasts: The Crimes of Grindelwald

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