Set almost entirely in the winter of 1996, the film revolves around a writer/journalist in David Lipsky as he is given an assignment to interview novelist David Foster Wallace during a five-day promotional tour for his best-selling novel Infinite Jest which has garnered loads of acclaim with Wallace being positioned as one of the greats. Yet, the film is really more about a man trying to get to know this novelist for a piece for Rolling Stone magazine yet both deal with their own issues in being lonely with Wallace struggling to deal with newfound fame as well as rumors about himself. Donald Marguiles’ screenplay is largely straightforward though it begins in 2008 where Lipsky gets the news of Wallace’s suicide as he goes over audio tapes that he recorded during their 1996 road trip as he reflects on that experience. The five-day tour that is a bit of a road trip with a flight from Bloomington-Normal, Illinois to Minneapolis where Lipsky and Wallace deal with the promotion as the former is trying to see if all of these claims of greatness towards the latter are really true.
James Ponsoldt’s direction is largely straightforward in terms of the compositions he creates as well as taking a simple story about a five-day promotional tour and turn it into this study of fame, expectations, and adulation. Shot largely on location in Michigan as well as additional locations in New York City and Minneapolis, the film plays into a moment in time where books were still big as well as pre-Internet media where both Lipsky and Wallace talk about its potential power. While there are some wide shots in some of the locations that the characters go to, much of the direction is intimate whether it’s in a car, a diner, a hotel room, or at a house through medium shots and close-ups. Notably as it play into two men just talking and trying to get to know each other as Lipsky is someone who had just released a book and wonders how Wallace had just achieved greatness. Yet, Wallace is this man who prefers the company of dogs at his home while he does have a couple of acquaintances he would meet in Minneapolis.
The scene where Lipsky chats with one of Wallace’s friends is a moment that showcase a few of the dark aspects of Wallace who believes Lipsky is flirting with her even though he has a girlfriend back in New York City. It adds to Lipsky’s intrigue towards Wallace as he is pressured from his editor to talk about these rumors about Wallace’s supposed heroin addiction when the reality is actually disappointing as it plays into Wallace’s persona as a man who wears regular clothing and a bandana as the theme of identity comes into play. Polsoldt plays up that tension as Lipsky is forced to have revelations about Wallace’s struggle with this newfound celebrity status as well as these expectations in relation to these great writers of the past. Notably in the third act towards the end of the tour as Lipsky wonders if everything Wallace is doing is an act but it turns out to be not as simple as he wishes it would be since great writers in the past played a persona that diverged from their true being. Yet, the reality shows a man just trying to hold on to a sense of self as well as destroy the façade of celebrity. Overall, Polsoldt crafts a riveting and evocative film about a writer/journalist reflecting on his five-day tour with David Foster Wallace.
Cinematographer Jakob Ihre does excellent work with the film’s cinematography as it aims for a straightforward and natural approach with some lighting for some of the scenes set at night. Editor Darrin Navarro does nice work with the editing as it also play into being straightforward with some rhythmic cuts that play into reaction shots and conversations. Production designer Gerald Sullivan, with set decorator Yvette Granata and art director Sarah M. Pott, does fantastic work with the look of Wallace’s home and its lack of mystery as well as a bookstore in Minneapolis where he promotes the book. Costume designer Emma Potter does terrific work with the costumes as it is largely casual including the ragged look of Wallace as it plays into the fashion of the 1990s.
Hair stylist Stephanie Strowbridge does superb work with the look of Lipsky’s different hairstyle from a ragged look in 1996 to a more subdued hairstyle in 2008. Visual effects supervisor Matthew Bramante does wonderful work with the visual effects as it is mainly bits of set-dressing for some of the exteriors to play into the look of the 1990s. Sound editor Ryan Collins does amazing work with the sound as it plays into the atmosphere of some the locations including a scene at Mall of America. The film’s music by Danny Elfman is good for its low-key ambient score with music supervisor Tiffany Anders cultivating a brilliant soundtrack that features music from R.E.M., Wang Chung, Tindersticks, Brian Eno, Alanis Morrisette, Fun Boy Three, Felt, Pulp, the Association, Tracey Ullman, Nu Shooz, Pavement, Chaka Khan, and the Magnetic Fields.
The casting by Avy Kaufman is marvelous as it feature some notable small roles from Becky Ann Baker as a bookstore manager for one of Wallace’s signings, Anna Chlumsky as Lipsky’s girlfriend Sarah who is in awe of Wallace’s book, Mamie Gummer and Mickey Sumner as a couple of friends of Wallace in their respective roles in Julie and Betsy with the latter being a poet that Lipsky is interested in, Ron Livingston as Lipsky’s editor Bob Levin who reluctantly gives Lipsky the story to interview Wallace, and Joan Cusack as Wallace and Lipsky’s chaperone in Minneapolis in Patty Gunderson.
Finally, there’s the duo of Jesse Eisenberg and Jason Segel in tremendous performances in their respective roles as David Lipsky and David Foster Wallace. Eisenberg brings a reserved performance as a writer who is trying to understand who Wallace his as all of his romantic ideas of what he wants Wallace to be turns out to be false as he tries to figure out what makes Wallace great. Segel’s performance as Wallace is also reserved yet it has its quirks as someone who just wants to be a normal guy whose house is a mess and eats junk food as Segel plays it straight without being someone who wants to be pretentious or be this idea of a what great writer as he isn’t sure if he’s that great. Eisenberg and Segel had great rapport together as they just both look and feel relaxed while also showing some humor in their time together.
The End of the Tour is a phenomenal film from James Ponsoldt that features incredible performances from Jesse Eisenberg and Jason Segel. Featuring a great supporting ensemble cast, a compelling narrative, and a superb music soundtrack, the film is a fascinating story of a real-life interview between David Lipsky and the late David Foster Wallace just as the latter is ascending to fame despite his own issues with it that would haunt him for the rest of his life. In the end, The End of the Tour is a sensational film from James Ponsoldt.
James Ponsoldt Films: (Off the Black) – Smashed - The Spectacular Now - (The Circle 2017 film))
© thevoid99 2021
Directed by James Ponsoldt and written by Ponsoldt and Susan Burke, Smashed is the story of a schoolteacher who decides to get sober as she deals with her alcoholism as well as the aspects of her troubled life including her husband who is also an alcoholic. The film is an exploration into a woman’s attempt to get sober as she also tries to deal with the world around her where her life had been driven by alcohol. Starring Mary Elizabeth Winstead, Aaron Paul, Octavia Spencer, Megan Mullally, and Nick Offerman. Smashed is an extraordinary film from James Ponsoldt.
It’s a film that explores the world of a young woman whose drinking has finally gotten her to do some very dumb things where she would find herself waking up in places she doesn’t know or being hung-over in class where she actually vomited in front of her students. That moment along with other strange things forces her to confront the fact that she’s an alcoholic as she gets help from her vice-principal Dave (Nick Offerman) to go meetings as she also deals with the fact that her husband is also an alcoholic. During the course of the film, Kate (Mary Elizabeth Winstead) tries to maintain her sobriety with help from Dave and a recovering alcoholic named Jenny (Octavia Spencer) as the latter becomes her sponsor. While Hannah’s husband Charlie (Aaron Paul) tries to be supportive, he continues to drink which causes problems into the relationship as Hannah’s need to be honest would finally cause more problems with her own life.
The film’s screenplay doesn’t have much of a plot as it’s more of a character study about this woman and her battle with alcoholism as she struggles to maintain her sobriety. Even as she admits to lying to her students by accident and later to her principal Mrs. Barnes (Megan Mullally) that she’s pregnant as she is later consumed with guilt over what she’s done. While Dave, who is also a recovering alcoholic whose been sober for nine years, is the first to notice Kate’s problems. He is also the one that offers her help while admitting to having his own issues trying to meet women which shows Kate that even maintaining sobriety is hard work. Notably as she’s forced to meet with her estranged mother (Mary Kay Place) as well as Charlie’s own drinking where she questions him about him really being supportive that would eventually cause some problems with the relationship.
James Ponsoldt’s direction is very engaging in the way he explores a woman’s struggles to becomes sober as Ponsoldt goes for a hand-held, cinema-verite style to make it feel as realistic as possible. Even as the drama gets intense that includes a scene of a drunk Kate walking to a nearby convenience store to buy alcohol at two in the morning where the clerk refuses to sell it to her because it’s against the law. Yet, a lot of the presentation is very simple in its framing as well as some scenes where Kate and Charlie ride bicycles through the city where they would be drunk early in the film. Even in the AA meetings where Ponsoldt keeps the direction very simple without the need to embellish and just keep it simple. Even as things would intensify in the course of the film where Kate struggles with her sobriety and the fact that she is an alcoholic where she realizes she needs to face up some responsibilities. Even as it would affect many parts of her life including her marriage. Overall, Ponsoldt creates a very poignant yet mesmerizing film about a woman’s struggle with alcoholism and her need to become sober.
Cinematographer Tobias Datum does excellent work with the film‘s cinematography from the nighttime exteriors of the locations in Los Angeles to the look of the bars and places the characters go to. Editor Suzanne Spengler does fantastic work with the editing to play up some of the chaos in the drama with some straight cuts as well as using some stylish cuts to help structure the story and create some abrupt moments. Production designer Linda Sena and art director Sarah M. Pott do nice work with the set pieces from the classroom that Kate teaches to the bars and meetings that she goes to.
Costume designer Diaz Jacobs does terrific work with the costumes as it‘s mostly casual to play up the personality of the characters. Sound editor Ryan Collins does superb work with the sound to play out the atmosphere of the bars as well as the quietness of the AA meetings. The film’s music by Eric D. Johnson and Andy Cabic is wonderful as it features a largely indie-folk score to play out the drama while music supervisors Tiffany Anders and Lukas Barry bring in music that is similar to the score that includes pieces by Bill Callahan and Linda & Richard Thompson.
The casting by Kim Coleman and Avy Kaufman is brilliant for the ensemble that is created as it features some notable small performances from Kyle Gallner as Charlie’s brother Owen and Mary Kay Place as Kate’s estranged mother Rochelle. Megan Mullally is terrific as the school principal Mrs. Barnes who wonders what is going on with Kate as she think she’s pregnant until she learns the truth. Nick Offerman is excellent as Kate’s co-worker Dave who learns about her problems as he tries to help her out while revealing his own struggles in being sober. Octavia Spencer is amazing as Kate’s sponsor Jenny who helps her with being sober as well as tell her about the struggles that goes on. Aaron Paul is fantastic as Kate’s husband Charlie as a man who loves his wife as he hard time not drinking without her as he wants to be supportive but is afraid of how much she might change.
Finally, there’s Mary Elizabeth Winstead in a remarkable performance as Kate as a woman whose alcoholism has finally gotten out of control as she tries to be sober. Winstead’s performance is quite charming and engaging at times but also intense in the way she can act like a very crazed drunk who can be mean and confrontational. It’s definitely a performance that is unforgettable as well as a true break-out moment for Winstead.
Smashed is a phenomenal film from James Ponsoldt that features an incredible performance from Mary Elizabeth Winstead. The film isn’t just a very realistic yet harrowing look into the world of alcoholism but also to showcase a woman’s struggle to be honest with herself and to be sober. Even as it showcases the lows that she goes through as well as deal with her husband’s own alcoholism. In the end, Smashed is a sensational film from James Ponsoldt.
James Ponsoldt Films: (Off the Black) - The Spectacular Now - The End of the Tour - (The Circle (2017 film)
© thevoid99 2013
Based on the novel by Tim Tharp, The Spectacular Now is the story of a high school senior who faces reality after being dumped by his girlfriend as he meets another young woman who would change his idea about living in the now. Directed by James Ponsoldt and screenplay by Scott Neustadter and Michael H. Weber, the film is a coming-of-age story of sorts that revolves around high school life where a young man doesn‘t think about the future as he prefers to live in the now. Starring Miles Teller, Shailene Woodley, Brie Larson, Kyle Chandler, Mary Elizabeth Winstead, and Jennifer Jason Leigh. The Spectacular Now is a charming yet engaging film from James Ponsoldt.
The film is about this young man named Sutter Keely (Miles Teller) who likes to live in the now as he likes to drink and party while being cool with everyone. Yet, his longtime girlfriend Cassidy (Brie Larson) dumps him as Sutter thinks she’ll come back until he meets another schoolmate named Aimee (Shailene Woodley) who is different from other girls. There, Sutter not only finds a young woman he might want to spend his time with while she challenges him to face the real world as he doesn’t think about the future at all as he just wants to live in the moment. Even as he has to deal with who he is as well as the fact about his parents split up as he lives with his mother (Jennifer Jason Leigh).
The film’s screenplay is largely told from Sutter’s perspective as he is this guy that loves to party with the people in his school, he loves to drink despite the fact that he’s only 18, and he loves to work at a men’s clothing story where he’s also buzzed most of the times. Yet, he’s also quite flawed as he often thinks about himself and being the guy that ladies love where he would often think about Cassidy who has a new boyfriend. Even Sutter’s friend Ricky (Masam Holden) thinks that Sutter won’t do the right thing to Aimee as he knows that she’s just a really good girl who could get hurt.
Fortunately, Aimee is able to hold on to her own while she doesn’t mind taking a sip of alcohol as she has some issues at home. Still, her time with Sutter would help make some decisions of her own about her future while she would be the one to push Sutter to find out about his dad (Kyle Chandler) whom he hadn’t seen for many years. Yet, that would be a moment in the third act that would force Sutter to think about where he might go if he continues to act the way he is. Notably as he also has to get answers from his mother and his older sister Holly (Mary Elizabeth Winstead) about why they don’t talk much about his dad.
James Ponsoldt’s direction is quite straightforward as he doesn’t really go for anything that is over stylized as he just wants to keep the presentation simple. Shot in location in Athen, Georgia, Ponsoldt does manage to create some unique compositions and scenes that is filled with some humor but also some low-key drama. Ponsoldt knows how to put the camera into a frame and how to create an atmosphere in a scene where it is all about telling a story as Ponsoldt also has a few montages to play up Sutter’s own sense of misadventures where he might have no idea about what he did. Still, Ponsoldt does create some tension in some scenes such as the eventual meeting between Sutter and his dad which showcases some chilling realities that Sutter might face. Even as the third act would have Sutter face things about himself as well as how it would impact his relationship with Aimee. Overall, Ponsoldt creates a very tender yet exhilarating film about a young man dealing with a possible future with the help of a young woman.
Cinematographer Jess Hall does excellent work with the film‘s cinematography to play up the gorgeous look of the daytime scenes in Athens to some more-low key yet stylish lights for the scenes at night. Editor Darin Navarro does nice work with the editing as it‘s mostly straightforward while it has a few montages and some methodical cuts for some the dramatic-suspense that occurs. Production designer Linda Sena and set decorator Jess Royal do terrific work with the set pieces from the look of the school the characters frequent at to Aimee‘s room that displays her unique personality.
Costume designer Peggy Stamper does wonderful work with the costumes as it‘s mostly casual with the exception of the prom dresses the girls wear. Visual effects supervisor Matthew Bramante does superb work with the film‘s minimal visual effects where it plays in only one scene that is very dramatic as it‘s one that is very unexpected. Sound editor Ryan Collins does marvelous work with the sound to play up the atmosphere of the parties as well as some of the smaller moments in the film. The film’s music by Rob Simonsen is fantastic for its low-key score that is a mixture of indie and ambient music while music supervisors Gabe Hilfer and Season Kent create a fun soundtrack that is a mix of country, hip-hop, electronic dance music, and indie music.
The casting by Angela Demo and Barbara J. McCarthy is brilliant for the ensemble that is featured as it includes some notable performances from Masam Holden as Sutter’s friend Ricky, Andre Royo as Sutter’s math teacher who is concerned about his future, Dayo Okeniyi as Cassidy’s new boyfriend who feels threatened by Sutter’s presence, Kaitlyn Dever as Aimee’s concerned friend Krystal, and Bob Odenkirk in a terrific standout performance as Sutter’s boss who appreciates Sutter’s help but has concerns for his well-being. Mary Elizabeth Winstead is excellent in a small role as Sutter’s holder sister Holly who becomes concerned about Sutter’s questions in relation to their father where she eventually gives him an answer. Brie Larson is wonderful as Sutter’s ex-girlfriend Cassidy who has a hard time trying to move on while revealing her frustrations towards Sutter.
Kyle Chandler is superb as Sutter and Holly’s estranged father Tommy who seems like a nice guy but reveals a lot of flaws that would eventually make Sutter realize what he might become. Jennifer Jason Leigh is amazing in a small yet crucial role as Sutter and Holly’s mom Sara who is concerned with Sutter’s life and behavior while being very cagey about his father as she does have this great scene where she talks to her son about why she hid the truth.
Finally, there’s the duo of Shailene Woodley and Miles Teller in remarkable performances in their respective roles as Aimee and Sutter. Woodley brings some wit and energy to her role as a young woman who is an outsider but also someone that is very engaging as Woodley makes Aimee a very unique character. Teller adds a sense of charm to the role of Sutter as someone who seems un-likeable for his lack of ambition and such but makes up for it by playing it cool while later dealing with his flaws. Teller and Woodley make a great pair in the way they interact as well as bring some realism to the situations they encounter.
The Spectacular Now is a phenomenal film from James Ponsoldt that features riveting performances from Miles Teller and Shailene Woodley. The film isn’t just a tender yet engrossing coming-of-age film but also one that explores the world of youth and how they try to live in the now unaware that there’s a whole world ahead of them as it’s told by a lost young man. In the end, The Spectacular Now is a sensational film from James Ponsoldt.
James Ponsoldt Films: (Off the Black) - Smashed - The End of the Tour - (The Circle (2017 film))
© thevoid99 2013
