Showing posts with label melonie diaz. Show all posts
Showing posts with label melonie diaz. Show all posts
Tuesday, August 20, 2013
Be Kind Rewind
Originally Written and Posted at Epinions.com on 1/19/09 w/ Additional Edits.
Written and directed by Michel Gondry, Be Kind Rewind tells the story of a junkyard worker whose attempts to sabotage a power plant goes haywire. When he accidentally creates a magnetic field, he goes to his best friend's video store and accidentally erases the contents of the video tapes. In order to keep the store going, they create new versions of the films that become cult hits only to later deal with authorities. The film explores not just Gondry's love of spontaneity but also his themes of imagination and innocence told through a couple of bumbling men. Starring Jack Black, Mos Def, Danny Glover, Mia Farrow, Melonie Diaz, and Sigourney Weaver. Be Kind Rewind is a funny, imaginative, and heartwarming film from Michel Gondry.
In Passaic, New Jersey, a man named Mr. Fletcher (Danny Glover) runs a VHS-rental video store with his assistant Mike (Mos Def). The two muse about jazz musician Fats Waller whom Mr. Fletcher claims was born in the building where he runs the video store. One of the regulars who attends the store is Mike's klutzy friend Jerry (Jack Black) who often causes accidents while wanting to sabotage a nearby power plant. With the video store losing money and in danger of being demolished to become a condo unless Mr. Fletcher can provide money. Mr. Fletcher decides to go out of town for several days to attend a Fats Waller memorial with Mike running the store with his order to keep Jerry out of the story. Unfortunately, Jerry's attempt to sabotage the power plant went badly where he goes to the video store unknowingly erasing all of the content of the video tapes.
When one of the store's regular customers in Mrs. Falewicz (Mia Farrow) wants to see Ghostbusters, Mike and Jerry decide to make their own version with cheap special effects and the two playing the characters themselves. When another customer wanted to see Rush Hour 2, Mike and Jerry make their own version where they get help from a local named Alma (Melonie Diaz) to help. The film versions they created have become successful as Mike, Jerry, and Alma decide to create their own versions of the films as the demands suddenly increase with the community being involved. When Mr. Fletcher returns to the store, he reveals that he's planning to get the store going as a DVD-rental place.
For Mike, it's disheartening but Jerry and Alma press on where they make more to Mr. Fletcher's surprise as the films they make help raise money to save the story. When a couple of bailiffs (Sigourney Weaver and Paul Dinello) arrive, they decided to have the tapes destroyed due to copyright infringement forcing the store's future to look even bleaker with Mr. Fletcher revealing some harsh truths. Yet, it would take an entire community to rally for one final hurrah to save the store as it's time is running out.
The film is about two things in one whole film. One is the decline of the VHS-rental, mom-and-pop video stores and the rise of corporate, DVD-rental chains. The other is about a community rallying together to watch and make home films of the movies they always wanted to be in and such. While some of the film's humor might seem a little childish with a few moments that don't work along with the script often delving into conventional and sentimental territory. Yet, Michel Gondry manages to create a film that is filled with some of the thematic qualities of his work with innocence, light-humor, and heart in his script.
While the script has a nice story despite a few flaws, the direction that Gondry definitely raises the script's weakness with his imaginative presentation. Bringing his music video background to the forefront, Gondry truly is a director in his own world where he proves that anyone could make a film with shabby sets and such. Even in the use of home video cameras with night vision is an example of Gondry's unique vision. Even in one of the film's big moment, he goes for something that is black-and-white or scenes with one take for a movement of Mike, Jerry, and Alma making one film and then move to another. It's Gondry proving that he can create something whimsical with a lot of heart and humor for audiences who love the power of film and wish they can be in them in their own remakes.
Cinematographer Ellen Kuras does a wonderful job with the film's cinematography with the use of the home video camera with its grainy look and cheesy night vision along with scratchy black-and-white footage. Kuras' work is phenomenal in how she captures the look of Passaic, New Jersey in its actual location along with some wonderful nighttime exterior shots. Notably in the film's final scene with its sepia-like exterior and intimate, low-light interior scenes. Editor Jeff Buchanan does excellent work with the film's editing with rhythmic and jump-cuts to get the film moving in such a unique pace that it's all done leisurely and without going into style-over-substance. Production designer Dan Leigh along with set decorator Ron von Blomberg, and art director James Donahue do spectacular work with the film's set designs of the sets created for the film and cheesy special effects made for a homemade feel that looks wonderful and imaginative.
Costume designers Rahel Afiley and Kishu Chand do fantastic work with the costumes that are imaginative in the cheap remake versions of the films that are made, notably the Robocop suit that Jack Black wears in their remade version. Visual effects supervisor Fabrice Lagayette does an excellent job with the film's minimal special effects scenes like the buzzing screens and the scene where Jerry gets electrocuted by the power plant that would cause him to create a magnetic field. Sound editor Paul Hsu with mixer Pawel Wdowczak do excellent work with the film's sound effects and location sounds to create a whimsical atmosphere for the film. Music composer Jean-Michel Bernard brings a light-hearted, whimsical score to play up to the film's humor and heartfelt moments with smooth, elegant arrangements. The soundtrack consists of music from Fats Waller, the Gap Band, Ray Parker Jr., Billy Preston, and other jazz cuts to complement the film's devotion to jazz.
The casting by Jeanne McCarthy is excellent for its casting choices that includes Arjay Smith as a local DVD store owner named Manny, Chandler Park as Mrs. Falewicz's nephew Craig, Paul Dinello as a bailiff, Irv Gooch as a mechanic named Wilson, and I'm Not There star Marcus Carl Franklin as a local kid. Sigourney Weaver is excellent in a cameo-like role as a bailiff who shuts down the store while Mia Farrow is great as a neighbor/loyal customer who is amazed by the remakes as she finds hope in them. Danny Glover is wonderful as Mr. Fletcher, an elderly video store owner trying to deal with changing times and developments as he thinks about conforming while trying to salvage whatever hopes and dreams he have.
Melonie Diaz is brilliant as Alma, a local girl who originally becomes an actress and later help run the video store with rules as Diaz's performance truly shines. Even as she steals scenes from the always boisterous Jack Black where Diaz has great chemistry with both Black and Def. Mos Def is wonderful as Mike, the straight man who is trying to save a video store for Mr. Fletcher while becoming an unlikely visionary in the films he and Jack Black make. Def is more restrained that Black while having a few funny moments in his performance. Jack Black is very good in his usual Jack Black-type of character as a clumsy, boisterous, and innocent character who likes to play around and be the funny guy. Yet, Black wisely under play his persona in order to give his co-stars more to do while being the typical funny guy. Though it's a typical performance from Black, it's one that works for what the film is needed and only a guy like Jack Black could play a character like Jerry.
While the film doesn't live up to the brilliance of films like Eternal Sunshine of the Spotless Mind or The Science of Sleep, Be Kind Rewind is still an entertaining, funny, and heartwarming film from Michel Gondry. While fans of Gondry's work will enjoy his imaginative vision and thematic quality, the film doesn't exactly live up to expectations in comparison to his previous films. Still, Gondry does manage to make something that is enjoyable to watch thanks in part to the cast led by Jack Black and Mos Def. In the end, Be Kind Rewind is a whimsical film from Michel Gondry that plays up to his themes of innocence and imagination.
Michel Gondry Films: Human Nature - Eternal Sunshine of the Spotless Mind - Dave Chapelle's Block Party - The Science of Sleep - Tokyo!: Interior Design - (The Thorn in the Heart) - The Green Hornet - The We & the I - Mood Indigo - (Is the Man Who is Tall Happy?) - (Microbe & Gasoline)
© thevoid99 2013
Sunday, August 04, 2013
Fruitvale Station
Written and directed by Ryan Coogler, Fruitvale Station is the true story about the last day of a young man’s life. The film is based on a real-life incident in which this young man is killed by police officers in a transit station in Oakland as it was seen by many. Starring Michael B. Jordan, Melonie Diaz, Kevin Durand, Chad Michael Murray, Ahna O’Reilly, and Octavia Spencer. Fruitvale Station is a mesmerizing yet chilling film from Ryan Coogler.
At 2:15 AM on New Year’s Day 2009 at the Fruitvale BART station in Oakland, California, a 22-year old man named Oscar Grant III was shot by a BART police officer while resisting arrest over a scuffle in the train. The incident was captured by video cameras and cell phones that night as Grant would later die from his wounds hours later. The film explores the final day of Grant’s life as it plays into this young man’s life as he’s a father to a little girl as he is hoping to start new in the New Year with his girlfriend as he gives up dealing marijuana. While Grant is also a flawed man who also served some time in prison, he is someone who wants to do right for his girlfriend, his daughter, and his mother as he got food and stuff for his mother’s birthday while partying with friends to celebrate the New Year until it all went tragically wrong.
Ryan Coogler’s screenplay is quite straightforward in terms of its approach to storytelling though the story does allow one flashback scene in which Oscar (Michael B. Jordan) reflects on his previous jail time as he meets his mother (Octavia Spencer) which plays to Oscar’s resolve to give up drug dealing despite the troubled situation he’s in as he lost his job and owes rent money. Still, Oscar is dedicated to his girlfriend Sophina (Melonie Diaz) and their daughter Tatiana (Ariana Neal) as he is willing to do right despite the fact that he’s sort of a screw-up. Still, Oscar is a guy who is very kind and generous while there’s a brief moment where he meets a man who went through similar struggles that Oscar is going through yet gives him advice as well as an opportunity to help Oscar. These little moments would showcase the kind of man Oscar is and why his death is so tragic.
Coogler’s direction is very engaging for the way he explores the last day of Grant’s life as he goes for something that is straightforward but also be very direct into the events that was happening in Grant’s final day. A lot of the direction is very intimate but also broad as Coogler goes for a lot of hand-held cameras without being very shaky while creating some dazzling compositions to play up the sense of beauty in Grant’s world. The scene of Grant’s shooting is really one of the most intense moments of the film that showcases what probably happened before the police came in which leads to a very intense moment where Grant and his friends are confronted by the police and the incident that would change everything. The film opens with the actual footage of what happened to Grant while there are some very haunting moments that is told with great simplicity in the aftermath of the shooting. Overall, Coogler creates a very stark but powerful film about a man’s life being taken away by injustice.
Cinematographer Rachel Morrison does excellent work with the film‘s cinematography from the straightforward look of the daytime scenes to the more low-key look for some of the exterior scenes at night with the exception of the scene at the train station. Editors Claudia Castello and Michael P. Shawver do amazing work with the editing in creating a few jump-cuts for some scenes as well as some methodical cutting to play up the suspense in relation to the shooting. Production designer Hannah Beachler and set decorator Kris Boxell do nice work with some of the set pieces such as the homes the characters live in as well as a few of the places the characters go to.
Costume designer Aggie Guerard Rodgers does terrific work with the costumes as it‘s mostly casual for many of the characters. Visual effects supervisor Catherine Tate does superb work with the film‘s minimal effects that involve the popping up of cell phone screens to showcase certain messages and such that would play a key part in the story. Sound designer Bob Edwards does fantastic work with the sound to convey the atmosphere of some of the intimate moments as well as the scenes in the train and the train station. The film’s music by Ludwig Goransson is incredible for its haunting yet evocative score filled with low-key ambient pieces with its keyboards and guitars to convey the drama while music supervisors Jonathan Leahy, Manish Raval, and Tom Wolfe create a soundtrack that is mostly filled with hip-hop to play into the world that Grant and his friends live in.
The casting by Nina Henninger is phenomenal for the ensemble that is created as it features appearances from Chad Michael Murray and Kevin Durand as the two BRAT officers who arrest Grant on that horrible night along with Ahna O’Reilly as young woman Oscar meets at the supermarket as she later sees him at the train on that horrible night. Other notable small roles include Marjorie Shears as Oscar’s grandmother and Ariana Neal as Oscar and Sophina’s daughter Tatiana. Melonie Diaz is wonderful as Oscar’s girlfriend Sophina as a woman dealing with his flaws as she is also aware that he is trying to do right as she brings a very chilling restraint late in the film that includes the film’s ending.
Octavia Spencer is amazing as Oscar’s mother Wanda who is a kind soul but also very stern at times while Spencer would convey something very powerful very late in the film that plays to the tragedy. Finally, there’s Michael B. Jordan in a remarkable performance as Oscar Grant III as Jordan brings an intensity into his performance as a young man trying to start anew while adding a sensitivity to his role as someone who is kind and generous while being a good father to his daughter as it’s a real breakthrough for the young actor.
Fruitvale Station is a brooding yet outstanding film from Ryan Coogler that features great performances from Michael B. Jordon, Melonie Diaz, and Octavia Spencer. It’s a film that explores a day in the life of a young man before his tragic death and the injustice it would carry without over-dramatizing the true story nor under-playing it. It’s also a film that showcases a world where things don’t go the way it seems in terms of what happened as well as its troubling aftermath that showcases an injustice over what happened. In the end, Fruitvale Station is a magnificent film from Ryan Coogler.
Ryan Coogler Films: Creed (2015 film) - Black Panther (2018 film) - Black Panther: Wakanda Forever - Sinners (2025 film) - The Auteurs #74: Ryan Coogler
© thevoid99 2013
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