Showing posts with label teresa palmer. Show all posts
Showing posts with label teresa palmer. Show all posts
Sunday, March 20, 2016
Knight of Cups
Written and directed by Terrence Malick, Knight of Cups is the story of the troubled life of a Hollywood screenwriter who goes on a personal journey to find live and self-discovery during his trip to Los Angeles and Las Vegas. Rumored to be part of an informal trilogy with The Tree of Life and To the Wonder as the films are semi-biographical stories on Malick’s own life. The film is partially inspired by the Christian allegory The Pilgrim’s Process and the passages Hymn of the Pearl and Acts of Thomas as they’re featured in a film that plays into a man trying to find his own existence in a decadent world. Starring Christian Bale, Cate Blanchett, Natalie Portman, Wes Bentley, Imogen Poots, Antonio Banderas, Isabel Lucas, Freida Pinto, Teresa Palmer, Brian Dennehy, and the voice of Ben Kingsley. Knight of Cups is a rapturous and exhilarating film from Terrence Malick.
Surrounding himself in Los Angeles and the world of Hollywood, the film revolves around a screenwriter coping with himself and struggles as he surrounds himself with different women while dealing with issues in his family including his father. It’s a film that doesn’t really have much of a plot nor a traditional narrative structure as it is largely loose in its storytelling structure where it’s largely based on the Knight of Cups tarot cards as each card represents a part of the journey that film’s protagonist Rick (Christian Bale) takes. Along the way, he deals with loss but also regret into things in his past while being aware of the environment he’s in that is filled with temptation, immorality, and decadence. In the course of the film, there are a lot of voice-over narration not just from Rick but also the many characters who are part of his life either temporarily or permanently while there is also this mysterious voice by an unseen character (Ben Kingsley) who recites passages and texts that relate to these tarot cards.
The lack of a conventional screenplay does allow its writer/director Terrence Malick to not just take on some major risks of what he would do as a storyteller. He would also go very deep into a world that might seem disconnected from the real world but also display that sense of disconnect as it relates to the reality that is encountered. Shot largely in Los Angeles as well as some scenes shot in Las Vegas, the Californian/Nevada deserts, and other parts of the American Midwest including St. Louis. It is a film that showcases that sense of conflict in a man who is embarking on this journey of self-discovery where he ventures into all sorts of things with different kinds of people. Among them are representations in the themes of the tarot cards in the form of Rick’s many different lovers in Della (Imogen Poot), a model named Helen (Freida Pinto), a spirited stripper named Karen (Teresa Palmer), a mysterious young woman named Isabel (Isabel Lucas), his ex-wife Nancy (Cate Blanchett), and a former lover in Elizabeth (Natalie Portman).
The usage of wide and medium shots for many of the film’s locations as well as close-ups for some of the intimate moments are very potent in their imagery while Malick’s usage of hand-held cameras in its mixture of 35mm film and digital just add to the sense of beauty of these images. Yet, there is so much more as it play into something that is very off-kilter as it relates to Rick’s own sense of uncertainty, loss, and self-discovery where the camera sort of acts as this unknown being watching over him. Plus, the narration acts as that sense of internal conflict within Rick who is yearning for some meaning in his life but is tempted by things such as money, beautiful women, and all of these things. The scenes involving Rick’s brother Barry (Wes Bentley) and their father Joseph (Brian Dennehy) show that sense of conflict that looms over Rick as well as loss where the narration reveal that they’re all suffering with Barry venturing into a self-destructive path that claimed the life of his brother.
Malick’s usage of handheld cameras do have this very evocative feel to the way everything is filmed while he also plays with time-lapse imagery. While it largely a style that is very experimental and certainly won’t be everyone’s cup of tea. It plays into something that does feel very personal where Malick is showing a world that he was a part of but one that showcases that struggle from having it all but also leaving a world where things were simpler. Adding to that air of simplicity is specter of spirituality as it relates to the character of Isabel, some of Helen’s private activities, and what Malick shows in Los Angeles and Las Vegas as it play into something is calling into Rick in his own personal journey and in the words of this unseen narrator. Overall, Malick creates an intoxicating yet enchanting film about a man’s personal journey of self-discovery through the chaotic world of Hollywood.
Cinematographer Emmanuel Lubezki does spectacular work with the film‘s very naturalistic cinematography to play with the many looks of the locations in the day as well as the scenes set at the home of this amoral millionaire along with some dazzling images of scenes set at night including a strip-club and the scenes set in Las Vegas which is so gorgeous to look at as it‘s one of the highlights of the film. Editors Mark Yoshikawa, Geoffrey Richman, Keith Fraase, and A.J. Edwards do brilliant work with the editing with its usage of jump-cuts and disparate cutting montages to play into sense of wonderment that occurs throughout the film as well as some abrupt cuts to help structuralize the film. Production designer Jack Fisk, with set decorator Beauchamp Fontaine and art director Ruth De Jong, does amazing work with the some of the interiors in the homes that Rick encounters including a mansion in its dining room along with the look of the strip club with its neon lights.
Costume designer Jacqueline West does excellent work with the clothes that many of the characters wear including the Armani suits that Rick wears and some of the stylish dresses that many of the women in the film wear. Visual effects supervisor Jamison Scott Goei does fantastic work with the film‘s lone visual effects sequence as it relates into the mysterious elements of the universe described in one of Rick‘s voice-over narrations. Sound designers Joel Dougherty and Will Patterson do incredible work with the sound in the way much of the voice-over narrations as well as the sounds of the cities and locations mix without overwhelming each other along with some textures into the parties and such as it add so much to the world that Rick is being tempted by. The film’s music by Hanan Townshend is superb for its classical-based score with its serene string arrangements and low-key percussions while music supervisor Lauren Marie Mikus creates a soundtrack filled with classical pieces as well as contemporary music where the latter play into the parties scenes and what is playing on Rick’s car.
The casting by Francine Maisler and Lauren Grey is phenomenal as it features appearances from Joe Manganiello, Ryan O’Neal, Fabio, Danny Strong, Beau Garrett, Nick Kroll, Nicky Whelan, Jelly Howie, and Katia Winter as themselves appearing in Hollywood parties. Other notable small appearances include Thomas Lennon, Joe Lo Truglio, Jason Clarke, Joel Kinnaman, Peter Matthiesson, and Clifton Collins Jr. as colleagues of Rick who are part of that world as well as appearances from Nick Offerman, Michael Wincott, and Shea Whigham in small roles as Hollywood business personalities, Dane DeHaan as a tarot reader’s son, Jamie Harris and Lawrence Jackson as a couple of burglars, Patrick Whitesell and Rick Hess as a couple of agents, Cherry Jones as a relative of Rick’s, and Armin Mueller-Stahl as a priest who provides Rick some guidance into his own sense of doubt. The voice of Ben Kingsley as this unseen figure is superb for the sense of mystique that looms over the film as well as providing a sense of spiritual context into Rick’s journey.
Imogen Poots is fantastic as this rebellious fling of Rick’s in Della who asks Rick questions about his faithfulness and direction in life while Teresa Palmer is excellent as this stripper named Karen who entrances Rick as she accompanies him to Las Vegas. Freida Pinto is wonderful as the model Helen that Rick meets at a party as he briefly goes out with her while being intrigued by what she does at her home while Isabel Lucas is terrific as this innocent and playful young woman who is interpreted as this angelic figure that helps him find his way home. Wes Bentley is brilliant as Rick’s brother Barry as a man accompanying Rick throughout Los Angeles as he copes with his own issues as well as those relating to their father. Brian Dennehy is amazing as Rick and Barry’s father Joseph who deals with aging and being phased out while providing some somber narration as it relates to much of the text and legends of the tarot cards that would help guide Rick in his journey.
Antonio Banderas is incredible as a Hollywood playboy named Tonio as a man that represents all forms of temptation and immorality as someone that has a lust for life, excess, and women as he is sort of a comical figure in the film but also that representation of what Rick could be. Natalie Portman is radiant as Elizabeth as a former lover of Rick whom he loved dearly as she is seen as someone that could help find redemption for him as well as provide a link into what he could have if he chose the right path. Cate Blanchett is remarkable as Nancy as Rick’s former wife who devotes her time helping people as a physician as she copes with the love they had lost as well as the fact that there’s still feelings for one another as she is a representation of what he had and later gave up. Finally, there’s Christian Bale in a tremendous performance as Rick as a Hollywood screenwriter lost in the world of decadence and temptation as he copes with loss, guilt, and uncertainty where Bale doesn’t say a lot in the film but say a lot in his voice-over work where he would display that anguish and conflict of a man trying to find himself in his own personal journey of self-discovery.
Knight of Cups is a phenomenal film from Terrence Malick. Largely in part to its ensemble cast, a compelling premise, gorgeous visuals, and intoxicating music. It’s a film that is definitely challenging while not being something for everyone due to the fact that is told in a very unconventional form. Even as it displays some big questions about the world of temptation, loss, and life itself in ways that is very personal in the hands of its creator. In the end, Knight of Cups is a sensational film from Terrence Malick.
Terrence Malick Films: Badlands - Days of Heaven - The Thin Red Line - The New World - Tree of Life - To the Wonder - Voyage of Time: The IMAX Experience - (Voyage of Time: Life's Journey) - Song to Song - A Hidden Life - (The Way of the Wind)
© thevoid99 2016
Monday, October 14, 2013
Warm Bodies
Based on the novel by Isaac Marion, Warm Bodies is the story of a zombie who falls in love with the daughter of a zombie-resistance leader as he starts to regain semblance of humanity. Written for the screen and directed by Jonathan Levine, the film is a genre-bending film that takes place during a zombie apocalypse where it’s a mixture of the zombie-thriller meets the romantic-comedy. Starring Nicholas Hoult, Teresa Palmer, Rob Corddry, Dave Franco, Analeigh Tipton, and John Malkovich. Warm Bodies is an extraordinary yet witty film from Jonathan Levine.
The film is set during a zombie apocalypse in which humans are fighting against zombies and skeleton-like creatures called boneys who are hungry for human flesh. Yet, it is a story about one particular zombie whose encounter with the daughter of zombie-resistance leader not only has him falling for her but also regain aspects of his humanity. It’s a strange premise for a film the bends various genres yet manages to work as it’s largely told from the perspective of this zombie named R (Nicholas Hoult) who often narrates the film as he deals with his life as a zombie as he also collects things including vinyl records and such. Notably as R reveals a lot of his own feelings and confusion about being a zombie as he is hungry for human flesh and brains where an encounter with a young resistance group has him eating the brains of someone where he sees memories and such that also features the young woman he captures in Julie (Teresa Palmer) whom he falls for.
Jonathan Levine’s screenplay does have a conventional structure that plays into R and Julie’s eventual romance though it takes its time to build that up where Julie is immediately frightened and confused by R and his kind actions. Especially for the fact that he killed and ate the brains of her boyfriend Perry (Dave Franco) where R sees Perry’s memories to know a lot about Julie as she’s the daughter of resistance leader Colonel Grigio (John Malkovich). With Julie staying at an airplane where R lives, she realizes that R is acting human as he starts to say words as it would rub off on the other zombies including his friend M (Rob Corddry). Yet, the zombies’ reintroduction with their humanity causes a conflict with the more-deadly boneys who not only feed on human flesh but anything that has a beating heart. Levine’s script uses R’s voice-over narration to express his feelings as well as his fascination to humanity where he also reveal the sense of loss that Julie had faced in her life as he becomes confused on whether to remain a zombie or to become human again.
Levine’s direction is pretty straightforward for the most part while he also adds some style into the film. Notably as he maintains some different looks to play into the different world of the zombies and human where the zombie world is a bit discolored whereas the human world and the dream sequences have more color. Levine’s use of close-ups, medium shots, and wide shots does manage to help create some unique images as well as play into the developing relationship between R and Julie. Levine does stick to convention as far as the action is concerned while not straying too far into fast-paced cutting for the action while infusing it with bits of humor in the story. Notably the early scenes of R and M grunting to each other as they’re having a zombie conversation as well as a scene where R goes into the human world and Julie’s home that includes a funny homage to a great romantic comedy. Overall, Levine creates a very stylish yet enjoyable genre-bending film about a zombie who falls for a human girl and regains his humanity.
Cinematographer Javier Aguirresarobe does amazing work with the film‘s very stylish cinematography by infusing a mostly discolored look for the scenes set in the airport and most of the locations in Montreal to the more colorful dream sequences that R experiences as well as the scenes involving the humans. Editor Nancy Richardson does excellent work with the editing as it‘s very stylized to play with some of action scenes involving the zombies, boneys, and humans as well as a few montages to play into R and Julie‘s developing romance. Production designer Martin Whist, along with set decorator Suzanne Cloutier and supervising art director Gilles Aird, does superb work with the set pieces from the decayed look of the airport as well as the look of the buildings where there‘s little technology and some places are abandoned. Costume designer George L. Little does nice work with the costumes from the red hoodie that R wears to the flannel shirt that Julie wears as it‘s mostly casual.
Special effects makeup designer Dave Elsey does brilliant work with the makeup design in the way the zombies look. Visual effects supervisor Dan Schrecker does fantastic work with some of the visual effects for the shots inside the bodies of the zombies as they regain their humanity as well as the look of the boneys. Sound editor Martyn Zub does terrific work with the sound from the way gunfire sounds to the growl of the boneys and the locations the characters encounter. The film’s music by Marco Beltrami and Buck Sanders is wonderful for its mixture of folk, rock, and orchestral music to play up the action as well as the romance while music supervisor Alexandra Patsavas create a superb collection of music that includes pieces by John Waite, Jimmy Cliff, the National, Guns N’ Roses, Bob Dylan, Bruce Springsteen, Feist, Bon Iver, the Scorpions, Roy Orbison, and M83.
The casting by Joanna Colbert and Richard Mento is incredible as it features some noteworthy small performances from Cory Hardrict as a subordinate of Colonel Grigio and Dave Franco as Julie’s unfortunate boyfriend Perry who starts to act more like Julie’s father. Analeigh Tipton is wonderful as Julie’s friend Nora who survives the zombie raid while trying to figure out R’s growing transformation into becoming human as she brings some humor to the film. Rob Corddry is excellent as R’s friend M as a zombie who also regains his humanity as he helps lead a group of zombies to deal with the boneys as Corddry also brings in some humor to the film. John Malkovich is superb as Colonel Grigio who is hell-bent on killing zombies after losing his wife to the apocalypse while trying to protect his daughter as it’s Malkovich being a badass but also being funny.
Finally, there’s the performances of Nicholas Hoult and Teresa Palmer as both of them do amazing work in their respective roles as R and Julie. Palmer brings a quality that allows her character to be engaging as well as funny as this young woman who is fascinated by this zombie she meets while dealing with the fact that he is becoming human again. Hoult is great as this young zombie who laments over his being while suddenly becoming human again as he brings the hope that the human-zombie war might come to an end. Hoult and Palmer have some wonderful chemistry together in the way they interact as well as being their for each other as they’re the highlight of the film.
Warm Bodies is a sensational film from Jonathan Levine that features winning performances from Nicholas Hoult and Teresa Palmer. The film isn’t just a creative genre-bender that is funny, romantic, exciting, and full of some cool action scenes. It’s also a film that takes the zombie film and infuse it with some heart where even zombies have feelings to. In the end, Warm Bodies is a marvelous film from Jonathan Levine.
Jonathan Levine Films: (All the Boys Love Mandy Lane) - (The Wackness) - 50/50 - The Night Before (2015 film) - (Snatched) - Long Shot (2019 film)
© thevoid99 2013
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