Showing posts with label callum keith rennie. Show all posts
Showing posts with label callum keith rennie. Show all posts

Monday, May 10, 2021

Into the Forest

 

Based on the book by Jean Hegland, Into the Forest is the story of two sisters who live remotely following a worldwide power outage as they struggle to live without technology as well as deal with a new reality around them. Written for the screen and directed by Patricia Rozema, the film is an exploration of two young women who have to care for one another during a worldwide event that keeps them away from the rest of the world while having to deal with some of its dark aspects. Starring Ellen Page, Evan Rachel Wood, Max Minghella, Callum Keith Rennie, Michael Eklund, and Sandy Sidhu. Into the Forest is a riveting and somber film from Patricia Rozema.

Set in futuristic world where a worldwide power outage has occurred, the film revolves around two sisters who deal with this event as they’re forced to live alone and deal with their surroundings and the resources they have. It’s a film with a simple premise as it spans into nearly two years as it plays into these two young women who are forced to deal with their new situation as they live remotely in a house in the middle of the forest while having little gasoline for the power generator they have in the house. Patricia Rozema’s screenplay is straightforward as it play into the lives of these two sisters in Nell (Ellen Page) and Eva (Evan Rachel Wood) as the former is studying to be a doctor while the latter is trying to restart her dance career following an injury when the power goes out as they’re unable to do anything. The film’s first act is about the two sisters dealing with this newfound worldwide power outage with their father (Callum Keith Rennie) as they try to find ways to survive and with the little fuel they have in the car.

Yet, an accident would leave both of the sisters to fend for themselves as the second act has them dealing with their lack of resources but also what they want individually as Nell had befriended a young man in Eli (Max Minghella) who claims there’s something happening on the American east coast as Nell wants to join him. However, it would also mean abandoning Eva who is already struggling with living without power and is becoming depressed. The film’s third act involves the aftermath of an incident that impacted both sisters as they deal with dwindling resources as well as their home becoming inhabitable.

Rozema’s direction doesn’t bear a lot of stylistic choices in the compositions in order to be straightforward in the world that Nell and Eva are dealing with. Shot on various locations in the British Columbia province in Canada, the film does play into this small town world where Nell and Eva are part of a remote community that is often dominated by technology but everything changes due to this worldwide power outage. Rozema does use a lot of wide and medium shots to get a scope of the locations including the forest near the house that Nell and Eva live in as the house itself is a character in the film that included a dance studio where Eva practices. The medium shots also play into the intimacy of the home that include a lot of straightforward compositions involving Nell and Eva including a scene where they argue about using the gas for the power generator.

There are also close-ups as it play into some of the emotional moments in the film including a traumatic event that would shake both women late in the second act as it adds to the dramatic tone of the third act. Even in scenes where both women are emotional as it play into not just loss but uncertainty as it play into something they have to deal with but also a home that is crumbling prompting them to start something new. Overall, Rozema crafts an engaging and evocative film about two sisters surviving during a worldwide power outage.

Cinematographer Daniel Grant does brilliant work with the film’s cinematography as it plays into the natural usage of lighting for many of the exteriors including some low-key natural lighting for scenes at night including fire and available light. Editor Matthew Hannam does excellent work with the editing as it is largely straightforward as it plays into some of the dramatic moments as well as some livelier bits and some of the intense moments in the film. Production designer Jeremy Stanbridge, with set decorator Shannon Gottlieb and art director Tara Arnett, does amazing work with the look of the house Nell and Eva live in as the house is a major character in the film in displaying the rooms and such in the house including the detail on the roof that is in need of repair early in the film as well as a small shack that Nell and Eli find. Costume designer Aieisha Li does fantastic work with the costumes as it is largely casual in the clothes that many of the characters wear in the film.

Visual effects supervisors Ryan Jensen and Kevin Little do terrific work with the visual effects as it mainly focuses on a key event towards the end of the film. Sound mixers Kristian Bailey and Kirk Lynds do superb work with the sound to play into the atmosphere of the forest and its surroundings as well as its emphasis to record all of the sparse moments in the locations. The film’s music by Max Richter is wonderful for its low-key orchestral score that is largely based on string arrangements to play into the air of uncertainty and loss while music supervisor Velma Barkwell provide a soundtrack that mainly consists of two songs including a cover of Wild is the Wind by Cat Power and a song by Sylvan Esso and Amelia Meath.

The film’s incredible ensemble cast feature some notable small appearances from Sandy Sidhu as a woman quizzing Nell during an online test exam, Jordana Largy as Eva’s dance teacher, Michael Eklund as a creepy supermarket clerk named Stan, Wendy Crewson as Nell and Eva’s late mother who is seen through home movies, Callum Keith Rennie as Nell and Eva’s father who is with them in the early days of the power outage, and Max Minghella in a superb performance as Eli as a young man Nell befriends and falls for as he suggests they all go to the east coast to find jobs and power.

Finally, there’s the duo of Ellen Page and Evan Rachel Wood in phenomenal performances in their respective roles as Nell and Eva. Page provides that air of grounded realism and quirky humor to her role but also knows when she has to be serious as she reads a lot and does whatever she can to make sure she and Eva have resources. Wood brings in that air of uncertainty as a dancer who is recovering from a knee injury as she is struggling to keep things going while also coping with loss and later an event that would trouble her. Page and Wood together have this chemistry and rapport as two young women dealing with a worldwide power outage as well as trying to survive and live with little resources as they’re the major highlights of the film.

Into the Forest is a remarkable film from Patricia Rozema that features great performances from Ellen Page and Evan Rachel Wood. Along with its wondrous setting, gorgeous visuals, and a somber music score, the film is a fascinating drama that explores two young women dealing with a worldwide power outage and their need to survive amidst loss and trauma. In the end, Into the Forest is a marvelous film from Patricia Rozema.

© thevoid99 2021

Sunday, August 21, 2011

eXistenZ


Written and directed by David Cronenberg, eXistenZ is about a video game designer whose new virtual reality game is the talk of the video game world only to be targeted by assassins. With a security guard to help her, the two go on the run while trying to save the game that she creates. The film is among of Cronenberg’s themes with new technology and its implications that recalls such earlier films as Videodrome. Starring Jennifer Jason Leigh, Jude Law, Ian Holm, Don McKellar, Sarah Polley, Callum Keith Rennie, Christopher Eccleston, and Willem Dafoe. eXistenZ is a mind-bending yet thrilling film from David Cronenberg.

Allegra Gellar (Jennifer Jason Leigh) is a revered though reclusive game designer who is at a focus group to premiere her new virtual reality game. With help from a seminar leader (Christopher Eccleston) and a security guard named Ted Pikul (Jude Law) watching, things seem to go well until an assassin (Kris Lemche) tries to kill Allegra. With Ted saving her and taking her away from the place, the two go on the run as Allegra is worried about her game pod that she’s been working on for five years. Needing Ted to be in the game so she can check its status, she realizes that he doesn’t have a bio-port on his back. Turning to a black-market bio-port installer named Gas (Willem Dafoe) for help, Gas puts a bio-port hole in Ted’s back where things don’t work out.

Hiding out at the home of her mentor Kiri Vinokur (Ian Holm), Kiri fixes Allegra’s pod as she and Ted begin to play the game. With Ted realizing he is in a very different world, he learns that in order to play the game. He had to abide by their rules and talk in cheesy dialogue to advance the story as he and Allegra get close. Meeting such characters like the strange Yevgeny Nourish (Don McKellar) and a resistance leader (Callum Keith Rennie), things get blurred as Ted wants to stop playing. Instead, things become more complicated and violent as Allegra believes something is up about her pod. In the game world, she encounters another pod which turns out to be very bad as it’s up to Ted to get her back only to realize they’re in the middle of a battle between anti-reality game groups and pro-realist groups that wants Allegra dead.

The film can be described as a strange, multi-layered film about a game designer whose life is in danger because of the work she’s created that further blurs the line between reality and fiction. During this journey, she goes on the run with a man that is sworn to protect her as he steps into a world that he doesn’t know about at all. In turn, they take on roles and say awful dialogue in order to play a game where only the designer knows what to do and there’s a guy who has never played a game before.

David Cronenberg creates a film where it’s about reality vs. fiction and technology being part of something organic where it can be connected to a body. The pod and other objects such as guns have a strange, organic look that acts less like a machine rather than something very real. Throughout the film, Cronenberg creates a lot of exposition in order for the Ted Pikul character to figure out what is going on. Exposition is fine though it does overwhelm the plot a bit as complex as a film like this due to its reality vs. fiction narrative. The script is truly fascinating for its development of characters as well as motives over why Allegra is being targeted. At the same time, Cronenberg understands the world of video games as he does create cheesy dialogue that is intended to help move the story.

Cronenberg’s direction definitely plays up to what is expected of him in terms of creating a world that is surreal but also fascinating. Though he sets it at a not-so-distant future, many of the objects that are made has this organic look and feel to them where the guns shoot out teeth as bullets while the pod looks like a body organ. Still, Cronenberg makes the real world and the video game world seem almost realistic as he often keeps the film straight in terms of camera work and compositions. It’s Cronenberg keeping a controlled approach to the filmmaking while using his odd, surreal ideas to help add a quirky element to the film. Cronenberg also likes to play with the idea of reality and fiction that becomes much more complex with a strange twist in the last 10 minutes of the film. While it’s not a perfect film due to the overuse of exposition at times, it is still one of Cronenberg’s enjoyable films.

Cinematographer Peter Suschitzky does a wonderful job with the cinematography from the grimy yet colorful lighting schemes in many of the film‘s interiors to the naturalistic camera work for some of the exterior scenes. Editor Ronald Sanders does an excellent job with the editing as he creates a mostly straightforward style to the film while maintaining a leisured pace for the film. Production designer Carol Spier, along with set decorator Elinor Rose Galbraith and art director Tamara Deverell, does some fine work with the set pieces such as Vinokur‘s home and the factory that Ted and Allegra work at in the game world.

Costume designer Denise Cronenberg does a very good job with the costumes such as the colorless yet stylish clothing of Allegra to the more casual look of Ted as it’s mostly very low key. Visual effects supervisor James Issac does an amazing job with the visual effects such as the mutant amphibians Allegra comes across to some of the creatures that is made in the world outside of the factory. The sound work of Ryan Shore and Glen Gauthier is pretty stellar for the atmosphere that is created from the suspenseful scenes to the intimate moments when the pod is making strange sounds. The film’s score by Howard Shore is superb for its sweeping orchestral arrangements to play up the film’s suspense as well as some low-key yet heavy scores to help underplay the drama.

The casting by Deirdre Bowen is brilliant for the appearances and people she put into the film such as Vik Sahay as Vinokur’s assistant, Kris Lemche as the assassin, Oscar Hsu as a waiter at a Chinese restaurant, Robert A. Silverman as a game character Allegra and Ted interacts with, Christopher Eccleston as seminar leader, and Sarah Polley in cameo as a mysterious woman towards the end of the film. Other notable appearances include Don McKellar as a mysterious pro-game leader named Yevgeny Nourish, Callum Keith Rennie as a resistance leader, Ian Holm as Allegra’s eccentric mentor, and Willem Dafoe as a creepy gas station owner/black market salesman.

Finally, there’s the duo of Jude Law and Jennifer Jason Leigh who each give superb performances for the film. Law brings a wonderful sense of energy and naiveté as a security guard new to the world of virtual reality games. Law also brings a determination and drive to his character as it’s definitely one of his most overlooked performances. Leigh gives a gritty yet troubled performance as a gifted game designer who is desperate to save her game while showing Law’s character the ropes of playing and living the game. It is also one of Leigh’s darker performances as she also add a bit of sexiness to a strange character as she and Law have amazing chemistry together.

eXistenZ is a remarkable yet provocative film from David Cronenberg featuring terrific performances from Jennifer Jason Leigh and Jude Law. While it’s a film that doesn’t live up to some of Cronenberg’s great films, it is still a pretty original yet daring film that plays to his themes about the dangers of technology. Particularly as some of the ideas in the film about reality and fiction would have audiences thinking about Christopher Nolan’s 2010 film Inception. In the end, eXistenZ is an excellent yet suspenseful film from David Cronenberg.


© thevoid99 2011