Half Nelson

Originally Written and Posted at Epinions.com on 2/17/07 w/ Additional Edits & Revisions.

Directed by Ryan Fleck and written by Fleck and Anna Boden, Half Nelson tells the story of a young school teacher in the inner city who forms a friendship with one of his students who has discovered his drug addiction. Taking another relationship drama to a different level, it's a film that explores a young man's chance to try to save a young girl while dealing with his own demons. Starring Ryan Gosling, Anthony Mackie, Karen Chilton, Jay O. Sanders, and Shareeka Epps. Half Nelson is a haunting yet mesmerizing film from Ryan Fleck.

By day, Daniel Dunne (Ryan Gosling) is a young, middle school history teacher in an inner-city school where he's also the girls' basketball coach. Dunne's unorthodox yet edgy approaching to teaching history has won him over the praise of his students. Dunne's approach into teaching them history by having something they can relate to hasn't fared well with the school's principal despite the fact that it's worked. While his girl's team aren’t the best players, he does try and give them encouragement to get better. After school, Dunne goes to bars flirting with women and continuing on his troubling addiction to drugs such as cocaine and crack. Already, his life becomes out of control when he is caught in a bathroom dazed by one of his students named Drey (Shareeka Epps).

Drey is a young 13-year old student who lives at home while her mother Karen (Karen Chilton) works late as an EMT barely making by. The only help Drey gets in making money is through a drug dealer named Frank (Anthony Mackie) who owes her a favor after her brother Mike (Collins Pennie) is in juvenile hall. Dunne suddenly learns that his ex-girlfriend Rachel (Tina Holmes) is getting married while he starts to feel lonely and finds a kindred spirit in Drey. Drey knows his secret and keeps it that way while he takes her home since her father doesn't pick her up. Dunne is amazed by Drey's strength though she admits that her mother not being home all the time has made it tough. Dunne meanwhile, still revels into his own world of drugs as he is forced to face his own demons.

One day when taking Drey home, he takes her to his apartment where they have conversations about his work and his unconventional teaching approach. Helping him make dinner for a date with another teacher named Isabel (Monique Curnen), Drey is amazed at the kind of person Dunne is despite his troubles. While the weekend turned out to be good for Dunn and Drey in their own separate worlds, Dunne's demons get the best of him as he is troubled by a lot of things. The drugs and his weariness begin to affect his teaching and he starts to alienate everyone. When he sees Frank with Drey, Dunne decides to confront him about what he's doing to her. Unfortunately, Dunne's efforts is only troubled when his addiction worsens. During a night with his parents (Jay O. Sanders and Deborah Rush), his brother (Denis O'Hare) and his brother's girlfriend Cindy (Nicole Vicius), Dunne is forced to see his downward spiral while pondering Drey's own future.

While the film doesn't say anything new about drugs or addiction, the story of a young teacher trying to help a young girl escape into her own environment is a compelling one. Ryan Fleck and co-writer Anna Boden create a story that is gritty and very mesmerizing into how a man seeks redemption through a young girl while dealing with his demons. The film's story is simple enough though it's told in two different perspectives in both Daniel Dunne and Drey. While Dunne's world is often filled with a repetitive outlook of going to school on the day and party and do drugs at night. He makes a break for it in trying to help Drey. Drey's own world is just as tough since her mother isn't around much while the only adult that watches out for her is Frank. Though Frank isn't a total villain of sorts, he does watch out for Drey though his own intentions aren't what's best for her. The script is very drawn out by character while Fleck's subtle, observant, and very raw directing style works in conveying the atmosphere and drama that surrounds the situations and moments in the film. Overall, it's a very strong effort from Fleck.

Cinematographer Andrij Parekh is wonderfully exquisite in its realism while many of the exterior shots are haunting and almost dreamlike to convey the spiraling emotions of Dunn. Anna Boden's editing is also excellent for its straightforward manner and non-stylized cuts to draw the sense of emotion and intensity of the performances from the actors. Production designer Beth Mickle and art director Inbal Weinberg do fine work in taking the location of Brooklyn to reveal the location's gritty look but also a realistic feel to the apartment of Drey to the dilapidated look of Dunne's apartment. Costume designer Erin Benach adds to the grittiness with shabby shirts and ties that Dunne wears to the street clothes that the kids wear as well. Sound editor John Moros also adds to the tense atmosphere of the film to the alarm clock that Dunne wakes up on to the basketballs bouncing on the gym. The film's music features cuts from the Marshall Tucker Band, Lisa Vaughn and a few hip-hop artists while the rest of the music features a haunting score from the band Broken Social Scene filled with atmospheric, melodic guitar tracks.

The film's cast is wonderfully assembled with some memorable small performances from veteran actors Jay O. Sanders and Deborah Rush as Dan's parents, Denis O'’Hare as his brother, and Nicole Vicius in a funny scene as his brother's girlfriend. Other noted small roles from Collins Pennie, Monique Curnen, and Bryce Silver as fellow teacher Bernard plus a group of young actors like Tristan Wilds, Stephanie Bast, and Nathan Corbett as the students are equally memorable. Tina Holmes is excellent as Dan's ex-girlfriend Rachel while Karen Chilton is wonderful as Dre's hard-working, caring mother. Anthony Mackie gives a chilling yet superb performance as the small-time drug dealer Frank. Mackie brings a charm and danger to his role where he can be caring and do good things yet he runs a business and is doing some bad things so there's a complexity to Mackie's character and the performance is wonderfully balanced. Shareeka Epps is wonderfully amazing as the tough but confused Drey who has an understanding of what the adults around her are doing. Epps brings a strength and fragility that is haunting to watch as this young woman truly gives one of 2006's great performances.

Finally, there's Ryan Gosling in what has to be the performance of his career. Gosling has been known to display charm, a wit, and eccentricity. In this film, he strips it all down to bring a raw, restrained performance as Daniel Dunne. Gosling's sense of minimalism and observance shows the troubles of a man spiraling out of control while in the moment he acts charming only show a fragility to him that is underneath it. There's moments in the performance where his eyes does the acting for him and it's real proof that Gosling is the real thing. There's a lot of sadness and desperation in those eyes while the scenes he has with Epps feel real in how he tries to redeem himself. In roles where he played trouble youths and charming young men, Ryan Gosling proves himself to be one of the most brilliant actors of his generation.

Half Nelson is a phenomenal film from Ryan Fleck and co-writer Anna Boden that features a tremendous performance from Ryan Gosling. Along with strong supporting performances from Shareeka Epps and Anthony Mackie, it's a film that explores the world of a man troubled by addiction and his desire for redemption. In the end, Half Nelson is a remarkable film from Ryan Fleck.

Ryan Fleck & Anna Boden Films: Sugar (2008 film) - It's Kind of a Funny Story - Mississippi Grind - Captain Marvel - The Auteurs #71: Anna Boden and Ryan Fleck

© thevoid99 2014

Green Lantern

Based on the DC comics by John Broome and Gil Kane, Green Lantern is the story of a young fighter pilot who meets a wounded alien that gives a powerful ring as he would become part of an elite group of intergalactic fighters protecting the world against evil. Directed by Martin Campbell with a script by Greg Berlanti, Michael Green, Marc Guggenheim, and Michael Goldenberg from a story concept by Berlanti, Green, and Guggenheim. The film is an origin story of how Hal Jordan became part of the Green Lantern Corps as he would battle the dark force of fear known as Parallax. Starring Ryan Reynolds, Blake Lively, Peter Sarsgaard, Mark Strong, Tim Robbins, Angela Bassett, Jay O. Sanders, Taika Waititi, Temuera Morrison, and the voices of Michael Clarke Duncan, Clancy Brown, and Geoffrey Rush. Green Lantern is a very typical and uninspiring superhero origin story.

When the evil force known as Parallax (Clancy Brown) has broken out of his prison in a lost planet, he goes after the Green Lantern fighter Abin Sur (Temuera Morrison) of Sector 2814. Sur escapes Parallax’s wrath but is wounded as he makes his nearest destination towards Earth. Meanwhile, a test fighter pilot named Hal Jordan (Ryan Reynolds) has caused more trouble for his longtime friend Carol Ferris (Blake Lively) during a test where he would cost several jobs. Later that night, Hal is summoned by a mysterious green light where he would meet the ailing Sur who gives him a green ring and a small lantern as he chooses Jordan to be the new Green Lantern. Sur’s body is later retrieved by the government as they call upon Hector Hammond (Peter Sarsgaard) to examine the body as he becomes exposed by a mysterious yellow substance.

After learning about the Green Lantern’s powers, Hal is transported to the planet of Oa where he would meet several Green Lanterns as he learns about the role of the Green Lanterns. Befriending Tomar-Re (Geoffrey Rush) and Kilowag (Michael Clarke Duncan), the latter of which trains him, while Hal also deals with one of the Green Lanterns’ leaders in Sinestro (Mark Strong) who feels that Hal is too weak to become part of the Green Lantern Corps. Hal returns home to Earth unsure about his role until a party celebrating Carol’s success in nabbing a contract where Hector is at the party with his father Senator Hammond (Tim Robbins) who is happy about the contract. Yet, Hector’s exposure to the yellow substance has him reading minds as he decides to take his anger out on his father by trying to crash the helicopter until Hal as a Green Lantern saves the day.

After a battle to fight Parallax fails, Sinestro goes to the Guardians to help create something that will fight Parallax while Hal learns about what is happening to Hector who has become more powerful where the two learn that Parallax is coming. With Hector already realizing what he needs to do to fight Hal, Hal goes back Oa to reveal the Guardians where Parallax is going as he asks for help. Though the Guardians and Sinestro become impressed by Hal’s will to fight, they let him return to Earth to fight alone as Hal would face Hector and the dark force that is Parallax.

The film is essentially an origin story of how a guy becomes a superhero and saves the day. It’s a story that is often told again and again in a lot of origin stories about superheroes. The big question is that does the story of the Green Lantern standout from all of the others? Not exactly. The stories about the Green Lanterns, the origin of Parallax, and how Hal Jordan became a Green Lantern are the most interesting parts of the story. It’s just that everything else including Jordan’s own issues about the death of his father (Jon Tenney), his relationship with Carol Ferris, and theme of fear vs. will isn’t that interesting. Notably the latter which is told in a very heavy-handed manner that requires a lot of exposition that overdoes itself.

The film’s screenplay is definitely the weakest aspect of the film not just in terms of following a formula but not doing enough to make the film’s central characters to be very interesting. While the Hector Hammond character doesn’t start out as a villain because he’s just a small-time college professor who feels slighted by his dad. He becomes a very cartoonish character that ends up being a patsy for Parallax who is just nothing more than a big head surrounded by dark clouds that just sucks the life of scared people and creatures. Since the film is also meant to try and appeal more than just a comic book audience, the screenwriters try to inject some humor that will appeal to much younger audience that doesn’t really work either as it tries too hard to be a lot of things for a superhero action-blockbuster.

Martin Campbell’s direction has moments that does keep the audience be engaged and into the story. There’s some interesting scenes that is well shot such as the tension between Hector and his father, Hal dealing with his own family, and some of moments in Oa where Hal is introduced to this strange world. Everything else however feels quite pedestrian of what is expected in the genre. There’s wide shots of a city that’s about to be attacked as well as very big visual effects pieces that includes the climatic battle between Hal and Parallax. None of it is boring but it doesn’t bring anything new to the superhero genre. A lot of the compositions and directing actors to do this doesn’t have anything exciting while Campbell’s approach to the humor feels very forced. The overall work is pretty mediocre as Martin Campbell ends up creating another superhero film that doesn’t do much to stand out on its own.

Cinematographer Dion Bebe does a pretty good job with the cinematography such as some of the nighttime exteriors and interiors to help set a mood though there isn’t a lot of it is very interesting. Editor Stuart Baird does decent work with the editing to play up the intensity of the action though it‘s mostly typical of what is expected in a film like this. Production designer Grant Major, along with set decorator Anne Kuljian and art director Francois Audouy, does some fine work with the set pieces created such as the contract party and offices along with the look for the sets of Oa. Costume designer Ngila Dickson does some OK work with the costumes which is notable for the look of the Green Lantern uniforms as well as the fashionable dresses of Carol.

Visual effects supervisor Karen E. Goulekas, Kent Houston, and Gregory L. McMurry do some effects work that isn‘t very good at all. A lot of it doesn’t really do any effort to make it feel more realistic while the overall presentation of the look of outer space and the planet Oa isn’t impressive as the whole look of it feels too artificial. Sound editors Karen M. Baker and Per Hallberg do some nice work with the sound effects whether it‘s the sound of jet engines and gunfire along with some of the things Hal does to fight Hector and Parallax. The film’s score by James Newton Howard is all right as it‘s just a typical score filled with bombastic orchestral arrangements with bits of guitars to add more heaviness to the music. Additional music by Joints Jumpin’ is played in the background in the film’s party scene to add a bit of jazzy entertainment to the music.

The casting by Pam Dixon is stellar for the ensemble that is created though none of them really get a chance to stand out or do anything that is memorable. Among those making appearances include Jon Tenney as Hal’s father, Gattlin Griffith as the young Hal, Jay O. Sanders as Carol’s father, and Taika Waititi as Hal’s comic relief friend Thomas Kalmaku. The voice performances by Michael Clarke Duncan and Geoffrey Rush in their respective roles as the tough trainer Kilowag and the kinder Tomar-Re are really good with Duncan providing humor and Rush being the wise one. Clancy Brown’s voice work as Parallax isn’t good as all he does is talk in a gruff voice and act all threatening. Angela Bassett in the role of Senator Hammond’s scientist aide Dr. Amanda Waller is an unremarkable one as she just plays a lackey of his where Bassett looks like she’s sleepwalking throughout the film.

Tim Robbins is OK as the ambitious Senator Hammond who feels disappointed by Hector until he is threatened by Hector’s new powers while Temuera Morrison is really good as the fearless warrior Abin Sur who gives Hal the ring. Mark Strong is excellent in the role of Green Lanterns leader Sinestro who tries to deal with Hal’s presence as well as the dark force of Parallax. Peter Sarsgaard is decent as Hector Hammond who starts off as this curious scientist only to devolve into a crazed antagonist that doesn’t really work due to the bad makeup job and Sarsgaard screaming like a girl throughout the film. Blake Lively gives a serviceable but uninspired performance as Carol Ferris where all she does is look good, act frustrated at Hal, and all sorts of things were she’s hampered by the script’s weakness but also her own performance where she doesn’t really show much range in a very typical part.

Finally, there’s Ryan Reynolds as the film’s protagonist Hal Jordan. While it’s a role that allows Reynolds to carry a film where he would display his witty charm. It’s a very disappointing performance as Reynolds doesn’t really get a chance to stretch out as he is also hampered by the film’s weak script and lackluster direction. While the Jordan character is a guy who is unsure about himself and Reynolds does allow the character to be engaging. The stuff where he has to try and emote in a very serious manner or to be a badass doesn’t really work.

Green Lantern is a very bloated film that emphasizes more on creating a visually-exciting superhero blockbuster rather than something that will allow itself to standout. Despite the efforts of Ryan Reynolds and Mark Strong, it’s a film that wants to be a lot of things to its audience. It may be watchable and at times, fun but the overall work is just unimpressive as Martin Campbell just creates something that doesn’t really do more than what the genre wants. In the end, Green Lantern is a truly terrible and uninspiring film that doesn’t do enough to entertain its audience.

Martin Campbell Films: (The Sex Thief) - (Eskimo Nell) - (Three for All) - (Criminal Law) - (Defenseless) - (Cast a Deadly Spell) - (No Escape) - (GoldenEye) - (The Mask of Zorro) - (Vertical Limit) - (Beyond Borders) - (The Legend of Zorro) - (Casino Royale (2006 film)) - (Edge of Darkness)

© thevoid99 2012