The Night Before (2015 film)

Directed by Jonathan Levine and screenplay by Levine, Evan Goldberg, Kyle Hunter, and Ariel Shaffir from a story by Levine, The Night Before is the story of three childhood friends who gather for a traditional Christmas Eve get-together as it might be the last one as two of the men are about to take on bigger steps into their lives. The film is a comedy about three guys who are about to embark on an annual event as they believe it’s the last one where a lot of hijinks and hilarity ensue. Starring Joseph Gordon-Levitt, Seth Rogen, Anthony Mackie, Lizzy Caplan, Jillian Bell, Mindy Kaling, Michael Shannon, and narration by Tracy Morgan. The Night Before is a witty and adventurous film from Jonathan Levine.

The film follow three lifelong friends who embark on an annual gathering as it is possible as it might be their last year together as one of them is a famous football player while one of them is becoming a father leaving the third man unsure of what he will do next. Then, a chance to be invited to an exclusive party makes this possible last get-together even bigger as the three men try to find the party but also deal with various issues in their lives. The film’s screenplay follows the live of these three men who begin this tradition in 2001 when the parents of Ethan Miller (Joseph Gordon-Levitt) were killed as his best friends in Isaac Greenberg (Seth Rogen) and Chris Roberts (Anthony Mackie) were around to be there for him as they would get drunk and high for a lot of years. 14 years later, things have changed with Isaac about to become a father and Chris is now a famous football player. Ethan unfortunately has failed in his attempt to be a successful musician while he works at a hotel with nowhere to go as Isaac and Chris are unsure what will happen to him next year as they have so much to do in their own lives.

This party known as the Nutcracker Ball is an exclusive party where only those with an invitation are invited as they have to call a number at a certain time for the secret location. Ethan, Isaac, and Chris would each embark their own paths to the party as well as have their own meetings with a mysterious drug dealer known as Mr. Green (Michael Shannon) who would give them a toke of his supply as it would lead to all sorts of hijinks. For Isaac, he would endure a bad drug trip due to the drugs his wife Betsy (Jillian Hall) had bought while Chris would have an encounter with a fan (Ilana Glazer) that goes horribly wrong. For Ethan, his encounter with his former girlfriend Diana (Lizzy Caplan) forces him to think about the decisions he’s made as well as the uncertainty of his own future since Isaac and Chris are about to embark on starting their own individual lives.

Jonathan Levine’s direction is very stylish as it is set during the Christmas holidays in New York City where the film is set and shot on location as it play into this sense of adventure that goes on throughout the film. While Levine would include some wide shots of the locations including a few landmarks such as the Christmas tree at the Rockefeller Center. Levine focuses more on intimate shots such as close-ups and medium shots to play into the drama and some of the humor as it also has elements of surrealism as it relates to Isaac’s own drug trip. There are also these moments where Levine takes a break from the comedy and drama as it play into the story as well as the adventures the individual characters would go to. The film’s climax at the Nutcracker Ball is definitely wild but also play into the kind of people Ethan, Isaac, and Chris want to hang out with only to realize how much they all needed each other. Overall, Levine creates a fun and lively film about three guys gathering for one last get-together to an exclusive party before they embark into the world of adulthood.

Cinematographer Brandon Trost does excellent work with the film’s cinematography as much of it takes place at night from the look of the bar where the guys do karaoke to the extravagant lighting for the Nutcracker Ball sequence. Editor Zene Baker does nice work with the editing as it is stylish with a few montages and other rhythmic cuts to play into the humor and some of the stranger moments in the film. Production designer Annie Spitz and set decorator Chryss Hionis do amazing work with the look of some of the places the characters go to including the Nutcracker Ball with its lights and other things expected for an extravagant party. Costume designer Melissa Toth does terrific work with the costumes from the Christmas sweaters the guys wear to some of the lavish costumes at the Nutcracker Ball.

Visual effects supervisor Jeff Campbell does fantastic work with some of the things that Isaac sees during his drug-induced trip as well as a few things to play into the comedy. Sound editor Michael Babcock does superb work with the sound as it play into the atmosphere of some of the places the characters go to including the Nutcracker Ball. The film’s music by Marco Beltrami and Miles Hankin is wonderful for its mixture of holiday-inspired music with some hip-hop, rock, and electronic music to provide a different mood for various scenes in the film while music supervisor Gabe Hilfer provides a fun mix of holiday-based music with some non-holiday music from Run-DMC, Miley Cyrus, Kanye West, and Britney Spears.

The casting by Henry Russell Bergstein, Kathy Driscoll, Allison Estrin, and Francine Maisler is great as it feature some notable small roles from Miley Cyrus as herself, Aaron Hill as Chris’ teammate Tommy Owens, Helene Yorke as Betsy’s friend Cindy, Randall Park as Ethan’s boss, Jason Mantzoukas and Jason Jones as a couple of Santa Claus who get drunk and give Ethan some shit, Nathan Fielder as Chris’ driver, and Lorraine Toussaint as Chris’ mother who is wondering about what Chris is doing as she knows something isn’t right. Jillian Bell is fantastic as Isaac’s wife Betsy who is aware of her husband’s need to party but also worries about what he’s really feeling about becoming a father. Mindy Kaling is superb as Diana’s friend Sarah whom Isaac converses with as she is hoping to meet a guy named James where Isaac accidentally gets her phone. Ilana Glazer is excellent as Rebecca as a mysterious woman who is a fan of Chris as she is this mysterious individual who spouts a lot of film and holiday references as someone that wants to teach Chris a lesson. Lizzy Caplan is brilliant as Diana as Ethan’s ex-girlfriend who hasn’t seen him in months as she deals with Ethan’s shortcomings and the reasons they broke up.

Michael Shannon is incredible as Mr. Green as a mysterious drug dealer who gives the film’s protagonists a toke of his special weed as it is this very low-key yet charismatic performance from Shannon who is just a joy to watch. Anthony Mackie is amazing as Chris Roberts as a famous football player who is becoming extremely famous and about to have the season of his career where he is carrying a secret as well as dealing with the expectations that he has as a famous player. Seth Rogen is remarkable as Isaac Greenberg as a man who is about to become a father as he tries to deny his feelings by going on a drug-induced trip where he sees some strange things as it play into his own anxieties. Finally, there’s Joseph Gordon-Levitt in a marvelous performance as Ethan Miller as a failed musician with no idea of what he’s going to do next as he hopes this chance to be at the Nutcracker Ball would give him some answers as he is also forced to face his own faults as a man who is afraid to take a big step into adulthood.

The Night Before is a remarkable film from Jonathan Levine. Featuring a great cast, some hilarious moments, and some compelling themes on adulthood, it’s a film that manages to provide a nice balance of stoner humor in a Christmas setting as it play into the idea of family and friendship. In the end, The Night Before is a marvelous film from Jonathan Levine.

Jonathan Levine Films: (All the Boys Love Mandy Lane) – (The Wackness) – 50/50 - Warm Bodies - (Snatched) – Long Shot (2019)

© thevoid99 2017

Captain America: Civil War

Based on the comic character by Jack Kirby and Joe Simon and the comic series storyline by Mark Millar and Steve McNiven, Captain America: Civil War is the story where a major international incident involving the Avengers forces the team to confront their actions where Captain America and Iron Man diverge over ideals only to go into a conflict with several other members of the team taking sides. Directed by Joe and Anthony Russo and screenplay by Christopher Markus and Stephen McFeely, the film explores not just the idea of duty but also the aftermath of actions where both Captain America and Iron Man don’t see eye-to-eye where the former is forced to protect an old friend an incident that left people dead. Starring Chris Evans, Robert Downey Jr., Scarlett Johansson, Paul Rudd, Jeremy Renner, Don Cheadle, Sebastian Stan, Elizabeth Olsen, Paul Bettany, Anthony Mackie, Chadwick Boseman, Tom Holland, Emily Van Camp, Daniel Bruhl, and William Hurt as Thaddeus Ross. Captain America: Civil War is a thrilling yet provocative film from Joe and Anthony Russo.

What happens when a group of superheroes are forced to make a decision where they have to answer to the United Nations in order to protect the world from evil forces while not all of them want to answer to anyone? That is pretty much what the film is about where an incident that unfortunately left innocent people killed forces the Avengers to make a decision through an accord created by the United Nations. The guilt-ridden Tony Stark/Iron Man (Robert Downey Jr.) says yes to the accords feeling that the whole team needs to be in check and answer for their own faults. Steve Rogers/Captain America (Chris Evans) doesn’t want to sign as he isn’t sure about answering to any kind of authority preferring to trust his own judgment. The two would diverge further following an international incident in which Rogers’ old friend Bucky Barnes/The Winter Soldier (Sebastian Stan) a major suspect as everyone is unaware that a terrorist in Helmut Zemo (Daniel Bruhl) is trying to tear the team apart.

The film’s screenplay doesn’t just explore the subject matter of whether or not anyone should answer to the authorities in order to do their jobs but also into the mindset of the team. Colonel James “Rhodey” Rhodes/War Machine (Don Cheadle) and Sam Wilson/Falcon both know where they stand on the issue while Vision (Paul Bettany) also would make a decision as he tries to understand everything this accord is all about. Yet, there are those like Natasha Romanoff/Black Widow (Scarlett Johansson), Clint Barton/Hawkeye (Jeremy Renner), and Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) who do take sides but don’t want to split the team or cause any harm. Especially Maximoff who feels guilty for causing an accident that killed innocent people while Romanoff understands what Stark is saying but doesn’t want to go against Rogers who she’s become very close to. Once the team begin to diverge more where Prince T’Challa of Wakanda/Black Panther (Chadwick Boseman) wants to go after the Winter Soldier thinking he is involved as he, along with Rhodes, Romanoff, and Vision, would join Stark.

The script does have a structure as it relates to the events that would tear the Avengers apart where the second half would force both Stark and Rogers to turn to a few outsiders where the former would bring in Peter Parker/Spider-Man (Tom Holland) and the latter would get Scott Lang/Ant-Man (Paul Rudd) as it would lead to a showdown between the two factions. Yet, neither of them want to kill each other as they all want to do what is right though only a few would later realize what is really going on. The film’s third act is about Zemo and his motivations for tearing the Avengers apart but also make some startling revelations that wouldn’t just create a further schism between Stark and Rogers. It would be a moment that prove that, despite their intentions to do good, neither man have any clue on what is right for the world.

Joe and Anthony Russo’s direction is quite vast as it plays into a world that is quite chaotic yet there are those that want to do what is right. Yet, there’s a lot of post-9/11 imagery that looms into the film where the Avengers are forced to see that they unfortunately left people to die. While much of the film is shot in and around Atlanta and its Pinewood Studios with a few of it shot in Germany, Brazil, and Puerto Rico. It does have this feel of a world that is on the verge of change where safety is the main concern but who will be the ones to protect the people? The usage of wide and medium shots to play into locations as well as these meetings that occur as well as a scene where Rogers learn who Sharon Carter/Agent 13 (Emily Van Camp) really is and who she is related to. Even the close-ups add a lot to some of the dramatic moments as it says a lot of where the characters stand but also that not everything is black-and-white.

The action scenes are quite big and do have this air of spectacle as it relates to some of the powers that Ant-Man and Spider-Man would have as well as the intensity of the fighting. Even as they have this mix of humor from the two where it’s the latter that really shines as the character is someone that Rogers and other members in the team have a hard time disliking. The mixture of humor and action do help keep things entertaining while the Russos know when to give the action a break where there moments of exposition into what is going on. Yet, it doesn’t deter from the heart of the story as it relates to the conflict between Stark and Rogers where the two would have a showdown where they don’t just reveal what Zemo is doing but how he would tear them apart as it would also relate to Barnes and his work for Hydra. Overall, Joe and Anthony Russo create a sensational and compelling film about superheroes fighting each other over responsibility and who they should answer to.

Cinematographer Trent Opaloch does excellent work with the film‘s cinematography to play into the look of the many locations as they feel vibrant and colorful while some of the interiors including the ones set at a secret base and in Siberia are quite eerie in their look. Editors Jeffrey Ford and Matthew Schmidt do nice work with the editing as it is straightforward in the dramatic and light-hearted moments while doing some stylish fast-cutting in some of the action while actually making sense of what is going on. Production designer Owen Paterson, with set decorator Ronald R. Reiss and supervising art director Greg Berry, does amazing work with the set from the look of the Avengers home base to the look of the international buildings including the council meeting and a secret base that appears in the film‘s third act. Costume designer Judianna Makovsky does terrific work with the costumes in the way some of the casual clothes the Avengers wear as well as the suit of Black Panther and a more vibrant suit of Spider-Man.

Special makeup effects artists Andre Freitas and Bart Mixon do brilliant work with the look of Vision but also an old nemesis Rogers would confront early in the film. Visual effects supervisors Huseyin Caner, Dan Deleeuw, and Ray Giarratana do fantastic work with the visual effects in the way the action scenes are presented as well as the look of a young Stark during his presentation at MIT early in the film. Sound designers Nia Hansen, David C. Hughes, and Shannon Mills, with co-sound editor Daniel Laurie, do superb work with the sound effects as well as the sounds of explosions and such to capture the element of terror and chaos that looms throughout the film. The film’s music by Henry Jackman is wonderful for its bombastic score that plays into much of the action and drama as its usage of strings and woodwinds also add a lot to its suspense while music supervisor Dave Jordan provides a decent soundtrack that features bits of contemporary and old music from Rogers’ past.

The casting by Sarah Finn is incredible as it features some notable small roles from John Slattery and Hope Davis in their respective roles as Stark’s parents in Howard and Maria Stark, Kerry Condon as the voice of Stark’s A.I. program F.R.I.D.A.Y., Alfre Woodward as a woman who confronts Stark over Sokovia where her son was killed, Jim Rash as a MIT spokesman, John Kani as T’Challa’s father King T’Chaka of Wakanda, Martin Freeman as a government official in Everett K. Ross who tries to make sure the Avengers are in control, Frank Grillo as an old nemesis in Brock Runlow/Crossbones who tries to stage a theft in Africa where he battles Rogers, and Marisa Tomei in a fantastic performance as Parker’s aunt May who is kept in the dark about what her nephew is doing as she is met by Stark unaware of what is going on. Daniel Bruhl is superb as Helmut Zemo as this terrorist who has a big reason for unleashing havoc as well as trying to tear the Avengers apart.

William Hurt is excellent as Thaddeus Ross as the Secretary of State who is tasked with getting the Avengers to be in check for their actions as he tries to instill some authority that makes nearly everyone uncomfortable. Don Cheadle and Anthony Mackie are brilliant in their respective roles as Rhodey/War Machine and Sam Wilson/Falcon as two heroes who are both in different sides with Col. Rhodes being in agreement with the accords and Wilson on the opposite as he also has to contend with Bucky over Rogers’ allegiance in a funny manner. Emily Van Camp is wonderful as Sharon Carter as a former S.H.I.E.L.D. agent who works for the CIA as she tries to help Rogers find Barnes while providing an emotional connection as it relates to a person in Rogers’ past. Paul Bettany is terrific as Vision who tries to understand what the accord is about as he would participate in aiding Stark while trying to come to terms with the ideas of humanity as well as the fact that there are consequences.

Elizabeth Olsen is amazing as Wanda Maximoff/Scarlet Witch as a young woman with telekinetic powers who copes with an incident where she accidentally killed people as she also deal with the idea of authority where she sides with Rogers. Paul Rudd is hilarious as Scott Lang/Ant-Man who is asked by Rogers to aid them where he provides some very funny and exciting moments in the battle while Jeremy Renner is great as Clint Barton/Hawkeye who helps Rogers in the conflict as well as provide some funny banter of his own. Chadwick Boseman is marvelous as T’Challa/Black Panther as a prince who goes after Barnes over an incident as he sports a suit with cool nails as he proves to be a formidable warrior that can kick some ass. Scarlett Johansson is remarkable as Natasha Romanoff/Black Widow as an assassin who is conflicted in her allegiance with Stark as she also understand what Rogers is feeling as she also realizes that not everything Stark wants to do is honorable.

Tom Holland is phenomenal as Peter Parker/Spider-Man as he’s just this regular teenager who is smart that is asked by Stark to help him where Holland exudes not just a lot of personality but also humor into his role as he is just a lot of fun to watch. Sebastian Stan is sensational as Bucky Barnes/The Winter Soldier as Rogers’ old friend who copes with who he really is as well as knowing what could make him into this deadly assassin that couldn’t stop where he also is aware that is a target for something he didn’t do. Robert Downey Jr. is tremendous as Tony Stark/Iron Man as a man who is dealing with guilt and other issues who agrees to the accords while trying to stop Rogers and capture Barnes where revelations about Barnes would consume him. Finally, there’s Chris Evans in a spectacular performance as Steve Rogers/Captain America as a man who opposes the accords due to his distrust towards governments where he also copes with loss and responsibility where he also tries to protect his friend not fully aware of what Barnes had done forcing him to see the faults in himself.

Captain America: Civil War is a sensational film from Joe and Anthony Russo. Thanks in part to its large ensemble cast, compelling themes of regulations and responsibility, vast set pieces, and killer action. It’s a blockbuster film that manages to be a lot of things and more where it is entertaining as well as being very smart and provoke some discussions towards its audience without being heavy-handed. In the end, Captain America: Civil War is a phenomenal film from Joe and Anthony Russo.

Marvel Cinematic Universe: Infinity Saga: Phase One Films: Iron Man - The Incredible Hulk - Iron Man 2 - Thor - Captain America: The First Avenger - The Avengers

Marvel Phase Two Films: Iron Man 3 - Thor: The Dark World - Captain America: The Winter Soldier - Guardians of the Galaxy - The Avengers: Age of Ultron - Ant-Man

Marvel Phase Three Films: Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man & the Wasp - Captain Marvel - Avengers: Endgame - Captain Marvel - Spider-Man: Far from Home

Multiverse Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special

Phase Five: Ant-Man & the Wasp: Quantumania - Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)

Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)

Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World

© thevoid99 2016

Captain America: The Winter Soldier

Based on the Marvel comics series by Joe Simon and Jack Kirby, Captain America: The Winter Soldier is the story of Captain America uncovering a conspiracy involving the S.H.I.E.L.D. organization as he is also targeted by a mysterious assassin prompting him to face demons and new ideals about his new world. Directed by Anthony and Joe Russo and screenplay by Christopher Markus and Stephen McFeely, the film has Captain America/Steve Rogers adjust to living in the 21st Century following the events in the 2012 film The Avengers as well as his past as Chris Evans reprises the role of Captain America. Also starring Scarlett Johansson, Samuel L. Jackson, Cobie Smulders, Anthony Mackie, Sebastian Stan, Frank Grillo, Emily VanCamp, and Robert Redford. Captain America: The Winter Soldier is a rapturous and exhilarating film from Anthony and Joe Russo.

The film revolves around Steve Rogers working for S.H.I.E.L.D. as he copes with not just what he’s asked to do but also a world that is far more complicated once S.H.I.E.L.D. has been compromised by forces from within forcing Rogers to become a fugitive as well as being targeted by a mysterious assassin known as the Winter Soldier (Sebastian Stan). There, Rogers is forced to realize that all of these ideas of keeping things in control have been compromised as he has very few allies he can count on such as Natasha Romanoff/Black Widow (Scarlett Johansson) who aids him in uncovering the mystery. It’s a film that explores the idea of what people are willing to do to avoid war and to keep people safe as someone like Rogers who lived during the time of World War II has a hard time trying to understand what S.H.I.E.L.D. is trying to do as he questions what Nick Fury (Samuel L. Jackson) about these reasons to arm the world and keep them under heavy watch.

The film’s screenplay definitely plays into this world of conspiracies where Rogers would meet one of the heads of S.H.I.E.L.D. in Alexander Pierce (Robert Redford) who is trying to get a project unveiled as he is an old friend of Fury where he questions Rogers about his own ideas and such. It is in that moment where the film’s second act comes to play where Rogers is on the run as the only people he can trust is Romanoff and a former USAF pararescueman in Sam Wilson (Anthony Mackie) as the latter is a soldier that Rogers can relate to. When Rogers and Romanoff uncover more secrets about what has happened within S.H.I.E.L.D., it becomes clear that there’s elements of Rogers’ past that has come back to haunt him as well as the identity of the Winter Soldier which would only trouble Rogers. The eventual confrontation between Rogers and the Winter Soldier does come ahead in the third act but the stakes are much higher as it relates to what Rogers can do to make the world safer amidst the terror from within.

The film’s direction by Anthony and Joe Russo is definitely sprawling in terms of its action sequences and set pieces but the Russo Brothers know what to do when there’s a need for a break from the action. Much of it involves some inspired use of wide and medium shots where a lot of it is shot in location in Washington, D.C. plus locations in Cleveland and Long Beach, California. There’s also some close-ups as it plays to the drama along with some very key moments in the film as it relates to some of the things that Rogers would encounter that includes the eventual identity of the Winter Soldier. The usage of high camera angles, wide shots, and medium shots play into the sense of action that occurs as it’s very frenetic which plays to the sense of danger and no-holds-barred attitude that Rogers, Wilson, and Romanoff are facing.

There’s also elements of flashbacks that play into Rogers’ past as he is trying to hold on to ideals that he had grown up on where he knows that he need to hold on to them as it adds to the drama and elements of suspense. It’s climax where Rogers has to face the Winter Soldier is definitely gripping as it’s filled with massive set pieces where it adds to the sense of high stakes for Rogers and his need for people to believe in something all over again in a world that is very cynical and chaotic. Overall, the Russo brothers create a very intelligent yet engaging film about a hero dealing with his new surroundings and the need to keep his old ideals intact.

Cinematographer Trent Opaloch does excellent work with the film‘s cinematography with its use of low-key lights and sepia lighting schemes for some of its interiors to the usage of low-level lights for the exteriors set at night. Editors Jeffrey Ford and Matthew Schmidt do amazing work with the editing to create some unique fast-cutting styles to play into some of the fights and action scenes while slowing things down for some of the film‘s suspenseful and dramatic moments. Production designer Peter Wenham, with set decorator Leslie A. Pope and supervising art director Thomas Valentine, does brilliant work with the look of the S.H.I.E.L.D. building as well as the heli-carriers and the secret buildings where Rogers and Romanoff uncover a very dark secret. Costume designer Judianna Makovsky does nice work with the costumes as it’s mostly casual with the exception of Rogers’ Captain America uniform.

Visual effects supervisors Dan DeLeeuw, Russell Earl, Bryan Grill, and Dan Suduck do fantastic work with the visual effects from the look of the heli-carriers in the sky to design of some of the big action sequences as well as the look of a character from Rogers‘ past. Sound designers David Hughes, Shannon Mills, and Al Nelson, along with co-sound editor Daniel Laurie, do superb work with the sound in not just creating some unique sound effects but also in the way the sound adds to the sense of terror and suspense that occurs in the film. The film’s music by Henry Jackman is terrific for its mixture of bombast and lush orchestral pieces to play into the action and drama while music supervisor Dave Jordan brings in a couple of music pieces from Marvin Gaye and Harry James’ Orchestra.

The casting by Sarah Finn is great as it features some notable cameos that includes the obligatory cameo from Stan Lee plus small roles from Garry Shandling as Stern, Maximiliano Hernandez as S.H.I.E.L.D. official Jasper Sitwell, Danny Pudi as a S.H.I.E.L.D. technician, DC Pierson as an Apple store employee who helps Rogers and Romanoff, Gary Sinise as a Smithsonian narrator for a Captain America exhibit, Georges St. Pierre as a mercenary Rogers confronts early in the film, and as a trio of council members of the World Security Council are Chin Han, Alan Dale, and Bernard White. Other notable small roles include Jenny Agutter as a World Security Council member, Hayley Atwell in a brief but memorable appearance as Rogers’ old flame Peggy Carter, and Emily VanCamp as a S.H.I.E.L.D. agent assigned to protect Rogers at his home. Frank Grillo is terrific as the S.H.I.E.L.D. strike-team commander in Brock Rumlow who is part of the conspiracy as he proves to be a formidable opponent that is willing to take down Rogers and his cohorts.

Toby Jones is superb in his brief but eerie performance as Dr. Arnim Zola whom Rogers had dealt with back in the 1940s as he would be a key figure into uncovering the mystery that Rogers would have to deal with. Cobie Smulders is fantastic as S.H.I.E.L.D. agent Maria Hill who is one of the few people that Rogers and Romanoff can trust as she would help them and Wilson uncover the mystery behind the conspiracy on S.H.I.E.L.D. Sebastian Stan is excellent as the mysterious Winter Soldier who is known for being a fearsome assassin that is willing to cause damage as it’s a very menacing and nearly-silent performance that is all about action rather than words. Anthony Mackie is brilliant as Sam Wilson/Falcon as a former pararescuer who befriends Rogers as he later helps him and Romanoff uncover the mystery while proving to be a formidable soldier that Fury needs. Robert Redford is amazing as Alexander Pierce as a senior official of S.H.I.E.L.D. who would be the one that would make Rogers a fugitive over secrets Rogers refused to divulge as he represents this man that was part of an old world order as he wants to start something new for the sake of maintaining control in the world.

Samuel L. Jackson is great as Nick Fury as the director of S.H.I.E.L.D. who is aware of Rogers’ reluctance about the ways of the world as he starts to question things himself where Jackson brings some humility to Fury who is forced to realize that his organization has been compromised. Scarlett Johansson is phenomenal as Natasha Romanoff/Black Widow as this agent for S.H.I.E.L.D. who realizes what has been going on as she helps Rogers in trying to uncover the truth as Johansson brings some wit and a lot of ass-kicking into her role. Finally, there’s Chris Evans in a remarkable performance as Steve Rogers/Captain America who copes with not just the new rules of the world but also the conspiracy within S.H.I.E.L.D. as he tries to unravel its mystery as well as elements of his past as Evans brings in that very straightforward manner to someone who feels out of place in the world but with old-school values that still means something.

Captain America: The Winter Soldier is a dazzling and thrilling film from Anthony and Joe Russo that features great performances from Chris Evans, Scarlett Johansson, and Samuel L. Jackson. Not only is a blockbuster that entertains and enthralls but it’s also a film that is very smart and engages the audience into uncovering a lot of the suspense and intrigue that looms over the film. Especially with characters that audiences can root for as it has a lot of real-world ideas about the ways of the world. In the end, Captain America: The Winter Soldier is a sensational film from Anthony and Joe Russo.

Marvel Cinematic Universe: Infinity Saga: Phase One Films: Iron Man - The Incredible Hulk - Iron Man 2 - Thor - Captain America: The First Avenger - The Avengers (2012 film)

Marvel Phase Two Films: Iron Man 3 - Thor: The Dark World - Guardians of the Galaxy - The Avengers: Age of Ultron - Ant-Man

Marvel Phase Three Films: Captain America: Civil War - Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man & the Wasp - Captain Marvel - Avengers: Endgame - Captain Marvel - Spider-Man: Far from Home

Multiverse Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special

Phase Five: Ant-Man & the Wasp: Quantumania - Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)

Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)

Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World

© thevoid99 2015

Half Nelson

Originally Written and Posted at Epinions.com on 2/17/07 w/ Additional Edits & Revisions.

Directed by Ryan Fleck and written by Fleck and Anna Boden, Half Nelson tells the story of a young school teacher in the inner city who forms a friendship with one of his students who has discovered his drug addiction. Taking another relationship drama to a different level, it's a film that explores a young man's chance to try to save a young girl while dealing with his own demons. Starring Ryan Gosling, Anthony Mackie, Karen Chilton, Jay O. Sanders, and Shareeka Epps. Half Nelson is a haunting yet mesmerizing film from Ryan Fleck.

By day, Daniel Dunne (Ryan Gosling) is a young, middle school history teacher in an inner-city school where he's also the girls' basketball coach. Dunne's unorthodox yet edgy approaching to teaching history has won him over the praise of his students. Dunne's approach into teaching them history by having something they can relate to hasn't fared well with the school's principal despite the fact that it's worked. While his girl's team aren’t the best players, he does try and give them encouragement to get better. After school, Dunne goes to bars flirting with women and continuing on his troubling addiction to drugs such as cocaine and crack. Already, his life becomes out of control when he is caught in a bathroom dazed by one of his students named Drey (Shareeka Epps).

Drey is a young 13-year old student who lives at home while her mother Karen (Karen Chilton) works late as an EMT barely making by. The only help Drey gets in making money is through a drug dealer named Frank (Anthony Mackie) who owes her a favor after her brother Mike (Collins Pennie) is in juvenile hall. Dunne suddenly learns that his ex-girlfriend Rachel (Tina Holmes) is getting married while he starts to feel lonely and finds a kindred spirit in Drey. Drey knows his secret and keeps it that way while he takes her home since her father doesn't pick her up. Dunne is amazed by Drey's strength though she admits that her mother not being home all the time has made it tough. Dunne meanwhile, still revels into his own world of drugs as he is forced to face his own demons.

One day when taking Drey home, he takes her to his apartment where they have conversations about his work and his unconventional teaching approach. Helping him make dinner for a date with another teacher named Isabel (Monique Curnen), Drey is amazed at the kind of person Dunne is despite his troubles. While the weekend turned out to be good for Dunn and Drey in their own separate worlds, Dunne's demons get the best of him as he is troubled by a lot of things. The drugs and his weariness begin to affect his teaching and he starts to alienate everyone. When he sees Frank with Drey, Dunne decides to confront him about what he's doing to her. Unfortunately, Dunne's efforts is only troubled when his addiction worsens. During a night with his parents (Jay O. Sanders and Deborah Rush), his brother (Denis O'Hare) and his brother's girlfriend Cindy (Nicole Vicius), Dunne is forced to see his downward spiral while pondering Drey's own future.

While the film doesn't say anything new about drugs or addiction, the story of a young teacher trying to help a young girl escape into her own environment is a compelling one. Ryan Fleck and co-writer Anna Boden create a story that is gritty and very mesmerizing into how a man seeks redemption through a young girl while dealing with his demons. The film's story is simple enough though it's told in two different perspectives in both Daniel Dunne and Drey. While Dunne's world is often filled with a repetitive outlook of going to school on the day and party and do drugs at night. He makes a break for it in trying to help Drey. Drey's own world is just as tough since her mother isn't around much while the only adult that watches out for her is Frank. Though Frank isn't a total villain of sorts, he does watch out for Drey though his own intentions aren't what's best for her. The script is very drawn out by character while Fleck's subtle, observant, and very raw directing style works in conveying the atmosphere and drama that surrounds the situations and moments in the film. Overall, it's a very strong effort from Fleck.

Cinematographer Andrij Parekh is wonderfully exquisite in its realism while many of the exterior shots are haunting and almost dreamlike to convey the spiraling emotions of Dunn. Anna Boden's editing is also excellent for its straightforward manner and non-stylized cuts to draw the sense of emotion and intensity of the performances from the actors. Production designer Beth Mickle and art director Inbal Weinberg do fine work in taking the location of Brooklyn to reveal the location's gritty look but also a realistic feel to the apartment of Drey to the dilapidated look of Dunne's apartment. Costume designer Erin Benach adds to the grittiness with shabby shirts and ties that Dunne wears to the street clothes that the kids wear as well. Sound editor John Moros also adds to the tense atmosphere of the film to the alarm clock that Dunne wakes up on to the basketballs bouncing on the gym. The film's music features cuts from the Marshall Tucker Band, Lisa Vaughn and a few hip-hop artists while the rest of the music features a haunting score from the band Broken Social Scene filled with atmospheric, melodic guitar tracks.

The film's cast is wonderfully assembled with some memorable small performances from veteran actors Jay O. Sanders and Deborah Rush as Dan's parents, Denis O'’Hare as his brother, and Nicole Vicius in a funny scene as his brother's girlfriend. Other noted small roles from Collins Pennie, Monique Curnen, and Bryce Silver as fellow teacher Bernard plus a group of young actors like Tristan Wilds, Stephanie Bast, and Nathan Corbett as the students are equally memorable. Tina Holmes is excellent as Dan's ex-girlfriend Rachel while Karen Chilton is wonderful as Dre's hard-working, caring mother. Anthony Mackie gives a chilling yet superb performance as the small-time drug dealer Frank. Mackie brings a charm and danger to his role where he can be caring and do good things yet he runs a business and is doing some bad things so there's a complexity to Mackie's character and the performance is wonderfully balanced. Shareeka Epps is wonderfully amazing as the tough but confused Drey who has an understanding of what the adults around her are doing. Epps brings a strength and fragility that is haunting to watch as this young woman truly gives one of 2006's great performances.

Finally, there's Ryan Gosling in what has to be the performance of his career. Gosling has been known to display charm, a wit, and eccentricity. In this film, he strips it all down to bring a raw, restrained performance as Daniel Dunne. Gosling's sense of minimalism and observance shows the troubles of a man spiraling out of control while in the moment he acts charming only show a fragility to him that is underneath it. There's moments in the performance where his eyes does the acting for him and it's real proof that Gosling is the real thing. There's a lot of sadness and desperation in those eyes while the scenes he has with Epps feel real in how he tries to redeem himself. In roles where he played trouble youths and charming young men, Ryan Gosling proves himself to be one of the most brilliant actors of his generation.

Half Nelson is a phenomenal film from Ryan Fleck and co-writer Anna Boden that features a tremendous performance from Ryan Gosling. Along with strong supporting performances from Shareeka Epps and Anthony Mackie, it's a film that explores the world of a man troubled by addiction and his desire for redemption. In the end, Half Nelson is a remarkable film from Ryan Fleck.

Ryan Fleck & Anna Boden Films: Sugar (2008 film) - It's Kind of a Funny Story - Mississippi Grind - Captain Marvel - The Auteurs #71: Anna Boden and Ryan Fleck

© thevoid99 2014

Million Dollar Baby

Based on the short stories Rope Burns by Jerry Boyd in his F.X. Toole pseudonym, Million Dollar Baby is the story of a boxing trainer who reluctantly trains a young woman to become a top boxer with the help of a friend as she seeks her dream to fight. Directed and starring Clint Eastwood and screenplay by Paul Haggis, the film is an unconventional boxing film in which a gym owner/trainer deals with setbacks as well as his own demons while finding some redemption in the young woman he would train. Also starring Hilary Swank, Jay Baruchel, Anthony Mackie, Michael Pena, Brian F. O’Byrne, Margo Martindale, and Morgan Freeman. Million Dollar Baby is a rich yet enthralling film from Clint Eastwood.

The film is an exploration into the world of boxing but from a different spectrum as a young woman in her 30s is eager to succeed as it’s the only thing she wants to do while working part time as a waitress. In seeking the help of a gym owner/veteran trainer who often finds himself in situations where he doesn’t take chances that could’ve helped his fighters. Maggie Fitzgerald (Hilary Swank) does manage to sway Frankie Dunn (Clint Eastwood) to train her as she also gets help from Frankie’s friend Eddie “Scrap-Iron” Dupris (Morgan Freeman) who was once a great fighter only to lose his eyesight in one of his eyes. With Frankie helping Maggie to work her way to become a viable contender, Frankie also deals with the wounds in his life as it relates to the family he’s become estranged with as well as the bad decisions he’s made. Yet, the two would find something to fill the void they needed in their lives.

Paul Haggis’ screenplay does have a traditional structure where the first act is about Frankie dealing with the unanswered letters he sent towards his estranged daughter and becoming out of touch with the potential he has for his fighters. Often turning to Father Horvak (Brian F. O’Byrne) for guidance, Frankie doesn’t get the answers he needed until the presence of Maggie showing up to the gym trying to learn to fight forces him to be involved despite his own reluctance. The second act is about the growing bond between Frankie and Maggie in a father-daughter relationship of sorts as Maggie would use her success to give her family from Missouri a good home and money but instead, she gets berated for her generosity by her mother (Margo Martindale). The rejection from her mother would only strengthen Maggie’s relationship with Frankie as he would help her reach the top of the welterweight women’s division.

One aspect of the screenplay that is unique is the fact that is largely narrated by Eddie who watches everything that happens while he looks at the other fighters in Frankie’s gym into whether or not they have the potential to be any good. Eddie’s narration is key to the story where it fills in a few tidbits on the characters while talking about the art of boxing. While the film would be a boxing film for much of the film’s first two acts. It would have a major change in tone into something more dramatic for its third act.

Clint Eastwood’s direction is very low-key and intimate in the way he presents the scenes as he doesn’t go for a lot of wide shots. Instead, he keeps things simple and to the point while creating some unique compositions with medium shots and close-ups to help tell the story. Much of the drama is presented with a sense of simplicity while the boxing scenes do have a flair for style in the way the fights are choreographed and how engaging they can where it would allow the audience to root for Maggie in those fights. Even as it would have shots set outside of the ring to get the reaction from the people watching as well as Frankie watching from his corner as it has this fluidity in the way Eastwood presents the scenes.

While it is largely a drama as it would delve into elements of melodrama in its third act, Eastwood does inject some humor into the role as it is told with such subtlety that includes a scene of Frankie and Eddie talking about the latter’s socks with holes. Eastwood’s approach to balancing humor and drama does add something to the film that where it makes it more than a boxing drama as it it’s also a film about a man finding the void he lost with his own daughter as well as a woman finding the father figure she never had. Overall, Eastwood crafts a very poignant and compelling film about a man helping a young woman become a boxer.

Cinematographer Tom Stern does excellent work with the film‘s cinematography as it has this air of style with tinted-bluish colors while creating some unique lighting schemes in its shadows and such. Editor Joel Cox does brilliant work with the editing where some of it is straightforward while he plays into a lot of cutting styles for the fight scenes. Production designer Henry Bumstead, with set decorator Richard C. Goddard and art director Jack Taylor, does fantastic work with the look of the gym as it‘s a bit grimy as it plays to the world that Frankie and Eddie live in.

Costume designer Deborah Hopper does terrific work with the costumes as it‘s mostly casual while creating some very lovely robes for Maggie to wear when she gets ready for a fight. Sound editors Lucy Coldsnow-Smith and Alan Robert Murray do superb work with the sound from the way punches sound to the sound of people cheering in the boxing halls. The film’s music by Clint Eastwood is amazing for its eerie yet plaintive score as it is mostly low-key with its emphasis on acoustic guitars and lush string arrangements as it includes additional pieces by Kyle Eastwood and Michael Stevens.

The casting by Phyllis Huffman is incredible as it features some notable small roles from Mike Colter as a fighter Frankie trained who would leave him for a shot at the title, Michael Pena as a fighter who often trains at the gym, Anthony Mackie as a brash fighter, Riki Lindhome as Maggie’s white-trash sister, and Lucia Rijker as a German fighter Maggie goes after as she is known for her brutish style. Margo Martindale is excellent as Maggie’s mother who is only more concerned about living on welfare and take whatever money she has from Maggie than supporting her. Jay Baruchel is terrific as a young wannabe fighter in Danger Barch as a kid who has a lot of enthusiasm despite his lack of talent. Brian F. O’Byrne is superb as Father Horvak as a priest who doesn’t really like Frankie yet gives him some advice on the issues he’s dealing with.

Morgan Freeman is marvelous as Eddie “Scrap-Iron” Dupris as a former boxer who watches over the gym with Frankie while being the conscious of sorts in the film as he also looks at fighters who he felt could have potential including Maggie. Hilary Swank is remarkable as Maggie Fitzgerald as a woman in her 30s who just wants to make it as a boxer and win fights while wanting to get the approval of her mother only to find a father-figure in Frankie as Swank has great rapport with Eastwood. Finally, there’s Clint Eastwood in a tremendous performance as Frankie Dunn as man dealing with many issues as he finds the spark of life in Maggie who would give him the chance to find some redemption as he becomes troubled with his own estranged relationship with his daughter.

Million Dollar Baby is a phenomenal film from Clint Eastwood that features absolutely superb performances from Eastwood, Hilary Swank, and Morgan Freeman. Not only is it a boxing film with substance but also a drama that explores a man finding a lost void in a woman who would become a daughter to him. In the end, Million Dollar Baby is a spectacular film from Clint Eastwood.

Clint Eastwood Films: (Play Misty for Me) - High Plains Drifter - (Breezy) - (The Eiger Sanction) - (The Outlaw Josey Wales) - (The Gauntlet) - (Bronco Billy) - (Firefox) - (Honkytonk Man) - Sudden Impact - Pale Rider - (Heartbreak Ridge) - (Bird) - (White Hunter Black Heart) - (The Rookie) - Unforgiven - (A Perfect World) - (The Bridges of Madison County) - (Absolute Power) - (Midnight in the Garden of Good and Evil) - (True Crime) - (Space Cowboys) - (Blood Work) - (Mystic River) - Flags of Our Fathers - Letters from Iwo Jima - Changeling - (Gran Torino) - (Invictus) - (Hereafter) - (J. Edgar) - (Jersey Boys) - American Sniper - (Sully) - (The 15:17 to Paris) - (The Mule)

© thevoid99 2014

The Hurt Locker

Originally Written and Posted at Epinions.com on 8/9/09 w/ Additional Edits.

Directed by Kathryn Bigelow and written by Mark Boal, The Hurt Locker tells the story of a bomb squad working on the streets of Iraq defusing bombs during the war. Leading the team is a man who loves doing the job for the hell of it while trying to deal with the chaos surrounding him with members of his team watching him. A part war-drama, part-psychological film, it's a movie that delves into the mind of what a bomb squad goes through in defusing bombs and being a soldier at war. Starring Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce, Ralph Fiennes, Evangeline Lilly, and David Morse. The Hurt Locker is a mesmerizing yet haunting war drama from Kathryn Bigelow and company.

It's 2004 in Baghdad as a new member of an elite Explosive Ordnance Disposal unit named Staff Sergeant William James (Jeremy Renner) is now part of a new group filled by Sergeant JT Sanborn (Anthony Mackie) and Specialist Owen Elridge (Brian Geraghty). With 40 days left in their tour of duty, James has already become an eccentric figure as he refuses to take orders in order to get the job done. Even as he comes across one bomb attached to another which he defuses quite well despite a bit of pressure. Though Sanborn is frustrated over James' no-frills, all thrills attitude and his willing to put himself on the line. Elridge is already going through his own problems following the death of a superior (Guy Pearce) as he is now having psychological sessions with Colonel Cambridge (Christian Camargo). James meanwhile, feels at home in the line of duty and at war as he befriends a 12-year old Iraqi kid named Beckham (Christopher Sayegh) while defusing bombs all for the hell of it.

Then when a bomb site is nearby a United Nations building, James diffuses it quite successfully except bringing lots of anxiety to his team in taking off his bomb suit and refusing to wear headphones to listen to Sanborn's orders. Impressed by James' ability to just diffuse bombs is Colonel Reed (David Morse) who is amazed over James' experience in diffusing bombs. Though James reveals to have a life at home with a wife (Evangeline Lilly) and a baby boy, he prefers to work as a bomb tech without robots and go with his gut. When he, Sanborn, and Elridge encounter a group of contractors led by its leader (Ralph Fiennes), they are ambushed by a group of Iraqi militia where things get tense as Sanborn and Elridge with James' help manages to diffuse the situation. While it was a great day for the three as they all got drunk and beat each other up for fun, it was like all three men has finally clicked. With the days winding down, some traumatic events occur for all three that would shape their minds. With James getting more personal and even putting his own team in danger, everything would crash down for the three men with James starting to unravel over his life as a soldier and at home.

Films about the Iraq war in recent years has been filled with a lot of overwrought melodrama despite its noble intentions to reveal the horrors of war and in the injustice soldiers have to face. What makes this film very different is that it's about three men just doing their job as they all face their own personal turmoil inside of themselves. Of those three, it's William James that is the most compelling as he's a man that loves to take risks in order to get the job done and diffuse situations. Yet, he's also reckless, refusing to take orders, and is always on an adrenaline rush. James is a loose cannon but does have a compassionate side when he befriends an Iraqi kid who sells him DVDs and plays soccer with him though he has a hard time being that person at home despite his noble efforts.

Screenwriter Mark Boal does a superb job in creating a unique structure to the story which begins with a scene involving a bomb about to be diffused by the previous bomb tech. The first act is about Staff Sgt. James arrival to the unit while proving to be a unique figure to his team like the by-the-book Sgt. Sanborn and the young, insecure Specialist Elridge. Both of whom each are given some development and insight into their own characters with Sanborn trying to be in control while Elridge is haunted by his own issues where in some intense moments, he's comforted by James. Boal's screenplay is well-structured in not just introducing the character but providing a strong second act for the characters to finally bond and click with each other while the third act would unveil some harsh truths and situations involving the main three characters.

While Boal's script does manage to delve into the psychological elements of what is going on in battle and in diffusing a bomb along with the soldier's experience. It's Kathryn Bigelow's direction that is really the highlight of the film. Bigelow's engaging approach to the film by getting inside the battlefield, inside the action, and all of the drama that goes on is really what sets this film apart from not just the Iraq war films that came before in the past few years is that it's not melodramatic. At the same time, it is not very stylized, not filled with lots of CGI creations, or anything that is sprawling in its action scenes. Instead, it goes deep into the action with gun battles, explosions, and the tension that goes in diffusing a bomb while the soldiers have to look out to see if the enemy is watching. Utilizing a hand-held approach to the camera work in capturing all of the action and intensity. Bigelow's direction is truly remarkable in just being real, to-the-point, and not overglazing it with fast action, bloated scenery, or lifeless spectacles.

Cinematographer Barry Ackroyd does amazing work with the film's gritty, hand-held photography with elements of grainy shots in some of the nighttime scenes with little light. The action scenes are filled with close-ups of the action with camera blurs to emphasize a point-of-view shot from a sniper. Ackroyd's cinematography is exhilarating in its realism and in not being over-stylized. Editors Chris Innis and Bob Murawski do excellent work in the film's editing in providing some nice jump-cuts for some rhythmic editing along with rhythms to play up to the tension that is going in scenes where bombs are diffused or in the action. While it has a running time of nearly two-hours and fifteen minutes, it does have the feeling or pacing approach of a film that long which is brilliant as Innis and Murawski do some masterful work in the editing.

Production designer Karl Juliusson, along with set decorator Amin Charif El Masri and art director David Bryan, does fine work in the creation of bases and camps that the soldiers live in along with the designs of the bombs and devices. Costume designer George L. Little does good work in the design of the bomb suit that Jeremy Renner wears in order to unveil all of the detail of what bomb technicians have to wear. Sound designer/editor Paul N.J. Ottosson does spectacular work with the film's sound work in its action sequences and moments of suspense to add tension to all that is going on. Music composers Marco Beltrami and Buck Sanders provide an excellent score with haunting arrangements from strings and drums to provide the tension and drama that is going on in the war scenes. For the film's soundtrack, three tracks are provided from the legendary industrial-metal band Ministry from their Rio Grande Blood album as it serves as amazing accompaniment for James' state of mind.

The casting by Mark Bennett is superb with appearances from Lost's Evangeline Lilly as Staff Sgt. James' wife, Hasan Darwish as a DVD vendor, Nabil Koni as a professor William visits, and Christopher Sayegh as Beckham, the boy Staff Sgt. James befriends. Christian Camargo is very good as Elridge's psychologist who may know what soldiers go through but has little experience in what goes on when they're on the battlefield. Making appearances in some very small roles include Guy Pearce as a bomb tech, David Morse as a lively colonel, and Ralph Fiennes as a British contractor carrying a sniper rifle. Brian Geraghty is excellent as Elridge, a young soldier who is dealing with the horrors of war as he tries to cope with it the best he can do. Anthony Mackie is superb as Sgt. Sanborn, the straight man of the story as he is the man who does things by the book while trying to deal with James' reckless persona as well as his own horrors about life after war.

Finally, there's Jeremy Renner in what is truly a remarkable performance. In the role of Staff Sgt. William James, Renner displays a swagger and nonchalant attitude to his character as a man who loves his job and is willing to take all the risks. While he has a compassionate side to him, Renner displays all of the conflict his character has to go through when he knows he has to go home. Yet, he couldn't help but be on an adrenaline rush when he knows that there's something wrong and he wants to go out there and fight. It's truly a star-making performance for the actor who has been famous for supporting roles and small parts as he's now an actor to watch out for.

The Hurt Locker is a sensational film from Kathryn Bigelow thanks to an amazing performance from Jeremy Renner. In an era of heavy-handed, melodramatic war films that does nothing but rally around a political message along with action films that are all spectacles and no sense of what is happening. This is the film that corrects all of those things in what is expected from their genres. Fans of smart action films and war films will no doubt enjoy this film for its sheer realism and ideas of what soldiers have to go through. For director Kathryn Bigelow, this film is truly her best work to date while it may not be as entertaining as Point Break or Strange Days. Yet, in a genre that's dominated by men helming action features. This film proves that not only can she do a great action film. It also proves that she's better than the guys in creating great explosions and action scenes. In the end, for a film that is smart, entertaining, and filled with great action sequences. The Hurt Locker is the film to go see.

Kathryn Bigelow Films: The Loveless - Near Dark - Blue Steel - Point Break - Strange Days - The Weight of Water - K-19: The Widowmaker - Zero Dark Thirty - The Auteurs #29: Kathryn Bigelow

© thevoid99 2012