Avengers: Endgame

Based on the Marvel comics series by Stan Lee and Jack Kirby, Avengers: Endgame is the sequel to 2018’s Avengers: Infinity War in which members of the Avengers, Guardians of the Galaxy, and several others band together to battle Thanos following the events of the previous film. Directed by Joe and Anthony Russo and screenplay by Christopher Markus and Stephen McFeely, the film follows the troubling aftermath that forces the Avengers and their allies including new ones to make sense of what happened and get revenge towards Thanos. Starring Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Brie Larson, Paul Rudd, Don Cheadle, Karen Gillan, Gwyneth Paltrow, Danai Gurira, Tessa Thompson, with the voice of Bradley Cooper, and Josh Brolin as Thanos. Avengers: Endgame is a grand and supremely epic film from Joe and Anthony Russo.

Following a battle against Thanos, remaining members of the Avengers and various allies deal with the troubling aftermath as they vow revenge and to find Thanos yet things become more complicated. It’s a film that does play into the fallacy of revenge but it’s more of a study of loss, failure, action, frustration, and the inability to change anything. Yet, there is also this story of hope and second chances as it relates to not just the six original members of the Avengers but also the allies who have survived. The film’s screenplay by Christopher Markus and Stephen McFeely opens with the whereabouts of Clint Barton/Hawkeye (Jeremy Renner) who had been absent in the Avengers’ conflict with Thanos as he gets a shocking glimpse into what Thanos had done. It would lead to an arc as someone consumed by grief and loss as he would become a rogue assassin until Natasha Romanoff/Black Widow (Scarlett Johansson) finds him and takes him home. Romanoff would also deal with the fallout of Thanos’ victory as she is trying to keep the peace with members of the Avengers who are still dealing with issues relating to past events as she sees this schism as a family coming apart.

Much of the film’s narrative takes place years after the defeat from Thanos where the members of the Avengers struggle to move on with Barton going rogue and Romanoff feeling lost during its first act. Bruce Banner/the Hulk (Mark Ruffalo) eventually finds peace in being both while Tony Stark/Iron Man (Robert Downey Jr.) and Steve Rogers/Captain America (Chris Evans) both living different lives. Thor (Chris Hemsworth) meanwhile would become a recluse troubled by his inability to save those he cared for as he is the most reluctant to re-join the Avengers following a re-appearance from Scott Lang/Ant-Man (Paul Rudd) who had been stuck in the quantum realm for five hours (quantum realm time) as he believes there is a way for the Avengers to undo what Thanos did. With the help of Lt. Colonel James “Rhodey” Rhodes/War Machine (Don Cheadle), Nebula (Karen Gillan) and Rocket (voice of Bradley Cooper), they would take this one chance to make things right as they would also revisit events from the past in key sequences during the second act. The third act does relate to Thanos and his mission from the previous film as well as why he felt the need to gather all six of these infinity stones as a way to bring balance to the universe by getting rid of half of its population. Due to the aftermath and the Avengers’ desire to undo all of that, Thanos would have a final confrontation with the Avengers realizing how stubborn they are in their refusal to accept defeat.

The direction of Joe and Anthony Russo is definitely gargantuan in the world that it sets though it starts off in a simple presentation with Barton teaching his daughter how to shoot a bow-and-arrow while his sons are playing catch and his wife Laura (Linda Cardellini) is preparing for the family picnic. It’s a moment that sets up the dark reality of what the Avengers are facing as its first act that would also involve Carol Danvers/Captain Marvel (Brie Larson) who is powerful enough to defeat Thanos by herself yet things become complicated as she along with Okoye (Danai Gurira) would briefly appear in the second act providing the Avengers news about the universe. Shot mainly in the Pinewood Atlanta Studios in Atlanta, the film is set in a grand universe though much of it is set on Earth in upstate New York at the Avengers compound as well as parts of the universe including a few other planets and the African country of Wakanda.

While it is a film with some heavy themes, the Russo brothers do know where to put moments of humor as it relate to Rocket and Banner traveling to Norway to meet with Thor as they would also meet Valkyrie (Tessa Thompson) who has managed to survive with some Asgardian refugees. Other moments of humor play into the mission during the film’s second act with some references to past stories but also somber moments as it relates to loss for Thor, Stark, and Rogers. The usage of wide and medium shots doesn’t just play into the locations but also in getting all of the characters in a single shot including the film’s climatic showdown. There are also close-ups that help play into the emotional reaction of the characters and a few funny moments such as an exchange between Rhodes and Nebula during a mission as it relates to a character. The Russos also know how to maintain that need of awareness in ensuring that the audience is aware of what is happening, where, and when as it play into the mission at hand during its second act.

The film’s third act have the Russos take a page from the epic cinema of the past as it relates to the climatic showdown between Thanos and the Avengers. Yet, to call it epic would understate what the Russos have done for this gargantuan battle sequence as it all relate to Thanos’ biggest fear. The stakes are big as it relates to not just the infinity stones but also preventing Thanos from using it all over again where everyone play a part as it would also include a moment of how much all of these people whether they have superpowers, gifts, or other things can matter. The ending is about sacrifice and what some will do to make the universe a better and safer place. They are people, aliens, or beings from different worlds and planets who care more about those who can’t fight or don’t have any kind of power but refuse to bow down to some monster. It would be followed by what is probably one of the most touching and heartfelt endings captured on film that would be fitting to these characters who have done so much to make the universe in what it is no matter how flawed or how stubborn they can be. Overall, the Russos craft a tremendous and exhilarating film about a bunch of superheroes going one more round with some evil supervillain.

Cinematographer Trent Opaloch does brilliant work with the film’s cinematography with its usage of lights and moods for the look of the film’s climatic battle scene as well as well as the exteriors in some of the planets as well as the interiors for scenes in the day and night. Editors Jeffrey Ford and Matthew Schmidt do excellent work with the editing as it help play into some of the film’s humor with some montage-style cuts as well as some rhythmic cuts to play into the suspense, action, and drama. Production designer Charles Wood, with set decorator Leslie Pope and supervising art director Ray Chan, does amazing work with the look of the Avengers compound as well as some of the sets that the Avengers go to in their big mission during its second act. Costume designer Judianna Mokovsky does fantastic work with the costumes in the suits that Avengers and Guardians wear as well as the quantum suits they would wear for the big mission.

Special makeup effects artists Carlton Coleman, Nancy Cummings, Tim J. Hays, Jonah Levy, Gaby Macias, Bart Mixon, Jon Moore, Christopher Allen Nelson, Taylor Schulte, and LuAndra Whitehurst, along with key hair stylist Michelle Diamantides do terrific work with the hairstyles of Romanoff, Danvers, and Thor including in some of the makeup that some of the characters would wear including Nebula. Special effects supervisor Daniel Sudick, along with visual effects supervisors Dan DeLeeuw, Philip Leonhardt, and Kelly Port, do incredible work with the visual effects from the look of Thanos and various characters to the aging of a few key characters from the past along with the look of some of the planets and places in the film. Sound designers David Farmer and Shannon Mills, with co-sound editor Daniel Laurie, do superb work with the sound in some of the sound effects that is created along with the sounds of objects and the atmosphere of certain locations including the array of sounds for the film’s climatic battle.

The film’s music by Alan Silvestri is marvelous for its bombastic orchestral score that is triumphant at times that include themes from previous films but also some low-key and somber themes that play into the drama and the sense of grief while music supervisor Dave Jordan creates a wonderful soundtrack that features a different array of music from the Rolling Stones, Traffic, Redbone, the Kinks, and Harry James with Kitty Kallen along with previously used score pieces from Richard Sherman, Michael Giacchino, Pinar Toprak, and Christophe Beck.

The casting by Sarah Finn is great as it feature some notable cameo appearances from Robert Redford as Alexander Pierce, Marisa Tomei as May Parker, Jacob Batalon as Ned, Angela Bassett as Queen Mother Ramonda of Wakanda, Cobie Smulders as Maria Hill, James D’Arcy as Edwin Jarvis, Hayley Atwell as Peggy Carter, John Slattery as Howard Stark, Rene Russo as Frigga, Taika Waititi as Korg, Maximiliano Hernandez as Jasper Sitwell, Frank Grillo as Brock Rumlow, Tilda Swinton as the Ancient One, Tom Hiddleston as Loki, Linda Cardellini as Laura Barton, Natalie Portman as Jane Foster, William Hurt as Thaddeus Ross, Ross Marquand as Red Skull, Kerry Condon as the voice of F.R.I.D.A.Y., Michael Douglas as Dr. Hank Pym, Michelle Pfeiffer as Janet van Dyne, Jon Favreau as Happy Hogan, Terry Notary as Black Order member Cull Obsidian, Tom Vaughn-Lawlor as Ebony Maw, Michael James Shaw as Corvus Glade, Monique Ganderton as Proxima Midnight, and Samuel L. Jackson as Nick Fury.

Other notable small roles include Emma Fuhrmann as the older Cassie Lang, Alexandra Rachael Rabe as a young girl named Morgan, Hiroyuki Sanada as Yakuza boss Barton is tailing after, Ken Jeong as a storage facility guard, Yvette Nicole Brown as a S.H.I.E.L.D. agent, director Joe Russo as a grieving man at a group meeting, and Stan Lee in one of his final film cameos as a man in the 1970s. The voice of Vin Diesel, Dave Bautista, Chris Pratt, Pom Klementieff, and Zoe Saldana are terrific in their respective roles as Guardians of the Galaxy members Groot, Drax the Destroyer, Peter Quill/Starlord, Mantis, and Gamora while Chadwick Boseman, Letitia Wright, and Winston Duke are superb in their respective roles as King T’Challa of Wakanda/Black Panther, Princess Shuri of Wakanda, and M’Baku. Anthony Mackie, Sebastian Stan, Elizabeth Olsen, Evangeline Lily, Benedict Cumberbatch, Benedict Wong, and Tom Holland are fantastic in their respective roles as Sam Wilson/Falcon, Bucky Barnes/the Winter Soldier, Wanda Maximoff/Scarlet Witch, Hope van Dyne/Wasp, Dr. Steven Strange, Wong, and Peter Parker/Spider-Man as they all play a key role for the film’s climax.

Gwyneth Paltrow and Tessa Thompson are wonderful in their respective roles as Pepper Potts and Valkyrie with the former nursing Stark back to health and the latter watching over the remaining Asgardian refugees in Norway as both of them would play key roles in the final battle. Danai Gurira and Brie Larson are excellent in their respective roles as Okoye and Carol Danvers/Captain Marvel with the former as a Wakandan royal guard who is watching over the state of planet Earth and the latter as the powerful warrior who had been fighting in the galaxy as she would help the Avengers find Thanos as they would also take part in the final battle. Don Cheadle, the voice of Bradley Cooper, Karen Gillan, and Paul Rudd are brilliant in their respective roles as Lt. Colonel James “Rhodey” Rhodes, Rocket Raccoon, the android Nebula, and Scott Lang/Ant-Man as allies who suffered major losses as they also want to make things right with Lang providing a key idea that could help everyone while Nebula deals with her own relationship with Thanos as well as other troubling aspects that she believes would cause trouble. Josh Brolin is incredible as Thanos as the alien despot whose quest to find the six infinity stones has him believing he’s succeeded only to later realize that his mission to defeat the Avengers is far from finished forcing himself to get back in the fight.

Scarlett Johansson and Jeremy Renner are marvelous in their respective roles as the super-assassins Natasha Romanoff/Black Widow and Clint Barton/Hawkeye as two gifted mercenaries who both deal with loss as Johansson cope with the aftermath of war as she tries to get everyone together while Renner displays the mad grief and loss that Barton endures as someone who had everything only to lose it in the worst way. Mark Ruffalo and Chris Hemsworth are remarkable in their respective roles as Bruce Banner/the Hulk and Thor with the former as the scientist who becomes a monster when he’s angry as he finds a balance between the two as he tries to figure things out while the latter is a fragile Nordic god who believes he’s failed as he is afraid to fail again only for the Avengers to help him regain his confidence. Finally, there’s Chris Evans and Robert Downey Jr. in great performance in their respective roles as Steve Rogers/Captain America and Tony Stark/Iron Man as the two leaders of the Avengers who both endure an uneasy reunion only to later put aside their issues and fight with the former as a man letting go of his ideals and the latter trying to make peace with his own faults.

Avengers: Endgame is an outstanding film from Joe and Anthony Russo. Featuring a great ensemble cast, dazzling visual effects, an engrossing story of loss and redemption, gorgeous visuals, offbeat tones, and a bombastic music score. It’s a film that isn’t just this grand epic superhero film that does everything it needed to do but a true cinematic event that is willing to explore humanistic themes as well as those who are willing to fight for the helpless whether it’s on planet Earth or any other planet in the universe. In the end, Avengers: Endgame is a magnificent film from Joe and Anthony Russo.

Marvel Cinematic Universe: Infinity Saga: Phase One: Iron Man - The Incredible Hulk - Iron Man 2 - Thor - Captain America: The First Avenger - The Avengers

Phase Two: Iron Man 3 - Thor: The Dark World - Captain America: The Winter Soldier - Guardians of the Galaxy - The Avengers: Age of Ultron - Ant-Man

Phase Three: Captain America: Civil War - Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man and the Wasp - Captain Marvel - Spider-Man: Far from Home

Post-Infinity Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special

Phase Five: Ant-Man & the Wasp: Quantumania -Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)

Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)

Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World

© thevoid99 2019

Wind River

Written and directed by Taylor Sheridan, Wind River is the story of a young FBI agent who helps a tracker find a murderer at an Indian reservation in Wyoming. The film is an exploration into the world of Native Americans and how two different people try to do what is right as they also explore the dark aspects of their surroundings. Starring Jeremy Renner, Elizabeth Olsen, Gil Birmingham, Jon Bernthal, and Graham Greene. Wind River is a riveting and somber film from Taylor Sheridan.

An 18-year old Native American woman is found dead by a wildlife tracker as he is aided by a young FBI agent who wants to know if it was a homicide as they deal with not just their surroundings but also the sense of tension among the Native American community in a small town in Wyoming. It’s a film that isn’t just about a murder in an area that features a prominent Native American community in this small Wyoming town but also a man who knows that girl as she was the best friend of her daughter who had died a few years earlier. Taylor Sheridan’s screenplay isn’t just about the mystery of who killed this young girl but also the neglect towards Native Americans as it relate to them being victims of crime despite the fact their local sheriff in Ben (Graham Greene) is a Native American who cares about them but isn’t given enough resources to do justice.

Yet, the Native Americans do have an ally and friend in Cory Booker (Jeremy Renner) who is agent for the U.S. Fish and Wildlife Service that tracks wild animals that is harmful to any farm animals as he is first seen killing wolves from afar for trying to attack a herd of sheep where he would find the body of this girl in Natalie Hanson (Kelsey Chow). The idea that Natalie could’ve been murder catches the attention of FBI agent Jane Banner (Elizabeth Olsen) who arrives to Wyoming unprepared for its conditions and the land itself as she believes that it is a murder. Banner is definitely the outsider as someone who hasn’t been on the field nor does she know how to conduct herself as a Caucasian in a Native American community as she needs Booker to help her. Booker’s role in the investigation is personal as he is still reeling from the loss of his daughter a few years ago that led to him being separated from his wife as he makes a promise to Natalie’s father Martin (Gil Birmingham) to find out what happened. Even as he has to contend with some in the Native American community who don’t like him because he’s Caucasian yet is one of the few that can actually help them.

Sheridan’s direction is definitely exquisite in terms of the setting and locations though it is actually shot in Utah as part of this small town in Wyoming with areas near the Rocky Mountains. Much of the direction is quite simple as it play into this very cold and snowy land that is Wyoming in the northwestern part of America as it features images of the Native American community feeling disconnected from traditional society as there’s a shot of the American flag shown upside down. For someone like Booker, he understands their disconnect as he too is disconnected from traditional society due to his grief yet is still trying to be a good father to his son Casey (Teo Briones) as well as help out his ex-wife’s parents. While Sheridan would use a lot of wide shots to capture the scope of the locations, he does maintain an air of intimacy in the close-ups and medium shots as it relates to the investigation and the interaction between characters during the non-investigation scenes.

Sheridan would take his time in letting things unfold for the film’s climax where he would put in something that is a major reveal about what happened but also this air of isolation that is prevalent to those who aren’t part of conventional society. It adds to this harrowing conclusion that emphasizes on this neglect in American society towards not just Native Americans but also this region such as Wyoming, the Dakotas, Utah, and areas with Native American reservations that doesn’t seem to really be part of the United States of America. Especially when it comes to justice as there are very few instances where the right thing is done yet America is more concerned with what’s happening in other parts of the country and the world rather than those who were in this country first. Overall, Sheridan crafts a gripping and chilling film about a tracker and a FBI agent trying to find out who killed an 18-year old Native American woman.

Cinematographer Ben Richardson does excellent work with the film’s cinematography in the way many of the daytime exteriors are presented with its emphasis on natural lighting with the scenes at light displaying some low-key lighting for some scenes including the exterior settings in some scenes. Editor Gary D. Roach does brilliant work with the editing as it is straightforward for much of the film with some rhythmic cuts to play into the suspense and action. Production designer Neil Spisak, with set decorator Cynthia A. Neibaur and art director Lauren Slatten, does fantastic work with the look of the homes of Booker, the Hanson family, as well as some Native American junkies who live in trailer parks. Costume designer Kari Perkins does nice work with the costumes as it is mostly casual with the look of the uniforms the deputies wear with winter hats and such as well as the winter gear that Banner had to borrow on her search of the murder site.

Hair/makeup designer Felicity Bowring does terrific work with some of the makeup as it relates to the sense of loss that Martin Hanson is dealing with as he’s wearing war paint to express his grief. Visual effects supervisor Dottie Starling does some fine work with the visual effects as it is mainly set-dressing for a few exterior shots in the film. Sound editor Alan Robert Murray and sound designer Tom Ozanich do superb work with the sound as it play into the atmosphere of the locations as well as the sound of gunfire and such throughout the film. The film’s music by Nick Cave and Warren Ellis is amazing as it is a major highlight of the film for its mixture of folk and ambient music with violins to play into the somber tone of the film while the rest of the soundtrack consists mainly of folk and country music.

The casting by Jordan Bass and Lauren Bass is incredible as it feature some notable small roles from Tantoo Cardinal and Apesanahkwat as Booker’s former in-laws, Eric Lange as the local autopsy official, Tokala Black Elk as a notorious junkie in Sam Littlefeather, Martin Sensmeier as Martin’s estranged drug-addict son Chip, Teo Briones as Booker’s son Casey, Althea Sam as Natalie’s mother, Kelsey Chow as Natalie, Julia Jones as Booker’s estranged ex-wife Wilma, James Jordan as a man working at an oil rig in Pete, and Jon Bernthal as an oil worker named Matt who was seeing Natalie on the night she died. Gil Birmingham is excellent as Martin Hanson as Natalie’s father who is given the news about his daughter as he succumbs to grief and anger while asking Booker to do what is right. Graham Greene is brilliant as Ben as the town’s local sheriff who is also Native American as a man that had seen a lot as he tells Banner about how things work in the town as he also hopes to do what is right for everyone.

Elizabeth Olsen is phenomenal as Jane Banner as a rookie FBI agent who is given her first real test as an agent while being someone that is an idealistic in wanting to do what is right as she also copes with the severity of her assignment and what she has to do to get things done. Finally, there’s Jeremy Renner in a sensational performance as Cory Booker as a U.S. Fish and Wildlife Service agent/tracker who would find the body of this young woman forcing him to deal with his own loss from years ago where he would help Banner and others find out who killed her as well as gain some redemption for how he lost his own daughter.

Wind River is a tremendous film from Taylor Sheridan that features top-notch performances from Jeremy Renner and Elizabeth Olsen. Along with its supporting cast, themes on justice and neglect, eerie music score, and a chilling setting. It’s a suspense film that doesn’t play by the rules while acknowledging the sense of alienation and neglect towards a group of people who never have things go in their favor. In the end, Wind River is a magnificent film from Taylor Sheridan.

Related: Sicario - Hell or High Water

© thevoid99 2017

Arrival (2016 film)

Based on the short story Story of Your Life by Ted Chiang, Arrival is the story of a linguist and others who try to communicate with aliens who had just arrived on planet Earth. Directed by Denis Villeneuve and screenplay by Eric Heisserer, the film is a sci-fi drama that explores the idea of the universe and how humans try to communicate with the unknown. Starring Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, and Tzi Ma. Arrival is a riveting yet astonishing film from Denis Villeneuve.

When news that twelve alien spaceships have landed on twelve different parts of the world, a linguist is hired by the military to communicate with the aliens asking why they’re here as she doesn’t just try to find ways to communicate with them but also cope with the loss of her daughter years ago. It’s a film with a simple story yet it also plays into the ideas that humans aren’t alone in the universe as there could be a way for peace and harmony as it is in the hands of not just the linguist but also a theoretical physicist. The two try to see what the aliens want as they’re aided by a colonel and a CIA official who are trying to communicate with the rest of the world leaders who are doing the same as panic is happening all over the world about the arrival. Especially as the Chinese government have prepared themselves for conflict in case something drastic is about to happen.

Eric Heisserer’s screenplay has a very unique narrative that is often filled with flashbacks as it relates to the loss that the film’s protagonist Dr. Louise Banks (Amy Adams) is carrying as it relates to her own daughter. She is also someone that has been detached due to loss where she is asked by Colonel Weber (Forest Whitaker) to decipher anything these aliens are saying where she is reluctant at first but is willing to give it a go. She teams up with Ian Donnelly who works in astrophysics and kind of serves as the film’s comic relief as he takes his work seriously. Yet, once Dr. Banks and Donnelly make some slow but steady progress in communicating with the aliens. Dr. Banks would uncover memories of her own life relating to her daughter as well as other things as she begins to decipher more of their language. When a discovery is made about what they want or what they’re offering, panic does ensue as Col. Weber wants to give Dr. Banks and Donnelly the chance to see what these aliens mean. Especially as so much is on the line as there are those who play into the worst aspects of humanity.

Denis Villeneuve’s direction is truly evocative for not just the images that he creates but also in trying to understand what humanity can do for the good of the world. Shot on location around Montreal as Montana, the film plays into something that is quite otherworldly but also grounded in reality as it relate to that sense of detachment and loss that looms over Dr. Banks. While Villeneuve does use some wide shots to capture the grandness of the spaceship, it is the usage of close-ups and medium shots where the direction is really potent. Notably in the flashbacks as it has this naturalistic quality into what Dr. Banks is experience and dreaming like as well as the way she interacts with Donnelly who is a man that is about fact as he would also give in towards his humanistic traits. There are bits of humor in the film which is often provided by Donnelly during a sequence where he would communicate with the aliens through Dr. Banks’ instructions. Yet, much of the film is told dramatically as there are also some perspective from the world outside as there are those who have no understanding of what is going on where there would be those that give in to fear and cause trouble.

The direction would also provide ideas of what aliens would use to communicate as there is a complexity to the language which is crucial to its pacing where it take its time rather than go for something easy. Even when the dramatic stakes are increased as it play into the paranoia of what the aliens might be saying as it might lead into chaos. There would also be these things that would become more abstract in the course of the story as it doesn’t just relate to the fabric of time but also the sense of loss that Dr. Banks is carrying. Its climax isn’t just about the possibility of a better future for the world but also how the good in humanity would be the key to that if they just allow themselves to understand the bigger picture and not give in to fear. Overall, Villeneuve creates an intoxicating and majestic film about humans trying to understand what aliens want on their arrival to Earth.

Cinematographer Bradford Young does amazing work with the film‘s cinematography from the naturalistic look of some of the exteriors in the flashbacks as well as the usage of lighting and low-key shades to play into some of the interiors and the scenes inside the spaceship. Editor Joe Walker does excellent work with the editing as it is mostly straightforward with some stylish jump-cuts to play into some of the flashbacks as well as doing some slow-movements to play into the bits of suspense. Production designer Patricia Vermette, with supervising art director Isabelle Guay and set decorators Paul Hotte and Andre Valade, does fantastic work with the look of the interior of the spaceship as well as the military base camp where Dr. Banks and officials work at. Costume designer Renee April does nice work with the costumes as it is mostly casual with the exception of the army uniforms and the suits that characters have to wear to enter the spaceship.

Visual effects supervisors Alexandre Lafortune and Louis Morin do brilliant work with the look of some of the exterior of the spaceship as well as the design of the aliens that do look otherworldly. Sound editor Sylvain Bellemare does superb work with the film‘s sound from the way some of the sounds inside the spaceship sound as well as the design of the voices of the aliens created by a team of sound designers as it is a highlight of the film. The film’s music by Johann Johansson is phenomenal as its mixture of low-key orchestral strings with some ambient electronic pieces that include some piano loops and other array of sounds as it really another highlight of the film as the score also feature elements of Max Richter’s On the Nature of Daylight.

The casting by Francine Maisler is great as it feature some notable small roles from the quartet of Carmela Nossa Guizzo, Jaydn Malone, Abigail Pniowsky, and Julia Scarlett Dan as the different ages of Dr. Banks’ daughter Hannah, Mark O’Brien as Captain Marks, and Tzi Ma as the Chinese military leader General Shang. Michael Stuhlbarg is excellent as CIA agent Halpern as a man that is trying to deal with the other countries to make sure things go well as oversee the experiment. Forest Whitaker is fantastic as Col. Weber as a military officer who turns to Dr. Banks for help as he is hoping for something that is peaceful as well as protect her and Donnelly knowing that they’re the key to the hope of the human race.

Jeremy Renner is amazing as Ian Donnelly as an astrophysicist who helps Louise in deciphering the alien language as well as see what they’re about as he brings some humor but also moments that shows how much he cares for Dr. Banks and wanting to be understanding of the aliens. Finally, there’s Amy Adams in an incredible performance as Dr. Louise Banks as a woman that is carrying a sense of grief around her as she is asked to understand the language of aliens where she would make a discovery of what they’re saying as well as deal with images in her head as it relate to her past as it’s really one of Adams’ most evocative performances to date.

Arrival is an outstanding film from Denis Villeneuve that features sensational performances from Amy Adams, Jeremy Renner, and Forest Whitaker. Featuring some amazing visuals, a complex and heartfelt script, and an intoxicating music score by Johann Johansson. The film is truly a sci-fi film that is very smart but also willing to ask big questions along with an idea of hope in a chaotic world. In the end, Arrival is a magnificent film from Denis Villeneuve.

Denis Villeneuve Films: August 32nd on Earth - Maelstrom - Polytechnique - Incendies - Prisoners (2013 film) - Enemy (2013 film) - Sicario - Blade Runner 2049 - Dune-Part One (2021 film) - Dune-Part Two - (Dune: Messiah) - The Auteurs #68: Denis Villeneuve

© thevoid99 2016

The Avengers: Age of Ultron

Based on the comic series by Stan Lee and Jack Kirby, The Avengers: Age of Ultron is the story of a group of superheroes who fight to save the world as they meet their greatest challenge in an artificial intelligent android who is bent on global destruction in his view of bringing peace. Written for the screen and directed by Joss Whedon, the film plays into the team known as the Avengers as they deal with fear but also in being forced to face an enemy who knows how to tear them apart. Starring Robert Downey Jr., Chris Evans, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Mark Ruffalo, Elizabeth Olsen, Aaron Taylor-Johnson, Linda Cardellini, Cobie Smulders, Stellan Skarsgard, Don Cheadle, Samuel L. Jackson, Paul Bettany, and James Spader as the voice of Ultron. The Avengers: Age of Ultron is a thrilling and exhilarating film from Joss Whedon.

The film revolves around the superhero team known as the Avengers who are tasked with stopping evil forces including Hydra from unleashing terror into the world where a peacekeeping initiative in the form of an artificial intelligent being known as Ultron has threatened to destroy the team and bring global destruction in an act of bringing peace to the world. While it is a plot that is simple in terms of good guy vs. bad guys, it is much more complex considering that Ultron was created by Tony Stark/Iron Man (Robert Downey Jr.) with the aid of Dr. Bruce Banner/the Hulk (Mark Ruffalo) as a program to help save the world after seeing a dark vision which was brought to him a young woman in Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) during a raid on Hydra by the Avengers. Wanda and her twin brother Pietro/Quicksilver (Aaron Taylor-Johnson) would both aid Ultron in destroying the Avengers where the team would become very vulnerable with Stark trying to make sense of what he created.

Joss Whedon’s screenplay does have a more traditional structure as it sort of plays into a rise-and-fall scenario of sorts for the Avengers. The first act pertains to the Avengers having their first encounter with the Maximoff twins and Stark’s intentions in creating Ultron. The second act plays into Ultron’s plans with the Maximoff twins aiding him where Pietro’s speed is his power while Wanda is telekinetic and can manipulate people’s minds as she would be able to make the Avengers, with the exception of Clint Barton/Hawkeye (Jeremy Renner), vulnerable. Yet, the Maximoff twins aren’t exactly antagonists as they are essentially people who have a legitimate grudge towards Stark but they also display some humanity which makes them more intriguing. By the time the film’s third act emerges as it relates to a mysterious gem inside Loki’s scepter and a project Stark was involved in which could be the one thing that could save the Avengers and the world.

Whedon’s direction is definitely sprawling in terms of the world that is created as well as the fact that there is a lot at stake in what the Avengers are doing. Shot in various locations such as South Africa, South Korea, Bangladesh, New York, Italy, and some studio-based shots in London, the film does have a more global feel where it is about the Avengers trying to protect the world from evil as it would begin in Eastern Europe when the team takes down one of the last Hydra plants in the continent. While there are some great usage of wide and medium shots in the film to establish certain locations as well as play into what is happening when the team isn’t fighting the bad guys or each other. Whedon also finds way to create an intimacy as well as bring humor into the fray as it relates to Steve Rogers/Captain America (Chris Evans) who has issues with the team saying profanity or the growing attraction between Banner and Natasha Romanoff/Black Widow (Scarlett Johansson) as the latter is the one person who can calm the Hulk down.

The direction also has this air of nihilism as well as the many complexities and flaws about humanity as it relates to Ultron’s view of things. He sees humanity as Neanderthals who are unwilling to evolve as well as create chaos in an attempt to restore order and such. In some ways, he is right but he would take his views to the extremes which wouldn’t just prompt the Avengers to finally pull themselves back up and fight the fight. Even as they do whatever they can to even save the innocent and prove that humanity can be worth saving no matter how bad things are. Overall, Whedon creates a very exciting and compelling film about a group of superheroes and fighters who try to save the world from an android hell bent on destroying the world.

Cinematographer Ben Davis does excellent work with the film‘s cinematography in creating some unique moods and lighting schemes for many of the film‘s interiors such as the Avengers‘ main base as well as some scenes set at the Maximoff twins‘ home country in its exterior settings. Editors Jeffrey Ford and Lisa Lassek do nice work with the editing in creating some unique montages for some of the dreams and flashbacks for some of the characters under Wanda‘s mind manipulation as well as some rhythmic cuts to play into the action and drama. Production designer Charles Wood, with supervising art director Ray Chan and set decorators Chris “Flimsy” Howes, Sheona Mitchley, and Richard Roberts, does amazing work with the design of the Avengers home base as well as the quaint safe house that belongs to Barton where the team would regroup as well as the lab where Ultron sees the next step into his evolution. Costume designer Alexandra Byrne does terrific work with the costumes as much of it is casual for the gang when they’re not working.

Hair/makeup designer Jeremy Woodhead does fine work with the look of the characters from the hairstyle of the Maximoff twins to the look of the mysterious being known as Vision. Visual effects supervisors Geoffrey Baumann, Huseyin Caner, Michael Mulholland, Katherine Rodtsbrooks, Ben Snow, Alan Torres, and Christopher Townsend do brilliant work with the visual effects in the design of Ultron in his evolving state from being one android and then another to the look of the Hulk as he rampages everything around him. Sound designer David Acord, with sound editors Christopher Boyes and Frank. E. Eulner, does superb work with the sound in the way some of the gunfire is heard along with sound effects that play into the action and suspenseful moments in the film. The film’s music by Brian Tyler and Danny Elfman is brilliant as it is this great mix of bombastic orchestral music with some electronic textures as it play into much of the action and drama that occurs in the film while music supervisor Dave Jordan provide a soundtrack that mixes old-school band music, classical pieces, and operatic pieces as it‘s a piece that Banner uses to soothe the Hulk.

The casting by Sarah Finn and Reg Poerscout-Edgerton is incredible as it features appearances from Anthony Mackie as Sam Wilson/Falcon, Don Cheadle as Col. James “Rhodey” Rhodes/War Machine, Thomas Krestchmann as a Hydra leader in Baron Wolfgang von Strucker, Henry Goodman as Dr. List who was doing experiments on the Maximoff twins, Kerry Condon as the voice of Stark’s new AI protocol named F.R.I.D.A.Y., Julie Delpy as Romanoff’s Red Room headmistress Madame B. in a flashback, Hayley Atwell as Peggy Carter in Captain America’s dream sequence, Idris Elba as Thor’s friend Heimdall in a dream sequence, Andy Serkis as an arms dealer in Ulysses Klaue who provides Ultron some formulas he needed, and Claudia Kim as the geneticist Dr. Helen Cho who is a friend of Stark as she is also key to the thing that Ultron craves for and would be the catalyst to save the world.

Linda Cardellini is fantastic as Barton’s wife Laura as a woman who would provide the Avengers a safe house as well as be the person who can ground Barton and give him a reason to stay alive. Cobie Smulders is excellent as Maria Hill as a former S.H.I.E.L.D. agent who works for the Avengers in planning everything that is happening while being the one person she can bring Nick Fury in to help them. Samuel L. Jackson is brilliant as Nick Fury as the former leader of S.H.I.E.L.D. who tries to rally the Avengers to get their wind back after their huge defeat while revealing exactly more of what Ultron is trying to do. Aaron Taylor-Johnson is terrific as Pietro Maximoff as a man who can run very fast at impossible speed while Elizabeth Olsen is amazing as his twin sister Wanda as this young woman who is very dangerous with her telekinetic powers that can destroy anything in her path and having the power of mind control.

Paul Bettanny is superb in a dual role as Stark’s old AI companion J.A.R.V.I.S. and later the mysterious being known as Vision who is the key catalyst that could help the Avengers in the war against Ultron. James Spader is phenomenal as the voice of Ultron as an AI creation who sees Stark’s ideas for peace as something worse where he is filled with some dark humor as well as being someone that is dangerous in what he could unleash on the world. Chris Hemsworth and Chris Evans are marvelous in their respective roles as Thor and Steve Rogers/Captain America as two heroes who are both powerful but become vulnerable as the former copes with visions he had relating to his home planet as the latter deals with the idea of what could’ve been if he hadn’t been frozen for 75 years.

Robert Downey Jr. is astounding as Tony Stark/Iron Man as the billionaire/scientist who tries to do good in creating Ultron only to realize what went wrong as he tries to shield the blame on himself though is aware that he is at fault. Mark Ruffalo is tremendous as Dr. Bruce Banner/the Hulk who finds a balance in being himself and the Hulk until his encounter with Wanda has him succumb to fear and uncertainty. Jeremy Renner is great as Clint Barton/Hawkeye as the great sharpshooter who is the glue of the team as he would be the one to carry them as everyone becomes vulnerable while revealing another life he has that few know about. Finally, there’s Scarlett Johansson in a radiant performance as Natasha Romanoff/Black Widow as the skilled assassin who is also expressing feelings for Banner while becoming vulnerable by her own flashbacks where she copes with the fact that she too is a monster in some ways.

The Avengers: Age of Ultron is a sensational film from Joss Whedon. Featuring a great cast, an intriguing premise, compelling themes, and lots of exhilarating action and suspense. The film is definitely a blockbuster film that manages to be a lot of things but also provide some substance to have audiences talk about the ideas of war and peace. In the end, The Avengers: Age of Ultron is a spectacular film from Joss Whedon.

Joss Whedon Films: Serenity - Much Ado About Nothing (2012 film) - Justice League

Marvel Cinematic Universe: Infinity Saga: Phase One Films: Iron Man - The Incredible Hulk - Iron Man 2 - Thor - Captain America: The First Avenger - The Avengers

Marvel Phase Two Films: Iron Man 3 - Thor: The Dark World - Captain America: The Winter Soldier - Guardians of the Galaxy - Ant-Man

Marvel Phase Three Films: Captain America: Civil War - Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man & the Wasp - Captain Marvel - Avengers: Endgame - Captain Marvel - Spider-Man: Far from Home

Multiverse Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special

Phase Five: Ant-Man & the Wasp: Quantumania - Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)

Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)

Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World

© thevoid99 2016

The Immigrant (2013 film)

Directed by James Gray and written by Gray and Ric Menello, The Immigrant is the story of a Polish woman who travels to America with her sister as she works as a prostitute to free her quarantined sister while falling in love with a magician. Set in 1921, the film is an exploration into the world of Europeans coming to America as they try to capture that idea of the American dream. Starring Marion Cotillard, Joaquin Phoenix, Jeremy Renner, Angela Sarafyan, Dagmara Dominczyk, and Yelena Solovey. The Immigrant is an evocative yet powerful film from James Gray.

The idea of going to America from Europe definitely conjures up the idea of the American dream where one can go from a foreign country often troubled by war and poverty as going to America is a place to start over and succeed there. What this film does is play into that myth as a young woman from Poland arrives to Ellis Island with her sister who is ill with tuberculosis as Ewa (Marion Cotillard) endures some of the most harshest circumstances as well as the danger of being sent back to Poland until she gets help from a man named Bruno (Joaquin Phoenix) who gives her a place to live but with certain conditions as she reluctantly becomes a prostitute. Upon meeting Bruno’s magician cousin Emil (Jeremy Renner), she finds hope in Emil but endure Bruno’s jealousy as she tries to save enough money to help her quarantined sister.

The film’s screenplay by James Gray and Ric Menello doesn’t just explore the myth of the American dream but also what immigrants have to endure upon their arrival into America as it is set a few years after World War I. Ewa arrives with her sister Magda (Angela Sarafyan) as Ewa has been reported to be someone with low morals which prevents her from being part of the country immediately. Though she tries to get help from relatives, she is shunned over accusations of being a whore as she had no choice but to work under Bruno as a theater dancer and as a prostitute which has questioning about the decisions she’s making. At the same time, she knows she has to do something not just to survive but also to help out Magda who is unable to get into the country because of her illness as she’s stuck at Ellis Island.

While the character of Bruno isn’t a totally despicable person, he is someone who is willing to use Ewa for money as he is also the only person that can really help Ewa to get Magda out of Ellis Island. Ewa reluctantly trusts him yet she couldn’t believe the kind of things he makes her do as he would also threaten her. Upon meeting Emil during a show in Ellis Island and learning that he’s Bruno’s cousin, a complicated love triangle emerges as Ewa falls for the much kinder Emil who offers a chance to live a good life as well as getting her sister out as well. This would cause tension between Emil and Bruno while Ewa also has to endure prejudice and the other women working for Bruno who despises Ewa because of her morals. Through all the tribulations that Ewa goes through, she tries to appeal to God about what to do and wonder if she is doing anything right.

Gray’s direction definitely recalls a lot of the films made during the 1970s about the world of immigrants yet he brings in something that also feels timeless in the way he re-creates early 20th Century New York City. It’s a world that is starting to form its identity as well as be this strange mix of Europeans roaming around the country with actual New Yorkers. There’s a dreamlike quality to the look of the film with its sepia-drenched cinematography as well as Gray’s great attention to detail from the way the city looked and how he would shoot scenes such as some through a window or through a glass door. The use of the medium shots and close-ups add to Gray’s unique vision as well as use some wide shots to play into the look of the city.

Some of the moments in the film are very intimate such as the way Bruno instructs Ewa into becoming a reluctant prostitute where Gray keeps the camera close but not too close. The scenes involving Emil are quite lively as it has that element of mystique but also adds an ambiguity to what Emil is in comparison to Bruno as they sort of represent this duality of morality for Ewa. Especially in the third act where Ewa deals with own crisis in faith as some troubling actions would force Ewa to reach out towards those who would help her. This would play into Ewa not only reveal all of the trials and tribulations she had faced but also realize that being in America is just as complicated as anywhere else. Overall, Gray crafts a very engrossing yet intoxicating film about an immigrant arriving into America and discover that the American Dream is really a myth.

Cinematographer Darius Khondji does incredible work with the film‘s dream-like and enchanting cinematography that is awash with sepia-drenched images for much of the film‘s interiors including a few dashes of color in some scenes such as the church while the usage of blue for the exterior Ellis Island scenes are also beautiful as it‘s one of the film‘s major highlights. Editors John Axelrad and Kayla Emter do excellent work with the editing as it‘s mostly straightforward yet does have some elements of style as the cutting has this seamless feel to the way the transitions play out as well as some of the drama. Production designer Happy Massee, with set decorator David Schlesinger and art director Pete Zumba does brilliant work with the look of early 1920s New York City in its immigrant-based sections along with the look of the park bridges to play into a world that is starting to define itself.

Costume designer Patricia Norris does amazing work with the period costumes from the ordinary clothes that Ewa wears upon her arrival to the stylish clothes she and the other women wear for the stage performances and as prostitutes. Key makeup artist Rachel Geary does nice work with some of the makeup such as the makeup the women have to wear for the stage performances. Visual effects supervisors Eran Dinour and Dottie Starling do terrific work with some of the visual effects where it‘s mostly minimal such as the look of 1921 New York City from afar as well as some of the set dressing for some of the locations. Sound designer Robert Hein does superb work with the sound from the way some of the theater performances sound to the more intimate moments in the Ellis Island building and in some of the locations in the city. The film’s music by Chris Spelman is wonderful for its somber orchestral music to play with the drama while music supervisor Dana Sano creates a music soundtrack that mixes the jazz music of the times with some opera music by Giuseppe Verdi and a classical piece by John Tavener.

The casting by Douglas Aibel is fantastic as it features some notable small roles from Patrick Husted as a priest, Antoni Corone as the sympathetic customs officer Thomas McNally, Ilia Volok as Ewa and Magda’s uncle who feels shamed by Ewa, Maja Wampuszyc as Ewa and Magda’s more sympathetic aunt, and Yelena Solovey as the theater manager Rosie who invited Emil to come back to the stage. Dagmara Dominczyk is wonderful as one of Bruno’s hookers in Belva who dislikes Ewa as she would play a key role in the film’s third act. Angela Sarafyan is terrific as Ewa’s sister Magda as it’s a small yet crucial role as a young woman who becomes ill as she would be quarantined due to her illness.

Jeremy Renner is great as Emil as this magician who offers Ewa any help that she needs as he also falls for her as Renner brings a lot of charm and sensitivity to his performance while also proving to be tough. Joaquin Phoenix is remarkable as Bruno as this man who has all of the connections to get women to work for him and make money while he also has a dark obsession towards Ewa which would finally cloud his own judgment as he tries to deal with his own jealousy towards Emil. Finally, there’s Marion Cotillard in a phenomenal performance as Ewa as this woman struggling to survive in a new, cruel environment as she endures degradation and prejudice while trying to find good in the world as well as maintain her faith as it’s Cotillard at her best.

The Immigrant is an incredible film from James Gray. Thanks to the leading performances of Marion Cotillard, Joaquin Phoenix, and Jeremy Renner as well as Darius Khondji’s dazzling cinematography. The film is clearly a captivating story about the struggles that immigrants go through upon their arrival while dealing with the false myth of the American Dream. In the end, The Immigrant is a tremendous film from James Gray.

James Gray Films: Little Odessa - The Yards - We Own the Night - Two Lovers - The Lost City of Z - Ad Astra - The Auteurs #67: James Gray

© thevoid99 2014

American Hustle

Directed by David O. Russell and written by David O. Russell and Eric Warren Singer, American Hustle is about the ABSCAM operation of the late 70s where a FBI agent teams with a couple of con artists to nab corrupt politicians so that they wouldn’t go to jail. The film explores the world of corruption and scams where con artists do whatever it takes to make money with a FBI agent while dealing with other problems that would do undo them. Starring Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, and Jeremy Renner. American Hustle is a witty and engaging film from David O. Russell.

Though the film is based on a true story, the first thing presented in the film is stated that some of the events in this film is true which reveals that not everything in this story about ABSCAM is true. Still, it is an intriguing story in which two con-artist lovers who have been successful in embezzling money from other people until they’re caught by an ambitious FBI agent who asks them to take part in a con game to nab a New Jersey city mayor who wants to rebuild Atlantic City. The three go along with the scam to nab the mayor but things become complicated when relationships start to occur in a strange love-triangle while adding to the chaos is a con artist’s emotionally-unstable wife. It’s a film that is about the con game where two hustlers just try to do things carefully only to be involved with this FBI agent where the dealings involve the mob.

The film’s screenplay by David O. Russell and Eric Warren Singer explores not just the idea of scams and con games but also the individuals involved in the ABSCAM operation. Irving Rosenfeld (Christian Bale) is just a guy who lives his life as a con-artist as he just wants to live a good life despite being married to Rosalyn (Jennifer Lawrence) who is pretty crazy as the only reason Irving doesn’t leave her is because he cares for her son Danny (Sonny and Danny Corbo) whom he has adopted. Rosalyn is a unique character just like Irving as she may be this woman who likes to drink a lot and is quite crazy where she is a liability to everything Irving tries to do in secret. There is a lot more to her that even Irving would eventually realizes as she’s also a threat to Irving’s relationship with his con artist partner/lover Sydney Prosser (Amy Adams) who often goes into the guise as a British woman named Lady Edith Greensly.

Sydney is a woman who wasn’t initially involved in Irving’s schemes but realizes how fun it could be where they have an excellent life though she understands why he couldn’t leave Rosalyn which makes her uneasy. When Richie DiMasio (Bradley Cooper) nabs them and is attracted to Sydney in her Edith persona, he would have Irving to teach him the ropes in the art of scamming which Irving reluctantly does as he isn’t sure what Richie wants to do. Even Richie’s own superiors in the FBI are unsure of his plans to nab this New Jersey mayor in Carmine Polito (Jeremy Renner) who has been known as a man of the people. When Irving gets to know Carmine, a conflict begins to emerge in Irving over Richie’s operation where it would go too far as it involved politicians and the Mob that frightens Irving. Eventually, things do go out of control in the third act where much of the first half of the film is comical though things get a bit darker in the second act. Especially as Irving and Sydney realize the danger of what they’re doing and how far Richie is going as even Rosalyn becomes involved.

Russell’s direction is pretty lively in the way he plays into the world of the con game where he does infuse the film with a lot of humor but also a shadiness where the film might be a con itself. Still, Russell ensures that there is a story to tell where he spends much of the film’s first 20 minutes to reveal a lot about Irving and Sydney’s relationship and how the former got introduced to the con game. Much of it is sort of told in a montage where Russell does include a lot of voiceover narration as it’s told by Irving, Sydney, and Richie. With Russell using a lot of hidden cameras to play into some of the secrecy of Richie’s operations and the way these secret meetings are set-up. Russell also ensures that there’s some great attention to the way Sydney and Irving play their role in the background with Richie being the center of these schemes.

It’s not just the intimacy in Russell’s direction that is interesting in the way some of the drama occurs that includes a very chilling confrontation involving Rosalyn and Sydney. There’s also moments where Russell would infuse a lot of humor into the film that would includes Rosalyn’s antics as she is this unpredictable wildcard. There’s also humor in the way the men look as Richie has this perm, Carmine’s hair is also weird, and Irving is bald with this bad comb over that just adds to the ridiculousness of the film. Russell does get more dramatic in not just his framing but also in the way he plays into a lot of the emotions as well as a sense of disillusionment that starts to occur in the film. Even as it becomes clear that the actions of Irving and Sydney in their game is much smaller in what Richie wants who becomes far more corruptible in his ambitions. Overall, Russell crafts a very masterful yet entertaining film about scams and the ugliness of ambition.

Cinematographer Linus Sandgren does amazing work with the film‘s cinematography from the use of its lighting in much of the film‘s interior scenes such as the disco and clubs as well as going for a more naturalistic look for the daytime exterior scenes. Editors Jay Cassidy, Alan Baumgarten, and Crispin Struthers do fantastic work with the editing with its emphasis on style with its use of jump-cuts and montages to help play into the intensity of the story. Production designer Judy Becker, with set decorator Heather Loeffler and art director Jesse Rosenthal, does amazing work with the set pieces from the apartment that Sydney lives in to the house that Irving and Rosalyn live in as well as the look of the cars and such to play into that period of the late 1970s.

Costume designer Michael Wilkinson does fabulous work with the costumes from the leisure suits the men wear as well as the lavish dresses of the women including many of the stuff that Sydney wears which are very revealing. Makeup supervisor Trish Seeney does nice work with some of the makeup work for the look of the men as well as the many kind of hairstyles for those characters. Visual effects supervisor Sean Devereaux does terrific work with some of the minimal effects in some of the background scenes in New York City to play up to that period. Sound designer Jay Nierenberg and sound editor John Ross do superb work with the film‘s sound from the way the tapes are being recorded in the schemes as well as some of sounds of the parties the characters go to.

The film’s music by Danny Elfman is pretty good as it‘s mostly low-key with its emphasis on rock and jazz while music supervisor Susan Jacobs create a very wild soundtrack that includes music ranging from jazz, rock, disco, soul, and pop from artists like Duke Ellington, Jeff Lynne, America, Chicago, Steely Dan, Donna Summer, Tom Jones, Frank Sinatra, Todd Rundgren, Harold Melvin & the Blue Notes, the Temptations, Paul McCartney & Wings, David Bowie, Elton John, and the Bee Gees.

The casting by Lindsay Graham and Mary Vernieu is incredible for the ensemble that is created as it features some small yet noteworthy performances from Colleen Camp as the FBI wire transferee Brenda, Paul Herman as a mob attorney, Shea Whigham as an associate of Irving’s who tries to help make the deal between Irving and Carmine, Michael Pena as an agent who pretends to be Sheik Abdullah, Danny and Sonny Corbo as Irving and Rosalyn’s son Danny, Elisabeth Rohm as Carmine’s wife Dolly, Jack Huston as a mob enforcer Rosalyn falls for in Pete Musane, and Robert de Niro in a great cameo appearance as the mob leader Victor Tellegio.

Alessandro Nivola is excellent as FBI superior Anthony Amado who is intrigued by Richie’s ideas while becoming excited by what Richie is offering. Louis C.K. is superb as Richie’s boss Stoddard Thorsen who is unsure of Richie’s plans as he tries to tell Richie a moralistic story while dealing with the craziness that Richie is creating. Jeremy Renner is amazing as Carmine Polito as the mayor of Camden, New Jersey whose hopes to do good for the people of New Jersey has him lost in the scam he’s being targeted for as Renner displays a humility and heartbreak that he would deal with. Jennifer Lawrence is fantastic as Irving’s wife Rosalyn as this very unstable woman who is just wild and unpredictable yet proves to be almost as smart as Irving and Sydney as Lawrence is just a real scene-stealer.

Bradley Cooper is brilliant as Richie DiMaso as this ambitious FBI agent who hopes to nab the mob and corrupt politicians with this scam only to lose control of his operation as he falls for Sydney, in her Edith persona, as he also becomes a man lost in his ambitions. Amy Adams is phenomenal as Sydney Prosser as this very vivacious woman who wears scantily-clad clothing and sports a British accent as a British woman named Edith as she is someone who enjoys her lifestyle until she becomes aware of the danger of the scheme she’s in. Finally, there’s Christian Bale in a remarkable performance as Irving Rosenfeld as this very smart con artist who has no problem conning people as he finds himself taking a back seat to Richie’s plans while befriending Carmine as he starts to realize the severity of his actions and how troubling Richie’s scheme has become as it’s performance that has Bale put on extra weight but also a humility into a man who has conned himself into a corner.

American Hustle is a marvelous film from David O. Russell. Armed with an amazing ensemble cast and an intriguing look into the ABSCAM operation of the late 1970s. It’s a film that is fun but also compelling to explore the world of scams and how it can corrupt many while hurting those who tried to do good. Even as it explores some of the ugliness of ambition and the loss of identity in a con game. In the end, American Hustle is a sensational film from David O. Russell.

David O. Russell Films: Spanking the Monkey - Flirting with Disaster - Three Kings - I Heart Huckabees - The Fighter - Silver Linings Playbook - Accidental Love - Joy (2015 film) - The Auteurs #70: David O. Russell

© thevoid99 2013

The Assassination of Jesse James by the Coward Robert Ford

Originally Written and Posted at Epinions.com on 3/4/08 w/ Additional Edits.

Based on Ron Hansen's novel, the film is about Jesse James' final years as an outlaw while planning a new robbery with his gang. Part of his gang is a man named Robert Ford who would become his assassin. Adapted into script and directed by Andrew Dominik of Chopper fame, the film is an eerie, sensitive portrait of not just James but also Ford. Playing the two leading roles are Brad Pitt as Jesse James and Casey Affleck as Robert Ford. With a cast that includes Sam Shepard, Paul Schneider, Sam Rockwell, Mary-Louise Parker, Jeremy Renner, and Zooey Deschanel. The Assassination of Jesse James by the Coward Robert Ford is a harrowing yet enchanting film from Andrew Dominik and company.

It's September 1881 as Jesse James and his older brother Frank (Sam Shepard) are about to do another train heist which would be Frank's final heist. Joining them in the Missouri forest are Ed Miller (Garrett Dillahunt), Dick Liddil (Paul Schneider), Jesse's cousin Wood Hite (Jeremy Renner), Charley Ford (Sam Shepard), and his 19-year old little brother Robert. Robert is enamored by the presence of the James brothers as he grew up reading stories about Jesse as he idolized the outlaw. While the heist was a modest success, Frank seemed to have had enough as he's surrounded by young men and his relationship with Jesse has become temperamental. With Jesse hiding in Kansas City with his wife Zee (Mary Louise-Parker) and their children Mary (Brooklynn Proux) and Tim (Dustin Bollinger). Frank has now decided to depart not knowing it would be the last time he would see his younger brother.

With Charley and Wood sent to hide at the home of Martha Bolton (Alison Elliott), Robert was asked to stay to help Jesse with a few things before being sent to Martha's home where he meets with his older brother along with Wood and Dick. Dick and Wood leave to live with Wood's father (Tom Aldredge) and young wife Sarah (Kailin See) whom Dick seduces. One day, Ed gets a visit from Jesse about some rumors including the men who had been captured from the previous train heist. Meanwhile, tension between Hite and Liddil came ahead as Robert found himself involved. Following that confrontation, Jesse arrives as he has dinner with Wilbur Ford (Pat Healey), Martha, Charley, and Robert as Charley tells stories about Robert's childhood where Robert was taunted by Jesse. Then all of a sudden, Robert makes a move to reveal the whereabouts of Dick Liddil to Sheriff Timberlake (Ted Levine).

Robert Ford suddenly becomes a private investigator for Timberlake as he and Liddil have a private meeting with Governor Crittenden (James Carvell). With Charley now riding along with Jesse, talks about possible robberies where in the works as Robert joins Charley and Jesse. Things become filled with tension as if Robert is believing that Jesse is aware that he's going to die at age 34. Then on April 3, 1882, Robert Ford becomes famous as he kills Jesse James at his family home. A year later, Robert Ford is known to the world but to some, he's branded as a coward. With Charley regretting about his involvement, Robert Ford finds himself troubled with this name as coward. Ten years later in Colorado, he meets Dorothy Evans (Zooey Deschanel) as he tries to come to terms on what he had done as a man named Edward O'Kelly (Michael Copeman) hunts for him.

The story about Jesse James and his infamy is known to the world for his reckless killings of innocent people and robberies. While some might enjoy his infamy for the fact that he was a Southern who hated the politics of the time as well as rich people, he was a complex individual that some said was a modern-day Robin Hood. Yet, this film about Jesse James' final days reveal a much harrowing tale as a man who is aware that he knows that he's going to die but the question is, who will kill him? That answer comes in the form of a young man named Robert Ford. Here is a man who starts out as a young kid who worshiped the altar of Jesse James only until James' bullying and taunts get to him as he becomes this obsessed, laconic killer only to be called a coward as James' name lives on through infamy.

Andrew Dominik deserves credit for his eerie character study of the two individuals as well as the people who surround him. Jesse's elder brother Frank who seems tired of robberies as well as the young men that idolize Jesse. The members of Jesse's gang like Dick Liddil, Wood Hite, and Ed Miller who are trying to figure out Jesse's state of mind while Charley Ford is also part of that gang as he also watches Jesse's descent into madness and then seeing his brother become a public figure. The film is really a tale of madness and disintegration in the eyes of both an outlaw and his assassin. While his script unveils layers of characters and their paranoia around Jesse James, it's through his dream-like direction that is more startling.

The film's obvious influence is Terrence Malick, the brilliant yet reclusive filmmaker whose films often include naturalistic, epic images of nature, epic elliptical pacing, a narration, and poetic dialogue. Dominik clearly uses Malick's unique filmmaking style to tell this haunting story of Jesse James' final days and his encounter with Robert Ford. The film features a third-person narration by Hugh Ross that reveals part of Jesse James' state of mind in his final days and legends along with additional back story. While the narration might seem to act as spoiler of sorts, it lets the story flow easily as Dominik through his observant camera let the acting unfold. The film in a lot of ways looks and feels like a Malick film, notably his 1978 film Days of Heaven. Shot on location in Canada, the film doesn't look or feel like a Western since it's set in the American mid-west.

Dominik creates a crystalline portrait of James with very few colors and the camera sometimes being a bit blurry to convey the dream-like tone of the film. While audiences might seem to be put off by its slow pace, it is deliberate to tell its study of madness while being a film that is a revisionist western of sorts told dramatically. This is a film that clearly reveals that the western genre is starting to come back and engaging itself into new territory. The film's 160-minute running time might seem overwhelming but the result is a strong film. Yet, it should be noted that the film went through various running times and test screening meaning that Dominik didn't have final cut since it was produced by Ridley Scott and Brad Pitt. Still, the final cut of this film is superb without delving into pretentiousness as its dreamlike, laconic, haunting approach through Dominik's direction is truly one of the best films of 2007.

Cinematographer Roger Deakins creates an exquisite look to the film that isn't just similar to the wondrous, natural, dream-like cinematography of the late Nestor Almendros and Haskell Wexler in their work in Days of Heaven. The film also recalls the work of Vilmos Zsigmond for such films as Robert Altman's McCabe & Mrs. Miller and Michael Cimino's film Heaven's Gate. Deakins' look of the exteriors with shots of nature and skylines are jaw-droppingly beautiful. Even the scenes in the woods and snow are shot with amazing colors and shades to convey the different moods of Jesse James and later on, Robert Ford. The interior sequences, notably the train scene are wonderfully shot with intimacy swept with sepia-like colors and tones to help convey a dream-like look. If the film has a technical highlight that is worth noting, it's the cinematography of Roger Deakins.

Editors Dylan Tichenor, Curtiss Clayton, and Michael Kahn (who did additional editing following its test screening) is superb for its sense of transitional cuts, dissolves, fade-outs, and jump-cuts to convey the film's sense of action as well as living up to its elliptical, pacing style with its 160-minute running time. Art director Troy Sizemore and set decorator Janice Blackie-Goodine do an amazing job in creating the period look of the late 19th Century mid-west with its look of towns and homes to create an American, mid-western look and feel. Costume designer Patricia Norris, who was also the costume designer in Days of Heaven, does an exquisite job in the look of the cowboys and women in 19th Century period dresses that matches the film's dark, dream-like look with very little colors. Sound designers Christopher S. Aud and Richard King do a brilliant job in capturing the atmosphere of the landscapes and shootouts as well as the land to convey the mood of Jesse James.

Another of the film's amazing technical achievements goes to the film's haunting score by alt-rock icon Nick Cave and Warren Ellis of Cave's band the Bad Seeds. The music features chime-like themes to convey its dreamlike mood while using broken pianos and instruments to help play true to the period. The score is filled with sweeping arrangements as well as pieces of music that is haunting as Cave makes an appearance singing a traditional song about Jesse James. The music of Cave and Ellis is truly superb in capturing the mood of the film and its characters.

The casting by Mali Finn is superb as the various small roles from Sarah Lind as a girlfriend of Robert Ford, Jesse Freschette as Robert and Charley's young cousin Albert, Joel McNichol as a train messenger, Lauren Calvert as Martha's daughter Ida, and Michael Parks as Henry Craig. Other memorable small parts that include Brooklynn Proux and Dustin Bollinger as Jesse's two kids, Michael Copeman as a man hunting for Robert Ford, Tom Aldredge as Major Hite, Sarah Kailin as Major Hite's young wife, Ted Levine as Sheriff Timberlake, Pat Healey as Wilbur Ford, and an appearance from political analyst James Carvell as Governor Crittenden. While the parts of women don't seem to play any big roles for a film that's mainly about men. Allison Elliott, Zooey Deschanel, and Mary Louise-Parker do fill their roles with grace. Elliott as the maternal-like Martha Bolton, Zooey Deschanel as Robert Ford's girlfriend in his final years, and Mary Louise-Parker as Jesse James' wife Zee who doesn't care about Jesse's antics only until after his death.

Garrett Dillahunt is great as paranoid Ed Miller whose alliance with Liddil about going to another gang gets him in trouble as he fears for Jesse. Jeremy Renner is also great in his role as Jesse's cousin Wood Hite who begins a feud with Liddil following Liddil's encounter with Wood's stepmother. Paul Schneider is brilliant as the laconic, poetic Dick Liddil whose love for women and the world around him makes him a fascinating character who likes to seduce women while providing the catalyst for Ford's assassination of James. Sam Shepard is great as the grizzled, tired Frank James who seems to feel tired being around young men as well as Jesse's reckless behavior. The film's best supporting performance goes to Sam Rockwell as Charley Ford. Rockwell plays a man who joins Jesse's gang as he brings his younger brother along. Watching Jesse's state of mind go nuts while watching himself in paranoia believing he was killed. Rockwell's performance is superb as he plays the film's observer watching both James and his own brother disintegrate.

Brad Pitt is in fantastic form as Jesse James. Pitt's performance is very layered with a sense of recklessness, melancholia, and a troubling state of mind. Pitt carries a presence and charisma that is perfect for the character of Jesse James as he uses his smile and unpredictable mood swings to play a character as complex as Jesse James in what is clearly one of his best performances. While Pitt is in great form, he is not the best performance of the film that really goes to his co-star Casey Affleck as his assassin, Robert Ford. Affleck's wild-eyed performance is wonderfully layered as an innocent, childlike young man who idolizes James in ever way as brings an innocence to the role. When the character starts to develop, Affleck's performance becomes much darker and more subtle as he becomes this laconic figure who starts to resent his idol as he becomes his assassin. Affleck's performance is brilliant in every scene up to the last frame when he seems weathered and troubled. While Pitt may have top billing, it's Affleck who is really the film's star.

The Assassination of Jesse James by the Coward Robert Ford is an enchanting, eye-wielding, and stunning film from Andrew Dominik and company led by a great cast that includes Brad Pitt, Casey Affleck, Sam Shepard, Paul Schneider, Jeremy Renner, Mary-Louise Parker, Garrett Dillahunt, Zooey Deschanel, and Sam Rockwell. Fans of the western genre will no doubt be amazed by this dream-like interpretation of the outlaw Jesse James and his assassin Robert Ford. While some audiences might be put off by its dream-like approach and elliptical pacing, it's a film fans of bio-pics and the western genre might enjoy with additional commendation to cinematographer Roger Deakins and music composers Nick Cave and Warren Ellis. In the end, for a dream-like western that gives the genre a new twist, The Assassination of Jesse James by the Coward Robert Ford is the film to go see.

Andrew Dominik Films: Chopper - Killing Them Softly - One More Time with Feeling - This Much I Know to Be True - Blonde (2022 film)

© thevoid99 2012