Based on the Marvel comics series by Stan Lee and Jack Kirby, Avengers: Endgame is the sequel to 2018’s Avengers: Infinity War in which members of the Avengers, Guardians of the Galaxy, and several others band together to battle Thanos following the events of the previous film. Directed by Joe and Anthony Russo and screenplay by Christopher Markus and Stephen McFeely, the film follows the troubling aftermath that forces the Avengers and their allies including new ones to make sense of what happened and get revenge towards Thanos. Starring Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Brie Larson, Paul Rudd, Don Cheadle, Karen Gillan, Gwyneth Paltrow, Danai Gurira, Tessa Thompson, with the voice of Bradley Cooper, and Josh Brolin as Thanos. Avengers: Endgame is a grand and supremely epic film from Joe and Anthony Russo.
Following a battle against Thanos, remaining members of the Avengers and various allies deal with the troubling aftermath as they vow revenge and to find Thanos yet things become more complicated. It’s a film that does play into the fallacy of revenge but it’s more of a study of loss, failure, action, frustration, and the inability to change anything. Yet, there is also this story of hope and second chances as it relates to not just the six original members of the Avengers but also the allies who have survived. The film’s screenplay by Christopher Markus and Stephen McFeely opens with the whereabouts of Clint Barton/Hawkeye (Jeremy Renner) who had been absent in the Avengers’ conflict with Thanos as he gets a shocking glimpse into what Thanos had done. It would lead to an arc as someone consumed by grief and loss as he would become a rogue assassin until Natasha Romanoff/Black Widow (Scarlett Johansson) finds him and takes him home. Romanoff would also deal with the fallout of Thanos’ victory as she is trying to keep the peace with members of the Avengers who are still dealing with issues relating to past events as she sees this schism as a family coming apart.
Much of the film’s narrative takes place years after the defeat from Thanos where the members of the Avengers struggle to move on with Barton going rogue and Romanoff feeling lost during its first act. Bruce Banner/the Hulk (Mark Ruffalo) eventually finds peace in being both while Tony Stark/Iron Man (Robert Downey Jr.) and Steve Rogers/Captain America (Chris Evans) both living different lives. Thor (Chris Hemsworth) meanwhile would become a recluse troubled by his inability to save those he cared for as he is the most reluctant to re-join the Avengers following a re-appearance from Scott Lang/Ant-Man (Paul Rudd) who had been stuck in the quantum realm for five hours (quantum realm time) as he believes there is a way for the Avengers to undo what Thanos did. With the help of Lt. Colonel James “Rhodey” Rhodes/War Machine (Don Cheadle), Nebula (Karen Gillan) and Rocket (voice of Bradley Cooper), they would take this one chance to make things right as they would also revisit events from the past in key sequences during the second act. The third act does relate to Thanos and his mission from the previous film as well as why he felt the need to gather all six of these infinity stones as a way to bring balance to the universe by getting rid of half of its population. Due to the aftermath and the Avengers’ desire to undo all of that, Thanos would have a final confrontation with the Avengers realizing how stubborn they are in their refusal to accept defeat.
The direction of Joe and Anthony Russo is definitely gargantuan in the world that it sets though it starts off in a simple presentation with Barton teaching his daughter how to shoot a bow-and-arrow while his sons are playing catch and his wife Laura (Linda Cardellini) is preparing for the family picnic. It’s a moment that sets up the dark reality of what the Avengers are facing as its first act that would also involve Carol Danvers/Captain Marvel (Brie Larson) who is powerful enough to defeat Thanos by herself yet things become complicated as she along with Okoye (Danai Gurira) would briefly appear in the second act providing the Avengers news about the universe. Shot mainly in the Pinewood Atlanta Studios in Atlanta, the film is set in a grand universe though much of it is set on Earth in upstate New York at the Avengers compound as well as parts of the universe including a few other planets and the African country of Wakanda.
While it is a film with some heavy themes, the Russo brothers do know where to put moments of humor as it relate to Rocket and Banner traveling to Norway to meet with Thor as they would also meet Valkyrie (Tessa Thompson) who has managed to survive with some Asgardian refugees. Other moments of humor play into the mission during the film’s second act with some references to past stories but also somber moments as it relates to loss for Thor, Stark, and Rogers. The usage of wide and medium shots doesn’t just play into the locations but also in getting all of the characters in a single shot including the film’s climatic showdown. There are also close-ups that help play into the emotional reaction of the characters and a few funny moments such as an exchange between Rhodes and Nebula during a mission as it relates to a character. The Russos also know how to maintain that need of awareness in ensuring that the audience is aware of what is happening, where, and when as it play into the mission at hand during its second act.
The film’s third act have the Russos take a page from the epic cinema of the past as it relates to the climatic showdown between Thanos and the Avengers. Yet, to call it epic would understate what the Russos have done for this gargantuan battle sequence as it all relate to Thanos’ biggest fear. The stakes are big as it relates to not just the infinity stones but also preventing Thanos from using it all over again where everyone play a part as it would also include a moment of how much all of these people whether they have superpowers, gifts, or other things can matter. The ending is about sacrifice and what some will do to make the universe a better and safer place. They are people, aliens, or beings from different worlds and planets who care more about those who can’t fight or don’t have any kind of power but refuse to bow down to some monster. It would be followed by what is probably one of the most touching and heartfelt endings captured on film that would be fitting to these characters who have done so much to make the universe in what it is no matter how flawed or how stubborn they can be. Overall, the Russos craft a tremendous and exhilarating film about a bunch of superheroes going one more round with some evil supervillain.
Cinematographer Trent Opaloch does brilliant work with the film’s cinematography with its usage of lights and moods for the look of the film’s climatic battle scene as well as well as the exteriors in some of the planets as well as the interiors for scenes in the day and night. Editors Jeffrey Ford and Matthew Schmidt do excellent work with the editing as it help play into some of the film’s humor with some montage-style cuts as well as some rhythmic cuts to play into the suspense, action, and drama. Production designer Charles Wood, with set decorator Leslie Pope and supervising art director Ray Chan, does amazing work with the look of the Avengers compound as well as some of the sets that the Avengers go to in their big mission during its second act. Costume designer Judianna Mokovsky does fantastic work with the costumes in the suits that Avengers and Guardians wear as well as the quantum suits they would wear for the big mission.
Special makeup effects artists Carlton Coleman, Nancy Cummings, Tim J. Hays, Jonah Levy, Gaby Macias, Bart Mixon, Jon Moore, Christopher Allen Nelson, Taylor Schulte, and LuAndra Whitehurst, along with key hair stylist Michelle Diamantides do terrific work with the hairstyles of Romanoff, Danvers, and Thor including in some of the makeup that some of the characters would wear including Nebula. Special effects supervisor Daniel Sudick, along with visual effects supervisors Dan DeLeeuw, Philip Leonhardt, and Kelly Port, do incredible work with the visual effects from the look of Thanos and various characters to the aging of a few key characters from the past along with the look of some of the planets and places in the film. Sound designers David Farmer and Shannon Mills, with co-sound editor Daniel Laurie, do superb work with the sound in some of the sound effects that is created along with the sounds of objects and the atmosphere of certain locations including the array of sounds for the film’s climatic battle.
The film’s music by Alan Silvestri is marvelous for its bombastic orchestral score that is triumphant at times that include themes from previous films but also some low-key and somber themes that play into the drama and the sense of grief while music supervisor Dave Jordan creates a wonderful soundtrack that features a different array of music from the Rolling Stones, Traffic, Redbone, the Kinks, and Harry James with Kitty Kallen along with previously used score pieces from Richard Sherman, Michael Giacchino, Pinar Toprak, and Christophe Beck.
The casting by Sarah Finn is great as it feature some notable cameo appearances from Robert Redford as Alexander Pierce, Marisa Tomei as May Parker, Jacob Batalon as Ned, Angela Bassett as Queen Mother Ramonda of Wakanda, Cobie Smulders as Maria Hill, James D’Arcy as Edwin Jarvis, Hayley Atwell as Peggy Carter, John Slattery as Howard Stark, Rene Russo as Frigga, Taika Waititi as Korg, Maximiliano Hernandez as Jasper Sitwell, Frank Grillo as Brock Rumlow, Tilda Swinton as the Ancient One, Tom Hiddleston as Loki, Linda Cardellini as Laura Barton, Natalie Portman as Jane Foster, William Hurt as Thaddeus Ross, Ross Marquand as Red Skull, Kerry Condon as the voice of F.R.I.D.A.Y., Michael Douglas as Dr. Hank Pym, Michelle Pfeiffer as Janet van Dyne, Jon Favreau as Happy Hogan, Terry Notary as Black Order member Cull Obsidian, Tom Vaughn-Lawlor as Ebony Maw, Michael James Shaw as Corvus Glade, Monique Ganderton as Proxima Midnight, and Samuel L. Jackson as Nick Fury.
Other notable small roles include Emma Fuhrmann as the older Cassie Lang, Alexandra Rachael Rabe as a young girl named Morgan, Hiroyuki Sanada as Yakuza boss Barton is tailing after, Ken Jeong as a storage facility guard, Yvette Nicole Brown as a S.H.I.E.L.D. agent, director Joe Russo as a grieving man at a group meeting, and Stan Lee in one of his final film cameos as a man in the 1970s. The voice of Vin Diesel, Dave Bautista, Chris Pratt, Pom Klementieff, and Zoe Saldana are terrific in their respective roles as Guardians of the Galaxy members Groot, Drax the Destroyer, Peter Quill/Starlord, Mantis, and Gamora while Chadwick Boseman, Letitia Wright, and Winston Duke are superb in their respective roles as King T’Challa of Wakanda/Black Panther, Princess Shuri of Wakanda, and M’Baku. Anthony Mackie, Sebastian Stan, Elizabeth Olsen, Evangeline Lily, Benedict Cumberbatch, Benedict Wong, and Tom Holland are fantastic in their respective roles as Sam Wilson/Falcon, Bucky Barnes/the Winter Soldier, Wanda Maximoff/Scarlet Witch, Hope van Dyne/Wasp, Dr. Steven Strange, Wong, and Peter Parker/Spider-Man as they all play a key role for the film’s climax.
Gwyneth Paltrow and Tessa Thompson are wonderful in their respective roles as Pepper Potts and Valkyrie with the former nursing Stark back to health and the latter watching over the remaining Asgardian refugees in Norway as both of them would play key roles in the final battle. Danai Gurira and Brie Larson are excellent in their respective roles as Okoye and Carol Danvers/Captain Marvel with the former as a Wakandan royal guard who is watching over the state of planet Earth and the latter as the powerful warrior who had been fighting in the galaxy as she would help the Avengers find Thanos as they would also take part in the final battle. Don Cheadle, the voice of Bradley Cooper, Karen Gillan, and Paul Rudd are brilliant in their respective roles as Lt. Colonel James “Rhodey” Rhodes, Rocket Raccoon, the android Nebula, and Scott Lang/Ant-Man as allies who suffered major losses as they also want to make things right with Lang providing a key idea that could help everyone while Nebula deals with her own relationship with Thanos as well as other troubling aspects that she believes would cause trouble. Josh Brolin is incredible as Thanos as the alien despot whose quest to find the six infinity stones has him believing he’s succeeded only to later realize that his mission to defeat the Avengers is far from finished forcing himself to get back in the fight.
Scarlett Johansson and Jeremy Renner are marvelous in their respective roles as the super-assassins Natasha Romanoff/Black Widow and Clint Barton/Hawkeye as two gifted mercenaries who both deal with loss as Johansson cope with the aftermath of war as she tries to get everyone together while Renner displays the mad grief and loss that Barton endures as someone who had everything only to lose it in the worst way. Mark Ruffalo and Chris Hemsworth are remarkable in their respective roles as Bruce Banner/the Hulk and Thor with the former as the scientist who becomes a monster when he’s angry as he finds a balance between the two as he tries to figure things out while the latter is a fragile Nordic god who believes he’s failed as he is afraid to fail again only for the Avengers to help him regain his confidence. Finally, there’s Chris Evans and Robert Downey Jr. in great performance in their respective roles as Steve Rogers/Captain America and Tony Stark/Iron Man as the two leaders of the Avengers who both endure an uneasy reunion only to later put aside their issues and fight with the former as a man letting go of his ideals and the latter trying to make peace with his own faults.
Avengers: Endgame is an outstanding film from Joe and Anthony Russo. Featuring a great ensemble cast, dazzling visual effects, an engrossing story of loss and redemption, gorgeous visuals, offbeat tones, and a bombastic music score. It’s a film that isn’t just this grand epic superhero film that does everything it needed to do but a true cinematic event that is willing to explore humanistic themes as well as those who are willing to fight for the helpless whether it’s on planet Earth or any other planet in the universe. In the end, Avengers: Endgame is a magnificent film from Joe and Anthony Russo.
Marvel Cinematic Universe: Infinity Saga: Phase One: Iron Man - The Incredible Hulk - Iron Man 2 - Thor - Captain America: The First Avenger - The Avengers
Phase Two: Iron Man 3 - Thor: The Dark World - Captain America: The Winter Soldier - Guardians of the Galaxy - The Avengers: Age of Ultron - Ant-Man
Phase Three: Captain America: Civil War - Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man and the Wasp - Captain Marvel - Spider-Man: Far from Home
Post-Infinity Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special
Phase Five: Ant-Man & the Wasp: Quantumania -Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)
Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)
Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World
© thevoid99 2019
Based on the comic character by Jack Kirby and Joe Simon and the comic series storyline by Mark Millar and Steve McNiven, Captain America: Civil War is the story where a major international incident involving the Avengers forces the team to confront their actions where Captain America and Iron Man diverge over ideals only to go into a conflict with several other members of the team taking sides. Directed by Joe and Anthony Russo and screenplay by Christopher Markus and Stephen McFeely, the film explores not just the idea of duty but also the aftermath of actions where both Captain America and Iron Man don’t see eye-to-eye where the former is forced to protect an old friend an incident that left people dead. Starring Chris Evans, Robert Downey Jr., Scarlett Johansson, Paul Rudd, Jeremy Renner, Don Cheadle, Sebastian Stan, Elizabeth Olsen, Paul Bettany, Anthony Mackie, Chadwick Boseman, Tom Holland, Emily Van Camp, Daniel Bruhl, and William Hurt as Thaddeus Ross. Captain America: Civil War is a thrilling yet provocative film from Joe and Anthony Russo.
What happens when a group of superheroes are forced to make a decision where they have to answer to the United Nations in order to protect the world from evil forces while not all of them want to answer to anyone? That is pretty much what the film is about where an incident that unfortunately left innocent people killed forces the Avengers to make a decision through an accord created by the United Nations. The guilt-ridden Tony Stark/Iron Man (Robert Downey Jr.) says yes to the accords feeling that the whole team needs to be in check and answer for their own faults. Steve Rogers/Captain America (Chris Evans) doesn’t want to sign as he isn’t sure about answering to any kind of authority preferring to trust his own judgment. The two would diverge further following an international incident in which Rogers’ old friend Bucky Barnes/The Winter Soldier (Sebastian Stan) a major suspect as everyone is unaware that a terrorist in Helmut Zemo (Daniel Bruhl) is trying to tear the team apart.
The film’s screenplay doesn’t just explore the subject matter of whether or not anyone should answer to the authorities in order to do their jobs but also into the mindset of the team. Colonel James “Rhodey” Rhodes/War Machine (Don Cheadle) and Sam Wilson/Falcon both know where they stand on the issue while Vision (Paul Bettany) also would make a decision as he tries to understand everything this accord is all about. Yet, there are those like Natasha Romanoff/Black Widow (Scarlett Johansson), Clint Barton/Hawkeye (Jeremy Renner), and Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) who do take sides but don’t want to split the team or cause any harm. Especially Maximoff who feels guilty for causing an accident that killed innocent people while Romanoff understands what Stark is saying but doesn’t want to go against Rogers who she’s become very close to. Once the team begin to diverge more where Prince T’Challa of Wakanda/Black Panther (Chadwick Boseman) wants to go after the Winter Soldier thinking he is involved as he, along with Rhodes, Romanoff, and Vision, would join Stark.
The script does have a structure as it relates to the events that would tear the Avengers apart where the second half would force both Stark and Rogers to turn to a few outsiders where the former would bring in Peter Parker/Spider-Man (Tom Holland) and the latter would get Scott Lang/Ant-Man (Paul Rudd) as it would lead to a showdown between the two factions. Yet, neither of them want to kill each other as they all want to do what is right though only a few would later realize what is really going on. The film’s third act is about Zemo and his motivations for tearing the Avengers apart but also make some startling revelations that wouldn’t just create a further schism between Stark and Rogers. It would be a moment that prove that, despite their intentions to do good, neither man have any clue on what is right for the world.
Joe and Anthony Russo’s direction is quite vast as it plays into a world that is quite chaotic yet there are those that want to do what is right. Yet, there’s a lot of post-9/11 imagery that looms into the film where the Avengers are forced to see that they unfortunately left people to die. While much of the film is shot in and around Atlanta and its Pinewood Studios with a few of it shot in Germany, Brazil, and Puerto Rico. It does have this feel of a world that is on the verge of change where safety is the main concern but who will be the ones to protect the people? The usage of wide and medium shots to play into locations as well as these meetings that occur as well as a scene where Rogers learn who Sharon Carter/Agent 13 (Emily Van Camp) really is and who she is related to. Even the close-ups add a lot to some of the dramatic moments as it says a lot of where the characters stand but also that not everything is black-and-white.
The action scenes are quite big and do have this air of spectacle as it relates to some of the powers that Ant-Man and Spider-Man would have as well as the intensity of the fighting. Even as they have this mix of humor from the two where it’s the latter that really shines as the character is someone that Rogers and other members in the team have a hard time disliking. The mixture of humor and action do help keep things entertaining while the Russos know when to give the action a break where there moments of exposition into what is going on. Yet, it doesn’t deter from the heart of the story as it relates to the conflict between Stark and Rogers where the two would have a showdown where they don’t just reveal what Zemo is doing but how he would tear them apart as it would also relate to Barnes and his work for Hydra. Overall, Joe and Anthony Russo create a sensational and compelling film about superheroes fighting each other over responsibility and who they should answer to.
Cinematographer Trent Opaloch does excellent work with the film‘s cinematography to play into the look of the many locations as they feel vibrant and colorful while some of the interiors including the ones set at a secret base and in Siberia are quite eerie in their look. Editors Jeffrey Ford and Matthew Schmidt do nice work with the editing as it is straightforward in the dramatic and light-hearted moments while doing some stylish fast-cutting in some of the action while actually making sense of what is going on. Production designer Owen Paterson, with set decorator Ronald R. Reiss and supervising art director Greg Berry, does amazing work with the set from the look of the Avengers home base to the look of the international buildings including the council meeting and a secret base that appears in the film‘s third act. Costume designer Judianna Makovsky does terrific work with the costumes in the way some of the casual clothes the Avengers wear as well as the suit of Black Panther and a more vibrant suit of Spider-Man.
Special makeup effects artists Andre Freitas and Bart Mixon do brilliant work with the look of Vision but also an old nemesis Rogers would confront early in the film. Visual effects supervisors Huseyin Caner, Dan Deleeuw, and Ray Giarratana do fantastic work with the visual effects in the way the action scenes are presented as well as the look of a young Stark during his presentation at MIT early in the film. Sound designers Nia Hansen, David C. Hughes, and Shannon Mills, with co-sound editor Daniel Laurie, do superb work with the sound effects as well as the sounds of explosions and such to capture the element of terror and chaos that looms throughout the film. The film’s music by Henry Jackman is wonderful for its bombastic score that plays into much of the action and drama as its usage of strings and woodwinds also add a lot to its suspense while music supervisor Dave Jordan provides a decent soundtrack that features bits of contemporary and old music from Rogers’ past.
The casting by Sarah Finn is incredible as it features some notable small roles from John Slattery and Hope Davis in their respective roles as Stark’s parents in Howard and Maria Stark, Kerry Condon as the voice of Stark’s A.I. program F.R.I.D.A.Y., Alfre Woodward as a woman who confronts Stark over Sokovia where her son was killed, Jim Rash as a MIT spokesman, John Kani as T’Challa’s father King T’Chaka of Wakanda, Martin Freeman as a government official in Everett K. Ross who tries to make sure the Avengers are in control, Frank Grillo as an old nemesis in Brock Runlow/Crossbones who tries to stage a theft in Africa where he battles Rogers, and Marisa Tomei in a fantastic performance as Parker’s aunt May who is kept in the dark about what her nephew is doing as she is met by Stark unaware of what is going on. Daniel Bruhl is superb as Helmut Zemo as this terrorist who has a big reason for unleashing havoc as well as trying to tear the Avengers apart.
William Hurt is excellent as Thaddeus Ross as the Secretary of State who is tasked with getting the Avengers to be in check for their actions as he tries to instill some authority that makes nearly everyone uncomfortable. Don Cheadle and Anthony Mackie are brilliant in their respective roles as Rhodey/War Machine and Sam Wilson/Falcon as two heroes who are both in different sides with Col. Rhodes being in agreement with the accords and Wilson on the opposite as he also has to contend with Bucky over Rogers’ allegiance in a funny manner. Emily Van Camp is wonderful as Sharon Carter as a former S.H.I.E.L.D. agent who works for the CIA as she tries to help Rogers find Barnes while providing an emotional connection as it relates to a person in Rogers’ past. Paul Bettany is terrific as Vision who tries to understand what the accord is about as he would participate in aiding Stark while trying to come to terms with the ideas of humanity as well as the fact that there are consequences.
Elizabeth Olsen is amazing as Wanda Maximoff/Scarlet Witch as a young woman with telekinetic powers who copes with an incident where she accidentally killed people as she also deal with the idea of authority where she sides with Rogers. Paul Rudd is hilarious as Scott Lang/Ant-Man who is asked by Rogers to aid them where he provides some very funny and exciting moments in the battle while Jeremy Renner is great as Clint Barton/Hawkeye who helps Rogers in the conflict as well as provide some funny banter of his own. Chadwick Boseman is marvelous as T’Challa/Black Panther as a prince who goes after Barnes over an incident as he sports a suit with cool nails as he proves to be a formidable warrior that can kick some ass. Scarlett Johansson is remarkable as Natasha Romanoff/Black Widow as an assassin who is conflicted in her allegiance with Stark as she also understand what Rogers is feeling as she also realizes that not everything Stark wants to do is honorable.
Tom Holland is phenomenal as Peter Parker/Spider-Man as he’s just this regular teenager who is smart that is asked by Stark to help him where Holland exudes not just a lot of personality but also humor into his role as he is just a lot of fun to watch. Sebastian Stan is sensational as Bucky Barnes/The Winter Soldier as Rogers’ old friend who copes with who he really is as well as knowing what could make him into this deadly assassin that couldn’t stop where he also is aware that is a target for something he didn’t do. Robert Downey Jr. is tremendous as Tony Stark/Iron Man as a man who is dealing with guilt and other issues who agrees to the accords while trying to stop Rogers and capture Barnes where revelations about Barnes would consume him. Finally, there’s Chris Evans in a spectacular performance as Steve Rogers/Captain America as a man who opposes the accords due to his distrust towards governments where he also copes with loss and responsibility where he also tries to protect his friend not fully aware of what Barnes had done forcing him to see the faults in himself.
Captain America: Civil War is a sensational film from Joe and Anthony Russo. Thanks in part to its large ensemble cast, compelling themes of regulations and responsibility, vast set pieces, and killer action. It’s a blockbuster film that manages to be a lot of things and more where it is entertaining as well as being very smart and provoke some discussions towards its audience without being heavy-handed. In the end, Captain America: Civil War is a phenomenal film from Joe and Anthony Russo.
Marvel Cinematic Universe: Infinity Saga: Phase One Films: Iron Man - The Incredible Hulk - Iron Man 2 - Thor - Captain America: The First Avenger - The Avengers
Marvel Phase Two Films: Iron Man 3 - Thor: The Dark World - Captain America: The Winter Soldier - Guardians of the Galaxy - The Avengers: Age of Ultron - Ant-Man
Marvel Phase Three Films: Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man & the Wasp - Captain Marvel - Avengers: Endgame - Captain Marvel - Spider-Man: Far from Home
Multiverse Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special
Phase Five: Ant-Man & the Wasp: Quantumania - Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)
Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)
Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World
© thevoid99 2016
Directed by Brian De Palma and screenplay by Jim Thomas, John Thomas, and Graham Yost from a story by Jim Thomas, John Thomas, and Lowell Cannon, Mission to Mars is the story of a group of astronauts who go on a rescue mission to Mars following a previous mission where things went wrong with one of their friends being its lone survivor. The film is a simple yet grand story about a rescue mission set in outer space where astronauts discovery the mysteries of the universe and this planet called Mars. Starring Gary Sinise, Don Cheadle, Connie Nielsen, Jerry O’Connell, Armin Mueller-Stahl, Kim Delaney, and Tim Robbins. Mission to Mars is an interesting but very lackluster film from Brian De Palma.
The film revolves around a rescue mission during an expedition on Mars where another group of astronauts make a huge discovery only for things go wrong leaving only one survivor and his friends doing the rescue mission. Along the way, many things go wrong as they all try to ponder what is going on in this planet of Mars as well as this mysterious thing in the planet. It’s a film that has a unique concept but there’s a lot of these aspects of sci-fi mumbo-jumbo and existentialist themes that really lose sight into the main story where it has no idea what it wants to be. The film’s script does do some fine work in establishing the characters and situations but try to do so much to make it so much more where it ends being very messy as well as feature some very idiotic dialogue. When the third act comes in for the reveal of what is inside this mountain that is shaped like a face. It is one of these reveals that is like “huh?”
Brian De Palma’s direction is quite stylish in not just the usage of tracking shots and scenes that are shot in zero gravity but also in the fact that creates a setting that does feel futuristic but not too futuristic. The setting of outer space with its space stations and space shuttles are very unique and does have De Palma take great stock into the images and everything. For the scenes set on Mars, much of it was shot in Jordan with some scenes shot in Vancouver and at the Canary Islands to create a world that feels vast and everything where De Palma does great usage of the wide shots. Despite some of these stylish moments and compositions, De Palma is unable to rise above many of the script’s shortcomings while the vortex sequence is quite silly in the way an astronaut is killed off. By the time the film reaches its climax into this mysterious thing in the planet and what it reveals, it ends being this very odd moment that is confusing where it wants the audience to believe in all of these things but it doesn’t anything rational or logical to back it up. Overall, De Palma creates a very messy and underwhelming film about a rescue/existential expedition on Mars.
Cinematographer Stephen H. Burum does excellent work with the film‘s cinematography with its usage of filters for much of the film‘s exterior settings set on Mars as well as some unique lighting for the interiors of the ships. Editor Paul Hirsch does nice work with the editing as it helps play into the moments of suspense and drama as well as some bits of humor with its dissolves. Production designer Ed Verreaux, with art directors Andrew Neskoromny and Thomas Valentine and set decorator Lin MacDonald, does amazing work with the look of the space stations, its shuttles, and other vehicles used for the expeditions including some of its interiors. Costume designer Sanja Milkovic Hays does terrific work with the costumes from the look of the astronaut suits as well as the clothes they wear under the suits.
Visual effects supervisors John Knoll and Hoyt Yeatman does some fantastic work with some of the visual effects in the way Mars and the space stations looked though some of the sequences such as the vortex and what is revealed in the climax come off as very cheesy. Sound editors Lon Bender and Maurice Schell do superb work with some of the sound work in the film from the way some of the events that happen on Mars sound as well as the scenes set in space. The film’s music by Ennio Morricone is phenomenal as it’s one of the film’s highlights for its orchestral-based score that is filled with sweeping string arrangements as well as low-key pieces as it is a major highlight of the film.
The casting by Denise Chamian is wonderful as it features some notable small roles from Robert Bailey Jr. as Luke’s son Bobby, Elise Neal as Luke’s wife Debra, as members of Luke’s crew in the Mars expedition in Jill Teed, Peter Outerbridge, and Kavan Smith, Kim Delaney in a small role as Jim’s late wife Maggie who wrote many ideas into the Mars expedition before her death, and Armin Mueller-Stahl as the Mars expedition leader Ramier Beck who ponders about the rescue mission and how it must not fail. Jerry O’Connell is alright as Phil Ohlmyer as an astronaut who is part of the rescue mission as he is a comic relief of sorts but not given much to do. Tim Robbins is superb as the rescue mission leader Woody Blake who knows what to do as well as realize the severity of the mission where things go wrong forcing him to make some drastic decisions.
Connie Nielsen is brilliant as Woody’s wife and astronaut Terri Fisher who is part of the rescue mission as well as be someone that is capable of getting things done. Don Cheadle is amazing as Luke Graham as the astronaut who is among the first to go to Mars until something goes wrong in a discovery where he copes with being its sole survivor and later being rescued where he feels that he needs to discover what he and his crew had seen. Finally, there’s Gary Sinise in an excellent performance as Jim McConnell as a widowed astronaut who works as a consultant until he is asked to take part despite his emotional baggage where he deals with the mission at hand as well as what is out there.
Mission to Mars is a very disappointing film from Brian De Palma. Despite its cast, some cool visual effects, and a mesmerizing score by Ennio Morricone, the film is just a sci-fi film that wants to be a lot of things only to end up being very lightweight in its ambitions. In the end, Mission to Mars is just a terrible film from Brian De Palma.
Brian De Palma Films: (Murder a la Mod) - (Greetings) - (The Wedding Party) - (Dionysus in ‘69) - (Hi, Mom!) - (Get to Know Your Rabbit) - Sisters - Phantom of the Paradise - Obsession - Carrie - The Fury - (Home Movies) - Dressed to Kill - Blow Out - Scarface - Body Double - (Wise Guys) - The Untouchables - Casualties of War - The Bonfire of the Vanities - Raising Cain - Carlito’s Way - Mission: Impossible - Snake Eyes - Femme Fatale - The Black Dahlia - (Redacted) - Passion (2012 film) - (Domino (2018 film))
© thevoid99 2016
Directed by Steven Soderbergh and written by Brian Koppelman and David Levien, Ocean’s Thirteen is the third and final film of the Ocean’s trilogy as Danny Ocean and his team decide to ruin a new casino and its owner in an act of revenge when one of Ocean’s friends gets conned out of his dream and nearly dies of a heart attack. The film is a heist film but also a comedy in which Danny Ocean and his gang return to Las Vegas and make sure a businessman’s premiere night is ruined as they seek the help from an unlikely person. Starring George Clooney, Brad Pitt, Matt Damon, Don Cheadle, Bernie Mac, Eddie Jemison, Casey Affleck, Scott Caan, Shaobo Qin, Carl Reiner, Elliot Gould, Andy Garcia, Eddie Izzard, Vincent Cassell, David Paymer, Ellen Barkin, and Al Pacino as Willy Bank. Ocean’s Thirteen is an exhilarating and fun film from Steven Soderbergh.
The film is a revenge tale of sorts when Willy Bank cheats Reuben Tishkoff (Elliot Gould) out of his partnership of a casino that leads to Reuben suffering a near-fatal heart attack forcing Danny Ocean (George Clooney) and the rest of the gang to seek vengeance on Bank and ruin his new casino. While it is a simple premise of a revenge/heist film, it’s also a film about brotherhood and loyalty where Ocean and the gang help out one of their own while getting help from an ally of theirs from the past as well as a foe in Terry Benedict (Andy Garcia) who also despises Bank and wants the gang to steal some prestigious diamonds that Bank has won. Along the way, the gang that is expanded to thirteen do whatever it takes to ruin the opening night of Bank’s casino and make sure that Reuben gets the chance to be happy again.
The film’s screenplay by Brian Koppelman and David Levien does have a very unique structure where the first half is about Reuben’s heart attack and the gang wanting to get back at Bank for what he did as well as plan the heist and to make sure that Bank loses more than half a billion dollars on opening night. Yet, the stakes are much bigger as the casino known as the Bank gives the gang even bigger challenges as they seek the help of friend Roman Nagel (Eddie Izzard) who learns that his old roommate in Greco Montgomery (Julian Sands) has created an artificial intelligence system that can scope out anyone to see if anything they did in the casino is illegal as the only way to disable it temporarily would be through a natural disaster.
The film’s second half is set on opening night where it’s about the scheme where Linus Caldwell (Matt Damon), who poses as an assistant for Yen (Shaobo Quin) who plays a real estate billionaire, would seduce Bank’s assistant Abigail Sponder (Ellen Barkin). Yet, a lot more chaos happens as Virgil and Turk Malloy (Casey Affleck and Scott Caan, respectively) take part in a protest for Mexican workers that would be successful in the scheme while Benedict’s involvement isn’t just funding the gang when they needed money to create a natural disaster. Benedict has a bigger grudge towards Bank who had always prevented him from winning the prestigious Five Diamonds Award as Saul Bloom (Carl Reiner) would pose as a critic of that award while the real critic (David Paymer) would endure the most humiliating moments of his life.
Steven Soderbergh’s direction is very stylish as well as lavish for the way he presents the world of casinos including the one that Bank wants to create as it displays his very egotistical personality. Much of it involves some massive wide shots and some second unit work as the look of the casino from the exterior displays how crazy Bank is as a person in making sure that his casino is the best. Soderbergh adds in a lot of humor not just in the schemes that Danny Ocean and the gang creates but also in how the way the react to certain things and such as Danny becomes sentimental when watching Oprah Winfrey. There’s also a sense of nostalgia in Danny and Rusty (Brad Pitt) who look at what Las Vegas has become as they think about how much Reuben was there for them as they think of him as a father and friend.
In his Peter Andrews alias, Soderbergh’s photography has a lushness in many of its interiors for the scenes at Bank’s casino with its red and yellow while Soderbergh infuses it with a lot of stylish shots to play into that look. Even as the exteriors in Las Vegas and Los Angeles maintains that sense of beauty that is the American West Coat. Still, Soderbergh makes sure that the film is about more than just payback and ruining one man’s life as it’s a film about friendship and honor. Overall, Soderbergh crafts a very enjoyable film about a gang rallying for an ailing friend and go after the man who hurt their friend.
Editor Stephen Mirrone does brilliant work with the editing with its use of montages and stylish cuts to play into the sense of craziness and planning that goes on as well as the humor in the film. Production designer Philip Messina, with set decorator Kristen Toscano Messina and supervising art director Doug J. Meerdink, does fantastic work with the look of the casino from its posh interior setting to the home where Reuben lives. Costume designer Louise Frogley does amazing work with the costumes from the dresses that Sponder wears as well as the clothes that the men wear.
Visual effects supervisor Thomas J. Smith does terrific work with some of the film‘s minimal visual effects such as the cologne that Linus uses to woo Sponder. Sound editor Larry Blake does superb work with the sound from the sound effects in the casino to the way some of the machines sound. The film’s music by David Holmes is excellent for its mixture of jazz and upbeat electronic music while he also supervises the soundtrack to include some jazz classics including songs by Frank Sinatra.
The casting by Debra Zane is great as it features appearances from producer Jerry Weintraub as a friend of the gang, Oprah Winfrey as herself, Bob Einstein as a FBI agent, Noureen DeWulf as a casino expo girl, Olga Sosnovska as the casino manager Rusty bribes, Julian Sands as the artificial intelligence game designer Greco Montgomery, and David Paymer as the unfortunate Five Diamonds Award critic who endures the worst conditions in his stay at Bank’s casino. Vincent Cassel is terrific in reprising his role as Francois Toulour from the second film as he seeks revenge on the gang while Ellen Barkin is wonderful as the very sexy and cunning Abigail Sponder who aids Bank in ensuring that things go well only to become seduced by Linus in his character. Al Pacino is excellent as Willy Bank as this very slimy casino owner who cheats Reuben out of his dream and dismisses Danny’s plea as he is a man full of ego and vanity as it’s a role that Pacino is perfect in.
Eddie Izzard is fantastic as the tech genius Roman Nagle who joins the gang as he also has a grudge towards Greco as he wants to get a nice share and help the gang. Andy Garcia is brilliant as longtime foe Terry Benedict who helps the gang in humiliating Bank while having a few tricks in his sleeve as he wants something in return for helping them. Eddie Jemison, Shaobo Qin, Carl Reiner, Casey Affleck, and Scott Caan are amazing in their respective roles as Livingston Dell, Yen, Saul, Virgil, and Turk as they all contribute some humor to the film while Bernie Mac is superb in his role as Frank Catton as it’s one of his final performances.
Elliot Gould is incredible as Reuben Tishkoff as a man who just wants to get his chance to run a casino as he nearly dies while seeing what his friends are doing for him. Matt Damon and Brad Pitt are hilarious in their respective roles as Linus Caldwell and Rusty Ryan where they both put on disguises and do some funny things. Don Cheadle is also hilarious as Basher who would pretend to be a stuntman to distract Bank while George Clooney is marvelous as Danny Ocean who leads the team into targeting Bank and make his night a living hell.
Ocean’s Thirteen is a phenomenal film from Steven Soderbergh. Armed with a great cast and an engaging premise, it’s a film that definitely serves as a fitting finale to the trilogy. Especially as it’s a film that just promises fun and excitement with characters audiences want to root for. In the end, Ocean’s Thirteen is a dazzling film from Steven Soderbergh.
Steven Soderbergh Films: sex, lies, & videotape - Kafka - King of the Hill - The Underneath - Gray's Anatomy - Schizopolis - Out of Sight - The Limey - Erin Brockovich - Traffic - Ocean's Eleven - Full Frontal - Solaris (2002 film) - Eros: The Equilibrium - Ocean's Twelve - Bubble - The Good German - Che - The Girlfriend Experience - The Informant! - And Everything is Going Fine - Contagion - Haywire - Magic Mike - Side Effects - Behind the Candelabra - Logan Lucky - (Unsane) - (High Flying Bird)
The Auteurs #39: Steven Soderbergh: Pt. 1 - Pt. 2
Related: Ocean's 8
© thevoid99 2014
Directed by Steven Soderbergh and written by George Nolfi, Ocean’s Twelve is the sequel to 2001’s Ocean’s Eleven in which Danny Ocean and his gang have to travel to Europe to pay back the money they had stolen in the first film while dealing a master thief who is trying to usurp them as well as an Interpol agent trying to catch both of them. The film is another heist comedy where there’s a much looser tone than in the first as it has the gang trying to deal with new challenges. Starring returning cast members George Clooney, Brad Pitt, Matt Damon, Andy Garcia, Don Cheadle, Casey Affleck, Scott Caan, Bernie Mack, Elliot Gould, Carl Reiner, Eddie Jemison, Shaobo Qin, and Julia Roberts along with Vincent Cassel, Robbie Coltrane, Eddie Izzard, and Catherine Zeta-Jones. Ocean’s Twelve is a very funny and entertaining film from Steven Soderbergh.
The film takes place three years after the events of the first film in which Danny Ocean (George Clooney) and his gang have been found by Terry Benedict (Andy Garcia) who wants his money back plus interest. With only two weeks to pay him back, the gang travel to Europe where they learned that a thief named the Nightfox (Vincent Cassel) was the one who ratted them out to Benedict while an Interpol agent named Isabel Lahiri (Catherine Zeta-Jones) is also after them as she has a grudge towards Rusty Ryan (Brad Pitt) whom she once dated. While there’s not much plot in George Nolfi’s script, there is a lot of complexities to the way things are presented as Danny and his gang have to deal with the Nightfox as well as the target on their backs from Benedict and Lahiri.
Along the way, hilarity ensues as members of the gang get themselves in trouble where Linus Caldwell (Matt Damon) decides to get Danny’s wife Tess (Julia Roberts) involved. Still, there are some aspects to the story that includes depth such as Linus wanting to be more involved in the planning as well as some background about Isabel whose father was a master thief. Isabel is an interesting addition to the story of the gang as her relationship with Rusty adds some drama and tension into the film as Rusty had kept the relationship a secret to most of the gang who are upset that Isabel is after them. The Nightfox is an interesting antagonist who just wants to be known as the best thief in the world as he is upset when he learned about the heist Danny and his gang had did in the first film.
Steven Soderbergh’s direction is definitely stylish as it is set in locations in the U.S. as well as Europe in cities like Amsterdam and Rome as well as Lake Como in Italy. There is looseness in the way Soderbergh directs the actors where there’s a feeling they’re relaxed and having a lot of fun which allows the film to feel improvisational. Yet, there’s also some gorgeous images in the compositions that Soderbergh creates in his camera as he’s also the cinematographer under the Peter Andrews pseudonym. Even in Soderbergh’s approach to lighting and filters to play into the visual style while Soderbergh also creates some montages and scenes to play into the world what the gang is trying to and what they were doing when they’re founded by Benedict. Soderbergh’s approach to humor and action has some style as well as being engaging to showcase Soderbergh’s talent in telling a story. Overall, Soderbergh creates a very dazzling and enjoyable film about a heist team trying to pay back the man they stole from three years earlier.
Editor Stephen Mirrone does amazing work with film‘s stylish editing with its use of jump-cuts and montages along with some stylish transitions for the film. Production designer Philip Messina, with set decorator Kristen Toscano Messina and art director Tony Fanning, does excellent work with the film‘s set pieces from the hotels and places the gang stays at to the lavish home of the Nightfox. Costume designer Milena Canonero does brilliant work with the costumes from the clothes that Isabel wears to the suits that the Nightfox wears.
Visual effects supervisor Thomas J. Smith does nice work with some of the film‘s minimal visual effects such as the hologram of the Faberge egg that Ocean‘s gang and the Nightfox has to steal as well as the lasers in the museum. Sound editor Larry Blake does superb work with the sound to play into the atmosphere of the locations as well as some of the sound effects for some of the moments in the heist. The film’s music by David Holmes is fantastic for its mixture of electronic music, jazz, and funk to play into the film’s humor and action as well as some music ranging from hip-hop and pop including an Italian pop ballad that plays into the relationship between Rusty and Isabel.
The casting by Debra Zane is phenomenal for the ensemble that is created as it features some notable small appearances from producer Jerry Weintraub in a flashback scene where he’s talking to the mysterious LeMarc, Topher Grace as himself in a scene at Rusty’s hotel, Jeroen Krabbe as an agoraphobic recluse whom Ocean and his gang have to rob for the heist in Amsterdam, Jared Harris as Basher’s sound engineer, Cherry Jones as a FBI agent, Robbie Coltrane as an eccentric criminal named Matsui, Eddie Izzard as the technician Roman Nagel the team hires, and Bruce Willis as himself visiting Rome. Vincent Cassel is superb as Baron Francois Toulour/the Nightfox as a master thief taught by the great yet mysterious LeMarc as he rats out Ocean to Benedict in the hopes he can outdo Ocean and his gang. Catherine Zeta-Jones is wonderful as Isabel Lahiri as Rusty’s former lover who still holds a grudge towards him as she is eager to capture Ocean, Rusty, and their gang.
Andy Garcia is great as Terry Benedict as the casino owner who lost a lot of money in the first film due to Danny Ocean and his gang as he is eager to get what he lost plus interest or else he has them killed. As members of the gang, there’s amazing performances from Eddie Jemison as the hacker Livingston Dell, Shaobo Qin as the acrobatic Yen, Scott Caan and Casey Affleck as the bickering brothers Turk and Virgil Malloy, Elliott Gould as brainy Reuben Tishkoff, Carl Reiner as wide Saul Bloom, and Bernie Mac as resourceful Frank Catton. Julia Roberts is fantastic as Tess Ocean as Danny’s wife who realizes what is going on as she reluctantly plays part in helping Danny through Linus where she has to play a very famous movie star.
Don Cheadle is excellent as Basher Tarr as the British bomb expert/sniper who realizes the severity of the situation as he becomes frustrated by the setbacks he and the gang endures. Matt Damon is brilliant as Linus Caldwell as a thief who is eager to become an equal to Danny and Rusty as he would make a last-minute play to beat the Nightfox when Danny and Rusty are caught. Brad Pitt is very funny as Rusty as Pitt brings a lot of humor and swagger to his role as he finds himself dealing with Isabel as he becomes lost in what to do with her. Finally, there’s George Clooney in a marvelous performance as Danny Ocean as the head thief who is trying to figure out everything as he also deals with the setbacks and trying not to lie to his wife.
Ocean’s Twelve is a sensational film from Steven Soderbergh. Armed with a great ensemble cast, a cool soundtrack, and beautiful locations. It’s a film that not only captures the spirit of its predecessor but also bring a looseness that is just fun to watch. Even as it has the actors just being relaxed and enjoying themselves while letting the audience have fun with them. In the end, Ocean’s Twelve is a remarkable film from Steven Soderbergh.
Steven Soderbergh Films: sex, lies, & videotape - Kafka - King of the Hill - The Underneath - Gray’s Anatomy - Schizopolis - Out of Sight - The Limey - Erin Brockovich - Traffic - Ocean's Eleven - Full Frontal - Solaris (2002 film) - Eros-Equilibrium - Bubble - The Good German - Ocean’s Thirteen - Che - The Girlfriend Experience - The Informant! - And Everything is Going Fine - Contagion - Haywire - Magic Mike - Side Effects - Behind the Candelabra - Logan Lucky - (Unsane) - (High Flying Bird)
The Auteurs #39: Steven Soderbergh: Pt. 1 - Pt. 2
Related: Ocean's 8
© thevoid99 2014
Directed by Robert Zemeckis and written by John Gatins, Flight is the story of a substance-abusing airline pilot who manages to stop an airplane from crashing as he later tries to deal with addiction to drugs and alcohol. The film marks a return for Robert Zemeckis after a period of helming motion-capture animated films as he explores a man dealing with his addiction and actions. Starring Denzel Washington, Don Cheadle, Kelly Reilly, John Goodman, Bruce Greenwood, and Melissa Leo. Flight is a harrowing yet gripping film from Robert Zemeckis.
The film is this exploration into the life of an airline pilot who is brilliant but troubled by his substance abuse when he suddenly does the impossible and save a bunch of lives during a crash landing that could’ve killed everyone on board. Yet, he not only deals with the fact that there were a few people that did die but also the questions into whether he’s a hero or was he negligent in his role during this event. In turn, Captain Whip Whitaker (Denzel Washington) is forced to face not just what he did but also his substance abuse as he’s an alcoholic who also occasionally does some cocaine. While meeting a recovering heroin addict in Nicole (Kelly Reilly), he tries to deal with the lies he has created as friends try to help him yet the guilt over the lives that were lost and his actions continue to haunt him. It’s a film that is about a man dealing with guilt where he would eventually reach his bottom.
John Gatins’ screenplay is largely a character study about Whitaker as he’s a man that is divorced and he doesn’t see his son very much while he spends most of his time drinking and doing some cocaine with a flight attendant. He’s even intoxicated during this flight where everyone could’ve died but he has somehow managed to pull something off that some describe as miraculous. The film’s first act not only follows Whitaker’s day where he nearly crashed the plane but also Nicole who would reach her bottom after nearly dying of a heroin overdose. Whitaker’s encounter with Nicole would have him thinking about getting sober but his demons would often come back which would threaten their relationship as Nicole is eager to stay clean.
Adding to the chaos of Whitaker’s life is an impending hearing he has to face about his role where he asks those to lie for him so he can save his own skin. Still, there are those like his friend Charlie (Bruce Greenwood) who wants to help as does Whitaker’s lawyer Hugh Lang (Don Cheadle) but Whitaker proves too much to be a man who is just unraveling. Especially as he is convinced that he’s failed as a husband and father as he hopes this hearing he is to attend will get him back on a plane and just do what he does without compromise.
Robert Zemeckis’ direction is unique in not just some of the way he presents the drama but also in the fact that it is a story of a man not willing to face his demons as he is waiting to hit his bottom. Much of the direction in terms of the drama is pretty straightforward but also entrancing in some of the close-ups he creates to showcase the sense of pain and denial that Whitaker is dealing with. He also puts in some little details into the compositions such as the line of coke that is on a small mirror or a tiny bottle of vodka. There is a sense of unpredictability in the way Zemeckis captures a man that could be falling apart one day or be sober the next though it all plays into Whitaker’s state of mind as he just wants to self-destruct or lash out at someone. Still, Zemeckis wants to present Whitaker as a good man in a scene where he helps Nicole move out of her apartment where he fights off her landlord as he would offer her a place to stay. Even as he accompanies to meetings where Zemeckis has the camera on a person talking as well as Whitaker’s reaction where it does play into a sense of foreshadow.
The plane crash sequence is definitely one that is filled with terror and gripping suspense where Zemeckis maintains a claustrophobic intimacy of what goes on in the cockpit as well as where the passengers are sitting as the plane would go upside down. The shots of the plane from the outside are quite spectacular to play into the horror and the sense of the impossible that Whitaker pulled off. Still, that moment would be shown in numerous occasions including the hearing that Whitaker attends as it’s definitely one of the most chilling moments of the film as it is also its climax. One that is just unforgettable not just in its dramatic impact but also in the way Whitaker has to face not just truths about himself but everything else he did in that day. Overall, Robert Zemeckis creates a very powerful drama about a man facing his own demons and the lies that he surrounds himself with.
Cinematographer Don Burgess does excellent work with the film‘s cinematography from some of daytime locations in Atlanta as well as the scenes in the Whitaker farm to some of the interior scenes such as some shots in hotels and the bars that Whitaker goes to. Editor Jeremiah O’Driscoll does brilliant work with the editing from the use of rhythmic cuts for the film‘s intense moments in the plane to some of the stylish cuts for some of the film‘s dramatic moments. Production designer Nelson Coates, with set decorator James Edward Farrell Jr. and art director David Lazan does fantastic work with the set pieces such as the plane as well as the farm that Whitaker lives in as a sanctuary to get away from the press and the world.
Costume designer Louise Frogley does terrific work with the costumes where it‘s mostly casual with the exception of the hippie-like look of Whitaker‘s friend/drug dealer Harling. Visual effects supervisors Kevin Baillee and Hitesh Shah do amazing work with the visual effects for the scene of the plane where it plays into that sense of danger where it looks like it‘s going to crash as it‘s one of the film‘s major highlights. Sound designers Dennis Leonard and Randy Thom do superb work with the sound to capture what was going on inside that plane as well as some of the sound mixing to play into the troubled state of mind from Whitaker as well as Nicole early in the film. The film’s music by Alan Silvestri is wonderful for its broad orchestral score for some of the film’s intense moments along with low-key cuts to underscore the drama while its soundtrack contains a mix of music from the Rolling Stones, Joe Cocker, Marvin Gaye, the Red Hot Chili Peppers, and several others.
The casting by Scot Boland and Victoria Burrows is incredible for the ensemble that is created as it features some notable small performances from Nadine Velazquez as the stewardess Whitaker is with in the beginning of the film, Peter Geraty as the airline owner who wants to punish Whitaker for making him lose money, Garcelle Beauvais as Whitaker’s ex-wife Deana, Justin Martin as Whitaker’s son who doesn’t want to see him, Tamara Tunie as a flight attendant that survived the crash as she knows about Whitaker’s substance abuse, and James Badge Dale in a very memorable one-scene performance as a cancer patient Whitaker and Nicole meet at the hospital. Brian Geraghty is terrific as Whitaker’s co-pilot Ken Evans who would survive the crash as he would be a key person that would force Whitaker to confront his demons. Melissa Leo is wonderful as a NTSB investigator who interrogates Whitaker at the hearing.
John Goodman is very funny as Whitaker’s drug dealer Harling who always comes in to a Rolling Stones song as he would find ways to get Whitaker back up as he’s also a very unique individual who is an enabler but also the one person that can get him to focus. Don Cheadle is superb as Whitaker’s lawyer Hugh Lang who tries to get Whitaker to face the reality of his situation while admitting to not liking him. Bruce Greenwood is excellent as Whitaker’s friend Charlie who tries to help him deal with the legal things as well as trying to get him sober no matter how impossible it is. Kelly Reilly is fantastic as Nicole as this recovering heroin addict who befriends Whitaker as she would also live with him for a while as she would struggle with his alcoholism and her need to be sober.
Finally, there’s Denzel Washington in a magnificent performance as William “Whip” Whitaker as a man who lives a very exciting but empty life of being an airline pilot as well as doing all of the things a pilot does. Yet, he is a man that is denial over his substance abuse as he is also quite cruel and abusive to others which adds a sense of power to Washington’s performance. He can make Whitaker a despicable human being but also one who is sympathetic and in need of help as it is definitely Washington creating one of his best roles ever.
Flight is an incredible film from Robert Zemeckis that features a tour-de-force performance from Denzel Washington. Along with strong supporting work from John Goodman, Kelly Reilly, Bruce Greenwood, and Don Cheadle. The film is definitely one of Zemeckis’ best films that explores a man falling apart in the wake of a nearly catastrophic event where he does something miraculous. Even as he is forced to wake up and face the demons in his life. In the end, Flight is a phenomenal film from Robert Zemeckis.
Robert Zemeckis Films: (I Wanna Hold Your Hand) - (Used Cars) - (Romancing the Stone) - Back to the Future - (Who Framed Roger Rabbit?) - (Back to the Future Part II) - (Back to the Future Part III) - (Death Becomes Her) - (Forrest Gump) - (Contact) - (What Lies Beneath) - (Cast Away) - (The Polar Express) - (Beowulf (2007 film)) - (A Christmas Carol (2009 film)) - The Walk (2015 film) - (Doc Brown Saves the World) - (Allies (2017 film))
© thevoid99 2013
Based on the Marvel Comics by Stan Lee, Larry Lieber, Don Heck, and Jack Kirby and from the Extremis story arc by Warren Ellis, Iron Man 3 is the third installment of the Iron Man story in which Tony Stark faces with a new, mysterious enemy who is eager to wreak havoc into Stark’s life. Directed by Shane Black and screenplay by Black and Drew Pearce, the film picks up where The Avengers left off as Stark must deal with his role as Iron Man as he’s once again played by Robert Downey Jr. Also starring Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, James Badge Dale, Ty Simpkins, Jon Favreau, and Ben Kingsley as the Mandarin. Iron Man 3 is a thrilling and adventurous film from Shane Black.
The film revolves around Tony Stark battling an unknown enemy known as the Mandarin who is wreaking havoc on the world as he’s targeting the U.S. President (William Sadler). Yet, things become more complicated as Stark is dealing with anxiety issues relating to the events in The Avengers as he starts to alienate people close to him. Meanwhile, Stark is also dealing with the presence of Adrian Killich (Guy Pearce), who has been known for creating a virus that can help regenerate body parts, as he wants to go after Pepper Potts (Gwyneth Paltrow) to get Starks to help fund his work. It’s all part of a world in which Stark becomes overwhelmed as he has no idea what to do while eventually realizing that he’ll need to do things to help those he care for.
The screenplay by Shane Black and Drew Pearce explores not just Stark’s anxieties as well as his obsession to perfect the Iron Man suits he wears but also to use it so he can protect Pepper. Yet, he’s also dealing with the sins of the past as it relates to Killich who made an offer to Stark back in New Year’s Eve 1999 only to reject the offer while on that same night, he had a one-night stand with a botanist named Maya Hansen (Rebecca Hall) who would be one of the people that would create the Extremis virus. These sins would come back to haunt him as Stark tried to target the Mandarin in which one of his bombs put his former bodyguard Happy Hogan (Jon Favreau) into a coma. All of these incidents and the presence of the mysterious Mandarin would cause a lot of issues for Stark as he finds refuge in a small Tennessee town where he befriends a boy named Harley (Ty Simpkins) who would help Stark get back on his feet.
The script allows the Tony Stark character to not just face his demons and flaws but also face more brushes with death as he finally comes to the conclusion that he’s not just invisible. It’s not just Stark that is given a great character arc as the script also pays attention to Pepper Potts who grows into a much stronger woman who can put on an Iron Man suit and be helpful. There’s also a bit of buddy-comedy elements when it comes to Stark and his friend Colonel James Rhodes aka the Iron Patriot (Don Cheadle) who would later help Stark out in battling the Mandarin. Upon Starks’ eventual confrontation with the Mandarin, it becomes much more complex than it actually seems as it relates more to Killich’s work with the Extremis virus.
Black’s direction is quite typical of what is expected in an action blockbuster but Black does things to make it so much more. Notably as he creates scenes that are fun and full of humor while keeping the action thrilling as well as have some meaning. Black does create some unique shots that are simple including the scenes involving Starks and Potts while opening the film with this very humorous New Year’s Eve party in Switzerland that would set the tone for the entire film as it’s narrated by Stark. Many of the compositions are simple while the humor has the right note of just being unexpected but also natural where there is that sense of improvisation. Overall, Black creates a very solid and enjoyable action-blockbuster that manages to do a lot more than what is expected in its genre.
Cinematographer John Toll does excellent work with the film‘s cinematography as it‘s mostly naturalistic in some of its exteriors while using some more stylish lights for the scenes at night. Editors Jeffrey Ford and Peter S. Elliot do terrific work with the editing to create some rhythmic cut for the action scenes as well as a few montages for the flashback scenes. Production designer Bill Brzeski, along with set decorator Danielle Berman and supervising art director Desma Murphy, does amazing work with some of the set pieces such as the Stark mansion and the places set in Tennessee and Miami. Costume designer Louise Frogley does nice work with the costumes as it’s mostly casual with the exception of the Iron Man suits.
Visual effects supervisors Mark Bakowski, Erik Nash, Saravanan Stalin, and Christopher Townshend do brilliant work with the visual effects from the scenes of Iron Man flying in the air to some of the intense action scenes. Sound designer Ann Scibelli and sound editor Mark P. Stoeckinger do wonderful work with the sound from the layer of sound effects is used to some of the intimate moments in the mixing such as a bar scene where Stark gets information about the Extremis virus. The film’s music by Brian Tyler is very good as it‘s filled with bombastic orchestral music to play out its actions while music supervisor Dave Jordan brings in a few late 90s pop songs for the 1999 opening sequence as well as some funk music.
The casting by Sarah Finn is amazing as it features a massive collection of actors as it includes appearances from Miguel Ferrer as the vice president, Ashley Hamilton as an Extremis soldier, Shaun Toub reprising his role as Yinsen from the first film in the 1999 party scene, Paul Bettany as the voice of J.A.R.V.I.S., and Stan Lee as a beauty pageant judge. Other notable small roles include James Badge Dale and Stephanie Szostak as a couple of vicious Extremis soldiers, Jon Favreau as Stark Industries security officer Happy Hogan, and Ty Simpkins as the boy Harley who helps out Stark in repairing the Iron Man Mk 42 suit. William Sadler is terrific as the American President as someone who is threatened by the Mandarin as he tries to maintain some sense of order. Rebecca Hall is wonderful as Extremis co-creator Maya Hansen as a botanist who had good intentions for the virus only to go into conflict of her own about working for Killian.
Ben Kingsley is great as the Mandarin as a mastermind terrorist who creates mysterious videos with great intimidation as Kingsley brings a lot of chew-scenery to his performance as the Mandarin. Guy Pearce is excellent as Aldrich Killian as a businessman who has a grudge towards Tony Stark as he uses the Extremis virus to become something that is very menacing. Don Cheadle is superb as Col. James Rhodes as a man who is concerned for Tony Stark while dealing with his new role as Iron Patriot as he would deal with the Extremis forces.
Gwyneth Paltrow is brilliant as Pepper Potts as she goes from someone who is dealing with Stark’s anxieties to being a woman that got tired of being pushed around as Potts finally gets to kick some major ass. Finally, there’s Robert Downey Jr. in a marvelous performance as Tony Stark/Iron Man as someone struggling with his role as well as with his own demons as Downey just adds more layers to the characters as someone who is flawed and vulnerable as well as finding a way to get back up.
Iron Man 3 is a remarkable film from Shane Black that features another winning performance from Robert Downey Jr. Thanks to a fantastic script and a brilliant supporting cast, the film is definitely a major improvement over its predecessor while being something more than just a typical blockbuster film. It’s also a film that has something for everyone while not wanting to take itself too seriously. In the end, Iron Man 3 is an excellent film from Shane Black.
Marvel Cinematic Universe: Infinity Saga: Phase One Films: Iron Man - The Incredible Hulk - Iron Man 2 - Thor - Captain America: The First Avenger - The Avengers (2012 film)
Marvel Phase Two Films: Thor: The Dark World - Captain America: The Winter Soldier - Guardians of the Galaxy - The Avengers: Age of Ultron - Ant Man
Marvel Phase Three Films: Captain America: Civil War - Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man & the Wasp - Captain Marvel - Avengers: Endgame - Captain Marvel - Spider-Man: Far from Home
Multiverse Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special
Phase Five: Ant-Man & the Wasp: Quantumania - Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)
Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)
Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World
Shane Black Films: (Kiss Kiss Bang Bang) - The Nice Guys - (The Predator (2018 film))
© thevoid99 2013
