Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the story of a closeted high schooler who is trying to find the identity of a classmate who has fallen in love with him while trying to come out to his family and friends and deal with someone threatening to reveal his secret. Directed by Greg Berlanti and screenplay by Isaac Aptaker and Elizabeth Berger, the film is an exploration of a young man trying to discover himself during a time in his life as he questions what those close to him would think about him being possibly gay. Starring Nick Robinson, Katherine Langford, Alexandra Shipp, Logan Miller, Tony Hale, Josh Duhamel, and Jennifer Garner. Love, Simon is a heartwarming and riveting film from Greg Berlanti.
A high school senior who seems to have it all finds himself confused about his identity after reading a post about a classmate who is struggling to come out of the closet prompting him to find out that person’s identity as well as wonder when to come out to friends and family. It’s a film about a young man trying to discover more about himself as well as falling for another young man who has chosen to remain anonymous as they both cope with idea of coming out. The film’s screenplay by Isaac Aptaker and Elizabeth Berger follows the young life of Simon Spier (Nick Robinson) who is just a typical kid that has friends and a nice family but is dealing with the fact that he might be gay through this blog post where a classmate is struggling to come out. For Simon, he tries to figure out that person’s identity yet another classmate in Martin (Logan Miller) accidentally reads one of Simon’s emails and blackmails him so that he can get a chance to go out with one of Simon’s friends in Abby (Alexandra Shipp) whom Simon had met just six months ago.
The script also play into the anxieties of Simon wanting to tell family and friends as the first person he comes out to is Abby who agrees to keep it a secret but has no clue about Martin’s presence. Adding to the chaos is the search for the identity of this classmate known as Blue as Simon would have a few suspicions but he would eventually keep himself away from his friends unintentionally adding to the emotional turmoil he would endure.
Greg Berlanti’s direction is straightforward in terms of its visuals while also playing with the ideas expected in romantic films as well as teen comedies. Shot and set on various locations in and near Atlanta, Berlanti doesn’t try to aim for anything stylish in the visuals or create any sequences that are big to showcase the life of a teenager struggling to come out. While there’s some wide shots that Berlanti uses including for a fantasy musical sequence of Simon imagining having already being out and in college where the whole world is gay. Much of Berlanti’s compositions rely on close-ups and medium shots as well as using some real locations such as a Waffle House for a scene involving Simon, Abby, and Martin as well as a waiter who might be Blue. Even as he would use blue filters to play into the idea of who Blue is as whenever he’s typing things on his laptop. Berlanti also knows how to create that moment of drama as it relates to Simon having to come out and its aftermath where there are some revelations from the people who knew him but also from others who knew him from afar. Yet, Berlanti does instill some heart as it relates to Simon’s discovery about himself without trying to play too much into the typical elements expected in LGBT films and romantic comedies. Overall, Berlanti crafts a riveting and heartfelt film about a high school senior coping with his identity and the mystery of the person who is also struggling to come out.
Cinematographer John Guleserian does excellent work with the film’s cinematography as it is largely straightforward in its lighting and emphasis on natural colors for the daytime exterior scenes along with its usage of bluish filters for the idea of who Blue might be. Editor Harry Jierjian does nice work with the editing as it is largely straightforward including some rhythmic cuts for some key dramatic moments in the film. Production designer Aaron Osborne and set decorator Tasha Clarkson do fantastic work with the interiors of Simon’s family home as well as the school and a few places the characters go to.
Costume designer Eric Daman does terrific work with the Halloween costumes some of the characters wear including the clothes worn for a high school musical performance of Cabaret. Sound editor Donald Sylvester does superb work with the film’s sound in maintaining the raucous atmosphere of high school and in some of the parties as well as quieter scenes in some of the film’s dramatic moments. The film’s music by Rob Simonsen is wonderful for its synthesizer-driven music that harkens to the style of the 1980s as well as contemporary music while music supervisor Season Kent create a soundtrack that consists a mixture of modern pop/electro-pop music as well as older music from the Kinks, Warrant, Jackson 5, Whitney Houston, Bobby Pickett, Brenton Woods, and Violent Femmes.
The casting by Denise Chaiman, Tara Feldstein, and Chase Paris is marvelous as it feature some notable small roles and appearances from Nye Reynolds and Bryson Pitts in their respective roles as the 5 and 10-year old versions of Simon, Skye Mowbray as the younger version of Simon’s younger sister Nora, Natasha Rothwell as the drama teacher Ms. Albright, Clark Moore as the openly-gay student Ethan, Miles Heizer as a drama student whom Simon might think is Blue, Joey Pollari as a Waffle House waiter whom Simon also thinks could be Blue, and Keiyan Lonsdale as the school jock Abraham “Bram” Greenfeld whom Simon befriends as he would think Bram’s real identity is Blue. Tony Hale is terrific as Simon’s vice Principal Mr. Worth as a man who is liked by many for not being too strict yet expresses concern for Simon including a scene where Simon and Ethan are mocked as he lectures the students who mock them showing that he means business. Talitha Bateman is fantastic as Simon’s younger sister Nora who aspires to be a cook as she becomes concerned for her brother as well as knowing more about him than he already knows.
Logan Miller is superb as Martin Addison as a student who blackmails Simon in the hopes of hooking up with Abby where even though he’s a well-meaning person despite holding on to Simon’s secret. Alexandra Shipp and Jorge Lendeborg Jr. are excellent in their respective roles in Abby and Nick as a couple of Simon’s friends who are dealing with the chaos of high school as the former is among the first to learn about Simon’s secret. Jennifer Garner and Josh Duhamel are brilliant in their respective roles as Emily and Jack Spier as Simon and Nora’s parents who notice odd things about Simon while they also cope with the news of his secret with both of them coping with the news. Katherine Langford is amazing as Leah Burke as Simon’s longtime childhood friend who is trying to understand what Simon is dealing with while carrying a secret of her own as it would impact their friendship as well as so much more. Finally, there’s Nick Robinson in a remarkable performance as Simon Spier as a high school senior troubled by his growing sexual identity as he also tries to figure out the identity of a person named Blue as it’s calm and touching performance from Robinson who manages to capture the excitement and fear of coming out.
Love, Simon is a marvelous film from Greg Berlanti that features an incredible leading performance from Nick Robinson. Along with its supporting cast, study of homosexuality and coming out, and its exploration of young love. It’s a film that manages to be engaging as well as be daring at times to showcase the struggles of a young man trying to come out. In the end, Love, Simon is a splendid film from Greg Berlanti.
© thevoid99 2019
Directed by Dave McCary and screenplay by Kyle Mooney and Kevin Costello from a story by Mooney, Brigsby Bear is the story of a man who lived in an underground bunker learns that his favorite TV show was created by the man who captured him prompting him to see the outside world and finish the show’s narrative. It’s a film that plays into a man who embarks into the real world after being held captive for so many years as his ideas of reality and fantasy become confusing. Starring Kyle Mooney, Claire Danes, Greg Kinnear, Matt Walsh, Jane Adams, Michaela Watkins, Jorge Lendeborg Jr., Ryan Simpkins, and Mark Hamill. Brigsby Bear is a whimsical and heartfelt film from Dave McCary.
A young man who obsessively watches a TV show while living in an underground bunker learns he had been abducted by a couple where he returns to his real family and eventually decides to finish the show that his fake father created into a film. It’s a film that has a man dealing with reality and what happened to him while realizing that a new tape of his show isn’t coming forcing him to make a project relating to that show. The film’s screenplay by Kyle Mooney and Kevin Costello focuses mainly on the character of James Pope (Kyle Mooney) who lives in an underground bunker as he obsesses over this educational TV show about a bear who saves the universe as well as teach children ideas and math problems of the world. For James, it’s the only contact to the outside world that he has while he also created an online fan forum about the show unaware that no one knows about the show’s existence.
Upon his return to the real world and reunited with his real parents as well as learning he has a younger sister in Aubrey (Ryan Simpkins), James struggles with his new reality until Aubrey reluctantly takes him to a party where he manages to win a few people over through his discussion of his favorite show that it interests a few people. Even one of the detectives of his case in Detective Vogel (Greg Kinnear) takes interest in what James is doing as he wanted to fulfill a lifelong dream of acting as he used to act in plays before becoming a detective. With Aubrey eventually joining in, James finds a fulfillment in creating this film version of his favorite TV show with the props of the show that Detective Vogel retrieved from the station. Yet, James’ project makes his parents uneasy thinking he wouldn’t adapt to society following a stunt he pulled during filming where he took the blame for everyone. It would play into James’ need to focus on this project rather than adapt to a world he doesn’t know much about.
Dave McCary’s direction is full of imagination and whimsy which play into this clash of reality and James’ need to create a reality that is based on the fantasy of the TV show that he loved. Shot on location in Utah, the film does play into a world where it starts off as this strange and offbeat sci-fi film where this family is living underground as if the world had been destroyed by a nuclear holocaust until the police arrive to arrest James’ captors. There are some wide shots of the locations in McCary’s direction yet he’s more focused on the interaction between characters and James’ enthusiasm for this TV show that he loved. Notably in the creation of James’ film where there is that element of amateurish, homemade filmmaking that is full of creativity thanks in part to a friend of Aubrey in Spencer (Jorge Lendeborg Jr.) who would create visual effects and be James’ closest collaborator in all aspects of the film.
There are dramatic elements in the film as it relates to James’ parents desire to connect and bond with him as they bring in their family therapist Emily (Claire Danes) who suggest some things that she believes would help James. Still, McCary maintains a low-key approach to the drama in favor of something more light-hearted in its approach to humor as well as James’ journey about the world around him including those who participated in the TV show that his fake parents created. Even in what would become James’ vision for this film as he would do what he can to create something faithful to the TV show but also as a closing chapter in his life. Overall, McCary creates a touching and witty film about an abducted young man who seeks out to finish his captors’ TV special into a film.
Cinematographer Christian Sprenger does excellent work with the film’s cinematography as it is largely straightforward with some grainy video footage for the TV show presentation as it was shot largely on video. Editor Jacob Craycroft does nice work with the editing as it is straightforward with some rhythmic cuts that play into the humor and drama. Production designer Brandon Tonner-Connolly, with set decorator Cynthia A. Neibaur and art director Andy Eklund, does amazing work with the look of some of the amateurish sets that James and Spencer created along with the props from the show. Costume designer Sarah Mae Burton does fantastic work with the clothes and costumes of the show including the homemade costumes that were created along with the casual look of the people in James’ life.
The visual effects work of Andrew Sherman is brilliant for its approach to amateurish visual effects and usage of practical effects to create something as if it was homemade. Sound editor Leslie Shatz does superb work with the sound as it create some sound effects for the film along with some usage of naturalistic sound in various parts of the film. The film’s music by David Wingo is wonderful for its usage of ambient and electronic pieces to play up the feel of the 1980s as if the TV show was created in the 1980s while music supervisor Kier Lehman provides a mixture of music for its soundtrack that includes acts like YACHT, Kyle, DecadeZ, Vessel, Join the Riot, and Nate Heller.
The casting by Courtney Bright and Nicole Daniels is great as it feature some notable small roles and appearances from Andy Samberg as mental hospital patient James befriends late in the film, Tim Heidecker as an actor in a movie James sees with his dad, Kate Lyn Sheil as an actress who appeared on the TV show as an object of affection for James, Alexa Demie and Chance Crimin in their respective roles as a couple of Aubrey’s friends in Merideth and Logan, Beck Bennett as a detective in Deputy Banner who becomes suspicious about James’ activities, and Claire Dane in a terrific small role as the Pope’s family psychiatrist Emily who is trying to understand James only to make suggestions that proved to be not helpful to his well-being.
Jorge Lendeborg Jr. is superb as Aubrey’s friend Spencer who becomes fascinated by the TV show that James tells him about where he would upload episodes to YouTube and become James’ key collaborator in the film. Matt Walsh and Michaela Watkins are fantastic as James’ real parents in their respective roles as Greg and Louise Pope who are trying to re-establish their relationship with their son while being confused by his obsession for the show while Ryan Simpkins is wonderful as James’ younger teenage sister who initially doesn’t want to do much with him only to become a collaborator for his film where they start to bond.
Mark Hamill and Jane Adams are excellent as James’ captors in their respective roles as Ted and April Mitchum with Hamill as the creator of this TV show who has also been James’ protector with April as the maternal figure where the two try to protect James from the ugliness of the world. Greg Kinnear is brilliant as Detective Vogel as the man who brings James back home while becomes interested in what James is doing prompting him to return to his love for acting by taking part in the film. Finally, there’s Kyle Mooney in an amazing performance as James Pope as an abducted young man who is a big fan of a TV show he believed everyone knows only to learn he was abducted yet is more concerned about the next episode forcing him to create his own film where it’s a charming and heartfelt performance of a man whose innocence is his key to living.
Brigsby Bear is a sensational film from Dave McCary. Along with its ensemble cast, touching script, dazzling visual effects, and old-school approach to amateurish filmmaking. It’s a comedy-drama that touches all of the right places while not being afraid in expressing sentimentality in a young man wanting to finish the creation that his abductors had created. In the end, Brigsby Bear is a phenomenal film from Dave McCary.
© thevoid99 2019
