Directed and edited by Pamela B. Green and written by Green and Joan Simon with narration by Jodie Foster, Be Natural: The Untold Story of Alice Guy-Blache is a film about the life and career of one of cinema’s early pioneers who was also considered to be one of the first real auteurs who also owned and ran her own studio. The film showcases the woman’s career as well as the films she created as well as why she was often overlooked during her career and the re-discovery of her work. The result is an engrossing and wondrous film from Pamela B. Green.
In 1895, a secretary for engineer/industrialist Leon Gaumont attended a private screening of a film entitled Workers Leaving the Lumiere Factory by Auguste and Louis Lumiere. The secretary that is Alice Guy saw a new medium as from 1896 to 1920, she made hundreds of films that would not just pioneer cinema as an art form but also would create techniques and ideas that would be the basis of cinema itself. Like the Lumiere Brothers, Georges Melies, and Edwin Porter, they would create short films that would showcase cinema’s tool in the world of storytelling yet it would be Guy that would take the format much further prompting others including Melies to step up their game. In 1907, Guy married Englishman Herbert Blache as he would be Gaumont’s production manager in the U.S. until 1910 when she and Blache formed the Solax Company to make their own films as she would use the slogan “be natural” to those who worked at the studio in Fort Lee, New Jersey.
One of Guy-Blache’s innovations in filmmaking was the creation of the Gaumont Chronophone system that allowed her actors to lip-sync to pre-recorded music and use the music to sync up to the film footage as it was the early ideas of sound heard in film. Guy was also ambitious as she made a 25-part series of shorts relating to Jesus Christ as it was quite bold for its time. Another form of innovation that she did during her time in New Jersey was make a film with an entirely black cast in A Fool and His Money as it was made because white actors didn’t want to work with black actors prompting Guy-Blache to just hire an all-black cast regardless of prejudice. She also made films that had gender roles reversed as well as tackle subject matters that not many were willing to go into.
Then came World War I as business started to hurt Guy-Blache’s studio but also this emergence of businessmen wanting to take over the world of cinema including Thomas Edison prompting many studios to move to California rather than work with Edison who wanted to have a lot of control on the world of film through his own equipment and such. Herbert Blache would also move to California due to his affairs with other women leading to the two to divorce in 1922 as she returned to France with their children never making films again. Especially as she wouldn’t receive the proper credit for her work with Gaumont becoming more of a businessman in running his own studio as things would get tougher during the Great Depression and World War II though Gaumont would try to rectify his faults in giving her proper credit despite people around him telling him not to.
The documentary also has Pamela B. Green who also serves as the film’s editor not just trying to find out more about Guy-Blache and her films but also asking many other filmmakers, historians, actors, and such including Julie Taymor, Peter Bogdanovich, Evan Rachel Wood, Ava Duvernay, Peter Farrelly, Andy Samberg, Julie Delpy, Lake Bell, Gillian Armstrong, cinematographer John Bailey, and many others about Guy-Blache as many of them admit to never having heard of her. There is also the story of Green not just trying to find information about her films and her life but also meeting those who knew someone who knew Guy-Blache including descendants of Guy-Blache such as her great-great granddaughter as well as descendants of Leon Gaumont as there’s a scene where the descendants of Guy-Blache and Gaumont would go to various locations where Guy-Blache made some of her films. Much of Green’s direction and editing is straightforward with a few montages of film archivists finding some of Guy-Blache’s work while also going into the difficulty of restoring her work.
The film also features archival interviews from Guy-Blache from the late 1950s and early 1960s with narration by Jodie Foster who reads some of Guy-Blache’s comments and letters with a rare audio interview between Guy-Blache and a film historian in Brussels who wonders why she isn’t credited for her work. Notably as historians dating back to the 1940s would often omit her as some claim there was a lot of resentment towards her because she was a woman as some even question the validity of her claims in the mid-1970s after she had died in 1968. It would be Guy-Blache’s daughter Simone and other historians that would keep Guy-Blache’s name alive while Green would also talk to relatives who found old letters, photos, and notebooks that lead to many clues that show proof of Guy-Blache’s claims. Upon discovering the shorts of Guy-Blache, cinematographer John Bailey and others at the Academy Arts and Science would try to recreate one of her shorts with comedy actors Chris Kattan and Horatio Sanz with the same camera that Guy-Blache used.
Sound editors Casey Langfelder and Daniel Saxlid, along with sound designers Marcello Dubaz and Kent Sparling, do superb work in providing many of the audio archives from Guy-Blache’s interview with the Belgian film historian that his grandson had kept all of these years while also capturing all of the people who are interviewed for the film as they all talk about discovering Guy-Blache and her importance in film history. The film’s music by Peter G. Adams is terrific for its mixture of low-key electronic music and ambient pieces as it play into the search for Guy-Blache’s films and everything about her. Even as Green showcases old photos of the studio she created in New Jersey as well as visual recreation of the studio itself and where filming took place in the studio.
Be Natural: The Untold Story of Alice Guy-Blache is a phenomenal film from Pamela B. Green. It’s a film that anyone interested in film history or film itself must see as it not only does some correcting into some of the real stories about cinema’s birth but also in showcasing one of its pioneers and her innovative work. Especially as it showcases the woman’s work and her brief yet illustrious career that proved how influential she was. In the end, Be Natural: The Untold Story of Alice Guy-Blache is a sensational film from Pamela B. Green.
Related: The Short Films of Alice Guy-Blache Vol. 1
© thevoid99 2020
Written, directed, and starring Lake Bell, In a World… is the story of a vocal coach who struggles to make it in the world of the voiceover game as she contends wither very famous father and other men in an industry often dominated by men. The film is an exploration into an industry where men often runs things as a woman is trying to make it on her own terms as she copes with having to compete with her father. Also starring Demetri Martin, Fred Melamed, Rob Corddry, Michaela Watkins, Ken Marino, Tig Notaro, and Nick Offerman. In a World… is a rich and engaging film from Lake Bell.
The film explores the world of the voiceover industry as it revolves around a revered veteran, a popular voiceover actor, and the veteran’s vocal coach daughter all vying for this job to do voiceover work for a trailer for an upcoming film franchise following the death of a great voiceover artist. Yet, it’s really more about this woman who has her father’s gift for doing great voices as she struggles to make it on her own as she works as a freelance voice coach as well as do small gigs. Even as she is kicked out of her dad’s home as she lives with her sister where she copes with having to be in her father’s shadow. When opportunity knocks as she had gained two voiceover gigs that was supposed to be for someone else. It then lead to all sorts of things as she finds out she would have to compete with her father and the man whose gigs she accidentally took.
Lake Bell’s screenplay definitely explores the struggle for women to make it in an industry where men are often the driving force as it sort of plays as an allegory of the way the film industry is where it would favor men instead of women. Even as her character Carol Solomon is someone who is very good at creating voices and helping other actors with their voices. Unfortunately, it hasn’t done enough to get her own career in gear despite the help of some people including sound engineer Louis (Demetri Martin) who has a crush on her. Her father Sam Sotto (Fred Melamed) is even less supportive as he is more concerned in grooming the already popular voiceover actor Gustav Warner (Ken Marino) to be the man who will say the words “in a world…” that the late Don LaFontaine has been famous for.
While there’s a subplot involving Carol’s sister Dani (Michaela Watkins) who is struggling with her marriage to Moe (Rob Corddry), it does play into Carol using her voice to help them. Even as it reveals the sisters’ shared frustration towards their father who is often dismissive about Carol’s work as doesn’t think women have a place in the voiceover industry. Carol’s encounter with Gustav at his party would only complicate things due to Sam being more supportive towards Gustav as he is unaware of the fact that Carol was the one that took Gustav’s gigs due to Gustav being sick. It would definitely lead to this competition where Carol knows she has to compete with her dad and Gustav for this gig but she doesn’t have their egos as she knows that she will at least she put some effort if she loses the gig.
Bell’s direction is very simple as she aims for something that feels very intimate as well as provide some insight into a woman trying to break into a male-dominated industry. Especially as it has something that is a low-budget film but doesn’t have the look nor the feel of a low-budget film where Bell definitely creates some unique compositions such as close-ups and medium shots. Notably in the former as it plays to the power of the voice such as this climatic montage of Sam, Carol, and Gustav recording their voices for this trailer. The direction also has some effective use in its approach to humor that is very light-hearted as Bell prefers to create something that feels natural while not being afraid of displaying some quirks. Overall, Bell creates a very fascinating and entertaining film about a woman trying to get her break in the art of voice-overs.
Cinematographer Seamus Tierney does excellent work with the film‘s cinematography as it is vibrant and colorful for some of the film‘s daytime scenes while using some unique lights and shades for some of its nighttime interior scenes. Editor Tom McArdle does brilliant work with the editing as it‘s mostly straightforward while its climatic montage is very inventive to showcase how Sam, Carol, and Gustav each prepare themselves for this gig. Production designer Megan Fenton, with set decorator Elizabeth Garner and art director Ashley Fenton, does nice work with the look of the homes that Sam and Gustav live in as well as the small apartment that Dani and Moe live at.
Costume designer Lindy McMichael does terrific work with the costumes as it‘s mostly casual with the exception of the party dress that Carol wears to Gustav‘s party. Sound editor Fredrick Helm does fantastic work with the sound editing to provide the usage of voice-over and how they‘re created as well as in the climatic montage where Carol, Sam, and Gustav are recording their narrations. The film’s music by Ryan Miller is wonderful as it‘s mostly a keyboard-driven score that is low-key to play into its humor while music supervisor Chris Douridas creates a very fun soundtrack that features a diverse array of music from Mulatu Astatke, Warren G and Nate Dogg, Ice Cube, Squeeze, Salt-N-Pepa, Rick James, the Commodores, Slick Rick, Eddie Money, the Police, Gerry Rafferty, and Tears for Fears.
The casting by John Papsidera is amazing as the film features cameos from Jeff Garlin, Eva Longoria, and a couple of noted voice-over actors in Joe Cipriano and Mark Elliott. Other notable small roles include Talulah Riley as a British neighbor of Moe who helps Carol out in finding a dress, Stephanie Allynne as the sound studio receptionist Nancy whom Louis goes on a bad date with, Corsica Wilson as a woman with a sexy baby voice that Carol meets, Jason O’Mara as an attractive Irishman that Dani meets in her work as a hotel concierge, Tig Notaro as the sound engineer Cher, and Geena Davis in a wonderful appearance as a film executive who would present the trailer that Carol, Sam, and Gustav have been competing for. Nick Offerman is excellent as the sound studio manager Heners who is trying to make sure things are going well as he reveals to despise Gustav for personality reasons. Alexandra Holden is terrific as Sam’s much-younger girlfriend Jamie who tries to smooth things between Sam and his daughters as well as be his supporter. Rob Corddry is fantastic as Carol’s brother-in-law Moe as a small-time chef who is trying to get some time with his wife as he copes with her frequent absences as he would help Carol out with her things.
Ken Marino is superb as the voiceover actor Gustav Warner as he is a guy with a sense of charm but also a bit of smugness which Marino manages to flesh out so well. Demetri Martin is brilliant as Louis as Carol’s sound engineer who has a thing for her as he copes with being single and Carol’s encounter with Gustav. Michaela Watkins is great as Carol’s sister Dani who copes with her work as well as an encounter with an attractive Irishman whom she met at work. Fred Melamed is incredible as Dani and Carol’s father Sam Sotto as this famous voiceover actor who has everything but is often distracted by his own ego and what he wants to do which often leads to a troubled relationship with his daughters. Finally, there’s Lake Bell in a remarkable performance as Carol as this vocal coach who is trying to get her break as she copes with competing with her father as well as the sexism she is facing in the industry as it’s a performance full of charm and naturalistic humor.
In a World… is an extraordinary film from Lake Bell that features a fantastic ensemble cast and a compelling premise that is very engaging. It’s a film that manages to be quite witty as well as have something to say about women trying to make it in an industry that is often dominated by men. In the end, In a World… is a marvelous film from Lake Bell.
© thevoid99 2014
